The Routledge research companion to popular music and gender:
Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numero...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York, NY
Routledge, Taylor & Francis Group
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background. Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture. From 2010-2014 he has led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), and Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). He is currently one of the General Editors for the Ashgate Popular and Folk Music Series. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 382 Seiten Illustrationen |
| ISBN: | 9781472456830 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043792421 | ||
| 003 | DE-604 | ||
| 005 | 20221011 | ||
| 007 | t | ||
| 008 | 160923s2017 a||| |||| 00||| eng d | ||
| 020 | |a 9781472456830 |c hbk. |9 978-1-472-45683-0 | ||
| 035 | |a (OCoLC)986520477 | ||
| 035 | |a (DE-599)BVBBV043792421 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-12 |a DE-703 |a DE-B170 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 56600 |0 (DE-625)109803:13528 |2 rvk | ||
| 084 | |a LR 56610 |0 (DE-625)109804:13528 |2 rvk | ||
| 245 | 1 | 0 | |a The Routledge research companion to popular music and gender |c edited by Stan Hawkins |
| 264 | 1 | |a London ; New York, NY |b Routledge, Taylor & Francis Group |c 2017 | |
| 300 | |a xvii, 382 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background. | ||
| 520 | |a Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture. From 2010-2014 he has led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), and Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). He is currently one of the General Editors for the Ashgate Popular and Folk Music Series. | ||
| 650 | 4 | |a Popular music |x History and criticism | |
| 650 | 4 | |a Sex role in music | |
| 650 | 4 | |a Gender identity in music | |
| 650 | 0 | 7 | |a Geschlechterrolle |0 (DE-588)4071776-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Geschlechterforschung |0 (DE-588)4482930-9 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |D s |
| 689 | 0 | 1 | |a Geschlechterforschung |0 (DE-588)4482930-9 |D s |
| 689 | 0 | 2 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Hawkins, Stan |0 (DE-588)1025683897 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-315-61343-7 |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029203380&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 0904 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029203380 | |
Datensatz im Suchindex
| _version_ | 1811697983832457216 |
|---|---|
| adam_text |
CONTENTS
List of figures and tables x
List of musical examples xii
List of contributors xiii
1 Introduction: Sensing gender in popular music 1
Stan Hawkins
PARTI
Masculinities, femininities, community, and transcultural practice 13
2 Growing up to be a rapper? Justin Bieber’s duet with Ludacris
as transcultural practice 15
Barbara Bradby
3 “Where we going Johnny?” Homosociality and the early Beatles 35
Matthew Bannister
4 From throat singing to transcultural expression: Tanya Tagaq’s
Katajjaq musical signature 48
Sophie Stevance
5 Spectres of masculinity: Markers of vulnerability and nostalgia in
Johnny Cash 63
Eirik Asker oi
Vll
Contents
PART 2
Audiovisuality sex(uality), women, and the politics of looking 77
6 “You mean I can make a TV show?”: Web series, assertive music,
and African American women producers 79
Anahid Kassabian
7 Holding on for dear life: Gender, celebrity status, and vulnerability-
on-display in Sia’s 'Chandelier’ 89
Kai Arne Hansen
8 Gender, sexuality and the politics of looking in Beyoncé’s
'Video Phone’ (featuring Lady Gaga) 102
Lori Burns and Marc Lafrance
9 'Working it’: Female masculinity and Missy Elliott 117
Marita B. Djupvik
PART 3
Vernacular soundworlds, narratives, and stardom 133
10 High notes, high drama: Musical climaxes and gender politics in
tenor heroes and Broadway women 137
Frey a Jarman
11 The gendered narratives of nobodies and somebodies in the popular
music economy 152
Keith Negus
12 Staging the 'street boy’: Transculturalism, realness and hypermasculinity
in the Norwegian rapper Jesse Jones 166
Birgitte Sandve
13 Fairport Convention: Gender and voicing strategies in a
sound signature 182
Tor Dybo
14 “I don’t play girly house music”: Women, sonic stereotyping,
and the dancing DJ 196
Tami Gadir
Vlll
Contents
PART 4
Gender, race, and the female celebrity 211
15 ‘A woman’s place’: Staging femininity in live music from Jenny Lind
to the Jazz Age 215
Steve Waksman
16 Bey once: Hip hop feminism and the embodiment of black femininity 229
Marquita R. Smith
17 Performing race and gender: Erykah Badu between post-soul and
Afrofuturism 242
Erik Steinskog
18 “Armed with the faith of a child”: Marit Larsen and strategies of faking 253
Jon Mikkel Broch Ålvik
19 “Singing from the heart”: Notions of gendered authenticity in pop music 267
Bridget Coulter
PARTS
Challenging hegemonic practices: New masculinities, queerness,
and transgenderism 281
20 Doing hip-hop masculinity differently: Exploring Kanye West’s 808s
Heartbreak through word, sound, and image 285
Marc Lafrance, Lori Burns, andAlyssa Woods
21 Express yourself! Gender euphoria and intersections 300
Doris Leibetseder
22 Covering trans media: Temporal and narrative potential in messy
musical archives 313
Craig Jennex and Maria Murphy
23 Confronting the gender trouble for real: Mina Caputo, metal truth
and transgender power 326
Susanna Välimäki
Bibliography 34 7
Index 372
ix |
| any_adam_object | 1 |
| author2 | Hawkins, Stan |
| author2_role | edt |
| author2_variant | s h sh |
| author_GND | (DE-588)1025683897 |
| author_facet | Hawkins, Stan |
| building | Verbundindex |
| bvnumber | BV043792421 |
| classification_rvk | LR 56600 LR 56610 |
| ctrlnum | (OCoLC)986520477 (DE-599)BVBBV043792421 |
| discipline | Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV043792421</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221011</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160923s2017 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472456830</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-472-45683-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)986520477</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043792421</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56600</subfield><subfield code="0">(DE-625)109803:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56610</subfield><subfield code="0">(DE-625)109804:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Routledge research companion to popular music and gender</subfield><subfield code="c">edited by Stan Hawkins</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York, NY</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 382 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture. From 2010-2014 he has led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), and Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). He is currently one of the General Editors for the Ashgate Popular and Folk Music Series.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sex role in music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gender identity in music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Unterhaltungsmusik</subfield><subfield code="0">(DE-588)4061916-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterforschung</subfield><subfield code="0">(DE-588)4482930-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Unterhaltungsmusik</subfield><subfield code="0">(DE-588)4061916-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschlechterforschung</subfield><subfield code="0">(DE-588)4482930-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hawkins, Stan</subfield><subfield code="0">(DE-588)1025683897</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-315-61343-7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029203380&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029203380</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043792421 |
| illustrated | Illustrated |
| indexdate | 2024-10-01T08:03:56Z |
| institution | BVB |
| isbn | 9781472456830 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029203380 |
| oclc_num | 986520477 |
| open_access_boolean | |
| owner | DE-11 DE-12 DE-703 DE-B170 |
| owner_facet | DE-11 DE-12 DE-703 DE-B170 |
| physical | xvii, 382 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | The Routledge research companion to popular music and gender edited by Stan Hawkins London ; New York, NY Routledge, Taylor & Francis Group 2017 xvii, 382 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images, all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry's impact on fans, and how tastes and preferences become associated with gender. This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender. The contributors are drawn from a range of disciplines including musicology, sociology, anthropology, gender studies, philosophy, and media studies, providing new reference points for studies in this interdisciplinary field. Stan Hawkins's introduction sets out to situate a variety of debates that prompts ways of thinking and working, where the focus falls primarily on gender roles. Amongst the innovative approaches taken up in this collection are: queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. This Research Companion is required reading for scholars and teachers of popular music, whatever their disciplinary background. Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Adjunct Professor at the University of Agder, Norway. His research fields involve music analysis, popular musicology, gender and culture. From 2010-2014 he has led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), and Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). He is currently one of the General Editors for the Ashgate Popular and Folk Music Series. Popular music History and criticism Sex role in music Gender identity in music Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Unterhaltungsmusik (DE-588)4061916-3 s Geschlechterforschung (DE-588)4482930-9 s Geschlechterrolle (DE-588)4071776-8 s DE-604 Hawkins, Stan (DE-588)1025683897 edt Erscheint auch als Online-Ausgabe 978-1-315-61343-7 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029203380&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Routledge research companion to popular music and gender Popular music History and criticism Sex role in music Gender identity in music Geschlechterrolle (DE-588)4071776-8 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| subject_GND | (DE-588)4071776-8 (DE-588)4061916-3 (DE-588)4482930-9 (DE-588)4143413-4 |
| title | The Routledge research companion to popular music and gender |
| title_auth | The Routledge research companion to popular music and gender |
| title_exact_search | The Routledge research companion to popular music and gender |
| title_full | The Routledge research companion to popular music and gender edited by Stan Hawkins |
| title_fullStr | The Routledge research companion to popular music and gender edited by Stan Hawkins |
| title_full_unstemmed | The Routledge research companion to popular music and gender edited by Stan Hawkins |
| title_short | The Routledge research companion to popular music and gender |
| title_sort | the routledge research companion to popular music and gender |
| topic | Popular music History and criticism Sex role in music Gender identity in music Geschlechterrolle (DE-588)4071776-8 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| topic_facet | Popular music History and criticism Sex role in music Gender identity in music Geschlechterrolle Unterhaltungsmusik Geschlechterforschung Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029203380&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hawkinsstan theroutledgeresearchcompaniontopopularmusicandgender |