Live sound fundamentals:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Boston, MA, USA
Course Technology
©2011
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Includes index Introduction -- pt. I. The gear -- 1. What is sound? -- Good vibrations -- How loud is loud? -- Another kind of doubling -- 2. Welcome to the signal chain -- End to end -- Power it up -- 3. It all starts with a mic -- What's the address? -- It's all about heart -- So what does it all mean? -- A place for everything and everything in its place -- The snare -- The hi-hat -- Tom-Toms -- Kick drum -- Cymbals -- Keep it simple -- Guitar and bass -- Horns -- Keyboards -- 4. Cables and connectors -- Shielded versus unshielded -- But wait, there's more -- Weird stuff and power -- 5. The wonderful world of wireless -- Getting unplugged -- A little history -- Compression/expansion -- Limited power -- And now the reality -- Dynamic or condenser? -- What's the format? -- Auditioning -- Time to taste the freedom -- R what? -- The magic is in the motion -- Meat absorbers -- 6. Snakes and splits -- A pirate looks at 40 channels -- Meanwhile, back in the desert -- Splitting Sound -- - Ones and zeros -- 7. It's not the car, it's the driver -- Hostility -- Incompetence -- Education -- 8. The channel strip -- 9. Console auxiliary sends ... or, what do the knobs in the middle do? -- Made to order -- Insert here -- Remember tapes? -- Now boarding group A ... -- I wanna go home -- 10. Equalization -- Rule #1 : listen first -- EQ bands and types -- How do I use 'em? -- Rule #2 :'tis better to cut than to boost -- 11. Other channel stuff -- Phantom power -- Mute and solo -- 12. The master section -- Aux returns -- Pretty lights -- Other miscellaneous stuff -- Splitting it up -- 13. Gain structure -- What is it? -- ABC's of the signal chain -- Audio by numbers -- The microphone and other delicacies -- 14. Aux sends and returns -- Hello? (hello ... hello ...) Is there anybody in there? (in there ... in there ...) -- Getting swishy -- Clap on, clap off -- Dynamics--compressors and gates -- When to use it -- Someone's at the gate -- 15. Monitoring -- The gear -- - Do you hear what I hear? -- 16. The drive rack -- Order, order, order! -- System EQ -- Getting in tune -- HELLO, HELLo, HELlo, HEllo, Hello, hello ... -- Take it to the limit -- 17. Active speakers -- It's the law -- Back on track -- Pros and cons -- 18. You gotta have power ... -- Ins and outs -- What's cooking inside? -- Class A -- Class B -- Class AB -- Class D -- What a load -- You can't do that with an amplifier -- 19. Loudspeakers -- The drivers -- Impedance -- Power handling and efficiency -- Box design -- Sealed box -- Bass reflex -- Horn-loaded -- Deployment pt. II. The gig -- 20. Getting your hands dirty -- Kicked by the wind, robbed by the sleet -- Had my head stove in ... -- But I'm still on my feet ... -- 21. Advance and prep -- Advancing the gig -- The plot thickens -- 22. On the gig -- Welcome to the working week -- Showtime--no sleeping in for you -- How we roll -- Getting pinned -- 23. Hello (Hello ... Hello ... Hello)--and welcome to the world of delay -- 24. Backline basics -- Behind the PA -- Getting the gear right -- 25. Hands on the knobs -- Fix it at the source -- Find your foundation and flow -- Triage -- Less is more--softer is louder -- 26. Touring is not for the weak -- My day--by Mike Allison -- 27. Just because you can doesn't mean you should -- Dave Shirley -- Jordan Wolf -- Ian Silvia -- Mike Reeves -- D.V. Hakes II -- Jeanne Knotts -- Steve McCarthy -- Final words -- Index "'Live Sound Fundamentals 'covers the basics of live sound reinforcement from a real world/real problems/real solutions point of view. It is a solid how-to guide to the fundamentals of setting up and mixing live audio events-covering the equipment, processes, and techniques required for obtaining expert results. By following the signal chain from beginning to end, readers will walk away with a solid grasp of the fundamental skills needed to work in the live event audio world."--Resource description page |
| Beschreibung: | xii, 179 pages |
| ISBN: | 9781435456037 1435456033 1435454944 9781435454941 |
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| 100 | 1 | |a Evans, Bill |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Live sound fundamentals |c Bill Evans |
| 264 | 1 | |a Boston, MA, USA |b Course Technology |c ©2011 | |
| 300 | |a xii, 179 pages | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 500 | |a Introduction -- pt. I. The gear -- 1. What is sound? -- Good vibrations -- How loud is loud? -- Another kind of doubling -- 2. Welcome to the signal chain -- End to end -- Power it up -- 3. It all starts with a mic -- What's the address? -- It's all about heart -- So what does it all mean? -- A place for everything and everything in its place -- The snare -- The hi-hat -- Tom-Toms -- Kick drum -- Cymbals -- Keep it simple -- Guitar and bass -- Horns -- Keyboards -- 4. Cables and connectors -- Shielded versus unshielded -- But wait, there's more -- Weird stuff and power -- 5. The wonderful world of wireless -- Getting unplugged -- A little history -- Compression/expansion -- Limited power -- And now the reality -- Dynamic or condenser? -- What's the format? -- Auditioning -- Time to taste the freedom -- R what? -- The magic is in the motion -- Meat absorbers -- 6. Snakes and splits -- A pirate looks at 40 channels -- Meanwhile, back in the desert -- Splitting Sound -- | ||
| 500 | |a - Ones and zeros -- 7. It's not the car, it's the driver -- Hostility -- Incompetence -- Education -- 8. The channel strip -- 9. Console auxiliary sends ... or, what do the knobs in the middle do? -- Made to order -- Insert here -- Remember tapes? -- Now boarding group A ... -- I wanna go home -- 10. Equalization -- Rule #1 : listen first -- EQ bands and types -- How do I use 'em? -- Rule #2 :'tis better to cut than to boost -- 11. Other channel stuff -- Phantom power -- Mute and solo -- 12. The master section -- Aux returns -- Pretty lights -- Other miscellaneous stuff -- Splitting it up -- 13. Gain structure -- What is it? -- ABC's of the signal chain -- Audio by numbers -- The microphone and other delicacies -- 14. Aux sends and returns -- Hello? (hello ... hello ...) Is there anybody in there? (in there ... in there ...) -- Getting swishy -- Clap on, clap off -- Dynamics--compressors and gates -- When to use it -- Someone's at the gate -- 15. Monitoring -- The gear -- | ||
| 500 | |a - Do you hear what I hear? -- 16. The drive rack -- Order, order, order! -- System EQ -- Getting in tune -- HELLO, HELLo, HELlo, HEllo, Hello, hello ... -- Take it to the limit -- 17. Active speakers -- It's the law -- Back on track -- Pros and cons -- 18. You gotta have power ... -- Ins and outs -- What's cooking inside? -- Class A -- Class B -- Class AB -- Class D -- What a load -- You can't do that with an amplifier -- 19. Loudspeakers -- The drivers -- Impedance -- Power handling and efficiency -- Box design -- Sealed box -- Bass reflex -- Horn-loaded -- Deployment | ||
| 500 | |a pt. II. The gig -- 20. Getting your hands dirty -- Kicked by the wind, robbed by the sleet -- Had my head stove in ... -- But I'm still on my feet ... -- 21. Advance and prep -- Advancing the gig -- The plot thickens -- 22. On the gig -- Welcome to the working week -- Showtime--no sleeping in for you -- How we roll -- Getting pinned -- 23. Hello (Hello ... Hello ... Hello)--and welcome to the world of delay -- 24. Backline basics -- Behind the PA -- Getting the gear right -- 25. Hands on the knobs -- Fix it at the source -- Find your foundation and flow -- Triage -- Less is more--softer is louder -- 26. Touring is not for the weak -- My day--by Mike Allison -- 27. Just because you can doesn't mean you should -- Dave Shirley -- Jordan Wolf -- Ian Silvia -- Mike Reeves -- D.V. Hakes II -- Jeanne Knotts -- Steve McCarthy -- Final words -- Index | ||
| 500 | |a "'Live Sound Fundamentals 'covers the basics of live sound reinforcement from a real world/real problems/real solutions point of view. It is a solid how-to guide to the fundamentals of setting up and mixing live audio events-covering the equipment, processes, and techniques required for obtaining expert results. By following the signal chain from beginning to end, readers will walk away with a solid grasp of the fundamental skills needed to work in the live event audio world."--Resource description page | ||
| 650 | 4 | |a Sound / Equipment and supplies | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING / Telecommunications |2 bisacsh | |
| 650 | 7 | |a Sound / Equipment and supplies |2 blmlsh | |
| 650 | 7 | |a Sound / Equipment and supplies |2 fast | |
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Datensatz im Suchindex
| _version_ | 1804176621865795584 |
|---|---|
| any_adam_object | |
| author | Evans, Bill |
| author_facet | Evans, Bill |
| author_role | aut |
| author_sort | Evans, Bill |
| author_variant | b e be |
| building | Verbundindex |
| bvnumber | BV043786330 |
| collection | ZDB-4-EBA |
| ctrlnum | (ZDB-4-EBA)ocn650303366 (OCoLC)650303366 (DE-599)BVBBV043786330 |
| dewey-full | 621.3828 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 621 - Applied physics |
| dewey-raw | 621.3828 |
| dewey-search | 621.3828 |
| dewey-sort | 3621.3828 |
| dewey-tens | 620 - Engineering and allied operations |
| discipline | Elektrotechnik / Elektronik / Nachrichtentechnik |
| format | Electronic eBook |
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| id | DE-604.BV043786330 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:06Z |
| institution | BVB |
| isbn | 9781435456037 1435456033 1435454944 9781435454941 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029197389 |
| oclc_num | 650303366 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | xii, 179 pages |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Course Technology |
| record_format | marc |
| spelling | Evans, Bill Verfasser aut Live sound fundamentals Bill Evans Boston, MA, USA Course Technology ©2011 xii, 179 pages txt rdacontent c rdamedia cr rdacarrier Includes index Introduction -- pt. I. The gear -- 1. What is sound? -- Good vibrations -- How loud is loud? -- Another kind of doubling -- 2. Welcome to the signal chain -- End to end -- Power it up -- 3. It all starts with a mic -- What's the address? -- It's all about heart -- So what does it all mean? -- A place for everything and everything in its place -- The snare -- The hi-hat -- Tom-Toms -- Kick drum -- Cymbals -- Keep it simple -- Guitar and bass -- Horns -- Keyboards -- 4. Cables and connectors -- Shielded versus unshielded -- But wait, there's more -- Weird stuff and power -- 5. The wonderful world of wireless -- Getting unplugged -- A little history -- Compression/expansion -- Limited power -- And now the reality -- Dynamic or condenser? -- What's the format? -- Auditioning -- Time to taste the freedom -- R what? -- The magic is in the motion -- Meat absorbers -- 6. Snakes and splits -- A pirate looks at 40 channels -- Meanwhile, back in the desert -- Splitting Sound -- - Ones and zeros -- 7. It's not the car, it's the driver -- Hostility -- Incompetence -- Education -- 8. The channel strip -- 9. Console auxiliary sends ... or, what do the knobs in the middle do? -- Made to order -- Insert here -- Remember tapes? -- Now boarding group A ... -- I wanna go home -- 10. Equalization -- Rule #1 : listen first -- EQ bands and types -- How do I use 'em? -- Rule #2 :'tis better to cut than to boost -- 11. Other channel stuff -- Phantom power -- Mute and solo -- 12. The master section -- Aux returns -- Pretty lights -- Other miscellaneous stuff -- Splitting it up -- 13. Gain structure -- What is it? -- ABC's of the signal chain -- Audio by numbers -- The microphone and other delicacies -- 14. Aux sends and returns -- Hello? (hello ... hello ...) Is there anybody in there? (in there ... in there ...) -- Getting swishy -- Clap on, clap off -- Dynamics--compressors and gates -- When to use it -- Someone's at the gate -- 15. Monitoring -- The gear -- - Do you hear what I hear? -- 16. The drive rack -- Order, order, order! -- System EQ -- Getting in tune -- HELLO, HELLo, HELlo, HEllo, Hello, hello ... -- Take it to the limit -- 17. Active speakers -- It's the law -- Back on track -- Pros and cons -- 18. You gotta have power ... -- Ins and outs -- What's cooking inside? -- Class A -- Class B -- Class AB -- Class D -- What a load -- You can't do that with an amplifier -- 19. Loudspeakers -- The drivers -- Impedance -- Power handling and efficiency -- Box design -- Sealed box -- Bass reflex -- Horn-loaded -- Deployment pt. II. The gig -- 20. Getting your hands dirty -- Kicked by the wind, robbed by the sleet -- Had my head stove in ... -- But I'm still on my feet ... -- 21. Advance and prep -- Advancing the gig -- The plot thickens -- 22. On the gig -- Welcome to the working week -- Showtime--no sleeping in for you -- How we roll -- Getting pinned -- 23. Hello (Hello ... Hello ... Hello)--and welcome to the world of delay -- 24. Backline basics -- Behind the PA -- Getting the gear right -- 25. Hands on the knobs -- Fix it at the source -- Find your foundation and flow -- Triage -- Less is more--softer is louder -- 26. Touring is not for the weak -- My day--by Mike Allison -- 27. Just because you can doesn't mean you should -- Dave Shirley -- Jordan Wolf -- Ian Silvia -- Mike Reeves -- D.V. Hakes II -- Jeanne Knotts -- Steve McCarthy -- Final words -- Index "'Live Sound Fundamentals 'covers the basics of live sound reinforcement from a real world/real problems/real solutions point of view. It is a solid how-to guide to the fundamentals of setting up and mixing live audio events-covering the equipment, processes, and techniques required for obtaining expert results. By following the signal chain from beginning to end, readers will walk away with a solid grasp of the fundamental skills needed to work in the live event audio world."--Resource description page Sound / Equipment and supplies TECHNOLOGY & ENGINEERING / Telecommunications bisacsh Sound / Equipment and supplies blmlsh Sound / Equipment and supplies fast Sound / Equipment and supplies local Sound Equipment and supplies |
| spellingShingle | Evans, Bill Live sound fundamentals Sound / Equipment and supplies TECHNOLOGY & ENGINEERING / Telecommunications bisacsh Sound / Equipment and supplies blmlsh Sound / Equipment and supplies fast Sound / Equipment and supplies local Sound Equipment and supplies |
| title | Live sound fundamentals |
| title_auth | Live sound fundamentals |
| title_exact_search | Live sound fundamentals |
| title_full | Live sound fundamentals Bill Evans |
| title_fullStr | Live sound fundamentals Bill Evans |
| title_full_unstemmed | Live sound fundamentals Bill Evans |
| title_short | Live sound fundamentals |
| title_sort | live sound fundamentals |
| topic | Sound / Equipment and supplies TECHNOLOGY & ENGINEERING / Telecommunications bisacsh Sound / Equipment and supplies blmlsh Sound / Equipment and supplies fast Sound / Equipment and supplies local Sound Equipment and supplies |
| topic_facet | Sound / Equipment and supplies TECHNOLOGY & ENGINEERING / Telecommunications Sound Equipment and supplies |
| work_keys_str_mv | AT evansbill livesoundfundamentals |