Russian music at home and abroad: new essays
"This collection views Russian music through the Greek triad of 'the Good, the True, and the Beautiful' to investigate how the idea of 'nation' embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our di...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley ; Oakland, California
University of California Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This collection views Russian music through the Greek triad of 'the Good, the True, and the Beautiful' to investigate how the idea of 'nation' embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, post-Cold War, and now post-9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much of the volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; and to the tension between the compelling artistic quality of works such as Stravinsky's Sacre du Printemps or Prokofieff's Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin's authority and ability to bring living history out of the shadows." ... Provided by publisher |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 543 Seiten Illustrationen |
| ISBN: | 9780520288089 9780520288096 |
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| adam_text | RUSSIAN MUSIC AT HOME AND ABROAD
/ TARUSKIN, RICHARDYYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: MY WONDERFUL WORLD; OR, DISMEMBERING THE TRIAD
NON-NATIONALISTS AND OTHER NATIONALISTS
CROWD, MOB, AND NATION IN BORIS GODUNOV: WHAT DID MUSORGSKY THINK, AND
DOES IT MATTER?
CATCHING UP WITH RIMSKY-KORSAKOV
NOT MODERN AND LOVING IT
WRITTEN FOR ELEPHANTS: NOTES ON RACH 3
IS THERE A RUSSIA ABROAD IN MUSIC?
TURANIA REVISITED, WITH LOURIE MY GUIDE
THE GHETTO AND THE IMPERIUM
TWO SERENDIPITIES: KEYNOTING A CONFERENCE, MUSIC AND POWER
WHAT S AN AWFUL SONG LIKE YOU DOING IN A NICE PIECE LIKE THIS? THE
FINALE IN PROKOFIEFF S SYMPHONY-CONCERTO, OP. 125
THE BIRTH OF CONTEMPORARY RUSSIA OUT OF THE SPIRIT OF MUSIC (NOT)
* * *
JUST HOW RUSSIAN WAS STRAVINSKY?
HOW THE RITE BECAME POSSIBLE
DIAGHILEV WITHOUT STRAVINSKY? STRAVINSKY WITHOUT DIAGHILEV?
RESISTING THE RITE
STRAVINSKY S POETICS AND RUSSIAN MUSIC
DID HE MEAN IT?
IN STRAVINSKY S SONGS, THE TRUE MAN, NO GHOSTWRITERS
UN CADEAU TRES MACABRE
DIESES SCHRIFTSTCK WURDE MASCHINELL ERZEUGT.
|
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| author_variant | r t rt |
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| callnumber-first | M - Music |
| callnumber-label | ML300 |
| callnumber-raw | ML300 |
| callnumber-search | ML300 |
| callnumber-sort | ML 3300 |
| callnumber-subject | ML - Literature on Music |
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| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spelling | Taruskin, Richard 1945-2022 (DE-588)10379753X aut Russian music at home and abroad new essays Richard Taruskin Berkeley ; Oakland, California University of California Press [2016] © 2016 X, 543 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "This collection views Russian music through the Greek triad of 'the Good, the True, and the Beautiful' to investigate how the idea of 'nation' embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, post-Cold War, and now post-9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much of the volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; and to the tension between the compelling artistic quality of works such as Stravinsky's Sacre du Printemps or Prokofieff's Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin's authority and ability to bring living history out of the shadows." ... Provided by publisher Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd rswk-swf Geschichte gnd rswk-swf Musik Music Russia History and criticism Komponist (DE-588)4032009-1 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Russland Russland (DE-588)4076899-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Russland (DE-588)4076899-5 g Komponist (DE-588)4032009-1 s Musik (DE-588)4040802-4 s Nationalismus (DE-588)4041300-7 s Geschichte z DE-604 Stravinsky, Igor 1882-1971 (DE-588)118642545 p Erscheint auch als ebook 9780520963153 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029241559&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Taruskin, Richard 1945-2022 Russian music at home and abroad new essays Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Musik Music Russia History and criticism Komponist (DE-588)4032009-1 gnd Nationalismus (DE-588)4041300-7 gnd Musik (DE-588)4040802-4 gnd |
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| title | Russian music at home and abroad new essays |
| title_auth | Russian music at home and abroad new essays |
| title_exact_search | Russian music at home and abroad new essays |
| title_full | Russian music at home and abroad new essays Richard Taruskin |
| title_fullStr | Russian music at home and abroad new essays Richard Taruskin |
| title_full_unstemmed | Russian music at home and abroad new essays Richard Taruskin |
| title_short | Russian music at home and abroad |
| title_sort | russian music at home and abroad new essays |
| title_sub | new essays |
| topic | Stravinsky, Igor 1882-1971 Criticism and interpretation Stravinsky, Igor 1882-1971 (DE-588)118642545 gnd Musik Music Russia History and criticism Komponist (DE-588)4032009-1 gnd Nationalismus (DE-588)4041300-7 gnd Musik (DE-588)4040802-4 gnd |
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