Polish style in the music of Johann Sebastian Bach:
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Lanham ; Boulder ; New York ; London
Rowman & Littlefield
[2017]
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| Schriftenreihe: | Contextual Bach studies
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| Online-Zugang: | Inhaltsverzeichnis Register // Gemischte Register |
| Beschreibung: | Includes bibliographical references and index Erscheint auch als Online-Ausgabe Erscheint voraussichtlich Dezember 2016 |
| Beschreibung: | xvi, 402 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780810888937 |
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| 246 | 1 | 3 | |a The Polish influence on the music of Johann Sebastian Bach |
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Datensatz im Suchindex
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| adam_text | Contents
Editors Foreword vii
Acknowledgments ix
Abbreviations xiii
Introduction 1
Part I: Baroque Music and the Polish Style: Theoretical and
Historical Problems
1 The Polish Style in Eighteenth-Century Music Theory 19
2 Polish Dances in German Baroque Music Culture 63
3 Polonaises in Johann Sebastian Bachs Instrumental Music 91
Part II: The Metaphorical Dimension of the Polonaise:
The Theme of the Kingdom of Heaven in Bach s Sacred Music
4 The Motet Singet dem Herrn ein neues Lied BWV 225: Style,
Texture, and Theological Message 113
5 The Cantatas BWV 190, 69a, and 137: Praise for the King of Heaven 131
6 Cantatas BWV 50 and 184: A Herald of the Approaching Kingdom
of Heaven 153
VI
Contents
Part III: On the Mass in B Minor, BWV 232
7 The Meaning of the Polonaise in “Quoniam tu solus sanctus”:
An Aria Dedicated to the King 169
8 Problems of Parody and Style in the Mass in B Minor: Parody Sources
for the “Et resurrexit” Chorus 191
Part IV: The Polonaise in Bachs Secular Cantatas
9 The Story of an “Aria tempo di Polonaise” for
Joachim Friedrich von Flemming 219
10 A Polonaise Duet for a Professor, a King, and a Merchant:
On Cantatas BWV 205, 205a, 216, and 216a 239
11 A Polonaise for a Queen: Politics and Propaganda in Tonety ihr Pauken!
Erschallet TrompetenU BWV 214 253
12 The Polish Style in Musical Satire: Cantate en burlesque /
Mer hahn en neue Oberkeet, BWV 212 (Peasant Cantata) 265
13 Coda 285
Notes 289
Bibliography 357
Index 385
About the Author 401
Index
Note: Titles that are followed by “(Bach)” refer to specific works by Johann Sebastian Bach.
Page numbers in italic type refer to endnotes.
Abendmusik, 220—23, 226, 232, 235—36
Adelung, Johann Christoph, 349
Adler, Guido, 289, 354
Adlung, Jacob, 291
Aeneid (Virgil), 242-43, 249, 257, 260
Aeolus Cantata. See Der zufriedengestellte
Aeolus, BWV 205 (Bach)
Agricola, Johann Friedrich, 5, 81-82, 219,
228-29, 291, 320, 345, 347
Agricola, Martin, 81-82, 320, 345, 347
Alain, Olivier, 332
Albert, Heinrich, 63, 300, 3Ü-22
Albinoni, Tomaso, 7
Alexei I Mikhailovich Romanow (Tsar), 70
Allerneueste Anweisung zur Aeusserlichen
Moral (Hansel), 65
Allgemeine Geschichte der Musik (Forkel),
23-24
Allgemeine Theorie der schönen Künste
(Sulzer), 31, 38, 54
Allihn, Ingeborg, 304
Altnickol, Johann Christian, 89, 108, 178
Ameln, Konrad, 115-18, 130, 327-29
André, Louis, 171, 338
Anfangsgründe zur musicalischen Setzkunst
(Riepel), 61, 274
Angenehmes Wiederau, BWV 30a (Bach),
223, 228, 230-31
d’Anglebert, Jean Henri, 6
Anna Ivanovna Romanowa (Tsarina), 70
Annalium Lipsiensium (Sicul), 132, 137
Apel, Andreas Dietrich, 117
Apel, Johann August, 33, 301—2
Apel, Willi, 319
Applegate, Celia, 292
“Aria tempo di Polonaise,” 219, 235
Aristotle, 25
Astrea placata (Breunich), 61
Augsbach, Horst, 295
August II the Strong (King of Poland, as
Elector of Saxony; see Friedrich August
I. von Sachsen), 11, 13, 20, 61, 66, 94,
96, 193-96, 196 (figure), 197 (figure),
220, 240, 243, 246, 352. See also “Et
resurrexit tertia die” chorus
August III (King of Poland, as Elector of
Saxony; see Friedrich August II. von
Sachsen), 10-13, 61, 66, 68, 69, 94,
101, 122, 161, 169-71, 175, 193, 199,
210, 220, 231, 240, 244, 246-50,
249 (figure), 253-56, 265, 339, 347,
350-53
385
386
Index
August Ludwig von Anhalt-Ko then (Duke),
346
August, Peter, 339
Augustus (Caesar of Rome), 242, 243,
249-50, 257
Augustyniak, Urszula, 346
Bach, Anna Magdalena, 5, 107, 223—24
Bach, Carl Philipp Emanuel, 7, 89, 92,
95, 105, 132, 156, 291, 322, 324, 334
326, 335, 345; Klavierbiichlein fur Anna
Magdalena Bach, 15, 40—41, 56, 60,
92; Obituary, 5, 11, 15, 219; Sonata in
A Major, 42—44; Bach, Johanna Maria
(C.PE. widow), 331
Bach, Johann Christian, 89, 103, 107, 159,
290, 323, 326
Bach, Johann Christoph Friedrich, 7, 89,
159, 292, 339, 348
Bach, Johann Christoph, (uncle), 156
Bach, Johann Elias, 347
Bach, Johann Jakob (brother), 105
Bach, Johann Sebastian: cantor work, 137;
list of polonaises, 92 tab; manifesto,
19—20; motets in music, 113—15;
petition to be court composer, 171—77,
176 (figure), 177 (figure); polychoral
compositions, 122; significance of
Polish style of, 3, 67, 285—87. See also
polonaises; specific works
Bach, Wilhelm Friedemann, 6, 24, 42—43,
87-90, 105, 154, 174, 246, 304, 318,
338, 347, 351
Bach in Kothen (Smend), 103
Bach-Jahrbuch, 153, 192
Bachorz, Józef, 303
bagpipers, 76, 77 (figure), 78—81, 96
Baker, Nancy K, 290, 305
Balthasar, Philipp, 315
Baron, Carol, 343
Barthélemy, Jean-Jacques, 303
Bartkiewicz, Kazimierz, 321
Bassani, Giovanni Battista, 179
Bauern-Kantate. See Mer hahn en neue
Oberkeet, BWV 212 (Bach)
Baur, Jorg, 330
Bayle, Pierre, 350
Bayreuth, Wilhelmina von, 314
Beer, Johann, 80, 320
Beethoven, Ludwig van, 15, 44, 45, 294
Beiche, Johann Siegmund, 230
Beißwenger, Kirsten, 179, 289, 291, 292,
325, 334, 340, 345
Bellman, Jonathan, 294
Bellona’s aria, 261—63
Benda, Franz, 52—53, 309
Bengel, Johann Albrecht, 157, 335
Benndorf, Kurt, 299
Berlin Court, 69—70
Berman, Laurence, 290
Bernhard, Christoph, 2, 290
Bernoulli, Eduard, 311
Bertoli, Daniele Antonio, 77 (figure)
Bessel er, Heinrich, 324—26
Bialostocki, Jan, 2, 289
Biblische Erklärung (Olearius), 118, 120
(figure), 124, 148, 188
bichorality, 155
Bienkowska, Irena, 220, 346
Biesold, Sebastian, 311
Bilica, Krzysztof, 303, 304
Bill, Oswald, 317
Binder, Christlieb Sigismund, 60
Birnstel, Friedrich Wilhelm, 87
Blankenburg, Walter, 340, 341, 353, 354
“Blast die wohlgegriffnen Flöten,” 261
Blast Lärmen, ihr Feinde, BWV 205a (Bach):
about, 244—45, 247; libretto, 247—50,
255; as political propaganda, 247—50;
“Schwänze Raben werden eher Schwäne
haben” duet, 246—47, 250
Bodenschatz, Erhard, 114, 327
Böhme, Franz Magnus, 29, 300, 314
Bordoni, Faustina, 180
Borris-Zuckermann, Siegfried, 304
Boyd, Malcolm, 324, 325
Boyden, David B., 320
Boyvin, Jacques, 6
Brandenburg Concerto no. 1 in F Major,
BWV 1046 (Bach): aristocratic context,
98, 101; hunting horns, 93—95, 93
(figure), 94 (figure), 99-101; Poloinesse,
96-101; Sinfonia (BWV 1046a), 91-92;
violin piccolo, 95—97
Index
387
Branicki, Jan Klemens, 10, 116, 293y 328
Brandtvorwerg, 269—71» 83, 269 (figure),
270 (figure)
Breig, Werner, 324
Breitkopf (publisher), 58, 114, 246, 254,
255, 327, 329y 350-52
Breunich, Johann Michael, 61, 305y 311
Brodzihski, Kazimierz, 303
Bronikowski, Bogustaw Stanislaw, 310
Brosche, Günter, 336
Brühl, Heinrich von, 68, 87, 101, 170, 230,
266, 293, 322, 325, 337, 347
Brusniak, Friedhelm, 347348
Buffardin, Pierre-Gabriel, 105, 107, 180
Buhle, Edward, 310, 321
Burkhardt, Felix, 320
burlesque model. See Mer hahn en neue
Oberkeety BWV 212 (Bach)
Burney, Charles, 314
Buschart, W. David, 330
Buschbeck, Reinhard, 333
Butler, Gregory, 326
Butt, John, 341
Butz, Tobias, 171—72, 172 (figure), 174-75,
338
cadential breaks, 51—52
Calov, Abraham, 123—25, 331
The Cantatas of J. S. Bach, 263 (Dürr), 200
Catherine II (Empress of Russia), 70
Charles IV Burbon, King of Sicily, 13, 347
Charles VI Habsburg (Emperor), 353
Charles XII, King of Sweden, 352
Charlotte Friederica Wilhelmine von
Nassau-Siegen, 116
Chmieiowski, Franciszek, 310
Chodkowski, Andrzej, 306
Chopin, Fryderyk, 31, 87, 295, 300, 303-4,
323
“Chorus of the Winds,” 242
Christian Ludwig of Brandenburg
(Margrave), 91, 92, 95, 96, 104, 325
Christian von Sachsen-Weißenfels, 221,
226-28, 233, 348
Christiane Eberhardine of Brandenburg-
Bayreuth, 66
Chybihski, Adolf, 14, 294
Clavierübungen mit der Bachischen
Applikatur (Kirnberger), 56-59
Clavierübung I (Bach), 175, 339
Clavierübung II (Bach), 3, 9
Clement, Albert, 286, 356
Codex-Rost, 80
Concerto Grosso in E Minor, op. 6, no. 3
(Handel), 42, 43
Corelli, Arcangelo, 7, 8
cori spezzati, 122, 155
corni da caccia (hunting horns), 95-97, 95
(figure), 99-101, 188-89
Cosel, Anna Constantia von Hoym
(Countess), 267
cossack dance, 71, 72, 73 (figure)
Couperin, François, 5, 291, 295
Cox, Howard H,, 330
Cramer, Cari Friedrich, 304
Crawford, Tim, 356
Cicero, Marcus Tullius, 290
Dadelsen, Georg von, 96, 325
Dahlhaus, Carl, 8, 292
Dahlig, Piotr, 320
Dahlig-Turek, Ewa, 16, 295, 312
Damm, Peter, 324, 341
Dammann, Rolf, 13, 294, 338
dance: French, 96; Marpurg on, 52; rriazur,
60-62, 71, 98, 274-75; Musikalisch-
Türckischer Eulen-Spiegel, 85; peasant
dance, 60—62; Scandinavian dances, 64.
See also polonaises
Danckert, Werner, 13, 294
Danzig, Polish dances in, 63-64
Das beschützte Orchestre (Mattheson), 39
David, Hans T, 291
Decker, G. J. (publisher), 58
Deitsch, Mattheus, 249
Delicta Juventutis meœ ne memineris (Butz),
171-72, 171 (figure)
Dentier, Hans-Eberhard, 293
Der Abenteuerliche Simplicissimus Teutsch
(Grimmelshausen), 83-84
Der allezeit fertige Polonoisen- und
Menuettenkomponist (Kirnberger), 86-87
Der Geist hilft unsrer Schwachheit auf (BWV
226) (Bach), 122
388
Index
Der pohlnische Sackpfeiffer; das ist allerhand
lustige Geschichten, 78-81, 79 (figure)
Der Pohlnische Sackpfeiffer (Schmelzer), 80
Der Polnische Pracher (Meder), 80-81
Der stile antico in der Musik Johann
Sebastian Bachs (Wolff), 5
Der vollkommene Capellmeister (Mattheson),
27-28, 39-40
Der vollkommene teutsche Jäger (Flemming),
93 (figure)
Der zufriedengestellte Aeolus, BWV 205
(Bach): BWV 205a and, 255; as
celebration of Müller, 239-41, 242, 244,
246; counterpoint of BWV 216, 253-
54; libretto, 241-44; polonaise “Zweig
und Äste” duet, 244-46, 250
Derzhavin, Gavrila, 70
Deyling, Salomon, 115, 265, 328
Die Feier des Genius, BWV 249b (Bach), 221
Die Geistlich-gerührte Harffe Davids, 126-28
Die Kunst des reinen Satzes in der Musik
(Kirnberger), 37-38, 41^2, 46
Die Liebe (Marpurg), 51
Die Metrik (Apel), 33
Dierksen, Pieter, 297
Dieskau, Carl Heinrich von, 265-66,
271-73, 354
Dieskau, Christiana Sybilla, 265, 272
Dietel, Johann Ludwig, 329
Dieupart, Charles (Francois), 6
Dilinger, Johann Melchior, 197
Doles, Johann Friedrich, 113, 141,333
Dorian mode, 23—24, 25-26
double-choir structure, 155, 160
Downes, Stephen, 295
Drabecka, Maria, 312
Durante, Francesco, 179
Dürr, Alfred, 104, 107, 116-18, 203, 232,
253-54, 256, 274, 290, 291, 294, 326,
328, 330, 333-36, 342-43, 347-49,
352-56
Du sollt Gott, deinen Herren, lieben BWV 77
(Bach), 142
Dymnicka-Woloszyriska, Hanna, 293
Eichberg, Hartwig, 290
Éléments de la danse (Pauli), 65
Eisner, Joseph, 31, 33-35, 301-3
Emans, Reinmar, 291
Emery, Walter, 290
Encyklopedia staropolska (Gloger), 59-60
Engel, Hans, 321
Engelhardt, Ruth, 305, 323
Enlightenment philosophy, 9, 34, 240-41
Entfernet euch, ihr heitern Sterne, BWV
Anh. 9 (Bach). See “Et resurrexit tertia
die” chorus Entfliehet, verschwindet,
entweichet, ihr Sorgen, BWV 249a
(Bach), 221, 226
Erbach, Friedrich Karl von (Count), 317
Erhabner Graf, 220-24, 222 (figure), 235
Erklärte Offenbarung Johannis und vielmehr
Jesu Christi (Bengel), 157
Erickson, Raymond, 299
Erlmann, Johann Gotdieb, 271, 355
Ernest, Johann August, 349
Ernesti, Johann Heinrich, 115
Ernst Sckertzhaffte und Satyrische Gedichte
(Picander), 132, 137, 220, 222 (figure),
236, 271
Erwählte Pleißen-Stadt, BWV 216a (Bach),
244, 246, 250-51
Erweiterung der Kunst nach der Chorographie
zu tanzen (Feldtenstein), 71-72, 72
(figure), 73 (figure)
Erwünschtes Freudenlicht, BWV 184 (Bach),
137,161-65
Erzgräber, Willi, 290
Es erhub sich ein Streit (J. C. Bach), 156,
159
“Et resurrexit tertia die” chorus: affect
and metaphorical references, 200-203;
Entfernet euch, ihr heitern Sterne, BWV
Anh. 9 and, 192-98, 203, 220; parody
sources for, 191-93; secularity of, 199-
200; symbolic role of polonaise, 204-9,
211-12, 215
Falck, Martin, 323
Falenciak, Joanna, 293
Fasch, Carl Friedrich, 302
Fasch, Johann Friedrich, 186
Faßmann, David, 313
Felbick, Lutz, 293
Index
389
Feldtenstein, Carl Joseph von, 70-72, 72
(figure), 73 (figure), 74, 315
feminine cadential breaks, 47-49, 51-32,
204
feminine caesuras, 164—65, 204, 207—8, 252
Finke-Hecklinger, Doris, 165, 295, 336,
350, 354
Fischer, Albert, 302
Fischer, Axel, 3##
Fischer, Johann (composer of Tafel-Musik),
85, 321
Fischer, Johann Christian (oboist), 68,
Fitzpatrick, Horace, 94, 325, 341
Fleischhauer, Günter, 15, 76, 300, 303,
316,325
Flemming, Franciszka Izabela (de domo
Sapiecha), 345
Flemming, Hans Friedrich von, 93 (figure),
94, 325
Flemming, Jakob Heinrich von (Marshall),
6, 68-69, 74, 94, 194, 219-20, 237,
314., 328, 345, 346, 348, 355
Flemming, Joachim Friedrich von
(Governor of Leipzig), 194, 219—37,
244. See also O angenehme Melodei,
BWV 210a (Bach); 334, 345, 346, 354
Flemming, Tekla Röza (de domo Radziwill)
69, 348
Florilegium Portense (Bodenschatz), 114
Floßmann, Paul H., 328, 355
Forkel, Johann Nikolaus, 23-25, 31, 33-34,
88-89, 114, 156, 290, 298-99, 363,
328, 323, 327, 328
Forsius, Eeva-Taina, 232
Forst, Inge, 342
Forstner, Dorothea, 336
Frackowiak, Ute, 349
Franklin, Don O., 291
French dances, 6, 31, 65, 70, 96
French language, 24
French style, 5-6, 21, 101, 179-80
French Suite no. 6 in E Major, BWV 817
(Bach), 87, 91-92, 107-8
Frenzel, Walter, 322
Frescobaldi, Giorolamo, 7
Freue dich, erlöste Schar, BWV 30 (Bach),
232
Friederica Henrietta von Anhalt-Bernburg,
162, 336
Friedländer, Max, 301, 309
Frederick II of Prussia, 69, 326
Frederick IV of Denmark (King), 197
Frederick William I of Prussia (King), 69
Friedrich August L von Sachsen, 66, 323,
328, 336, 343, 352, 367
Friedrich August II. von Sachsen (also as
Crown Prince Friedrich August, son of
August IL), 11, 20, 66, 68, 116, 169-71,
189, 246,324, 336, 338, 351-52,366
Friedrich August III. von Sachsen, 175, 339
Friedrich August von Braunschweig (Duke),
70
Friedrich Christian Wettin (Crown Prince
of Poland, son of August III), 61—62,
138, 200, 254-55
Friedrich Wilhelm von Kurland (Duke), 70
Frischlin, Jakob M„ 81
Froberger, Johann Jacob, 319
Fubini, Enrico, 298
Fullenwider, Henry E, 239—40, 243—44,
249-50, 349, 352
Fuller, David, 292
“Fünfzig Taler bares Geld,” 272, 274,
279-81
Fürchte dich nicht, ich bin bei dir (BWV
228) (Bach), 115, 122
Fürstenau, Moritz, 267, 336, 355
Fux, Johann Joseph, 319
galant style, 41,106-08
Gajek, Konrad, 322
Gallini, Giovanni Andrea, 66-67, 323
Garbe, Johann Christian, 347
Gauger, Hans-Martin, 2-3, 290
Gazda, Grzegorz, 354
Geck, Martin, 291, 293, 324, 325
Geliert, Christian Fürchtegott, 309
Gerber, Ernst Ludwig, 326
Gerber, Heinrich Nicolaus, 108-09, 326
Gerlach, Carl Gotthelf, 154, 155
German composers. See specific composers
German language, 25, 36, 47, 52, 64
German music: about, 8-9; in Dresden
Court, 70-73; Hanak dance, 72, 73
390
Index
(figure), 74-75; hunting music, 94-96,
101; Kirnberger on polonaises, 44-46;
Polish dances at German and European
courts, 67-70, 74-77; Polish style and,
13-16; polonaises, 50-62; spreading
of Polish style in, 78-86; Telemann
and Polish style, 75-78; vermischter
Geschmack 9, 20-21, 46, 179-81, 292;
vocal polonaise {Singpolonaise), 36-39
Geschichte des Tanzes in Deutschland
(Böhme), 29
Gerstenberg, Johann Daniel 60
Gill, John, 331
Glöckner, Andreas, 334, 351
Gloger, Zygmunt, 59-60, 310
Gloria of the Mass in B Minor, BWV 232
(Bach), 138, 186
“Glück und Segen sind bereit” (Bach),
161-66
Gmeiner, Josef, 336
Godt, Irving, 104-05, 326
Goethe, Johann Wolfgang, 68
Goldberg, Johann Gottlieb, 56, 87, 89, 105,
322, 338
Goldberg Variations, BWV 988 (Bach), 13,
174-75, 294, 335
Golihski, Zbigniew, 316
Gönnt mir doch das bisschen Freude
(Telemann), 50-51, 236
Goodrick, Alfred Thomas Scrope, 321
Görner, Johann Gottlieb, 77, 117, 221, 250
Görner, Johann Valentin, 77-78, 308, 318,
348
Görska, Magdalena, 294
Gottschalck, Leberecht Emanuel, 332
Gottsched, Johann Christoph, 10, 13, 25,
242, 298, 347, 350
goût français, 5-6, 9
Grabowiecki (violinist in 1770s and 1780s),
74
Graciän, Baltasar, 240
Gräfe, Johann Friedrich, 309
Gramann, Johann, 118, 119 (tab.), 121,
122 (tab.), 142, 148
Graun, Carl Heinrich, 52-53, 309
Graupner, Christoph, 29, 317
Griepenkerl, Friedrich Konrad, 88
Grigny, Nicolas de, 6
Grimmelshausen, Hans Jakob, 83-84, 321
Große, Hans, 317
Großpietsch, Christoph, 301
“Grosser Flemming,” 223-27, 225 (figure),
227
“Grosser Gönner,” 228-30; “worthy
patrons,” 235
Grundlage einer Ehrenpforte (Mattheson),
63
Gründliches Lexicon Mythologicum
(Hederich), 256-59
Grünewald, Matthias, 201 (figure), 202
Grüss, Hans, 325, 326
Gutknecht, Dieter, 304
Häfner, Klaus, 136-39, 192-93, 195,
197-99, 203, 221-22, 236, 325, 332,
342-46, 348
hamburska (dance), 64
Hanak dance, 72, 73 (figure), 74-75, 81
Hanak music, 72, 74-75, 98
Handel, George Frederick, 6, 42-43, 61,
114, 125, 296, 331, 339, 345
Hanning, Barbara Russano, 290
Hansel, Christoph Gottlieb, 65, 313
Harrer, Gottlob, 99 (figure),100 (figure),
101, 185,325
Hartung, G. J. (publisher), 304, 305
Hasse, Johann Adolf, 3, 67, 92 (tab.), 170,
175, 180, 182-83, 185, 209-10, 290,
294, 310, 313-14, 337, 339, 341
Hatwell, Michael, 298
Haupt, Christian Friedrich (poet), 194,
196-97, 209, 220,343
Haupt, Leopold (Volkslieder der Sorben in
der Ober- und Nieder-Lausitz), 280—81,
356
Haupt-Schlüssel über die hohe Offenbarung S.
Johannis (Heunisch), 157
Hausmusik 87
Hauser, Franz, 333
Haußwald, Günter, 337
Haydn, Joseph, 322
heavy triple meter, 37-38, 47
Index
391
Hederich, Benjamin, 242-43, 256-60, 349,
350. 352-54
Hedges, Stephen A., 322
Heidrich, Jürgen, 327
Heinemann, Michael, 294
Heinichen, Johann David, 87, 93, 170-71,
174, 178-79, 182, 183 (musical
example), 185, 188, 209-11, 212-13
(musical example), 323, 339, 345
Hellmann, Diethard, 335
Helm, E. Eugene, 322
Helms, Marianne, 155, 334
Hempel, Christian Andreas, 250
Hempel, Susanna Regina, 250, 251
Hennicke, Johann Christian von, 230-32,
266, 273
Henrici, Christian Friedrich (Picander), 116—
17, 132, 137-39, 220-23, 226, 230-37,
239-44, 246, 250-51, 255, 266, 271,
328. 332, 345-50, 352-53, 355
Herder, Johann Gottfried, 4, 74, 290
Hermann, Johann, 131
Herrmann-Bengen, Irmgard, 306
Herz, Gerhard, 125, 331, 341
Heunisch, Caspar, 157, 335
Heyder, Bernd, 291
Hesiod, 353
Hiller, Johann Adam, 327
Hirsch, Arthur, 335
Hirschmann, Wolfgang, 346
Hlawiczka, Karol, 15-16, 92 (tab.)» 106,
204, 294, 295, 300, 310-12, 325-26,
344, 348
Hobbes, Thomas, 349
Hobohm, Wolf, 316, 319
Hochstein, Wolfgang, 341
Hoffmeister, Franz Anton, 303, 324
Hofmann, Klaus, 291, 293, 325, 332—34
Hogwood, Christopher, 304
Hölscher, Petra, 354
Homer, 352
Homilius, Gottfried August, 341
Horn, Johann Caspar, 34, 303
Horn, Paul, 341
Horn, Wolfgang, 337, 339, 340, 345
Hoyer, Siegfried, 320
Hübner, Erich, 330
Hummel (publisher), 38, 58, 304,
Hunold, Christian Friedrich, 333
hunting horns, 93—95, 93 (figure), 94
(figure), 99-101, 188-89
Hutzel, Matthias, 345
Hurlebusch, Conrad Friedrich, 76, 318
iambic meter, 31
Ideen zu einer Ästhetik der Tonkunst
(Schubart), 42
Ihr Häuser des Himmels, ihr scheinenden
Lichter, BWV 193a (Bach), 137-40,
193, 199
Ihr Tore zu Zion, BWV 193 (Bach), 138-39,
193
Irvin, Joyce, 343
Isoyama, Tadashi, 350
Italian language, 24
Italian style, 6-8, 96, 179-80
J. 5. Bachs Chorfuge (Neumann), 154
Jablonowski, Jan Stanislaw, 78
Jackson, Myles W, 293
Jakubowska, Ewa, 321
Janca, Jan, 322
Janiewicz, Feliks, 82
Jankowski, Augustyn, 335
Jenne, Natalie, 108, 295
Jennens, Charles, 331
Jesu, meine Freude (BWV 227) (Bach), 115
Jesu, nun seigepreiset, BWV 41 (Bach), 221
Jez, Tomasz, 331
Johannes-Passion, 23 5 (musical example). See
also St. John Passion, BWV 245 (Bach)
Jöcher, Christian Gottlieb, 220, 346, 349
Johann Ernst von Sachsen-Weimar, 7
Jonäsovä, Milada, 343
Jones, Richard D. P., 294, 339, 353
Joseph I Habsburg (Emperor), 66
Julius Caesar, 195
Jümpelt, Carl Friedrich, 174
Jung, Hans Rudolf, 293, 317
Kacic, Ladislav, 303
Kamieriski, Lucjan, 294
392
Index
Karasowski, Maurycy, 14, 294
Karg, Fritz, 312
Kästner, Georg Friedrich, 171
Katz, Erich, 290
Kaufman, Herbert, 338
Kayser, Bernhard Christian, 89, 324
Kees, Johann Jacob, 115
Kees, Johanna-Maria, 115
Keller, Katrin, 294
Kerll, Johann Caspar von, 319
Kern melodischer Wissenschaft (Mattheson),
27-28
Keym, Stefan, 323
Keyserlingk, Hermann Carl von, 10, 174,
175
Kind, Friedrich, 301
Kircher, Athanasius, 2, 8-9, 23-24, 290,
292, 297
Kirnberger, Johann Philipp; Clavierübungen
mit der Bachischen Applikatur, 56,
59; Der allezeit fertige Polonoisen- und
Menuettenkomponist, 86-87; Die Kunst
des reinen Satzes in der Musik, 37-38,
41-42, 46; knowledge of Polish music,
36- 39; living in Poland, 10; Marpurg
and, 55; Masura, 275, 278; Musikalisches
Allerley von verschiedenen Tonkünstler
3te Sammlung, 87, 88; on quality of
German polonaises, 44-46; Raccolta delle
pin nuove compositioni per Clavicembalo,
59; Recueil d’airs de danse caractéristiques,
37- 38; treatise including parlor game,
86-88; others, 293, 304-9, 311, 322-
23, 334, 354, 356
Klavier-Büchlein intended for Johann
Christian Bach (Bach), 89, 104-5, 107,
Polonaise in D minor (from MS D-B, P
672), 104-5
Klavier-Büchlein for Wilhelm Friedann Bach
(Bach), 89-90
Klavierbüchlein fiir Anna Magdalena Bach
(C. E E. Bach), 40-41, 56, 60, 92 (tab.),
107
Klavierschule (Türk), 42, 58-59
Kline, A. S., 353, 354
Klötzel, Martin, 259 (figure)
Knauer, Johann Oswald, 141-42, 333
Knechtel, Johann Georg, 68, 180, 182
Kobayashi, Yoshitake, 141, 223, 333, 346
Koch, Heinrich Christoph, 57-59, 305, 310
Koch, Klaus-Peter, 15, 76, 312, 318, 320,
348
Koenig, Friedrich August von, 339
Kohlhase, Thomas, 290, 296, 337, 339-41,
345
Kokits, Zsigmond, 336
Kolberg, Oskar, 106
Kollmann, Augustus Frederic Christopher,
42, 306
Kollmar, Ulrike, 325
Kolneder, Walter, 320
Komm,]esu, komm (Bach), 115, 122
Konoid, Wulf, 318
Konrad, Ulrich, 327
Koopman, Ton, 332, 351
Kornemann, Matthias, 304
Korrte, Gottlieb, 351
Kostkiewiczowa, Teresa, 293, 316
Köthen cantata, BWV 184a (Bach), 137
Kowaiczykowa, Alina, 303
kozak dance, 38. See cossack dance.
Kozlowski, Jozef, 70, 315, 316
Krabbe, Wilhelm, 308
Krapf, Ludwig, 319
Krasicki, Ignacy, 316
Krause, Christian Gottfried, 52, 309
Krause, Helmut K., 321
Krause, Karl Christian Friedrich, 308
Krebs, Michael, 324
Kremer, Joachim, 319
Kretzschmar, Hermann, 311
Kritische Briefe über die Tonkunst (Marpurg),
36-37, 46, 48, 50, 274
Krones, Hartmut, 291, 295, 304
Kruger, Dietrich, 334
Kubik, Reinhold, 341
Kuhnau, Johann, 26-27, 299
Kühnei, Ambrosius, 324, 326
Kulawik, Adam, 290
Küpper, Hubert, 322
Landmann, Ortrun, 67, 182, 313, 314,
331, 336, 337, 339, 341
Landowska, Wanda, 6, 291
Index
393
Lange, Carsten, 300, 317
Lau, Theodor Ludewig, 242, 350
Le Cerf de ia Vieville, Jean Laurent, 298
Leahy, Anne, 286, 291, 356
Leaver, Robin A., 117, 118, 123, 286, 291,
327-31, 335, 336, 339-41, 356
Lee, Douglas A., 324
Legrenzi, Giovanni, 7
Leibnitz, Thomas, 336
Leisinger, Ulrich, 293, 327
Leopold von Anhalt-Köthen (Prince), 93,
103, 116, 136, 137, 146, 162
Leopold I Habsburg, 81
Leszczyhski, Stanislaw (King of Poland),
248, 352, 353
Lewahski, Julian, 306
Liebmann, Michael, 321
Lindgren, Adolf, 14, 294
Lindner, Ernst Otto, 349
Lippmann, Friedrich, 313
Lissa, Zofia, 15, 295
Liszt, Franz, 15
Little, Meredith, 108, 295
“Lobe, Zion, deinen Gott” aria, 131, 134-
40, 264, 331, 354
Lobe den Herren, den mächtigen König der
Ehren, BWV 137 (Bach), 140-41, 146,
148, 150-151,333
Lobe den Herren, den mächtigen König der
Ehren (Neander), 146-47
Lobe den Herrn, meine Seele, BW 69a
(Bach), 140-145, 325
Lobet den Herrn, alle Heiden, BWV 230
(Bach), 115
Lobet den Herrn, alle seine Heerscharen,
BWVAnh. 5 (Bach), 146
Loen, Johann Michael von, 68, 314-15
London, Justin, 307
Lotti, Antonio, 179, 339, 340
Löwendal, Wbldemar Freiherr von, 117
Lubomirski, Jözef, 304
Ludwig Friedrich (Duke of Württemberg),
81
Ludwig, Gottlieb Christoph, 271
Ludwig Wilhelm of Baden-Baden
(Margrave), 319
Lully, Jean-Baptiste, 24
Louis XIV (King), 6, 196, 344
Lustig, Jacob Wilhelm, 22, 39, 40, 76, 297,
305
Luther, Martin, 353
Luthers Bible, 123-25, 329, 353
Maier, Siegfried, 307, 308
Mainka, Jürgen, 306
Malachowski, Jan, 10
Mancini, Francesco, 339
Manteuffel, Ernst Christoph von, 10
Marcello, Alessandro, 7
Marcello, Benedetto, 7
Marchand, Louis, 6, 219, 292
Maria Amalia of Saxony (Princess, August
Ills daughter), 13, 36, 61, 347
Maria Josepha von Habsburg (Queen), 20,
66, 68, 175, 193, 199, 200, 210, 253-
54, 256-58, 260-61, 264, 332, 338. See
Tonet, ihr Pauken! Erschallet Trompeten!,
BWV 214 (Bach)
Maria Margareta of Saxony (Princess,
August Ills daughter), 351
Marissen, Michael, 92, 94, 324, 325, 341
Märker, Michael, 291
Markiewicz, Henryk, 289
Marouzeau, Jean, 4, 290
Marpurg, Friedrich Wilhelm: introduction
5, 9; on caesuras and cadences, 57-59;
on dance music, 52; Die Liebe, 51; on
German language, 25; on Kirnberger,
58; Kritische Briefe über die Tonkunst,
36-37, 46, 48-50, 56-59, 274-77;
on mazur, 60-61, 274-78, 282;
observations of musical examples,
55-56; on Polish style, 21, 22, 25, 27,
35-40, 76, 98; on Singpolonaise model,
261; on tempo of polonaise, 41-42;
terminology of music theory, 46-50;
masculine cadential breaks, 48-56; other
136, 163, 205, 261, 290-292, 296-298,
304-311, 322, 344, 347, 348, 354, 356
Mass in B Minor, BWV 232 (Bach): Bachs
petition to be court composer and,
171-75, 176 (figure), 177 (figure);
Dresden model and, 209-12; historical
context, 169—72; polonaise in Dresden
394
Index
tradition, 182-86; secular models,
199-201; vermischter Geschmack and,
179-81; other 105, 122, 136, 138, 139,
168, 191-193, 195, 204-207, 325, 336,
339-342. See also “Et resurrexit tertia
die” chorus
Martini, Britta, 333
Martini, Giovanni Battista (Padre), 297
Marx, Hans Joachim, 318, 327
Masura (Kirnberger), 274-78
Mattheson, Johann: Das beschützte Orchestre,
39; Der vollkommene Capellmeister,
2, 39-40; gavotte description, 138;
Grundlage einer Ehren-Pforte, 67; on
Polish style, 21-22, 27-33; other 49-50,
76, 95, 205, 208, 273, 290., 299-302,
305, 307, 322, 317-318, 325, 332, 334,
345,355
Maul, Michael, 228, 230, 327, 329, 334,
347
May, Ernest, 332, 333
mazur (mazurka dance), 16, 27, 29, 33,
36, 50, 60-62, 64, 70-73, 86, 98, 186,
274-75, 277-279, 295, 300, 322-322
McCredie, Andrew D., 327
Meder, Johann Valentin, 80-81, 329
Meißner, Christian Gottlob, 246, 251
Meißner, Johann Heinrich, 249
Melamed, Daniel R., 327, 334
Mende, Wolfgang, 322
Mendel, Arthur, 292, 335
Mendel, Hermann, 320
Mentzel, Georg Friedrich, 117
Mer hahn en neue Oberkeet, BWV 212
(Bach): 61, background, 265-66;
libretto, 271-73; Polish dances in “Hall
of Enjoyments,” 269-71, 269 (figure),
270 (figure); Polish style toward satire,
273-83; rustic divertissement, 265-68
Mersenne, Marin, 25-27, 33, 299
metrical patterns, 27-35
Meusel, Johann Georg, 349
Meyer, Leonard B., 289
Michael the Archangel, 153-55, 160
Mielczewski, Marcin, 329
Mikuli, Karol, 320
Miller, Max, 320
minuet pas, 69
Miodohska-Brookes, Ewa, 290
Missa, 173 (figure), 174-81, 185-89.
also Mass in B Minor, BWV 232
(Bach)
Mitchell, Philipp Marshall, 350
Mit Lauretten, seiner Freude (Benda), 52-53
mixed style, 19-23
Mizler, Lorenz, 5, 10-11, 29-30, 39, 89,
219, 292, 293, 302, 305, 345
Mock, Johann, 268 (figure)
modus, 2
molossus, 31, 33-35, 302-303
Monteverdi, Claudio, 290
Mordeisen, Christian Gotthelf von, 230
Moser, Hans-Joachim, 329
motets: Komm, Jesu, komm, BWV 229
(Bach), 115, 122; Lobet den Herrn, alle
Heiden, BWV 230 (Bach), 115, 117; O
Jesu Christ, meins Lebens Licht, BWV
118 (Bach), 155; popularity of Bach’s,
113-15; use of Psalms in, 142. See also
Singet dem Herrn, BWV 225 (Bach)
Mozart, Leopold, 92
Mozart, Wolfgang Amadeus, 44, 46, 113-
15,322, 342
Muffat, Gottlieb, 295
Müller, August Friedrich, 239—44, 246,
248, 250, 349
Müller, Gottlieb Friedrich, 320
Müller, Johann Wilhelm, 271-72, 355
Müller-Blattau, Joseph, 290
Musica Instrumentalis deutsch (Agricola), 81
musical grammar, 46-50
Musicalisches Blumen-Biischlein (Kayser), 89
musical sundries (musikalisches Aller ley), 58
Musicus Curiosus, oder Battalus, der
vorwitzige Musicant (Printz), 86
musikalisches Allerley (musical sundries), 58
Musikalisches Allerley von verschiedenen
Tonkünstler 3te Sammlung (Kirnberger),
87, 88, 322, 323
Musikalisches Kunstmagazin (Reichardt),
74-75, 316
Musikalisches Lexicon (Walther), 1-2, 41,
95, 306
Musikalisches Lexikon (Koch), 57-69, 320
Index
395
Musikalisch- Turckischer Eulen-Spiegel
(Speer), 84-85
Musurgia Universalis (Kircher), 9, 23, 290,
292, 297
Muzykaale spraakkonst (Lustig), 39
national styles: about, 4-5; French style,
5-6, 179—80; Italian style, 6—8, 96,
179—80. See also German music; Polish
style
Naumann, Johann Gottlieb, 185—186
Neander, Joachim, 146—47
Neubert, Hermann, 324
Neumann, Frederik, 292
Neumann, Werner: on Abendmusik,
221—22; on Bauern-Kantate, 274; citing
Leipziger Zeitungen, 246-47; on “Fünfzig
Taler bares Geld,” 279; J S. Bachs
Chorfuge, 154; on O holder Tag, BWV
210, 228-29; on Osanna, 198; on Singet
dem Herrn, BWV 190 (Bach), 136;
on “So wie ich die Tropfen zolle” aria,
230—35; on Tönet, ihr Pauken! Erschallet
Trompeten,!, 255; on Vergnügte Pleißen-
Stadt, BWV 216, 250-51, others 291,
294, 331, 332, 334, 343, 344, 346-56
Newman, Sidney Thomas Mayow, 328
Newmann, Ernest, 306
Nichelmann, Christoph, 15, 89, 324
Nicolai, Johann Heinrich, 319
Niedt, Friedrich Erhard, 50, 308, 345
Niemöller, Heinz Hermann, 174-175, 338
Nonhard, (Franz) Pater, 337
Norlind, Tobias, 14, 294, 312
Nowak, Tomasz, 312, 356
Nun ist das Heil und die Kraft, BWV 50
(Bach): about, 153—56; bichorality, 161;
significance of polonaise rhythm in,
159—61; symbolism of, 156—59
Nun lob, mein Seel, den Herren (Gramann),
121, 121 (tab.)
O angenehme Melodei, BWV 210a (Bach),
221, 223-30, 224 (figure), 225 (figure),
232-35
Obituary (J.S. Bach), 5, 11, 114, 219, 345
O’Donnell, John, 292
Obremski, Krzysztof, 328, 344
Ochs, Ekkehard, 320, 323
Oechsle, Siegfried, 291
Oetke, Herbert, 312
O holder Tag, BWV 210 (Bach), 223, 228-
29, 232-35, 233 (chart), 347i 358
O fesu Christ, meins Lebens Licht, BWV 118
(Bach), 155
Olearius, Johann, 118, 120, 120 (figure),
121, 124-26, 132, 134, 142, 148, 188,
329-333, 341
Omonsky, Ute, 337
Opiehski, Henryk, 294
Orchestral Suite no. 2 in B Minor, BWV
1067 (Bach), 15, 44, 91-92, 101-7, 236
Ordinary of the Mass, 178—79
Osanna, 198-99
Oschmann, Susanne, 337, 338
Oster, Ernst, 326
Oster-Oratorium, BWV 249 (Bach), 221
Osthoff, Wolfgang, 8, 292
Ostrowski, Witold, 354
Ottenberg, Hans-Günter, 324, 341
Ovid, 243, 260, 350, 354
Owens, Samantha, 295, 319, 337
Pachciarek, Pawel, 336
Paczkowski, Szymon, 290, 293—94, 297-99,
304, 324, 335, 340, 341-342, 346, 348,
349
Palisca, Claude V, 289, 290
pastorale (pastorella), 286
Pauli, Charles, 65, 313
Peasant Cantata CBauern-Kantate), BWV
212 (Bach), 61, 236, 265-66, 271,
273-75, 278-79, 281-82, 287, 311,
314, 348, 356. See also Mer hahn en neue
Oberkeet, BWV 212 (Bach), 61, 265-66,
271, 276-83
Pechotsch-Fechtinger, Inge, 336-337
Penzel, Christian Friedrich, 91-92, 141,
324, 333
Pergolesi, Giovanni Battista, 7
Permoser, Balthasar, 230
Perz, Mirostaw, 331
Peter III Fiodorowich Romanow (Tsar), 70
Petermann, Kurt, 312
396
Index
Petri, Johann Samuel, 24, 27, 31, 60, 298,
301
Petzoldt, Martin, 3-27, 331, 333, 335, 3^4,
346
Pez, Johann Christoph, 179
Piano Sonata in D major (Mozart), 44
Picander (Christian Friedrich Henrici),
116-17, 132, 137-39, 220-23, 226,
230-37, 239^14, 246, 250-51, 255,
266, 271, 328, 332, 345-50, 352-53,
355
Pietsch, Claus, 312
Pisendel, Johann Georg, 105, 179, 180, 326
Poglietti, Alessandro, 81,
Pohlnische Tactart (Polish type of meter),
37, 47
Polak, Pavol, 295
Polish dance: geographical routes of, 68;
in “Hall of Enjoyments,” 269-71, 269
(figure), 270 (figure); metrical patterns
in, 27-35; peasant dances, 60-62;
Printzs description of, 86. See also
polonaises
Polish language, 25-27
Polish meter, 46-50
Polish style: about, 10-13; baroque music,
1-5; German music connection, 13-16;
Marpurg and Kirnberger on, 35-37;
mixed style and, 19-23; satire and, 273-
83; spreading of, 78-86; stylus impressus
and, 23-24. See also polonaises
Polnischer Sablscherz (Poglietti), 81
Poloinesse (Bach), 96-101
Polonaise in C major (Goldberg), 56
polonaises: Bachs use of, 285—87; Bellonas
aria, 260-64; Dresden tradition,
70-73, 182-86; German polonaise and,
50-62; Kirnberger on, 38-39; list of,
92 (tab.); Polish meter and, 46-50; role
and function of, 106-7, 140, 236-37;
significance in Singet dem Herrn BWV
225, 125-30; stylus choraicus and, 39-41;
symbolism of, 143-46, 203-9, 211-12,
215, 244; tempo and character of, 41-
46; varieties, 29. See also specific works
polychoral compositions, 122
polska (Swedish dance), 64
Pomona and Zephyrus duet, 242-47
Poninski, Jozef, 304
Popin, Marie-Danielle Audbourg, 6, 291
Poppe, Gerhard, 179, 296, 328, 338, 340-41
popular music, 235-37
Potemkin, Grigori (Prince), 70
Potter, Pamela, 292
Praetorius, Michael, 23, 81-82, 298, 320
Printz, Wolfgang Caspar, 26-27, 86, 299,
321-22
Promnitz, Erdmann von (Count), 26, 86,
95, 317, 321
Promnitz, Erdmann II von (Count), 75
Proportio (Nachtanz ot Aufiprung), 28-29
Prosnak, Jan, 311
Przerembski, Zbigniew Jerzy, 16, 295,
318-20
Przybyszewska-Jarmihska, Barbara, 318
Psalm translation, 119 (figure). See also
Singet dem Herm, BWV 225 (Bach)
Publius Vergilius Maro. See Virgil
Pütter, Johann Stephan, 313
Quantz, Johann Joachim, 9, 20—21, 171,
179-80, 292, 296-97, 340
“Quoniam tu solus sanctus” text, 187
Raccolta delle piii nuove compositioni per
Clavicembalo (Kirnberger), 59
Radziwill, Dorota Henryka, de domo
Przebendowska, 293
Radziwill, Jan Mikolaj, 293
Radziwill, Karol Stanislaw, 348
Radziwill, Marcin Mikolaj, 10, 293
Radziwill, Tekla. See Flemming, Tekla Roza
Radziwill (family), 10-11
Raguenet, François, 297
Raison, André, 6
Rameau, Jean-Philippe, 307
Ramsten, Märta, 312
Rathman, Lothar, 320
Raupp, Jan, 356
Rausch. Gottfried, 174, 337
Rawson, Robert G., 316
Rechtschaffener Tantzmeister (Taubert), 68-69
Recueil d airs de danse caractéristiques
(Kirnberger), 37-38
Index
397
Rehm, Wolfgang, 330, 334
Reich, Wolfgang, 336 337, 341
Reichardt, Johann Friedrich, 15, 74, 316
Reichart, Sarah Bennet, 313
Reichel, Kristin, 337
Reichhelm, 242, 350
Reinken, Johann Adam, 5, 291
Reipsch, Brit, 319
Reisner, B., 338
Reiss, Jözef, 310
Reissmann, August, 310
Rempp, Frieder, 329
Reul, Barbara M., 296 337
Richter, Bernhard Friedrich, 327
Richter, Friedrich Enoch, 103
Riemann, Hugo, 308
Riemer, Johann Salomon, 247, 346, 351
Riepel, Joseph, 61, 274, 278, 311, 356
Rifkin, Joshua, 326 333, 342, 343
Rilling, Helmuth, 331
Rist, Johannes, 301
Ristori, Giovanni Alberto, 171, 179
Ritzarev, Marina, 315
Rochlitz, Johann Friedrich, 114
Rocko, Agata, 293
Rohr, Julius Bernhard von, 266-61, 314,
354-55
Röüeke, Heinz, 290
Rose, Stephen, 299, 321
Rosier, Carl, 319
Rost, Franz, 80, 319
Rotermund, Heinrich Wilhelm, 349
Rozprawa (Elsner), 31, 33-34, 301-3
Rozwadowski, Ioannis, 290
Rubinkowski, Jakub Kazimierz, 195, 378
Rüdiger, Andreas, 240
Ruf, Wolfgang, 290
Ruhnke, Martin, 15, 76, 300, 318, 339
Russell, Tilden, 312
Russian Court, 70
Ryszka-Komarnicka, Anna, 349
Rzewuski, Waclaw Piotr, 304
Sachs, Kurt, 314
Sackmann, Dominik, 8, 292
Salmen, Walter, 15, 321, 322, 338
Sapiecha, Franciszka Izabela, 348
Saponov, Mikhail, 351
sarabande, 34, 41, 101, 286, 306, 356
Sarmatia depiction, 11—13, 64
Sarri, Domenico, 339
satire, Polish style toward, 273-83
Sauer, Uta Dorothea, 311
Scacchi, Marco, 289, 290
Scandinavian dances, 68
Schale, Christian Friedrich, 36, 304
Scarlatti, Domenico, 292
Schale, Christian Friedrich, 36, 304
Scheibe, Johann Adolph, 9, 19, 20-22, 30,
76, 80, 153, 180, 273, 277, 292, 295,
297, 301, 355-56
Scheibel, Gottfried Ephraim, 200, 343
Scheide, William H., 153-55, 333, 334
Schelling, Christian, 230
Schemelli, Georg Christian, 329
Schenker, Heinrich, 105, 326
Schering, Arnold, 115—16, 118, 220—21,
250, 328, 346, 349, 352
Schicht, Johann Gottfried, 114, 327
Schindler, Andreas, 182, 341
Schindler, Johann Adam, 182, 341
Schleswig Holstein, Christian of (Princess),
314
Schleuning, Peter, 291
Schlözer, August Ludwig, 74, 316
Schmelzer, Johann Heinrich, 80—81, 319
Schmidt, Johann Christoph, 179
Schmieden Wolfgang, 91, 292, 334
Schmitz, Eberhard, 339, 345
Schneider, Matthias, 291, 306, 307, 337
Schneider, Johann Gotlob, 60
Schnitze, Claudia, 354
Scholze, Johann Sigismund “Sperontes,” 83,
228, 236, 279, 310, 321, 35A
Schönberg, Bessie, 314
Schott, Georg Balthasar, 102
Schräder, Joanna Elisabeth, 228
Schröder, Patar, 349
Schubart, Christian Friedrich Daniel, 42,
46, 306-7
Schubert, Franz, 15
Schürer, Johann Georg, 305, 311
Schulenberg, David, 108, 326
Schulz, Johann Abraham Peter, 302
398
Index
Schulze, Hans-Joachim, 6, 8, 89, 104,
107, 123, 134, 174, 277, 281, 291-93,
323, 326-27 332, 334,336-38, 34ö,
343-44, 348, 332, 355-56
Schumann, Robert, 15
Schürer, Johann Georg, 303, 322
Schuster, Joseph, 185-86, 211
Schütz, Sinold von, 373
Schwartze, Heinrich Engelbert, 265-66,
272, 354-55
“Schwänze Raben werden eher Schwäne
haben” duet, 244-47, 250
Schwarz, Johann Christoph, 242, 350
Schweitzer, Albert, 41, 306
schwerer ungerader Tact (heavy triple meter),
37-38, 48
Sehet, welch eine Liebe, BWV 64 (Bach), 142
Sehnal, Jiri, 316
Seiffert, Max, 304
Seligmann, Gottlob Friedrich, 327
Senesino, 179
Serwer, Howard J., 298
Sicul, Christoph Ernst, 132, 137, 194-95,
220, 328, 332, 343-46, 350
Siegele, Ulrich, 9, 293, 329
Siegmund-Schultze, Walther, 316
Simon, Alicja, 14-15, 294, 356
Simon, Ernst, 92
Sindermann, Frank, 326
Sinfonia (BWV 1046a), 91-92
Singende Muse an der Pleisse (Scholze
“Sperontes“), 83, 228, 279, 310, 321, 356
Singet dem Herrn, BWV 190 (Bach): BWV
137 similarity, 147-48; “Lobe, Zion,
deinen Gott” aria, 135-40, 263-64;
opening chorus, 131-34; secular models
for, 136-40, others, 337
Singet dem Herrn, BWV 225 (Bach): about,
130, 194; BWV 137 similarity, 142,
147-48; double-choir texture, 122-23;
first performances of, 113, 115-18;
significance of polonaise rhythm in,
125-30; text of, 118-22; theological
meaning of, 122-25, 261, others, 193-
94, 327-29, 333, 336, 344
Singpolonaise, 36-39, 140, 261, 282. See
also “Lobe, Zion, deinen Gott” aria
Smaczny, Jan, 336
Smend, Friedrich, 103, 136-40, 165, 191—
93, 221, 325, 332-33,336, 342-44,
346, 348
Smoler, Jan Arnost, 280-81, 356
Snyders, Georges, 291
Sobieska, Teresa Kunegunda (Princess), 69
Sobieski, Jan III. (King), 69
So kämpfet nur, ihr muntem Tone, BWV
Aiih. 10 (Bach), 221
Sonata in A Major (C. E E. Bach), 42-43
“So wie ich die Tropfen zolle” aria, 230-35
Spamer, Adolf, 312
Speer, Daniel, 82, 84-85, 320-21
Sperontes. See Scholze, Johann Sigismund
“Sperontes”
Spitta, Philipp, 61, 91, 114-15, 118, 153,
274-75, 377, 325, 327-28, 333, 349,
351, 354, 356
Sponheuer, Bernd, 8, 292
St. John Passion, BWV 245 (Bach), 211;
Johannes-Passion, 215 (musical example)
Staehlin, Martin, 327
Stahl, Georg Ernst, 228, 230, 347
Stählin, Jakob von, 70, 315
Starczewski, Feliks, 294
Stasiewicz, Krystyna, 316
Staszewski, Jacek, 373,328, 333, 344, 347,
352
Stauffer, George B„ 324, 343, 345
Stefani, Jan, 294
Steiger, Lothar, 330
Steiger, Renate, 122, 286, 330, 344, 356
Stein, Klaus, 333
Steinberg, Georg, 349
Steindorf, Eberhard, 341
St^szewska, Zofia, 15, 76, 300, 318
stile misto, 179-81, 296
Stiller, Günther, 327
Stinson, Russel, 325
Stoekigt, Janice B., 186, 296, 337-39, 341,
354
Stölzel, Gottfried Heinrich, 333
Strauss, Victor, 308
Striffiing, Louis, 291
Strohm, Reinhard, 290, 314, 352
stylus choraicus, 39—41
Index
399
stylus impressus, 2, 23—24, 34
Sulzer, Johann Georg, 31-35, 38, 54, 301,
3Ö3-7, 3/9
Sutkowski, Stefan, 318
sun references, 193-96, 196 (figure), 197
(figure), 201-203, 202 (figure)
Syntagma Musicum (Praetorius), 23, 81-82,
298.320
Szwedowska, Jadwiga, 314
Szweykowski, Zygmunt M., 290
Szymczak. Piotr, 294
Szyrocki, Marian, 321
Swiderkowna, Anna, 335
TafeTMusik (Fischer), 85.321
Taktgewicht, 49, 308
Talbot, Michael, 325
Taruskin, Richard, 315
Taszycki, Witold, 290
Tatara, Marian, 290
Tat low, Ruth, 335
Taubert, Gottfried, 64—65, 72, 312—13
Tchaikovsky, Peter, 70, 315
Tchaikovsky, Modest, 70
Telemann, Georg Philipp: Gönnt mir
doch das bisschen Freude, 50—51, 236
(musical example); on hanackisch, 74;
on hiding Polish style, 38—39; interest
in Poland, 15; Polish style and, 3,
21-22, 29, 72, 74, 75-78, 86, 95-96,
98, 273-74; Printz and, 26; Wir haben
nicht mit Fleisch und Blut zu kämpfen,
37, others, 102, 297, 299-300, 305,
308, 3/2, 316-19. 321-22., 334. 343
345, 3^3
Tenhaef, Peter, 320
Thom, Eitelffiedrich, 300. 341
Thomasius, Christian, 240, 241,349
Tietzen, Immanuel, 343
Tiggemann, Hildegard, 226, 346
Tomaszewski, Mieczyslaw, 303
Tomita, Yo, 336. 339. 356
Tönet, ihr Pauken! Erschallet Trompeten!.
BWV 214 (Bach): background, 253-56;
Bellonas aria, 261—64; composition of,
254-56; political message in, 256—60,
260 (figure), others, 344
Torelli, Giuseppe, 7
Transchel, Christoph, 89, 323—24
Trautmann, Christoph, 330
A Treatise on the Art of Dancing (Gallini),
66-67, 3/3
triple meter, 27—30, 35, 37-39, 41, 46-49,
64, 67, 86, 211, 304
Tümpel, Wilhelm, 301
Türk, Daniel Gottlob, 42, 57-58, 306. 310
Turzynski, Ryszard, 336
12 Polonaises (W. F. Bach), 42-43
Tyniecka-Makowska, Slowinia, 354
Uhland, Robert, 320
Uhlig, Augustin, 170, 174, 338
Ungarischer oder Dacianischer Simplicissimus
(Speer), 84, 321
Unger (publisher), 58
Uz, Johann Peter, 51
Veracini, Francesco Maria, 179
Vergnügte Pleißen-Stadt. BWV 216 (Bach),
244, 250
vermischter Geschmack. 9, 20—21, 46, 179—
82, 292—93, 296. See also German music
Versuch einer Anweisung, die Flöte traversiere
zu spielen (Quantz), 20, 292, 296, 340
Viertel, Karl-Heinz, 92
violinists, 68, 81—83, 96, 269
violino piccolo, 92-93, 95-96
Virgil (Publius Vergilius Maro), 242-43,
249-50, 257, 260, 344, 350, 354
Vitali, Giovanni Battista, 319
Vivaldi, Antonio, 7-8, 61, 292
vocal polonaises (Singpolonaise), 36—39, 46,
140,261,282
Vogel, Johann Jacob, 269, 325, 355
Vogler, Johann Caspar, 343
Volkmann, Hans, 324
Volumier, Jean Baptiste, 21, 297
Vopelius, Gottfried, 340
Vortanz, 28-29
Voss, Johann Heindrich (poet), 302
Voss, Christian Friedrich (publisher) 305
Voss, Johann Friedrich (publisher), 292
Vossius, Isaac, 25-27, 31, 33, 298, 319
Vulpius, Melchior, 327
400
Index
Wackerbarth, August Christoph von, 328
Wagenknecht, Christian, 319
Wagner, Günther, 292
Wagner, Richard, 15
Waldura, Markus, 307
Walpurgis, Maria Antonina (wife of
Friedrich Christian Wettin, Crown
Prince of Poland), 61, 339
Walther, Johann Gottfried, 1-2, 4, 41, 54,
95, 289, 306, 316-17 325
Wantzke, Matthias, 320
Watzdorf, Charlotte Christiane von
(Countess), 345
Watzdorf, Christoph Heinrich von, 328
Weber, Carl Maria von, 15, 301
Weber, Karl von, 347
Weichmann, Christian Friedrich, 317
Weidlich, Christoph, 349
Weidmann, Moritz Georg, 329
Weihnachts-Oratorium, BWV 248 (Bach),
30-32, 193, 200, 221, 253-56, 261, 353
Weißenfels, Christian von (Duke), 221,
226-28, 233, 348
Werbeck, Walter, 320
Werckmeister, Andreas, 335
Werthemann, Helene, 301
Wichrowska,EIzbieta Z., 337
Wiederau-Kantate, BWV 30a (Bach), 232,
234, 266,348
Wiedner, Johann Gotdieb, 310
Wiesend, Reinhard, 8, 292, 314
Wilhelm Ernst von Sachsen-Weimar, 95,
326
Wilkowska-Chomihska, Krystyna, 312
Willheim, Immanuel, 295
Williams, Peter E, 6, 291, 292
Winckler, Christoph Georg, 115
Winckler, Susanna Sophia, 115
Winkler, Johann Heinrich, 10, 293
Wirtschaften, 96, 266-67
Wladyslaw TV (King of Poland), 306
Wolf, Uwe, 114, 178, 327, 336, 338, 339,
340
Wolff, Christoph, 5, 7-8, 250-51, 273,
290-93, 295, 321-22, 325, 326, 327,
336, 339-41,345,348
Wolff, Johann Heinrich, 250
Wollny, Peter, 36, 43, 304, 306, 323,340,
355
Woog, Karl Christian, 349
Wöjciköwna, Bronislawa, 321
Wustmann, Rudolf, 155, 334
Zager, Daniel, 291
Zakrzewska, Wanda, 336
Zarlino, GiosefFo, 161
Zedier, Günther, 306
Zedier, Johann Heinrich, 11, 266, 294, 345,
349, 354-55
Zelenka, Jan Dismas, 61, 170-71, 174-75,
178-79, 185-86, 209-11, 264, 296,
337-41
Zelle, Georg Wilhelm von, 291
Zelter, Carl Friedrich, 114, 334
Ziegler, Johann Gottfried, 87, 89, 322, 323,
344
Ziegler, Johann Gotthilf, 200
Zielihska, Teresa, 293
Zimmermann, Gottfried, 102, 247, 254,
351
Zimmermann, Johann Christoph
(publisher), 299
Zingerle, Hans von, 319
Zohn, Steven, 76, 305, 317-19
Zschoch, Frieder, 304
Zufällige Gedancken von der Kirchen-Music
(Scheibel), 200, 343
“Zweig und Äste” duet, 244-46,
250-51
Zwingli, Huldreich, 125
Zeranska-Kominek, Siawomira, 296
Zörawska-Witkowska, Alina, 13-14, 61,
68, 220, 267, 290, 293-94, 296,311,
313-14, 316,318,325, 337-38, 339,
346, 351, 354-55
Zukowski, Otton Mieczyslaw, 294
|
| any_adam_object | 1 |
| author | Paczkowski, Szymon 1962- |
| author2 | Szymczak, Piotr |
| author2_role | trl |
| author2_variant | p s ps |
| author_GND | (DE-588)1049521161 |
| author_facet | Paczkowski, Szymon 1962- Szymczak, Piotr |
| author_role | aut |
| author_sort | Paczkowski, Szymon 1962- |
| author_variant | s p sp |
| building | Verbundindex |
| bvnumber | BV043855245 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.B13 |
| callnumber-search | ML410.B13 |
| callnumber-sort | ML 3410 B13 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 38207 |
| ctrlnum | (OCoLC)979534988 (DE-599)BVBBV043855245 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 Geschichte gnd |
| era_facet | Geschichte 1700-1800 Geschichte |
| format | Book |
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| geographic | Deutschland Polen (DE-588)4046496-9 gnd |
| geographic_facet | Deutschland Polen |
| id | DE-604.BV043855245 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:36:50Z |
| institution | BVB |
| isbn | 9780810888937 |
| language | English |
| lccn | 016028586 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029265458 |
| oclc_num | 979534988 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xvi, 402 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Rowman & Littlefield |
| record_format | marc |
| series2 | Contextual Bach studies |
| spelling | Paczkowski, Szymon 1962- Verfasser (DE-588)1049521161 aut (DE-588)1141687429 Styl polski w muzyce Johanna Sebastiana Bacha Polish style in the music of Johann Sebastian Bach Szymon Paczkowski, translated by Piotr Szymczak The Polish influence on the music of Johann Sebastian Bach Lanham ; Boulder ; New York ; London Rowman & Littlefield [2017] © 2017 xvi, 402 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Contextual Bach studies Includes bibliographical references and index Erscheint auch als Online-Ausgabe Erscheint voraussichtlich Dezember 2016 Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf Geschichte 1700-1800 Geschichte gnd rswk-swf Musik Music Germany 18th century History and criticism Music Polish influences Polonaises History and criticism Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Polonaise (DE-588)4209517-7 gnd rswk-swf Deutschland Polen (DE-588)4046496-9 gnd rswk-swf Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p Rezeption (DE-588)4049716-1 s Polen (DE-588)4046496-9 g Musik (DE-588)4040802-4 s Geschichte z DE-604 Geistliche Musik (DE-588)4126228-1 s Instrumentalmusik (DE-588)4129951-6 s Polonaise (DE-588)4209517-7 s Musikalischer Stil (DE-588)4170806-4 s 1\p DE-604 Szymczak, Piotr trl Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029265458&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029265458&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Paczkowski, Szymon 1962- Polish style in the music of Johann Sebastian Bach Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Musik Music Germany 18th century History and criticism Music Polish influences Polonaises History and criticism Instrumentalmusik (DE-588)4129951-6 gnd Musikalischer Stil (DE-588)4170806-4 gnd Musik (DE-588)4040802-4 gnd Geistliche Musik (DE-588)4126228-1 gnd Rezeption (DE-588)4049716-1 gnd Polonaise (DE-588)4209517-7 gnd |
| subject_GND | (DE-588)11850553X (DE-588)4129951-6 (DE-588)4170806-4 (DE-588)4040802-4 (DE-588)4126228-1 (DE-588)4049716-1 (DE-588)4209517-7 (DE-588)4046496-9 |
| title | Polish style in the music of Johann Sebastian Bach |
| title_GND | (DE-588)1141687429 |
| title_alt | Styl polski w muzyce Johanna Sebastiana Bacha The Polish influence on the music of Johann Sebastian Bach |
| title_auth | Polish style in the music of Johann Sebastian Bach |
| title_exact_search | Polish style in the music of Johann Sebastian Bach |
| title_full | Polish style in the music of Johann Sebastian Bach Szymon Paczkowski, translated by Piotr Szymczak |
| title_fullStr | Polish style in the music of Johann Sebastian Bach Szymon Paczkowski, translated by Piotr Szymczak |
| title_full_unstemmed | Polish style in the music of Johann Sebastian Bach Szymon Paczkowski, translated by Piotr Szymczak |
| title_short | Polish style in the music of Johann Sebastian Bach |
| title_sort | polish style in the music of johann sebastian bach |
| topic | Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Musik Music Germany 18th century History and criticism Music Polish influences Polonaises History and criticism Instrumentalmusik (DE-588)4129951-6 gnd Musikalischer Stil (DE-588)4170806-4 gnd Musik (DE-588)4040802-4 gnd Geistliche Musik (DE-588)4126228-1 gnd Rezeption (DE-588)4049716-1 gnd Polonaise (DE-588)4209517-7 gnd |
| topic_facet | Bach, Johann Sebastian 1685-1750 Criticism and interpretation Bach, Johann Sebastian 1685-1750 Musik Music Germany 18th century History and criticism Music Polish influences Polonaises History and criticism Instrumentalmusik Musikalischer Stil Geistliche Musik Rezeption Polonaise Deutschland Polen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029265458&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029265458&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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