Live sound for guitar:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Australia
CENGAGE Learning
2014
|
| Schriftenreihe: | Music technology series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource |
| ISBN: | 9781305092068 1305092066 9781305092051 1305092058 |
Internformat
MARC
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|---|---|---|---|
| 001 | BV043785751 | ||
| 003 | DE-604 | ||
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| 008 | 160920s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9781305092068 |c electronic bk. |9 978-1-305-09206-8 | ||
| 020 | |a 1305092066 |c electronic bk. |9 1-305-09206-6 | ||
| 020 | |a 9781305092051 |9 978-1-305-09205-1 | ||
| 020 | |a 1305092058 |9 1-305-09205-8 | ||
| 035 | |a (ZDB-4-EBA)ocn882283002 | ||
| 035 | |a (OCoLC)882283002 | ||
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| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 787.87/19 |2 23 | |
| 100 | 1 | |a Williams, Sandy |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Live sound for guitar |c Sandy Williams |
| 264 | 1 | |a Australia |b CENGAGE Learning |c 2014 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music technology series | |
| 500 | |a Description based on print version record | ||
| 505 | 8 | |a ""Cover""; ""Contents""; ""Introduction""; ""Chapter 1 Gig Basics""; ""Protect Your Hearing!""; ""Your Instrument/Your Hands""; ""Warming Up""; ""Moving Gear""; ""Basic Setup and Maintenance""; ""Strings""; ""Tuning""; ""The Octave Cross-Check Method""; ""The Fifth Cross-Check Method""; ""Being in Tune with a Real Piano""; ""Chapter 2 Electric Guitars""; ""Single-Coil Pickups""; ""Single-Coil Pickups and Hum""; ""Humbucking Pickups""; ""Hot-Rodding""; ""Pickup Adjustment""; ""Pickup Switches""; ""Active Circuits""; ""Review of Fundamental Tone-Shaping Factors""; ""Types of Electric Guitars"" | |
| 505 | 8 | |a ""Stylistically Correct Instruments for Rock, Blues, and Country""""Pursuing Vintage Sounds""; ""Pursuing Modern Guitar Sounds""; ""Electric Guitar Shopping""; ""Whammy Bars""; ""Lifting Weights""; ""Chapter 3 Guitar Amp Basics""; ""Tube Amps""; ""Developing the Touch""; ""A Safe Way to Replace Tubes""; ""Tube Amp Tips""; ""Tone Controls""; ""Graphic EQ""; ""Parametric EQ""; ""The Volume Conundrum and Master Volume Controls""; ""Preamp Distortion""; ""Power Tube Distortion""; ""Using Amps at the Gig""; ""One Guitar, Two Guitars, Three Guitars, Four""; ""Solid-State Amps"" | |
| 505 | 8 | |a ""Chapter 4 Guitar Amp Basics: Hybrid and Modeling Amps""""A Whole New World: Innovations in Technology""; ""Modeling Amps on Stage""; ""Hybrid Amps""; ""Chapter 5 Effects and More Effects""; ""A Little History""; ""The Human Voice""; ""The Talk Box""; ""Effects That Physically Manipulate the Strings""; ""Effects That Electronically Manipulate the Sounds� Volume""; ""Volume Pedals""; ""Tremolo""; ""Boost Pedals""; ""Tone Filter Shaping Devices""; ""Envelope Follower""; ""Phasers (on Stun)""; ""Distortion""; ""Devices That Manipulate the Spatial Dimension of the Guitar Sound"" | |
| 505 | 8 | |a ""A Two-Amp Setup""""Here We Go Loop-De-Loo""; ""Powering Effects and Ground Loops""; ""Effect Order""; ""Multi-Effects Pedals""; ""Chapter 6 Capturing Your Electric Guitar Sound (and Possibly Making It Not Quite as Loud)""; ""Installing a New or Replacement Speaker""; ""Speaker Sizes""; ""Speaker Upgrades: Old and New and Old Again""; ""Different Types of Speaker Enclosures""; ""Working with a Soundperson""; ""Mixing from the Stage""; ""Using a Microphone and Understanding Mic Placement""; ""Capturing a Direct Signal""; ""Speaker Emulation DI Boxes""; ""How to Play Loud but Not Be Loud"" | |
| 505 | 8 | |a ""Speaker Emulators/Load Box""""Attenuators""; ""IR Emulation""; ""More Solutions to Volume Overload""; ""Working with Headphones and â€More Meâ€? Monitoring""; ""Chapter 7 Using an Acoustic Guitar in a Live Setting""; ""Acoustic Hurdles""; ""Leakage""; ""Solutions""; ""Fighting Feedback""; ""More Acoustic-Electric Solutions""; ""Acoustic-Electric Amplifiers""; ""Combining Effects with Acoustic-Electric Guitars""; ""Chapter 8 Final Thoughts and Wrapping Up""; ""Using Backline Gear""; ""When Something Goes Wrong""; ""Protecting Your Gear""; ""Guitar Stands""; ""Getting There"" | |
| 650 | 7 | |a MUSIC / Musical Instruments / Strings |2 bisacsh | |
| 650 | 4 | |a Acoustical engineering | |
| 650 | 4 | |a Guitars / Acoustics | |
| 650 | 4 | |a Music / Performance | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Guitar |v Methods |v Self-instruction |a Guitar |x Acoustics |a Acoustical engineering |a Music |x Performance |a Concerts | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Williams, Sandy, author |t Live sound for guitar |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029196811 | ||
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=800330 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=800330 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176621362479104 |
|---|---|
| any_adam_object | |
| author | Williams, Sandy |
| author_facet | Williams, Sandy |
| author_role | aut |
| author_sort | Williams, Sandy |
| author_variant | s w sw |
| building | Verbundindex |
| bvnumber | BV043785751 |
| collection | ZDB-4-EBA |
| contents | ""Cover""; ""Contents""; ""Introduction""; ""Chapter 1 Gig Basics""; ""Protect Your Hearing!""; ""Your Instrument/Your Hands""; ""Warming Up""; ""Moving Gear""; ""Basic Setup and Maintenance""; ""Strings""; ""Tuning""; ""The Octave Cross-Check Method""; ""The Fifth Cross-Check Method""; ""Being in Tune with a Real Piano""; ""Chapter 2 Electric Guitars""; ""Single-Coil Pickups""; ""Single-Coil Pickups and Hum""; ""Humbucking Pickups""; ""Hot-Rodding""; ""Pickup Adjustment""; ""Pickup Switches""; ""Active Circuits""; ""Review of Fundamental Tone-Shaping Factors""; ""Types of Electric Guitars"" ""Stylistically Correct Instruments for Rock, Blues, and Country""""Pursuing Vintage Sounds""; ""Pursuing Modern Guitar Sounds""; ""Electric Guitar Shopping""; ""Whammy Bars""; ""Lifting Weights""; ""Chapter 3 Guitar Amp Basics""; ""Tube Amps""; ""Developing the Touch""; ""A Safe Way to Replace Tubes""; ""Tube Amp Tips""; ""Tone Controls""; ""Graphic EQ""; ""Parametric EQ""; ""The Volume Conundrum and Master Volume Controls""; ""Preamp Distortion""; ""Power Tube Distortion""; ""Using Amps at the Gig""; ""One Guitar, Two Guitars, Three Guitars, Four""; ""Solid-State Amps"" ""Chapter 4 Guitar Amp Basics: Hybrid and Modeling Amps""""A Whole New World: Innovations in Technology""; ""Modeling Amps on Stage""; ""Hybrid Amps""; ""Chapter 5 Effects and More Effects""; ""A Little History""; ""The Human Voice""; ""The Talk Box""; ""Effects That Physically Manipulate the Strings""; ""Effects That Electronically Manipulate the Soundsâ€? Volume""; ""Volume Pedals""; ""Tremolo""; ""Boost Pedals""; ""Tone Filter Shaping Devices""; ""Envelope Follower""; ""Phasers (on Stun)""; ""Distortion""; ""Devices That Manipulate the Spatial Dimension of the Guitar Sound"" ""A Two-Amp Setup""""Here We Go Loop-De-Loo""; ""Powering Effects and Ground Loops""; ""Effect Order""; ""Multi-Effects Pedals""; ""Chapter 6 Capturing Your Electric Guitar Sound (and Possibly Making It Not Quite as Loud)""; ""Installing a New or Replacement Speaker""; ""Speaker Sizes""; ""Speaker Upgrades: Old and New and Old Again""; ""Different Types of Speaker Enclosures""; ""Working with a Soundperson""; ""Mixing from the Stage""; ""Using a Microphone and Understanding Mic Placement""; ""Capturing a Direct Signal""; ""Speaker Emulation DI Boxes""; ""How to Play Loud but Not Be Loud"" ""Speaker Emulators/Load Box""""Attenuators""; ""IR Emulation""; ""More Solutions to Volume Overload""; ""Working with Headphones and â€More Meâ€? Monitoring""; ""Chapter 7 Using an Acoustic Guitar in a Live Setting""; ""Acoustic Hurdles""; ""Leakage""; ""Solutions""; ""Fighting Feedback""; ""More Acoustic-Electric Solutions""; ""Acoustic-Electric Amplifiers""; ""Combining Effects with Acoustic-Electric Guitars""; ""Chapter 8 Final Thoughts and Wrapping Up""; ""Using Backline Gear""; ""When Something Goes Wrong""; ""Protecting Your Gear""; ""Guitar Stands""; ""Getting There"" |
| ctrlnum | (ZDB-4-EBA)ocn882283002 (OCoLC)882283002 (DE-599)BVBBV043785751 |
| dewey-full | 787.87/19 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 787 - Stringed instruments (Chordophones) |
| dewey-raw | 787.87/19 |
| dewey-search | 787.87/19 |
| dewey-sort | 3787.87 219 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043785751 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:05Z |
| institution | BVB |
| isbn | 9781305092068 1305092066 9781305092051 1305092058 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029196811 |
| oclc_num | 882283002 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | CENGAGE Learning |
| record_format | marc |
| series2 | Music technology series |
| spelling | Williams, Sandy Verfasser aut Live sound for guitar Sandy Williams Australia CENGAGE Learning 2014 1 online resource txt rdacontent c rdamedia cr rdacarrier Music technology series Description based on print version record ""Cover""; ""Contents""; ""Introduction""; ""Chapter 1 Gig Basics""; ""Protect Your Hearing!""; ""Your Instrument/Your Hands""; ""Warming Up""; ""Moving Gear""; ""Basic Setup and Maintenance""; ""Strings""; ""Tuning""; ""The Octave Cross-Check Method""; ""The Fifth Cross-Check Method""; ""Being in Tune with a Real Piano""; ""Chapter 2 Electric Guitars""; ""Single-Coil Pickups""; ""Single-Coil Pickups and Hum""; ""Humbucking Pickups""; ""Hot-Rodding""; ""Pickup Adjustment""; ""Pickup Switches""; ""Active Circuits""; ""Review of Fundamental Tone-Shaping Factors""; ""Types of Electric Guitars"" ""Stylistically Correct Instruments for Rock, Blues, and Country""""Pursuing Vintage Sounds""; ""Pursuing Modern Guitar Sounds""; ""Electric Guitar Shopping""; ""Whammy Bars""; ""Lifting Weights""; ""Chapter 3 Guitar Amp Basics""; ""Tube Amps""; ""Developing the Touch""; ""A Safe Way to Replace Tubes""; ""Tube Amp Tips""; ""Tone Controls""; ""Graphic EQ""; ""Parametric EQ""; ""The Volume Conundrum and Master Volume Controls""; ""Preamp Distortion""; ""Power Tube Distortion""; ""Using Amps at the Gig""; ""One Guitar, Two Guitars, Three Guitars, Four""; ""Solid-State Amps"" ""Chapter 4 Guitar Amp Basics: Hybrid and Modeling Amps""""A Whole New World: Innovations in Technology""; ""Modeling Amps on Stage""; ""Hybrid Amps""; ""Chapter 5 Effects and More Effects""; ""A Little History""; ""The Human Voice""; ""The Talk Box""; ""Effects That Physically Manipulate the Strings""; ""Effects That Electronically Manipulate the Soundsâ€? Volume""; ""Volume Pedals""; ""Tremolo""; ""Boost Pedals""; ""Tone Filter Shaping Devices""; ""Envelope Follower""; ""Phasers (on Stun)""; ""Distortion""; ""Devices That Manipulate the Spatial Dimension of the Guitar Sound"" ""A Two-Amp Setup""""Here We Go Loop-De-Loo""; ""Powering Effects and Ground Loops""; ""Effect Order""; ""Multi-Effects Pedals""; ""Chapter 6 Capturing Your Electric Guitar Sound (and Possibly Making It Not Quite as Loud)""; ""Installing a New or Replacement Speaker""; ""Speaker Sizes""; ""Speaker Upgrades: Old and New and Old Again""; ""Different Types of Speaker Enclosures""; ""Working with a Soundperson""; ""Mixing from the Stage""; ""Using a Microphone and Understanding Mic Placement""; ""Capturing a Direct Signal""; ""Speaker Emulation DI Boxes""; ""How to Play Loud but Not Be Loud"" ""Speaker Emulators/Load Box""""Attenuators""; ""IR Emulation""; ""More Solutions to Volume Overload""; ""Working with Headphones and â€More Meâ€? Monitoring""; ""Chapter 7 Using an Acoustic Guitar in a Live Setting""; ""Acoustic Hurdles""; ""Leakage""; ""Solutions""; ""Fighting Feedback""; ""More Acoustic-Electric Solutions""; ""Acoustic-Electric Amplifiers""; ""Combining Effects with Acoustic-Electric Guitars""; ""Chapter 8 Final Thoughts and Wrapping Up""; ""Using Backline Gear""; ""When Something Goes Wrong""; ""Protecting Your Gear""; ""Guitar Stands""; ""Getting There"" MUSIC / Musical Instruments / Strings bisacsh Acoustical engineering Guitars / Acoustics Music / Performance Musik Guitar Methods Self-instruction Guitar Acoustics Acoustical engineering Music Performance Concerts Erscheint auch als Druck-Ausgabe Williams, Sandy, author Live sound for guitar |
| spellingShingle | Williams, Sandy Live sound for guitar ""Cover""; ""Contents""; ""Introduction""; ""Chapter 1 Gig Basics""; ""Protect Your Hearing!""; ""Your Instrument/Your Hands""; ""Warming Up""; ""Moving Gear""; ""Basic Setup and Maintenance""; ""Strings""; ""Tuning""; ""The Octave Cross-Check Method""; ""The Fifth Cross-Check Method""; ""Being in Tune with a Real Piano""; ""Chapter 2 Electric Guitars""; ""Single-Coil Pickups""; ""Single-Coil Pickups and Hum""; ""Humbucking Pickups""; ""Hot-Rodding""; ""Pickup Adjustment""; ""Pickup Switches""; ""Active Circuits""; ""Review of Fundamental Tone-Shaping Factors""; ""Types of Electric Guitars"" ""Stylistically Correct Instruments for Rock, Blues, and Country""""Pursuing Vintage Sounds""; ""Pursuing Modern Guitar Sounds""; ""Electric Guitar Shopping""; ""Whammy Bars""; ""Lifting Weights""; ""Chapter 3 Guitar Amp Basics""; ""Tube Amps""; ""Developing the Touch""; ""A Safe Way to Replace Tubes""; ""Tube Amp Tips""; ""Tone Controls""; ""Graphic EQ""; ""Parametric EQ""; ""The Volume Conundrum and Master Volume Controls""; ""Preamp Distortion""; ""Power Tube Distortion""; ""Using Amps at the Gig""; ""One Guitar, Two Guitars, Three Guitars, Four""; ""Solid-State Amps"" ""Chapter 4 Guitar Amp Basics: Hybrid and Modeling Amps""""A Whole New World: Innovations in Technology""; ""Modeling Amps on Stage""; ""Hybrid Amps""; ""Chapter 5 Effects and More Effects""; ""A Little History""; ""The Human Voice""; ""The Talk Box""; ""Effects That Physically Manipulate the Strings""; ""Effects That Electronically Manipulate the Soundsâ€? Volume""; ""Volume Pedals""; ""Tremolo""; ""Boost Pedals""; ""Tone Filter Shaping Devices""; ""Envelope Follower""; ""Phasers (on Stun)""; ""Distortion""; ""Devices That Manipulate the Spatial Dimension of the Guitar Sound"" ""A Two-Amp Setup""""Here We Go Loop-De-Loo""; ""Powering Effects and Ground Loops""; ""Effect Order""; ""Multi-Effects Pedals""; ""Chapter 6 Capturing Your Electric Guitar Sound (and Possibly Making It Not Quite as Loud)""; ""Installing a New or Replacement Speaker""; ""Speaker Sizes""; ""Speaker Upgrades: Old and New and Old Again""; ""Different Types of Speaker Enclosures""; ""Working with a Soundperson""; ""Mixing from the Stage""; ""Using a Microphone and Understanding Mic Placement""; ""Capturing a Direct Signal""; ""Speaker Emulation DI Boxes""; ""How to Play Loud but Not Be Loud"" ""Speaker Emulators/Load Box""""Attenuators""; ""IR Emulation""; ""More Solutions to Volume Overload""; ""Working with Headphones and â€More Meâ€? Monitoring""; ""Chapter 7 Using an Acoustic Guitar in a Live Setting""; ""Acoustic Hurdles""; ""Leakage""; ""Solutions""; ""Fighting Feedback""; ""More Acoustic-Electric Solutions""; ""Acoustic-Electric Amplifiers""; ""Combining Effects with Acoustic-Electric Guitars""; ""Chapter 8 Final Thoughts and Wrapping Up""; ""Using Backline Gear""; ""When Something Goes Wrong""; ""Protecting Your Gear""; ""Guitar Stands""; ""Getting There"" MUSIC / Musical Instruments / Strings bisacsh Acoustical engineering Guitars / Acoustics Music / Performance Musik Guitar Methods Self-instruction Guitar Acoustics Acoustical engineering Music Performance Concerts |
| title | Live sound for guitar |
| title_auth | Live sound for guitar |
| title_exact_search | Live sound for guitar |
| title_full | Live sound for guitar Sandy Williams |
| title_fullStr | Live sound for guitar Sandy Williams |
| title_full_unstemmed | Live sound for guitar Sandy Williams |
| title_short | Live sound for guitar |
| title_sort | live sound for guitar |
| topic | MUSIC / Musical Instruments / Strings bisacsh Acoustical engineering Guitars / Acoustics Music / Performance Musik Guitar Methods Self-instruction Guitar Acoustics Acoustical engineering Music Performance Concerts |
| topic_facet | MUSIC / Musical Instruments / Strings Acoustical engineering Guitars / Acoustics Music / Performance Musik Guitar Methods Self-instruction Guitar Acoustics Acoustical engineering Music Performance Concerts |
| work_keys_str_mv | AT williamssandy livesoundforguitar |