Performance practice in the music of Steve Reich:
"Performance Practice in the Music of Steve Reich" provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2016
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Schriftenreihe: | Music since 1900
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Performance Practice in the Music of Steve Reich" provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music. - Russell Hartenberger, Professor at the University of Toronto, has been a member of both Nexus and Steve Reich and Musicians since 1971. With Nexus, he created the sound track for the Academy Award winning Full Length Documentary, The Man Who Skied Down Everest. With Steve Reich and Musicians he has recorded for ECM, DGG and Nonesuch Records, and performed on the Grammy Award winning recording of Music for 18 Musicians. His awards include the Toronto Arts Award, the Banff Centre for the Arts National Award, a Juno nomination, and induction into the Percussive Arts Society Hall of Fame. |
Beschreibung: | Includes bibliographical references |
Beschreibung: | xxxi, 260 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781107151505 |
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520 | |a "Performance Practice in the Music of Steve Reich" provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music. - Russell Hartenberger, Professor at the University of Toronto, has been a member of both Nexus and Steve Reich and Musicians since 1971. With Nexus, he created the sound track for the Academy Award winning Full Length Documentary, The Man Who Skied Down Everest. With Steve Reich and Musicians he has recorded for ECM, DGG and Nonesuch Records, and performed on the Grammy Award winning recording of Music for 18 Musicians. His awards include the Toronto Arts Award, the Banff Centre for the Arts National Award, a Juno nomination, and induction into the Percussive Arts Society Hall of Fame. | ||
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Datensatz im Suchindex
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Contents
List of figures page x
List of music examples xii
Foreword xvii
Preface xxi
Acknowledgments xxix
Introduction 1
Drumming, early days 9
Percussion and Drumming 29
The process of composing Drumming 33
Drumming, Part I 47
Drumming, Part II 66
Drumming, Part III 75
Drumming, Part IV 84
Acoustics of Drumming 90
Anatomy of a phase 94
Performance practice in Drumming 108
Clapping Music 153
Music for Pieces of Wood 168
Six Pianos 174
Music for Mallet Instruments, Voices, and Organ 181
Music for 18 Musicians 185
Inside rhythm 235
Bibliography 241
Index 255 |
any_adam_object | 1 |
author | Hartenberger, Russell 1944- |
author_GND | (DE-588)134398823 |
author_facet | Hartenberger, Russell 1944- |
author_role | aut |
author_sort | Hartenberger, Russell 1944- |
author_variant | r h rh |
building | Verbundindex |
bvnumber | BV043853918 |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.R27 |
callnumber-search | ML410.R27 |
callnumber-sort | ML 3410 R27 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 95900 |
ctrlnum | (OCoLC)965368052 (DE-599)BVBBV043853918 |
dewey-full | 786.8092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.8092 |
dewey-search | 786.8092 |
dewey-sort | 3786.8092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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id | DE-604.BV043853918 |
illustrated | Illustrated |
indexdate | 2024-09-23T16:18:16Z |
institution | BVB |
isbn | 9781107151505 |
language | English |
lccn | 016025959 |
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oclc_num | 965368052 |
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physical | xxxi, 260 Seiten Illustrationen, Notenbeispiele |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Music since 1900 |
spelling | Hartenberger, Russell 1944- Verfasser (DE-588)134398823 aut Performance practice in the music of Steve Reich Russell Hartenberger Cambridge Cambridge University Press 2016 xxxi, 260 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music since 1900 Includes bibliographical references "Performance Practice in the Music of Steve Reich" provides a performer's perspective on Steve Reich's compositions from his iconic minimalist work, Drumming, to his masterpiece, Music for 18 Musicians. It addresses performance issues encountered by the musicians in Reich's original ensemble and the techniques they developed to bring his compositions to life. Drawing comparisons with West African drumming and other non-Western music, the book highlights ideas that are helpful in the understanding and performance of rhythm in all pulse-based music. Through conversations and interviews with the author, Reich discusses his percussion background and his thoughts about rhythm in relation to the music of Ghana, Bali, India, and jazz. He explains how he used rhythm in his early compositions, the time feel he wants in his music, the kind of performer who seems to be drawn to his music, and the way perceptual and metrical ambiguity create interest in repetitive music. - Russell Hartenberger, Professor at the University of Toronto, has been a member of both Nexus and Steve Reich and Musicians since 1971. With Nexus, he created the sound track for the Academy Award winning Full Length Documentary, The Man Who Skied Down Everest. With Steve Reich and Musicians he has recorded for ECM, DGG and Nonesuch Records, and performed on the Grammy Award winning recording of Music for 18 Musicians. His awards include the Toronto Arts Award, the Banff Centre for the Arts National Award, a Juno nomination, and induction into the Percussive Arts Society Hall of Fame. Reich, Steve 1936- Criticism and interpretation Reich, Steve 1936- (DE-588)119286769 gnd rswk-swf Geschichte 1900-2000 Geschichte Performance practice (Music) History 20th century Aufführungspraxis (DE-588)4141464-0 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Reich, Steve 1936- (DE-588)119286769 p Komposition Musik (DE-588)4133320-2 s Aufführungspraxis (DE-588)4141464-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-316-58496-5 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029264164&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Hartenberger, Russell 1944- Performance practice in the music of Steve Reich Reich, Steve 1936- Criticism and interpretation Reich, Steve 1936- (DE-588)119286769 gnd Geschichte Performance practice (Music) History 20th century Aufführungspraxis (DE-588)4141464-0 gnd Komposition Musik (DE-588)4133320-2 gnd |
subject_GND | (DE-588)119286769 (DE-588)4141464-0 (DE-588)4133320-2 |
title | Performance practice in the music of Steve Reich |
title_auth | Performance practice in the music of Steve Reich |
title_exact_search | Performance practice in the music of Steve Reich |
title_full | Performance practice in the music of Steve Reich Russell Hartenberger |
title_fullStr | Performance practice in the music of Steve Reich Russell Hartenberger |
title_full_unstemmed | Performance practice in the music of Steve Reich Russell Hartenberger |
title_short | Performance practice in the music of Steve Reich |
title_sort | performance practice in the music of steve reich |
topic | Reich, Steve 1936- Criticism and interpretation Reich, Steve 1936- (DE-588)119286769 gnd Geschichte Performance practice (Music) History 20th century Aufführungspraxis (DE-588)4141464-0 gnd Komposition Musik (DE-588)4133320-2 gnd |
topic_facet | Reich, Steve 1936- Criticism and interpretation Reich, Steve 1936- Geschichte Performance practice (Music) History 20th century Aufführungspraxis Komposition Musik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029264164&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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