Historical style: fashion and the new mode of history, 1740-1830
Historical Style' connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
PENN, University of Pennsylvania Press
[2016]
|
| Schriftenreihe: | Material texts
|
| Schlagworte: | |
| Zusammenfassung: | Historical Style' connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a growing fashion press extolled, in writing and illustration, the new phenomenon of periodized fashion trends. As fashion fads came in and out of style, and as fashion texts circulated and obsolesced, Britons were forced to confront the material persistence of out-of-date fashions. Timothy Campbell argues that these fashion texts and objects shaped British perception of time and history by producing new curiosity about the very recent past, as well as a new self-consciousness about the means by which the past could be understood. In a panoptic sweep, 'Historical Style' brings together art history, philosophy, and literary history to portray an era increasingly aware of itself. Burgeoning consumer society, Campbell contends, highlighted the distinction between the past and the present, created an expectation of continual change, and forged a sense of history as something that could be tracked through material objects. Campbell assembles a wide range of writings, images, and objects to render this eighteenth-century landscape: commercial dress displays and David Hume's ideas of novelty as historical form; popular illustrations of recent fashion trends and Sir Joshua Reynolds's aesthetic precepts; fashion periodicals and Sir Walter Scott's costume-saturated historical fiction. In foregrounding fashion to trace eighteenth-century historicism, 'Historical Style' draws upon the interdisciplinary, multimedia archival impressions that fashionable dress has left behind, as well as the historical and conceptual resources within the field of fashion studies that literary and cultural historians of eighteenth-century and Romantic Britain have often neglected |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 363 Seiten Illustrationen 24 cm |
| ISBN: | 9780812248326 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043810718 | ||
| 003 | DE-604 | ||
| 005 | 20171120 | ||
| 007 | t | ||
| 008 | 161004s2016 a||| |||| 00||| eng d | ||
| 020 | |a 9780812248326 |9 978-0-8122-4832-6 | ||
| 035 | |a (OCoLC)960102404 | ||
| 035 | |a (DE-599)BVBBV043810718 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-M458 |a DE-Y2 | ||
| 100 | 1 | |a Campbell, Timothy |d 1978- |e Verfasser |0 (DE-588)1089901925 |4 aut | |
| 245 | 1 | 0 | |a Historical style |b fashion and the new mode of history, 1740-1830 |c Timothy Campbell |
| 264 | 1 | |a Philadelphia |b PENN, University of Pennsylvania Press |c [2016] | |
| 300 | |a x, 363 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Material texts | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a INTRODUCTION Fashions Past<br>PART I THE DRESS OF THE YEAR -- CHAPTER 1 Modern Fashion and Comparative Contemporaneity -- CHAPTER 2 Portrait Historicism and the Dress of the Times<br>PART II THE FICTIONS OF SERIAL HISTORY -- CHAPTER 3 Hume, Historical Succession, and the Dress of Rousseau -- CHAPTER 4 Historical Novelty and Serial Form -- CHAPTER 5 Walter Scott's Fashion Systems -- CHAPTER 6 William Godwin and the Objects of Historical Fiction -- CODA Beautiful Historical Experience<br>Notes, Bibliography, Index | |
| 520 | |a Historical Style' connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a growing fashion press extolled, in writing and illustration, the new phenomenon of periodized fashion trends. As fashion fads came in and out of style, and as fashion texts circulated and obsolesced, Britons were forced to confront the material persistence of out-of-date fashions. Timothy Campbell argues that these fashion texts and objects shaped British perception of time and history by producing new curiosity about the very recent past, as well as a new self-consciousness about the means by which the past could be understood. In a panoptic sweep, 'Historical Style' brings together art history, philosophy, and literary history to portray an era increasingly aware of itself. Burgeoning consumer society, Campbell contends, highlighted the distinction between the past and the present, created an expectation of continual change, and forged a sense of history as something that could be tracked through material objects. Campbell assembles a wide range of writings, images, and objects to render this eighteenth-century landscape: commercial dress displays and David Hume's ideas of novelty as historical form; popular illustrations of recent fashion trends and Sir Joshua Reynolds's aesthetic precepts; fashion periodicals and Sir Walter Scott's costume-saturated historical fiction. In foregrounding fashion to trace eighteenth-century historicism, 'Historical Style' draws upon the interdisciplinary, multimedia archival impressions that fashionable dress has left behind, as well as the historical and conceptual resources within the field of fashion studies that literary and cultural historians of eighteenth-century and Romantic Britain have often neglected | ||
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1740-1830 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Fashion / Great Britain / History / 18th century | |
| 650 | 4 | |a Fashion / Great Britain / History / 19th century | |
| 650 | 4 | |a Geschichte | |
| 650 | 0 | 7 | |a Mode |0 (DE-588)4039792-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kleidung |0 (DE-588)4031011-5 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Großbritannien | |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 1 | |a Mode |0 (DE-588)4039792-0 |D s |
| 689 | 0 | 2 | |a Kleidung |0 (DE-588)4031011-5 |D s |
| 689 | 0 | 3 | |a Geschichte 1740-1830 |A z |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029221977 | ||
Datensatz im Suchindex
| _version_ | 1804176659205586944 |
|---|---|
| any_adam_object | |
| author | Campbell, Timothy 1978- |
| author_GND | (DE-588)1089901925 |
| author_facet | Campbell, Timothy 1978- |
| author_role | aut |
| author_sort | Campbell, Timothy 1978- |
| author_variant | t c tc |
| building | Verbundindex |
| bvnumber | BV043810718 |
| contents | INTRODUCTION Fashions Past<br>PART I THE DRESS OF THE YEAR -- CHAPTER 1 Modern Fashion and Comparative Contemporaneity -- CHAPTER 2 Portrait Historicism and the Dress of the Times<br>PART II THE FICTIONS OF SERIAL HISTORY -- CHAPTER 3 Hume, Historical Succession, and the Dress of Rousseau -- CHAPTER 4 Historical Novelty and Serial Form -- CHAPTER 5 Walter Scott's Fashion Systems -- CHAPTER 6 William Godwin and the Objects of Historical Fiction -- CODA Beautiful Historical Experience<br>Notes, Bibliography, Index |
| ctrlnum | (OCoLC)960102404 (DE-599)BVBBV043810718 |
| era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1740-1830 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1740-1830 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04143nam a2200481 c 4500</leader><controlfield tag="001">BV043810718</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20171120 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">161004s2016 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780812248326</subfield><subfield code="9">978-0-8122-4832-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)960102404</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043810718</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-M458</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Campbell, Timothy</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1089901925</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Historical style</subfield><subfield code="b">fashion and the new mode of history, 1740-1830</subfield><subfield code="c">Timothy Campbell</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Philadelphia</subfield><subfield code="b">PENN, University of Pennsylvania Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 363 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Material texts</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">INTRODUCTION Fashions Past<br>PART I THE DRESS OF THE YEAR -- CHAPTER 1 Modern Fashion and Comparative Contemporaneity -- CHAPTER 2 Portrait Historicism and the Dress of the Times<br>PART II THE FICTIONS OF SERIAL HISTORY -- CHAPTER 3 Hume, Historical Succession, and the Dress of Rousseau -- CHAPTER 4 Historical Novelty and Serial Form -- CHAPTER 5 Walter Scott's Fashion Systems -- CHAPTER 6 William Godwin and the Objects of Historical Fiction -- CODA Beautiful Historical Experience<br>Notes, Bibliography, Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Historical Style' connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a growing fashion press extolled, in writing and illustration, the new phenomenon of periodized fashion trends. As fashion fads came in and out of style, and as fashion texts circulated and obsolesced, Britons were forced to confront the material persistence of out-of-date fashions. Timothy Campbell argues that these fashion texts and objects shaped British perception of time and history by producing new curiosity about the very recent past, as well as a new self-consciousness about the means by which the past could be understood. In a panoptic sweep, 'Historical Style' brings together art history, philosophy, and literary history to portray an era increasingly aware of itself. Burgeoning consumer society, Campbell contends, highlighted the distinction between the past and the present, created an expectation of continual change, and forged a sense of history as something that could be tracked through material objects. Campbell assembles a wide range of writings, images, and objects to render this eighteenth-century landscape: commercial dress displays and David Hume's ideas of novelty as historical form; popular illustrations of recent fashion trends and Sir Joshua Reynolds's aesthetic precepts; fashion periodicals and Sir Walter Scott's costume-saturated historical fiction. In foregrounding fashion to trace eighteenth-century historicism, 'Historical Style' draws upon the interdisciplinary, multimedia archival impressions that fashionable dress has left behind, as well as the historical and conceptual resources within the field of fashion studies that literary and cultural historians of eighteenth-century and Romantic Britain have often neglected</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1740-1830</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fashion / Great Britain / History / 18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Fashion / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mode</subfield><subfield code="0">(DE-588)4039792-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kleidung</subfield><subfield code="0">(DE-588)4031011-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Mode</subfield><subfield code="0">(DE-588)4039792-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kleidung</subfield><subfield code="0">(DE-588)4031011-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1740-1830</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029221977</subfield></datafield></record></collection> |
| geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV043810718 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:42Z |
| institution | BVB |
| isbn | 9780812248326 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029221977 |
| oclc_num | 960102404 |
| open_access_boolean | |
| owner | DE-255 DE-M458 DE-Y2 |
| owner_facet | DE-255 DE-M458 DE-Y2 |
| physical | x, 363 Seiten Illustrationen 24 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | PENN, University of Pennsylvania Press |
| record_format | marc |
| series2 | Material texts |
| spelling | Campbell, Timothy 1978- Verfasser (DE-588)1089901925 aut Historical style fashion and the new mode of history, 1740-1830 Timothy Campbell Philadelphia PENN, University of Pennsylvania Press [2016] x, 363 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Material texts Includes bibliographical references and index INTRODUCTION Fashions Past<br>PART I THE DRESS OF THE YEAR -- CHAPTER 1 Modern Fashion and Comparative Contemporaneity -- CHAPTER 2 Portrait Historicism and the Dress of the Times<br>PART II THE FICTIONS OF SERIAL HISTORY -- CHAPTER 3 Hume, Historical Succession, and the Dress of Rousseau -- CHAPTER 4 Historical Novelty and Serial Form -- CHAPTER 5 Walter Scott's Fashion Systems -- CHAPTER 6 William Godwin and the Objects of Historical Fiction -- CODA Beautiful Historical Experience<br>Notes, Bibliography, Index Historical Style' connects the birth of eighteenth-century British consumer society to the rise of historical self-consciousness. Prior to the eighteenth century, British style was slow to change and followed the cultural and economic imperatives of monarchical regimes. By the 1750s, however, a growing fashion press extolled, in writing and illustration, the new phenomenon of periodized fashion trends. As fashion fads came in and out of style, and as fashion texts circulated and obsolesced, Britons were forced to confront the material persistence of out-of-date fashions. Timothy Campbell argues that these fashion texts and objects shaped British perception of time and history by producing new curiosity about the very recent past, as well as a new self-consciousness about the means by which the past could be understood. In a panoptic sweep, 'Historical Style' brings together art history, philosophy, and literary history to portray an era increasingly aware of itself. Burgeoning consumer society, Campbell contends, highlighted the distinction between the past and the present, created an expectation of continual change, and forged a sense of history as something that could be tracked through material objects. Campbell assembles a wide range of writings, images, and objects to render this eighteenth-century landscape: commercial dress displays and David Hume's ideas of novelty as historical form; popular illustrations of recent fashion trends and Sir Joshua Reynolds's aesthetic precepts; fashion periodicals and Sir Walter Scott's costume-saturated historical fiction. In foregrounding fashion to trace eighteenth-century historicism, 'Historical Style' draws upon the interdisciplinary, multimedia archival impressions that fashionable dress has left behind, as well as the historical and conceptual resources within the field of fashion studies that literary and cultural historians of eighteenth-century and Romantic Britain have often neglected Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1740-1830 gnd rswk-swf Fashion / Great Britain / History / 18th century Fashion / Great Britain / History / 19th century Geschichte Mode (DE-588)4039792-0 gnd rswk-swf Kleidung (DE-588)4031011-5 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Mode (DE-588)4039792-0 s Kleidung (DE-588)4031011-5 s Geschichte 1740-1830 z DE-604 |
| spellingShingle | Campbell, Timothy 1978- Historical style fashion and the new mode of history, 1740-1830 INTRODUCTION Fashions Past<br>PART I THE DRESS OF THE YEAR -- CHAPTER 1 Modern Fashion and Comparative Contemporaneity -- CHAPTER 2 Portrait Historicism and the Dress of the Times<br>PART II THE FICTIONS OF SERIAL HISTORY -- CHAPTER 3 Hume, Historical Succession, and the Dress of Rousseau -- CHAPTER 4 Historical Novelty and Serial Form -- CHAPTER 5 Walter Scott's Fashion Systems -- CHAPTER 6 William Godwin and the Objects of Historical Fiction -- CODA Beautiful Historical Experience<br>Notes, Bibliography, Index Fashion / Great Britain / History / 18th century Fashion / Great Britain / History / 19th century Geschichte Mode (DE-588)4039792-0 gnd Kleidung (DE-588)4031011-5 gnd |
| subject_GND | (DE-588)4039792-0 (DE-588)4031011-5 (DE-588)4022153-2 |
| title | Historical style fashion and the new mode of history, 1740-1830 |
| title_auth | Historical style fashion and the new mode of history, 1740-1830 |
| title_exact_search | Historical style fashion and the new mode of history, 1740-1830 |
| title_full | Historical style fashion and the new mode of history, 1740-1830 Timothy Campbell |
| title_fullStr | Historical style fashion and the new mode of history, 1740-1830 Timothy Campbell |
| title_full_unstemmed | Historical style fashion and the new mode of history, 1740-1830 Timothy Campbell |
| title_short | Historical style |
| title_sort | historical style fashion and the new mode of history 1740 1830 |
| title_sub | fashion and the new mode of history, 1740-1830 |
| topic | Fashion / Great Britain / History / 18th century Fashion / Great Britain / History / 19th century Geschichte Mode (DE-588)4039792-0 gnd Kleidung (DE-588)4031011-5 gnd |
| topic_facet | Fashion / Great Britain / History / 18th century Fashion / Great Britain / History / 19th century Geschichte Mode Kleidung Großbritannien |
| work_keys_str_mv | AT campbelltimothy historicalstylefashionandthenewmodeofhistory17401830 |