Practicable: from participation to interaction in contemporary art
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge, Mass. ; London
The MIT Press
[2016]
|
Schriftenreihe: | Leonardo book series
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xv, 930 Seiten Illustrationen |
ISBN: | 9780262034753 |
Internformat
MARC
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245 | 1 | 0 | |a Practicable |b from participation to interaction in contemporary art |c edited by Samuel Bianchini and Erik Verhagen ; with the collaboration of Nathalie Delbard and Larisa Dryansky |
264 | 1 | |a Cambridge, Mass. ; London |b The MIT Press |c [2016] | |
300 | |a xv, 930 Seiten |b Illustrationen | ||
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500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
_version_ | 1804176680401502208 |
---|---|
adam_text | PRACTICABLE
FROM PARTICIPATION
TO INTERACTION
IN CONTEMPORARY
ART
EDITED
BY SAMUEL BIANCHINI
AND
ERIK
VERHAGEN
WITH
THE
COLLABORATION
OF NATHALIE DELBARD AND
LARISA
DRYANSKY
THE MIT
PRESS
CAMBRIDGE, MASSACHUSETTS
LONDON, ENGLAND
CONTENTS
SERIES FOREWORD XI
CREDITS
AND
ACKNOWLEDGMENTS XIII
INTRODUCTION: PRACTICABLE--ART
IN
THE
CONDITIONAL
1
SAMUEL
BIANCHINI
AND
ERIK VERHAGEN
I
FROM
CYBERNETICS ONWARD
23
1
CORDON
PASK S CYBERNETIC
SYSTEMS: CONVERSATIONS
AFTER
THE
END
OF THE
MECHANICAL
AGE
25
MARGIT
ROSEN
2
THE ARTIST
AS HOMO
ARBITER
FORMAE: ART
AND
INTERACTION
IN JACK BUMHAM S SYSTEMS
ESSAYS
39
LUKE SKREBOWSKI
3
TWO
DECADES
OF INTERACTIVE
ART: DIGITAL
TECHNOLOGIES AND
HUMAN
EXPERIENCE
55
SIMON
PENNY
II
ART
SCENES
AND
MOVEMENTS
IN
SEARCH
OF PARTICIPATION
75
4
AGAINST
THE
SPECTACLE: THE CONSTRUCTION
OF SITUATIONS
77
VANESSA THEODOROPOULOU
5
FROM
PROGRAM
TO BEHAVIOR.
THE
EXPERIENCE
OF ARTE
PROGRAMMATA
IN
ITALY,
1958-1968 91
EMANUELE
QUINZ
6
THE BREATH
IS UP TO YOU : ON SOME
WORKS
BY H8IO
OITICICA, LYGIA
CLARK, AND
LYGIA
PAPE
1 13
G16RIA FERREIRA
VI
CONTENTS
7
A LA RECHERCHE D UN NOUVEAU
SPECTATEUR: THE FUNCTION
AND
SIGNIFICANCE
OF PLAY
IN
THE
PARTICIPATORY
ENVIRONMENTS
OF THE
GROUPE
DE RECHERCHE
DFART
VISUEL
127
MARION HOHLFELDT
8
KATSUHIRO
YAMAGUCHI: PERFORMANCES
AND
ENVIRONMENTS
143
CHRISTOPHE CHARLES
9
TACTICAL MEDIA
AND
THE
AESTHETICS OF PARTICIPATION
159
ERIC KLUITENBERG
ILL
FROM
THE
VANTAGE
POINT
OF THE
HUMANITIES
AND
SOCIAL
SCIENCES
179
10
ECHOES
OF PRAGMATISM
IN CURRENT
ARTISTIC PRACTICES
181
JEAN-PIERRE
CORNETTI
11
ARTIANTHROPOLOGY
INTERVENTIONS
195
ARND SCHNEIDER
12
HABITABLE: SPECTATOR PARTICIPATION
IN EVERYDAY
LIFE
215
ANNA DEZEUZE
13
FROM
THE
PRACTICE
OF ROLES
TO THE
FACTS
OF CONSCIOUSNESS:
ART
AND
ITS
QUALITIES
235
PIERRE-DAMIEN
HUYGHE
14
COLLABORATING
AND
PARTICIPATING: A CONNECTION
WORTH
EXAMINING
253
VERONIQUE GOUDINOUX
15
PUBLIC OPERATION: NET
ART, SOCIOLOGY, AND
PRACTICABLE
MEDIA
265
JEAN-PAUL
FOURRNENTRAUX
16
THE
CONTRACTUAL
DEFINITION
OF THE
WORK
OF ART: A CONTRIBUTION
TO THE
DISCUSSION
OF THE
DISPOSITIF
IN
ART
279
JUDITH
LCKOWIU
IV ART
IN
ACTION: ON PERFORMANCE
295
17
WHY
PARTICIPATE?
ON THE
CONCRETE
EXPERIENCE
OF PARTICIPATORY
PERFORMANCES
297
KATRIN GATTINGER
18
HAPTIC
VISION: THE
FEMALE
BODY
AND
PRACTICABLE ART
313
GIOVANNA
ZAPPERI
CONTENTS
19
TRAVELING MICROBUS
HORDES: A MOBILE
AUDIENCE
329
DIEDRICH
DIEDERICHSEN
20
DEMO
N.0
345
PETER
LUNENFELD
V
BRINGING
ABOUT
INTERACTION, GRASPING, AND
SEEING: EXHIBITING
PRACTICABLE
WORKS
OF ART
359
21
TOWARD
A DRAMATURGY
OF LNTERACTIVITY
361
JEAN-LOUIS BOISSIER
22
STOP, DROP, AND
ROLL
WITH
IT:
CURATING
PARTICIPATORY MEDIA
ART
377
SARAH COOK
23
TAKING
HOLD
OF IMAGES: SOME
THOUGHTS
ON THE
FREE HANDLING
OF PHOTOGRAPHS
IN
CONTEMPORARY
ART
397
NATHALIE DELBARD
VI
SOME KEY WORKS: CASE STUDIES
409
24
ROBERT
RAUSCHENBERG S ORACLE: A LABORATORY
FOR
TESTING
PERCEPTIONS
41 1
CHRISTOPHE LECLERCQ
25
LYGIA
CLARK S CAMINHANDO
421
ANNA DEZEUZE
26
CHARLOTTE
POSENENSKE: MIMETIC
MINIMALISM
AND
PRACTICABILITY
431
RENATE
WIEHAGER
27
THE
ARTWORK
AS PASSWORD:
ON SOME
PIECES
BY PIOTR
KOWALSKI
441
JEAN-CHRISTOPHE BAILLY
28
ROBERT
MORRIS S BODYSPACEMOTIONTHINGS: PARTICIPATION
REENACTED
449
CATHERINE
WOOD
29
THERAPEUTIC PARTICIPATION: ON THE
LEGACY
OF BRUCE
NAUMAN S YELLOW
ROOM
(TRIANGULAR) AND
OTHER
WORKS
459
JANET
KRAYNAK
30
WELCOME! ON DAN
GRAHAM S OPPOSING
MIRRORS
AND
VIDEO
MONITORS
ON TIME
DELAY
469
FRANGOISE
PARFAIT
CONTENTS
31
ON CRUELTY
IN
ART: MARINA
ABRAMOVIT,
RHYTHM
0
479
GILLES FROGER
32
VIEWER-INSTRUMENTED PLAY:
VERY NERVOUS
SYSTEM
BY DAVID
ROKEBY
493
JEAN
CAGNON
33
WHEN
OBJECTS
SPEAK IN IMAGES: KRZYSZTOF
WODIUKO S
HOMELESS VEHICLE PROJECT
AS
AN INSTRUMENT
OF PUBLIC
DISCUSSION
503
CHRISTOPHE
DOMINO
34
REFLECTIONS
ON JEFFREY
SHAW S
GOLDEN
CALF,
1994 513
DANIEL
PINKAS
35
JANET CARDIFF S
WALKS
525
ANDREA URLBERGER
36
THE GRAVITY
OF ART: ON CARSTEN
HOLLER S
UNTITLED (SLIDE),
201 1 531
MADELINE
SCHWARTZRNAN
37
EXHIBITING
THE
MUSEUM: THE
HYBRID
SPACES OF WORKSPACE
UNLIMITED
543
DOMINIQUE
MOULON
VII WORDS
FROM
ARTISTS
AND
THEORETICIANS: INTERVIEWS
551
38
CREATING A LIVING
RESPONSIVE ENVIRONMENT
553
JULIE
MARTIN
LNTERVIEWED BY CHRISTOPHE
LECLERCQ
39
THE
ACTION
IS THE
ORIGINAL
569
FRANZ ERHARD
WALTHER
LNTERVIEWED
BY ERIK
VERHAGEN
40
FROM
INTERACTION
TO PUBLIC
AUTHORSHIP
583
JOCHEN
GERZ
LNTERVIEWED
BY MARION HOHLFELDT
41
IN
SEARCH
OF RELATIONAL
ART
595
PIERO
GILARDI LNTERVIEWED
BY ERNANUELE
QUINZ
42
OPEN FIELDS
OF ENACTMENT
607
PETER WEIBEL
LNTERVIEWED
BY MARION HOHLFELDT
43
READING BEYOND
LNTERADIVITY
621
MASAKI
FUJIHATA
LNTERVIEWED BY DORNINIQUE CUNIN AND MAYURNI
OKURA
44
FORM IS A POSITION
633
THOMAS HIRSCHHOM
LNTERVIEWED
BY EDDIE
PANIER
CONTENTS
45
OBSERVATIONAL PRACTICES: A CONVERSATION
ON RHYTHM, PACE, AND CROWD
INTERACTION
643
JORDAN CRANDALL LNTERVIEWED
BY ANNE
ZEITZ
46
IS THERE
A REVOLUTION?
655
RIRKRIT
TIRAVANIJA LNTERVIEWED
BY CHANTAL PONTBRIAND
47
A DIRECT
DIALOGUE
WITH
ONE S OWN
PERCEPTION
667
SEIKO MIKARNI
LNTERVIEWED BY HIROKO MYOKARN
48
EVERYTHING IS SCULPTURE
677
ERNESTO NETO
LNTERVIEWED
BY GLBRIA
FERREIRA
49
OUT
OF CONTROL
691
RAFAEL LOZANO-HERNRNER LNTERVIEWED BY ALBERTO
SDNCHEZ BALRNISA
50
BLAST THEORY: PLAYING
WITH
PUBLICS
705
MATT
ADARNS LNTERVIEWED
BY FREDCRIK LESAGE
51
THE GRANULARITY
OF PARTICIPATION
719
USRNAN
HAQUE
LNTERVIEWED
BY VALERIE
CHDTELET
52
CRITICAL
DESIGN: ART
AND
POLITICS
OF PUBLIC
SPACES
733
HEHE
(HELEN EVANS AND HEIKO
HANSEN) LNTERVIEWED
BY JEAN-PAUL
FOURMENTRAUX
53
EXHIBITING
THE
VISITOR
747
LAWRENCE MALSTAF LNTERVIEWED BY DORNINIQUE
MOULON
54
I
SEE EACH
OF MY WORKS
AS A TOOL
759
JEPPE
HEIN
LNTERVIEWED
BY FREDERIK SCHIKOWSKI
55
COMPOSING
THE
POLITICAL
ARTS: ON THE
MODES
OF BEING
OF ARTWORKS
AND
THEIR
PUBLIC
771
BRUNO
LATOUR
LNTERVIEWED
BY SAMUEL BIANCHINI
AND
JEAN-PAUL
FOURMENTRAUX
56
USE IS ALMOST MEANING
IN
THREE
DIMENSIONS
781
NICOLAS BOURRIAUD
LNTERVIEWED
BY LARISA DRYANSKY
57
THE MYTH
OF
THE
ACTIVE
SUBJECT
795
CLAIRE BISHOP
LNTERVIEWED
BY DAVID
ZERBIB
BIBLIOGRAPHY 809
CONTRIBUTORS 849
INDEX 877
|
any_adam_object | 1 |
author2 | Bianchini, Samuel 1971- Verhagen, Erik 1969- |
author2_role | edt edt |
author2_variant | s b sb e v ev |
author_GND | (DE-588)141103949 (DE-588)136964400 (DE-588)13899322X (DE-588)136389988 |
author_facet | Bianchini, Samuel 1971- Verhagen, Erik 1969- |
building | Verbundindex |
bvnumber | BV043823155 |
callnumber-first | N - Fine Arts |
callnumber-label | N7433 |
callnumber-raw | N7433.915 |
callnumber-search | N7433.915 |
callnumber-sort | N 47433.915 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 60230 LH 60240 LH 65870 LH 65880 |
classification_tum | KUN 035f |
ctrlnum | (OCoLC)965611000 (DE-599)BVBBV043823155 |
dewey-full | 702.81 |
dewey-hundreds | 700 - The arts |
dewey-ones | 702 - Miscellany of fine and decorative arts |
dewey-raw | 702.81 |
dewey-search | 702.81 |
dewey-sort | 3702.81 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte Kunst |
era | Geschichte 1950-2016 gnd |
era_facet | Geschichte 1950-2016 |
format | Book |
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id | DE-604.BV043823155 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:36:02Z |
institution | BVB |
isbn | 9780262034753 |
language | English |
lccn | 016008327 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029234106 |
oclc_num | 965611000 |
open_access_boolean | |
owner | DE-188 DE-12 DE-255 DE-91 DE-BY-TUM DE-11 DE-739 DE-355 DE-BY-UBR |
owner_facet | DE-188 DE-12 DE-255 DE-91 DE-BY-TUM DE-11 DE-739 DE-355 DE-BY-UBR |
physical | xv, 930 Seiten Illustrationen |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | The MIT Press |
record_format | marc |
series2 | Leonardo book series |
spelling | Practicable from participation to interaction in contemporary art edited by Samuel Bianchini and Erik Verhagen ; with the collaboration of Nathalie Delbard and Larisa Dryansky Cambridge, Mass. ; London The MIT Press [2016] xv, 930 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Leonardo book series Includes bibliographical references and index Geschichte 1950-2016 gnd rswk-swf Interactive art Partizipation (DE-588)4044789-3 gnd rswk-swf Interaktive Kunst (DE-588)4557518-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4027503-6 Interview gnd-content Interaktive Kunst (DE-588)4557518-6 s Partizipation (DE-588)4044789-3 s Künstler (DE-588)4033423-5 s Ästhetik (DE-588)4000626-8 s Geschichte 1950-2016 z DE-604 Bianchini, Samuel 1971- (DE-588)141103949 edt Verhagen, Erik 1969- (DE-588)136964400 edt Delbard, Nathalie 1974- (DE-588)13899322X wat Dryansky, Larisa 1969- (DE-588)136389988 wat Digitalisierung ZIKG München application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029234106&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Practicable from participation to interaction in contemporary art Interactive art Partizipation (DE-588)4044789-3 gnd Interaktive Kunst (DE-588)4557518-6 gnd Ästhetik (DE-588)4000626-8 gnd Künstler (DE-588)4033423-5 gnd |
subject_GND | (DE-588)4044789-3 (DE-588)4557518-6 (DE-588)4000626-8 (DE-588)4033423-5 (DE-588)4143413-4 (DE-588)4027503-6 |
title | Practicable from participation to interaction in contemporary art |
title_auth | Practicable from participation to interaction in contemporary art |
title_exact_search | Practicable from participation to interaction in contemporary art |
title_full | Practicable from participation to interaction in contemporary art edited by Samuel Bianchini and Erik Verhagen ; with the collaboration of Nathalie Delbard and Larisa Dryansky |
title_fullStr | Practicable from participation to interaction in contemporary art edited by Samuel Bianchini and Erik Verhagen ; with the collaboration of Nathalie Delbard and Larisa Dryansky |
title_full_unstemmed | Practicable from participation to interaction in contemporary art edited by Samuel Bianchini and Erik Verhagen ; with the collaboration of Nathalie Delbard and Larisa Dryansky |
title_short | Practicable |
title_sort | practicable from participation to interaction in contemporary art |
title_sub | from participation to interaction in contemporary art |
topic | Interactive art Partizipation (DE-588)4044789-3 gnd Interaktive Kunst (DE-588)4557518-6 gnd Ästhetik (DE-588)4000626-8 gnd Künstler (DE-588)4033423-5 gnd |
topic_facet | Interactive art Partizipation Interaktive Kunst Ästhetik Künstler Aufsatzsammlung Interview |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029234106&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT bianchinisamuel practicablefromparticipationtointeractionincontemporaryart AT verhagenerik practicablefromparticipationtointeractionincontemporaryart AT delbardnathalie practicablefromparticipationtointeractionincontemporaryart AT dryanskylarisa practicablefromparticipationtointeractionincontemporaryart |