Handbook of materials for string musical instruments:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Cham]
Springer
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Ursprünglich angekündigt als: Handbook of materials for stringed musical instruments |
| Beschreibung: | xix, 975 Seiten Illustrationen, Diagramme |
| ISBN: | 9783319320786 |
Internformat
MARC
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| 020 | |a 9783319320786 |c hardcover |9 978-3-319-32078-6 | ||
| 035 | |a (OCoLC)964511913 | ||
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| 245 | 1 | 0 | |a Handbook of materials for string musical instruments |c Voichita Bucur |
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| 264 | 4 | |c © 2016 | |
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| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Ursprünglich angekündigt als: Handbook of materials for stringed musical instruments | ||
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-029233618 | ||
| 942 | 1 | 1 | |c 784.19 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804176679513358336 |
|---|---|
| adam_text | Contents
1 Introduction........................................................... 1
1.1 The Background.................................................. 1
1.2 The Outline of the Book......................................... 3
References............................................................ 4
2 Description of String Instruments for Classical Music.................. 5
2.1 Evolution of String Instruments................................. 7
2.1.1 Short Historic Overview................................. 7
2.1.2 String Instruments and the Symphony Orchestra........ 13
2.2 String Instruments as Art Objects.............................. 18
2.2.1 Utility and Beauty, Inseparable Concepts
for Baroque Musical Instrument Building................ 21
2.2.2 Precious Materials for Baroque Musical
Instruments............................................ 25
2.3 Organologie Description of String Instruments
of a Symphony Orchestra........................................ 31
2.3.1 Geometry of String Musical Instruments................. 31
2.3.2 Constitutive Parts of String Instrument................ 42
2.4 Craftsman’s Technology for Construction of String
Instruments.................................................... 52
2.4.1 Technology for the Manufacture of Instruments
of the Violin Family................................... 53
2.4.2 Technology for Manufacturing a Concert
Classical Guitar....................................... 55
2.4.3 Technology for the Concert Harp........................ 58
2.4.4 Technology for the Grand Piano Soundboard.............. 60
2.4.5 The Case of the Harpsichord............................ 65
2.5 Directivity of String Instruments.............................. 67
2.5.1 The Violin Family...................................... 69
2.5.2 The Concert Harp....................................... 73
2.5.3 The Grand Piano........................................ 74
XI
Contents
2.6 New Instruments................................................ 74
2.6.1 The Hutchins—Schelleng Violin Octet..................... 74
2.6.2 The Caldersmith Classic Guitar Family................... 79
2.7 Summary......................................................... 83
Appendices..................................................... 84
References..................................................... 88
3 Mechanical Characterisation of Materials for String
Instrument............................................................ 93
3.1 Introduction.................................................... 93
3.2 Mechanical Characterisation of Materials........................ 94
3.2.1 Elastic Constants of Materials—Theoretical
Aspects................................................. 95
3.2.2 Experimental Aspects Related to Elastic Constants
Measurements............................................ 99
3.3 Anisotropy of Wood............................................. Ill
3.4 Effect of Wood Moisture Content Variation
on Tone Quality ............................................... 119
3.5 Summary.................................................. 122
Appendices........................................................... 123
References.......................................................... 129
4 Measuring Vibration Modes of Violins’ and Other Instruments’
Plates............................................................... 133
4.1 Modal Analysis of Violins................................ 136
4.2 Experimental Modal Testing............................... 136
4.3 Optical Methods for Vibration Measurements on Violins.... 138
4.3.1 Holographic Interferometry............................. 139
4.3.2 Laser Doppler Vibrometry............................... 142
4.3.3 Near Field Acoustic Holography......................... 146
4.4 X-Ray Computed Tomography...................................... 146
4.5 Radiation and Directivity of Violins and Other Instruments .... 151
4.6 Summary........................................................ 155
Appendices........................................................... 156
References........................................................... 170
5 Material Properties and the Modes of Vibration
of Piano Soundboard.................................................. 175
5.1 Introduction................................................... 176
5.2 Piano Soundboard......................................... • 179
5.2.1 Manufacturing Technology of the Piano
Soundboard............................................. 181
5.2.2 Parameters for Quality Assessment of Wood
for Soundboard......................................... 183
5.2.3 Piano Soundboard Vibrations............................ 191
Contents xiii
5.2.4 Wood Properties and Vibroacoustical
Characteristics of Different Pianos.................. 207
5.3 Piano Action Mechanism....................................... 207
5.3.1 The Hammer........................................... 214
5.3.2 Wippen Assembly...................................... 216
5.3.3 The Keyboard......................................... 218
5.3.4 The Foot Control Pedals of the Piano.............. 220
5.3.5 Piano Strings........................................ 224
5.3.6 Structural Elements Supporting the Strings........... 228
5.4 About the Connection of Case Vibration with Soundboard
Vibration.................................................... 233
5.4.1 Vibration of Case Structural Elements
of a Grand Piano..................................... 234
5.4.2 Vibration of Case Structural Elements
of an Upright Piano.................................. 238
5.4.3 Comparison Between Grand Piano
and Upright Piano Admittance......................... 242
5.5 Summary...................................................... 244
References........................................................ 245
6 Material Properties and the Modes of Vibration
of the Concert Harp Soundboard..................................... 249
6.1 Introduction............................... ............... 249
6.2 Constitutive Elements and Materials for Concert Harps........ 256
6.2.1 The Soundbox......................................... 256
6.2.2 The Neck and the Strings............................. 259
6.2.3 The Pillar........................................... 263
6.2.4 The Pedals and the Base of the Harp.................. 264
6.3 Vibration of the Soundboard of a Concert Harp................ 265
6.4 Vibration of the Soundbox of the Concert Harp................ 272
6.5 About Soundbox Vibration of Old and New Harps .............. 276
6.6 Summary...................................................... 279
References.......................................................... 281
7 Ageing of Wood...................................................... 283
7.1 Introduction................................................. 284
7.2 Natural Ageing of Wood....................................... 287
7.2.1 Structural Modification.............................. 287
7.2.2 Modification of Physical and Mechanical
Properties (Density, E, G, tan 8).................... 295
7.3 Ageing of Wood Induced by Long Term Static Loading
and Vibrations............................................... 305
7.3.1 Static Loading....................................... 305
7.3.2 Vibrations .......................................... 316
7.4 Summary...................................................... 320
References.......................................................... 321
XIV
Contents
8 Ageing of Musical Instruments—About the “Old”
and “New Violins”................................................... 325
8.1 Background................................................. 326
8.2 Wood Density on Old and New Violins........................ 336
8.3 Ageing and Long Term Playing of Violins.................... 339
8.4 Tonal Quality of Old and New Violins....................... 342
8.4.1 Criteria for the Characterization of Violin Timbre. 342
8.4.2 Statistical Treatment of Data on Violin Timbre........ 350
8.4.3 Physicists’ Viewpoints on Good and Bad Violins,
at the Beginning of the XXIst Century................. 352
8.5 Musicians’ Viewpoints on “Good” and “Bad” Violins............. 367
8.6 Summary.................................................... 368
References.......................................................... 369
9 The Varnish......................................................... 373
9.1 Introduction.................................................. 373
9.2 Description of Varnishing Procedure........................... 381
9.3 Microanalysis for Characterization of Old Violin Coating
Systems....................................................... 383
9.3.1 Methodologies Used for Microanalyses.................. 387
9.3.2 Chemical Compounds.................................... 388
9.4 Influence of Coatings on Finished Surfaces Properties......... 418
9.4.1 Mechanical Approach. Modelling
of Wood-Coating Composites............................ 419
9.4.2 Experimental Approach................................. 422
9.4.3 Surface Roughness..................................... 434
9.4.4 The Thin Films........................................ 439
9.5 Summary....................................................... 440
Appendices.......................................................... 441
References.......................................................... 449
10 Strings for Musical Instruments of the Baroque
and Romantic Periods................................................ 455
10.1 A Brief Formal Description of Strings......................... 456
10.1.1 Vibration Modes and Frequency of Strings.............. 456
10.1.2 About the Excitation of Musical Instruments. . ....... 458
10.1.3 Sound Decay........................................... 462
10.1.4 Mechanical Behaviour of Strings Under Stress.......... 462
10.2 Physical and Mechanical Properties of Materials for Strings. . . . 464
10.2.1 Historical Background................................. 464
10.2.2 Pitch and Its Historic Evolution in Western Music .... 467
10.2.3 Materials for Strings................................. 470
10.3 Inharmonicity of Strings Made of Various Materials............ 509
10.3.1 Inharmonicity of Piano Strings........................ 510
10.3.2 Inharmonicity of Harp Strings......................... 514
Contents
xv
10.4 Summary................................................... 517
Appendix........................................................... 518
References........................................................ 520
11 The Bridge, The Soundpost and The Bass Bar
for Violin Family Instruments...................................... 525
11.1 Introduction.............................................. 525
11.2 The Bridge................................................ 526
11.2.1 Experimental Evidence of Bridge Geometry Effects . . . 529
11.2.2 Bridge Mobility...................................... 533
11.2.3 Effect of Bridge Stiffness and Mass................ 534
11.2.4 Effect of String Coupling............................ 536
11.2.5 Innovation in Bridge Design.......................... 537
11.3 The Soundpost, and The Bass Bar............................. 542
11.3.1 The Soundpost........................................ 542
11.3.2 The Bass Bar. ....................................... 546
11.4 Damage Produced by The Bridge and The Soundpost
to the Violin Top Plate..................................... 547
11.5 Summary..................................................... 549
References........................................................ 549
12 Pieces for String Fitting........................................... 553
12.1 Introduction................................................ 553
12.2 The Tailpiece............................................... 554
12.3 The Neck, the Fingerboard and the Nut....................... 559
12.4 The Pegs.................................................... 563
12.5 The Endpin.................................................. 566
12.5.1 The Geometry and the Materials Used
for the Endpins.................................... 569
12.5.2 Endpin Effects on Acoustical Performance
of Cello and Double Bass............................ 570
12.6 Summary..................................................... 579
References......................................................... 580
13 The Bow............................................................. 583
13.1 Introduction................................................ 583
13.2 Bow Function. . ............................................ 586
13.2.1 Bow Structural Elements.............................. 586
13.2.2 About the Modes of Vibrations of the Bow........... 589
13.2.3 About the Diameter of the Stick...................... 591
13.2.4 About the Large Deformations of the Bow............ 594
13.2.5 About the Bouncing Modes of the Bow................ 594
13.2.6 About the Bow Hair Mechanics......................... 600
13.3 Wood Species and Other Materials for Bows................... 605
13.3.1 Materials for the Stick.............................. 605
13.3.2 Materials for the Frog............................... 620
XVI
Contents
13.3.3 Materials for the Button................................ 623
13.4 Bow Hair................................................... 624
13.5 The Rosin.................................................. 629
13.6 Summary.................................................... 632
References............................................................ 634
14 Dendrochronology and Wood Resources for Authentic,
Historical Period Musical Instruments................................. 639
14.1 Background...................................................... 639
14.2 Violins and Annual Ring Pattern of Spruce
Resonance Trees................................................. 645
14.2.1 About the Resonance Trees.......................... 645
14.2.2 Actual Provenance of Spruce Resonance
Trees and Logs..................................... 649
14.2.3 Dendro-Provenance Detection with Fourier
Transform Near Infrared Spectroscopy............... 652
14.3 Annual Rings on Violins’ Wedges and Violins’ Top Plates .... 655
14.3.1 Manufacturing of Wedges............................ 655
14.3.2 Annual Rings on the Top Plate of the Violin............. 656
14.4 Dendrochronology of Spruce Resonance Wood....................... 660
14.4.1 Tree Ring Chronology............................... 660
14.4.2 Site Chronology.................................... 662
14.5 Wood Provenance of Old Italian Instruments
and Other Period Instruments.................................... 663
14.5.1 Master Chronologies and Wood Resources Sites...... 664
14.5.2 Spatial Correlation Analysis and Wood Resources
Sites................................................... 664
14.5.3 Dating Musical Instruments Based on Master
Chronologies and Spatial Correlation Analysis........... 665
14.6 Dating Some Remarkable Period String
Musical Instruments............................................. 674
14.6.1 Dating Individual Instruments........................... 674
14.6.2 Dating Instruments Belonging
to Different Collections................................ 678
14.7 Summary......................................................... 688
Appendix.............................................................. 689
References............................................................ 694
15 Restoration of Historical Musical Instruments......................... 699
15.1 Introduction.................................................... 699
15.2 Ageing of Musical Instruments................................... 702
15.3 Criteria for Intervention on Historic Musical Instruments.. 705
15.3.1 Diagnosis of the Condition of Musical Instruments. . . . 707
15.3.2 Added Materials for Restoration
of Stringed Musical Instruments......................... 708
Contents xvii
15.4 Restoration of Remarkable Historical Instruments—Some
Examples.................................................... 711
15.4.1 Restoration of the Guarneri Del Gesù Violin “II
Cannone”............................................... 712
15.4.2 Restoration of a Piano Forte from Romantic Era......... 714
15.5 Summary..................................................... 733
References........................................................... 733
16 Preservative Conservation of Musical Instruments...................... 737
16.1 introduction................................................... 737
16.2 Environmental Requirements for Musical Instruments
Conservation................................................... 739
16.2.1 The Effect of Indoor Air Pollution on the
Conservation of Musical Instruments.................... 739
16.2.2 Sunlight and Conservation Conditions of Musical
Instruments............................................ 744
16.2.3 Climate Change Trends and Prediction of Indoor
Climate Data........................................... 746
16.3 Risks of Biological Attacks on Historic Musical
Instruments.................................................. 750
16.3.1 Bacterial Attack....................................... 751
16.3.2 Fungal Attack.......................................... 751
16.3.3 Insects Attack....................................... 752
16.4 Dimensional Stability and Integrity of Historic Musical
Instruments.................................................... 757
16.4.1 Stringed Instruments, the Violin by Guarneri
Del Gesù the ‘Cannone’................................. 758
16.4.2 Keyboard Instruments the Harpsichord
Couchet—1652 .......................................... 772
16.5 Cleaning and Maintenance of Stringed Musical Instruments. . . . 781
16.5.1 Cleaning Treatments.................................... 782
16.5.2 Maintenance............................................ 783
16.5.3 Storage for Historic Musical Instruments............... 784
16.6 Summary........................................................ 785
References........................................................... 786
17 About Traditional and New Wood Species
for String Instruments............................................... 793
17.1 Introduction................................................... 793
17.2 Traditional Species for Violin................................. 794
17.2.1 Spruce (Picea abies)................................... 795
17.2.2 Other Softwood Species................................. 809
17.2.3 Curly Maple (Acer pseudoplatanus)...................... 812
17.3 New Australian Species for String Instruments.................. 816
17.3.1 Macroscopic Description................................ 818
xviii Contents
17.3.2 Acoustical Properties of Some Australian Species................ 818
17.4 Acoustic Criteria for Matching New Species
for the Top and Back of Violins....................................... 822
17.5 About the Acoustical Quality of String Instruments
Made with New Species................................................... 825
17.6 New Wood Species for Bow................................................ 827
17.7 Summary ................................................................ 830
Appendices.................................................................... 831
References.................................................................... 838
18 Composite Materials for Musical Instruments............... 845
18.1 Introduction............................................................ 845
18.2 Carbon and Graphite Fibre Composites.................................... 846
18.2.1 Composites for Top Plates of Guitars and Violins................ 850
18.2.2 Composites for the Soundboards of Concert Harps .... 856
18.2.3 Composites for Piano Soundboard
and Piano Building.............................................. 862
18.3 Nanocomposites.......................................................... 863
18.4 Natural Fibre Composites................................................. 866
18.5 Ceramic Polymer Composites............................... 868
18.6 Summary................................................................. 870
Patents....................................................................... 872
References.................................................................... 873
19 Materials from Sustainable Resources for Musical Instruments . . . 877
19.1 Introduction............................................................ 877
19.2 Materials from Natural Forest Resources................................. 878
19.2.1 Biological Treatment of Wood...........*........................ 878
19.2.2 Chemical Treatment of Wood...................................... 881
19.2.3 Physical Treatments of Wood..................................... 886
19.3 New Materials from Sustainable Forest Resources......................... 897
19.4 Other Resources......................................................... 900
19.5 Summary................................................................. 901
Appendices.................................................................... 902
References.................................................................... 907
20 String Musical Instruments as Educational Tools...... 911
20.1 How Musical Sound and Musical Instruments Underlie
Material Science........................................................ 912
20.1.1 The Musical Scale and Tunings................................... 913
20.1.2 The Pitch and the Duration of a Musical Sound. 919
20.1.3 The Timbre..................................................... 922
20.1.4 The Loudness................................................... 923
20.1.5 Musical Sounds and Material Characteristics. 925
20.2 Musical Instruments in an Academic Engineering Program .... 927
20.3 Schools and the Crafts for String Instrument Creation................... 928
Contents
xix
20.4 Innovation and International Competitions for Violinmakers . . . 934
20.5 Concluding Remarks.............................................. 936
Appendices............................................................ 936
References............................................................ 938
21 About the Economic Value of Musical Instruments....................... 943
21.1 Introduction.................................................... 943
21.2 Criteria for Authentication of Old Italian Violins and Period
Keyboard Instruments............................................ 944
21.3 About the “Violin Fraud”........................................ 946
21.4 Old Violins and Other Period Instruments as an Alternative
Investment...................................................... 947
21.5 Concluding Remarks.............................................. 953
Appendices............................................................ 954
References............................................................ 956
Index General.............................................................. 959
Temperate Zone Species..................................................... 973
Tropical Species........................................................... 975
|
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| id | DE-604.BV043822655 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:36:01Z |
| institution | BVB |
| isbn | 9783319320786 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029233618 |
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| owner_facet | DE-Eb1 DE-12 DE-210 DE-83 |
| physical | xix, 975 Seiten Illustrationen, Diagramme |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Springer |
| record_format | marc |
| spelling | Bucur, Voichita Verfasser aut Handbook of materials for string musical instruments Voichita Bucur [Cham] Springer [2016] © 2016 xix, 975 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Ursprünglich angekündigt als: Handbook of materials for stringed musical instruments Material (DE-588)4169078-3 gnd rswk-swf Streichinstrumentenbau (DE-588)4183627-3 gnd rswk-swf Streichinstrumentenbau (DE-588)4183627-3 s Material (DE-588)4169078-3 s DE-604 Erscheint auch als Online-Ausgabe 978-3-319-32080-9 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029233618&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bucur, Voichita Handbook of materials for string musical instruments Material (DE-588)4169078-3 gnd Streichinstrumentenbau (DE-588)4183627-3 gnd |
| subject_GND | (DE-588)4169078-3 (DE-588)4183627-3 |
| title | Handbook of materials for string musical instruments |
| title_auth | Handbook of materials for string musical instruments |
| title_exact_search | Handbook of materials for string musical instruments |
| title_full | Handbook of materials for string musical instruments Voichita Bucur |
| title_fullStr | Handbook of materials for string musical instruments Voichita Bucur |
| title_full_unstemmed | Handbook of materials for string musical instruments Voichita Bucur |
| title_short | Handbook of materials for string musical instruments |
| title_sort | handbook of materials for string musical instruments |
| topic | Material (DE-588)4169078-3 gnd Streichinstrumentenbau (DE-588)4183627-3 gnd |
| topic_facet | Material Streichinstrumentenbau |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029233618&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bucurvoichita handbookofmaterialsforstringmusicalinstruments |