Music and culture in the Middle Ages and beyond: liturgy, sources, symbolism
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. Fo...
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| Format: | Buch |
| Sprache: | English |
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Cambridge
Cambridge University Press
2016
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. - Benjamin Brand received his PhD from Yale University, Connecticut and has taught music history at the University of North Texas since 2006. He is the recipient of fellowships from the Villa I Tatti (Harvard Center for Renaissance Studies) and the American Academy in Rome. David J. Rothenberg received his PhD from Yale University, Connecticut and is Associate Professor of Music and Chair of the Department of Music at Case Western Reserve University, Ohio, where he has taught since 2005. He is author of The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music (2011) and co-editor, with Robert R. Holzer, of the Oxford Anthology of Western Music, Volume One: The Earliest Notations to the Early Eighteenth Century (2013). |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvi, 362 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781107158375 |
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| 520 | |a It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. - Benjamin Brand received his PhD from Yale University, Connecticut and has taught music history at the University of North Texas since 2006. He is the recipient of fellowships from the Villa I Tatti (Harvard Center for Renaissance Studies) and the American Academy in Rome. David J. Rothenberg received his PhD from Yale University, Connecticut and is Associate Professor of Music and Chair of the Department of Music at Case Western Reserve University, Ohio, where he has taught since 2005. He is author of The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music (2011) and co-editor, with Robert R. Holzer, of the Oxford Anthology of Western Music, Volume One: The Earliest Notations to the Early Eighteenth Century (2013). | ||
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Datensatz im Suchindex
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| adam_text | Contents
List of Figures [page ix]
List of Tables [xii]
List of Examples [xiii]
Note on Contributors [xv]
Introduction [1]
BENJAMIN BRAND AND DAVID J. ROTHENBERG
PART I CHANT, LITURGY, AND RITUAL
1 Music and Liturgy in Medieval Capua [13]
THOMAS FORREST KELLY
2 The Model Antiphon Series Primum quaerite in
Hucbald s Office In plateis and in Other
Post-Carolingian Chant: Theory Meets Practice [28]
BARBARA HAGGH-HUGLO
3 Singing from the Pulpit: Improvised Polyphony and
Public Ritual in Medieval Tuscany [55]
BENJAMIN BRAND
4 Liturgy and Politics in Renaissance Florence: The
Creation of the 1526 Office for St. Zenobius [72]
MARICA s. TACCONI
5 Music and Pageantry in the Formation of
Hispano-Christian Identity: The Feast of
St. Hippolytus in Sixteenth-Century Mexico City [89]
LORENZO CANDELARIA
PART II ARCHIVAL AND SOURCE STUDIES
6 The Sources and the Sanctorale: Dating by the Decade in
Thirteenth-Century Paris [111]
REBECCA A. BALTZER
VIH
Contents
7 Vernacular Contexts for the Monophonic Motet:
Notes from a New Source [142]
MARK EVERIST
8 Tradition and Innovation in Fourteenth-Century
Instrumental Music: Evidence from Archival and
Musical Sources [158]
KEITH POLK
9 Melchior or Marchion de Civilibus,
prepositus brixiensis: New Documents [ 175]
MARGARET BENT
10 Papal Musicians at Cambrai in the Early
Fifteenth Century [191]
ALEJANDRO ENRIQUE PLANCHART
11 Sixtus IV, the Franciscans, and the Beginning
of Music Printing in Fifteenth-Century Rome [207]
JANE A. BERNSTEIN
PART III SYMBOLISM
12 The Gate that Carries Christ: Wordplay and Liturgical
Imagery in a Motet from ca. 1300 [225]
DAVID J. ROTHENBERG
13 A Musical Lesson for a King from the Roman de Fauvel [242]
ANNE WALTERS ROBERTSON
14 Preaching to the Choir? Obrechts Motet for the
Dedication of the Church [263]
M. JENNIFER BLOXAM
15 The Madonna Triptych: A Mystical Reading of Three
Early Music Videos [293]
ANDREW TOMASELLO
Bibliography [313]
Index [351]
|
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| era | Geschichte 1400-1500 Geschichte 1500-1600 Geschichte 500-1500 gnd |
| era_facet | Geschichte 1400-1500 Geschichte 1500-1600 Geschichte 500-1500 |
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| publisher | Cambridge University Press |
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| spelling | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism edited by Benjamin Brand (University of North Texas), David J. Rothenberg (Case Western Reserve University) Cambridge Cambridge University Press 2016 xvi, 362 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad culture contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation. - Benjamin Brand received his PhD from Yale University, Connecticut and has taught music history at the University of North Texas since 2006. He is the recipient of fellowships from the Villa I Tatti (Harvard Center for Renaissance Studies) and the American Academy in Rome. David J. Rothenberg received his PhD from Yale University, Connecticut and is Associate Professor of Music and Chair of the Department of Music at Case Western Reserve University, Ohio, where he has taught since 2005. He is author of The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music (2011) and co-editor, with Robert R. Holzer, of the Oxford Anthology of Western Music, Volume One: The Earliest Notations to the Early Eighteenth Century (2013). Geschichte 1400-1500 Geschichte 1500-1600 Geschichte 500-1500 gnd rswk-swf Musik Music 500-1400 History and criticism Music 15th century History and criticism Music 16th century History and criticism Symbol (DE-588)4058716-2 gnd rswk-swf Kirche (DE-588)4030702-5 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Liturgie (DE-588)4036050-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Kirche (DE-588)4030702-5 s Liturgie (DE-588)4036050-7 s Musikhandschrift (DE-588)4040847-4 s Symbol (DE-588)4058716-2 s Geschichte 500-1500 z DE-604 Brand, Benjamin David 1977- (DE-588)1062939204 edt Rothenberg, David J. (DE-588)1029900825 edt Erscheint auch als Online-Ausgabe 978-1-316-66383-7 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029264196&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism Musik Music 500-1400 History and criticism Music 15th century History and criticism Music 16th century History and criticism Symbol (DE-588)4058716-2 gnd Kirche (DE-588)4030702-5 gnd Musikhandschrift (DE-588)4040847-4 gnd Liturgie (DE-588)4036050-7 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4058716-2 (DE-588)4030702-5 (DE-588)4040847-4 (DE-588)4036050-7 (DE-588)4040802-4 (DE-588)4143413-4 |
| title | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism |
| title_auth | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism |
| title_exact_search | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism |
| title_full | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism edited by Benjamin Brand (University of North Texas), David J. Rothenberg (Case Western Reserve University) |
| title_fullStr | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism edited by Benjamin Brand (University of North Texas), David J. Rothenberg (Case Western Reserve University) |
| title_full_unstemmed | Music and culture in the Middle Ages and beyond liturgy, sources, symbolism edited by Benjamin Brand (University of North Texas), David J. Rothenberg (Case Western Reserve University) |
| title_short | Music and culture in the Middle Ages and beyond |
| title_sort | music and culture in the middle ages and beyond liturgy sources symbolism |
| title_sub | liturgy, sources, symbolism |
| topic | Musik Music 500-1400 History and criticism Music 15th century History and criticism Music 16th century History and criticism Symbol (DE-588)4058716-2 gnd Kirche (DE-588)4030702-5 gnd Musikhandschrift (DE-588)4040847-4 gnd Liturgie (DE-588)4036050-7 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music 500-1400 History and criticism Music 15th century History and criticism Music 16th century History and criticism Symbol Kirche Musikhandschrift Liturgie Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029264196&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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