Countercultures and popular music:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Burlington, VT
Ashgate
[2014]
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xx, 295 pages) illustrations |
| ISBN: | 9781472421074 1472421078 9781472421067 147242106X 9781472421081 1472421086 |
Internformat
MARC
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| 245 | 1 | 0 | |a Countercultures and popular music |c edited by Sheila Whiteley and Jedediah Sklower |
| 264 | 1 | |a Burlington, VT |b Ashgate |c [2014] | |
| 264 | 4 | |c © 2014 | |
| 300 | |a 1 online resource (xx, 295 pages) |b illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Ashgate popular and folk music series | |
| 500 | |a Print version record | ||
| 505 | 8 | |a Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic | |
| 505 | 8 | |a 4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960s and 1970s; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution | |
| 505 | 8 | |a 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968Part IV Countercultural Scenes -- Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960s Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index | |
| 505 | 8 | |a 'Counterculture' emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage | |
| 650 | 4 | |a Counterculture | |
| 650 | 4 | |a Popular music / Social aspects | |
| 650 | 7 | |a POLITICAL SCIENCE / Public Policy / Cultural Policy |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Anthropology / Cultural |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Popular Culture |2 bisacsh | |
| 650 | 7 | |a Counterculture |2 fast | |
| 650 | 7 | |a Popular music / Social aspects |2 fast | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Popular music |x Social aspects |a Counterculture | |
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| 689 | 0 | 1 | |a Popmusik |0 (DE-588)4046781-8 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 700 | 1 | |a Whiteley, Sheila |d 1941-2015 |0 (DE-588)1025228995 |4 edt | |
| 700 | 1 | |a Sklower, Jedediah |d 1980- |0 (DE-588)1048573982 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Countercultures and popular music |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029196721 | ||
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Datensatz im Suchindex
| _version_ | 1804176621376110592 |
|---|---|
| any_adam_object | |
| author2 | Whiteley, Sheila 1941-2015 Sklower, Jedediah 1980- |
| author2_role | edt edt |
| author2_variant | s w sw j s js |
| author_GND | (DE-588)1025228995 (DE-588)1048573982 |
| author_facet | Whiteley, Sheila 1941-2015 Sklower, Jedediah 1980- |
| building | Verbundindex |
| bvnumber | BV043785661 |
| collection | ZDB-4-EBA |
| contents | Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic 4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960s and 1970s; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968Part IV Countercultural Scenes -- Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960s Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index 'Counterculture' emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage |
| ctrlnum | (ZDB-4-EBA)ocn878524436 (OCoLC)878524436 (DE-599)BVBBV043785661 |
| dewey-full | 306.4/8424 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4/8424 |
| dewey-search | 306.4/8424 |
| dewey-sort | 3306.4 48424 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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| id | DE-604.BV043785661 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:04Z |
| institution | BVB |
| isbn | 9781472421074 1472421078 9781472421067 147242106X 9781472421081 1472421086 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029196721 |
| oclc_num | 878524436 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (xx, 295 pages) illustrations |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Countercultures and popular music edited by Sheila Whiteley and Jedediah Sklower Burlington, VT Ashgate [2014] © 2014 1 online resource (xx, 295 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Ashgate popular and folk music series Print version record Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic 4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960s and 1970s; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968Part IV Countercultural Scenes -- Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960s Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index 'Counterculture' emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage Counterculture Popular music / Social aspects POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Counterculture fast Popular music / Social aspects fast Gesellschaft Popular music Social aspects Counterculture Popmusik (DE-588)4046781-8 gnd rswk-swf Gegenkultur (DE-588)4130375-1 gnd rswk-swf Gegenkultur (DE-588)4130375-1 s Popmusik (DE-588)4046781-8 s 1\p DE-604 Whiteley, Sheila 1941-2015 (DE-588)1025228995 edt Sklower, Jedediah 1980- (DE-588)1048573982 edt Erscheint auch als Druck-Ausgabe Countercultures and popular music 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Countercultures and popular music Cover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic 4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960s and 1970s; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 11 From Countercultures to Suburban Cultures: Frank Zappa after 1968Part IV Countercultural Scenes -- Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960s Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index 'Counterculture' emerged as a term in the late 1960s and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage Counterculture Popular music / Social aspects POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Counterculture fast Popular music / Social aspects fast Gesellschaft Popular music Social aspects Counterculture Popmusik (DE-588)4046781-8 gnd Gegenkultur (DE-588)4130375-1 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4130375-1 |
| title | Countercultures and popular music |
| title_auth | Countercultures and popular music |
| title_exact_search | Countercultures and popular music |
| title_full | Countercultures and popular music edited by Sheila Whiteley and Jedediah Sklower |
| title_fullStr | Countercultures and popular music edited by Sheila Whiteley and Jedediah Sklower |
| title_full_unstemmed | Countercultures and popular music edited by Sheila Whiteley and Jedediah Sklower |
| title_short | Countercultures and popular music |
| title_sort | countercultures and popular music |
| topic | Counterculture Popular music / Social aspects POLITICAL SCIENCE / Public Policy / Cultural Policy bisacsh SOCIAL SCIENCE / Anthropology / Cultural bisacsh SOCIAL SCIENCE / Popular Culture bisacsh Counterculture fast Popular music / Social aspects fast Gesellschaft Popular music Social aspects Counterculture Popmusik (DE-588)4046781-8 gnd Gegenkultur (DE-588)4130375-1 gnd |
| topic_facet | Counterculture Popular music / Social aspects POLITICAL SCIENCE / Public Policy / Cultural Policy SOCIAL SCIENCE / Anthropology / Cultural SOCIAL SCIENCE / Popular Culture Gesellschaft Popular music Social aspects Counterculture Popmusik Gegenkultur |
| work_keys_str_mv | AT whiteleysheila counterculturesandpopularmusic AT sklowerjedediah counterculturesandpopularmusic |