Renaissance art in Venice: from tradition to individualism
Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture and paintings took on distinctive and original qualities. The spread of Renaissance values provided...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Laurence King Publishing
2016
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian and Tintoretto with a licence for artistic invention. By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art |
| Beschreibung: | Includes bibliographical references (pages 216-219) and index |
| Beschreibung: | 223 Seiten Illustrationen, Karten 25 cm |
| ISBN: | 9781780678511 |
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Datensatz im Suchindex
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| adam_text |
Renaissance
Art in
Venice:
From Tradition
to Individualism
Tom Nichols
Laurence King Publishing
Contents
Introduction 6
1
The ‘Most Serene Republic’: Venice at the Outset
of the Renaissance 10
2
Innovation as Tradition: 1440-75 22
3
A Perfected Image of Venice: 1476-1500 50
4
Individualism, Internationalism,
Secularization: 1501-25 84
5
Romanism, Rank and Rivalry: 1526-50 1-16
6
The Victory of Art: 1551-75 146
7
Adversity, Creativity, Retrospectivity: 1576-1600 182
BIBLIOGRAPHY 216
INDEX 220
PICTURE CREDITS 224
Mo. 46 55 hf |
| any_adam_object | 1 |
| author | Nichols, Tom 1958- |
| author_GND | (DE-588)133254429 |
| author_facet | Nichols, Tom 1958- |
| author_role | aut |
| author_sort | Nichols, Tom 1958- |
| author_variant | t n tn |
| building | Verbundindex |
| bvnumber | BV043789118 |
| contents | The 'Most Serene Republic': Venice at the Outset of the Renaissance -- Innovation as Tradition: 1440-75 -- A Perfected Image of Venice: 1476-1500 -- Individualism, Internationalism, Secularization: 1501-25 -- Romanism Rank, and Rivalry: 1526-50 -- The Victory of Art: 1551-75 -- Adversity, Creativity, Retrospectivity: 1576-1600 |
| ctrlnum | (OCoLC)959830457 (DE-599)BVBBV043789118 |
| dewey-full | 709.4509024 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.4509024 |
| dewey-search | 709.4509024 |
| dewey-sort | 3709.4509024 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1400-1600 gnd |
| era_facet | Geschichte 1400-1600 |
| format | Book |
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| spelling | Nichols, Tom 1958- Verfasser (DE-588)133254429 aut Renaissance art in Venice from tradition to individualism Tom Nichols London Laurence King Publishing 2016 223 Seiten Illustrationen, Karten 25 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 216-219) and index The 'Most Serene Republic': Venice at the Outset of the Renaissance -- Innovation as Tradition: 1440-75 -- A Perfected Image of Venice: 1476-1500 -- Individualism, Internationalism, Secularization: 1501-25 -- Romanism Rank, and Rivalry: 1526-50 -- The Victory of Art: 1551-75 -- Adversity, Creativity, Retrospectivity: 1576-1600 Art and architecture have always been central to Venice but in the Renaissance period, between c.1440 and 1600, they reached a kind of apotheosis when many of the city's new buildings, sculpture and paintings took on distinctive and original qualities. The spread of Renaissance values provided leading artists such as Gentile and Giovanni Bellini, Giorgione, Palladio, Titian and Tintoretto with a licence for artistic invention. By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art Geschichte 1400-1600 gnd rswk-swf Art, Renaissance / Italy / Venice Kunst (DE-588)4114333-4 gnd rswk-swf Italien Venedig (DE-588)4062501-1 gnd rswk-swf Venedig (DE-588)4062501-1 g Kunst (DE-588)4114333-4 s Geschichte 1400-1600 z DE-604 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029200144&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nichols, Tom 1958- Renaissance art in Venice from tradition to individualism The 'Most Serene Republic': Venice at the Outset of the Renaissance -- Innovation as Tradition: 1440-75 -- A Perfected Image of Venice: 1476-1500 -- Individualism, Internationalism, Secularization: 1501-25 -- Romanism Rank, and Rivalry: 1526-50 -- The Victory of Art: 1551-75 -- Adversity, Creativity, Retrospectivity: 1576-1600 Art, Renaissance / Italy / Venice Kunst (DE-588)4114333-4 gnd |
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| title | Renaissance art in Venice from tradition to individualism |
| title_auth | Renaissance art in Venice from tradition to individualism |
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| title_full | Renaissance art in Venice from tradition to individualism Tom Nichols |
| title_fullStr | Renaissance art in Venice from tradition to individualism Tom Nichols |
| title_full_unstemmed | Renaissance art in Venice from tradition to individualism Tom Nichols |
| title_short | Renaissance art in Venice |
| title_sort | renaissance art in venice from tradition to individualism |
| title_sub | from tradition to individualism |
| topic | Art, Renaissance / Italy / Venice Kunst (DE-588)4114333-4 gnd |
| topic_facet | Art, Renaissance / Italy / Venice Kunst Italien Venedig |
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