The music producer's survival guide: chaos, creativity, and career in independent and electronic music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Boston, MA
Cengage Learning
[2014]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Includes index Print version record |
| Beschreibung: | 1 online resource (272 pages) illustrations |
| ISBN: | 9781285198934 128519893X 9781285198927 1285198921 |
Internformat
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| 100 | 1 | |a Jackson, Brian M. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The music producer's survival guide |b chaos, creativity, and career in independent and electronic music |c Brian M. Jackson |
| 264 | 1 | |a Boston, MA |b Cengage Learning |c [2014] | |
| 264 | 4 | |c © 2014 | |
| 300 | |a 1 online resource (272 pages) |b illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 500 | |a Print version record | ||
| 505 | 8 | |a ""Contents""; ""Introduction""; ""Chapter 1 Musica Universalis""; ""Music Is Universal""; ""Music Is Diverse""; ""Music Is Technological""; ""Music Is Personal""; ""Music Is Vital""; ""Music Is Fundamental""; ""Nature Is Musical""; ""Music Is Mathematical""; ""Music Is Evolving""; ""Music�s Evolution Is Chaotic""; ""Basic Dynamics of Genre Evolution""; ""The Technology""; ""Arthur Baker�s Baker�s Transformation""; ""A Very Brief Intro to the History of Electronic Music""; ""EM�s Two Timbral Sources""; ""Independent Label Pioneers""; ""Jamaica, U.K., and New York"" | |
| 505 | 8 | |a ""American Punk, Metal, and Aggressive or Alternative Rock Styles""""Various Styles of Adventurous Rock, Underground Metal, and â€Industrialâ€?-Related Genres from Germany, U.K., U.S., and Canada""; ""Electronic Music Labels from U.S., Canada, Germany, and U.K.""; ""Music Is Cybernetic""; ""Cadence""; ""Chapter 2 Plot Point on the Space-Time Continuum""; ""Putting Things in Perspective""; ""Music Is More Than the Recording Industry""; ""Yo Ho Ho, and a Bottle of Rum""; ""Context Is Everything""; ""Historyâ€?zzZzzâ€?Whatâ€?s in It for Me?""; ""A (Very Incomplete) Brief History of Everything"" | |
| 505 | 8 | |a ""Epoch 1: Back in the Day""""Epoch 2: Recent History""; ""Epoch 3: The 20th Century""; ""Epoch 4: The New Millennium.""; ""Where Are We Now?""; ""Era 1: Local and Exclusive (? to 1887)""; ""Era 2: Transmission and Storage (1888 to 2000)""; ""Era 3: Global Information Networks (2001 to 2045 )""; ""Era 4: Biotechnology Network Integration? (2045 to?)""; ""What Goes Around Comes Around""; ""Industry Expansion and Limited Access to Technology""; ""Industry Contraction and Expanded Access to Technology""; ""A Parallel Teachable Moment from Recent History"" | |
| 505 | 8 | |a ""Where Is the RIAAâ€?s Equivalent of Deep Blue?""""The Argument for the Industry""; ""Technology""; ""Economics""; ""The Industryâ€?s Weak Argument""; ""P2P and CD Sales (Correlation Does Not Imply Causation)""; ""Other Factors""; ""The Argument for Self-Destruction""; ""RIAA Failures + Apple Computer = Apple, Inc.""; ""Emergence of the â€Celestial Jukeboxâ€?.""; ""What Is a â€Producerâ€??""; ""The â€Classicâ€? Record Producer""; ""DIY/Independent Music/Producers""; ""Electronic Music Producer""; ""What Does â€Professionalâ€? Mean?""; ""Aspiring Pro, Semi-Pro, or Serious Hobbyist"" | |
| 505 | 8 | |a ""Last Refrain""""Chapter 3 What Is Your Plan?""; ""Did You Choose This, or Did It Choose You?""; ""Sense of Direction""; ""The Butterfly Effect""; ""Patience and Persistence""; ""Luck, Talent, Preparation, Opportunity, and Success""; ""Defining Your Goals""; ""Brainstorming""; ""Developing a Plan""; ""Possible Pieces of the Planning Puzzle""; ""Backup Plans Versus Alternate Paths""; ""Be Flexible""; ""Some Considerations, Strategies, and Options""; ""Technology and the Internet""; ""Before Skills Pay the Bills""; ""Paying the Bills with Your Skills""; ""Be Involved"" | |
| 650 | 4 | |a Sound / Recording and reproducing | |
| 650 | 4 | |a Sound recording executives and producers | |
| 650 | 4 | |a Electronic music | |
| 650 | 7 | |a MUSIC / Instruction & Study / Theory |2 bisacsh | |
| 650 | 7 | |a Sound / Recording and reproducing |2 fast | |
| 650 | 7 | |a Sound recording executives and producers |2 fast | |
| 650 | 7 | |a Sound / Recording and reproducing |2 local | |
| 650 | 7 | |a Sound recording executives and producers |2 local | |
| 650 | 7 | |a Electronic music |2 local | |
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Datensatz im Suchindex
| _version_ | 1804176619595628544 |
|---|---|
| any_adam_object | |
| author | Jackson, Brian M. |
| author_facet | Jackson, Brian M. |
| author_role | aut |
| author_sort | Jackson, Brian M. |
| author_variant | b m j bm bmj |
| building | Verbundindex |
| bvnumber | BV043785410 |
| collection | ZDB-4-EBA |
| contents | ""Contents""; ""Introduction""; ""Chapter 1 Musica Universalis""; ""Music Is Universal""; ""Music Is Diverse""; ""Music Is Technological""; ""Music Is Personal""; ""Music Is Vital""; ""Music Is Fundamental""; ""Nature Is Musical""; ""Music Is Mathematical""; ""Music Is Evolving""; ""Musicâ€?s Evolution Is Chaotic""; ""Basic Dynamics of Genre Evolution""; ""The Technology""; ""Arthur Bakerâ€?s Bakerâ€?s Transformation""; ""A Very Brief Intro to the History of Electronic Music""; ""EMâ€?s Two Timbral Sources""; ""Independent Label Pioneers""; ""Jamaica, U.K., and New York"" ""American Punk, Metal, and Aggressive or Alternative Rock Styles""""Various Styles of Adventurous Rock, Underground Metal, and â€Industrialâ€?-Related Genres from Germany, U.K., U.S., and Canada""; ""Electronic Music Labels from U.S., Canada, Germany, and U.K.""; ""Music Is Cybernetic""; ""Cadence""; ""Chapter 2 Plot Point on the Space-Time Continuum""; ""Putting Things in Perspective""; ""Music Is More Than the Recording Industry""; ""Yo Ho Ho, and a Bottle of Rum""; ""Context Is Everything""; ""Historyâ€?zzZzzâ€?Whatâ€?s in It for Me?""; ""A (Very Incomplete) Brief History of Everything"" ""Epoch 1: Back in the Day""""Epoch 2: Recent History""; ""Epoch 3: The 20th Century""; ""Epoch 4: The New Millennium.""; ""Where Are We Now?""; ""Era 1: Local and Exclusive (? to 1887)""; ""Era 2: Transmission and Storage (1888 to 2000)""; ""Era 3: Global Information Networks (2001 to 2045 )""; ""Era 4: Biotechnology Network Integration? (2045 to?)""; ""What Goes Around Comes Around""; ""Industry Expansion and Limited Access to Technology""; ""Industry Contraction and Expanded Access to Technology""; ""A Parallel Teachable Moment from Recent History"" ""Where Is the RIAAâ€?s Equivalent of Deep Blue?""""The Argument for the Industry""; ""Technology""; ""Economics""; ""The Industryâ€?s Weak Argument""; ""P2P and CD Sales (Correlation Does Not Imply Causation)""; ""Other Factors""; ""The Argument for Self-Destruction""; ""RIAA Failures + Apple Computer = Apple, Inc.""; ""Emergence of the â€Celestial Jukeboxâ€?.""; ""What Is a â€Producerâ€??""; ""The â€Classicâ€? Record Producer""; ""DIY/Independent Music/Producers""; ""Electronic Music Producer""; ""What Does â€Professionalâ€? Mean?""; ""Aspiring Pro, Semi-Pro, or Serious Hobbyist"" ""Last Refrain""""Chapter 3 What Is Your Plan?""; ""Did You Choose This, or Did It Choose You?""; ""Sense of Direction""; ""The Butterfly Effect""; ""Patience and Persistence""; ""Luck, Talent, Preparation, Opportunity, and Success""; ""Defining Your Goals""; ""Brainstorming""; ""Developing a Plan""; ""Possible Pieces of the Planning Puzzle""; ""Backup Plans Versus Alternate Paths""; ""Be Flexible""; ""Some Considerations, Strategies, and Options""; ""Technology and the Internet""; ""Before Skills Pay the Bills""; ""Paying the Bills with Your Skills""; ""Be Involved"" |
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| dewey-full | 781.49068 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49068 |
| dewey-search | 781.49068 |
| dewey-sort | 3781.49068 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | 1\p (DE-588)4048476-2 Ratgeber gnd-content |
| genre_facet | Ratgeber |
| id | DE-604.BV043785410 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:04Z |
| institution | BVB |
| isbn | 9781285198934 128519893X 9781285198927 1285198921 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029196470 |
| oclc_num | 868930236 |
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| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (272 pages) illustrations |
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| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cengage Learning |
| record_format | marc |
| spelling | Jackson, Brian M. Verfasser aut The music producer's survival guide chaos, creativity, and career in independent and electronic music Brian M. Jackson Boston, MA Cengage Learning [2014] © 2014 1 online resource (272 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Includes index Print version record ""Contents""; ""Introduction""; ""Chapter 1 Musica Universalis""; ""Music Is Universal""; ""Music Is Diverse""; ""Music Is Technological""; ""Music Is Personal""; ""Music Is Vital""; ""Music Is Fundamental""; ""Nature Is Musical""; ""Music Is Mathematical""; ""Music Is Evolving""; ""Musicâ€?s Evolution Is Chaotic""; ""Basic Dynamics of Genre Evolution""; ""The Technology""; ""Arthur Bakerâ€?s Bakerâ€?s Transformation""; ""A Very Brief Intro to the History of Electronic Music""; ""EMâ€?s Two Timbral Sources""; ""Independent Label Pioneers""; ""Jamaica, U.K., and New York"" ""American Punk, Metal, and Aggressive or Alternative Rock Styles""""Various Styles of Adventurous Rock, Underground Metal, and â€Industrialâ€?-Related Genres from Germany, U.K., U.S., and Canada""; ""Electronic Music Labels from U.S., Canada, Germany, and U.K.""; ""Music Is Cybernetic""; ""Cadence""; ""Chapter 2 Plot Point on the Space-Time Continuum""; ""Putting Things in Perspective""; ""Music Is More Than the Recording Industry""; ""Yo Ho Ho, and a Bottle of Rum""; ""Context Is Everything""; ""Historyâ€?zzZzzâ€?Whatâ€?s in It for Me?""; ""A (Very Incomplete) Brief History of Everything"" ""Epoch 1: Back in the Day""""Epoch 2: Recent History""; ""Epoch 3: The 20th Century""; ""Epoch 4: The New Millennium.""; ""Where Are We Now?""; ""Era 1: Local and Exclusive (? to 1887)""; ""Era 2: Transmission and Storage (1888 to 2000)""; ""Era 3: Global Information Networks (2001 to 2045 )""; ""Era 4: Biotechnology Network Integration? (2045 to?)""; ""What Goes Around Comes Around""; ""Industry Expansion and Limited Access to Technology""; ""Industry Contraction and Expanded Access to Technology""; ""A Parallel Teachable Moment from Recent History"" ""Where Is the RIAAâ€?s Equivalent of Deep Blue?""""The Argument for the Industry""; ""Technology""; ""Economics""; ""The Industryâ€?s Weak Argument""; ""P2P and CD Sales (Correlation Does Not Imply Causation)""; ""Other Factors""; ""The Argument for Self-Destruction""; ""RIAA Failures + Apple Computer = Apple, Inc.""; ""Emergence of the â€Celestial Jukeboxâ€?.""; ""What Is a â€Producerâ€??""; ""The â€Classicâ€? Record Producer""; ""DIY/Independent Music/Producers""; ""Electronic Music Producer""; ""What Does â€Professionalâ€? Mean?""; ""Aspiring Pro, Semi-Pro, or Serious Hobbyist"" ""Last Refrain""""Chapter 3 What Is Your Plan?""; ""Did You Choose This, or Did It Choose You?""; ""Sense of Direction""; ""The Butterfly Effect""; ""Patience and Persistence""; ""Luck, Talent, Preparation, Opportunity, and Success""; ""Defining Your Goals""; ""Brainstorming""; ""Developing a Plan""; ""Possible Pieces of the Planning Puzzle""; ""Backup Plans Versus Alternate Paths""; ""Be Flexible""; ""Some Considerations, Strategies, and Options""; ""Technology and the Internet""; ""Before Skills Pay the Bills""; ""Paying the Bills with Your Skills""; ""Be Involved"" Sound / Recording and reproducing Sound recording executives and producers Electronic music MUSIC / Instruction & Study / Theory bisacsh Sound / Recording and reproducing fast Sound recording executives and producers fast Sound / Recording and reproducing local Sound recording executives and producers local Electronic music local Sound Recording and reproducing Sound recording executives and producers Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Indie (DE-588)4347120-1 gnd rswk-swf Karriereplanung (DE-588)4129406-3 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Musikproduzent (DE-588)4572889-6 gnd rswk-swf 1\p (DE-588)4048476-2 Ratgeber gnd-content Musikwirtschaft (DE-588)4268614-3 s Musikproduzent (DE-588)4572889-6 s Elektronische Musik (DE-588)4014355-7 s Indie (DE-588)4347120-1 s Karriereplanung (DE-588)4129406-3 s 2\p DE-604 Erscheint auch als Druck-Ausgabe Jackson, Brian M . Music producer's survival guide 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Jackson, Brian M. The music producer's survival guide chaos, creativity, and career in independent and electronic music ""Contents""; ""Introduction""; ""Chapter 1 Musica Universalis""; ""Music Is Universal""; ""Music Is Diverse""; ""Music Is Technological""; ""Music Is Personal""; ""Music Is Vital""; ""Music Is Fundamental""; ""Nature Is Musical""; ""Music Is Mathematical""; ""Music Is Evolving""; ""Musicâ€?s Evolution Is Chaotic""; ""Basic Dynamics of Genre Evolution""; ""The Technology""; ""Arthur Bakerâ€?s Bakerâ€?s Transformation""; ""A Very Brief Intro to the History of Electronic Music""; ""EMâ€?s Two Timbral Sources""; ""Independent Label Pioneers""; ""Jamaica, U.K., and New York"" ""American Punk, Metal, and Aggressive or Alternative Rock Styles""""Various Styles of Adventurous Rock, Underground Metal, and â€Industrialâ€?-Related Genres from Germany, U.K., U.S., and Canada""; ""Electronic Music Labels from U.S., Canada, Germany, and U.K.""; ""Music Is Cybernetic""; ""Cadence""; ""Chapter 2 Plot Point on the Space-Time Continuum""; ""Putting Things in Perspective""; ""Music Is More Than the Recording Industry""; ""Yo Ho Ho, and a Bottle of Rum""; ""Context Is Everything""; ""Historyâ€?zzZzzâ€?Whatâ€?s in It for Me?""; ""A (Very Incomplete) Brief History of Everything"" ""Epoch 1: Back in the Day""""Epoch 2: Recent History""; ""Epoch 3: The 20th Century""; ""Epoch 4: The New Millennium.""; ""Where Are We Now?""; ""Era 1: Local and Exclusive (? to 1887)""; ""Era 2: Transmission and Storage (1888 to 2000)""; ""Era 3: Global Information Networks (2001 to 2045 )""; ""Era 4: Biotechnology Network Integration? (2045 to?)""; ""What Goes Around Comes Around""; ""Industry Expansion and Limited Access to Technology""; ""Industry Contraction and Expanded Access to Technology""; ""A Parallel Teachable Moment from Recent History"" ""Where Is the RIAAâ€?s Equivalent of Deep Blue?""""The Argument for the Industry""; ""Technology""; ""Economics""; ""The Industryâ€?s Weak Argument""; ""P2P and CD Sales (Correlation Does Not Imply Causation)""; ""Other Factors""; ""The Argument for Self-Destruction""; ""RIAA Failures + Apple Computer = Apple, Inc.""; ""Emergence of the â€Celestial Jukeboxâ€?.""; ""What Is a â€Producerâ€??""; ""The â€Classicâ€? Record Producer""; ""DIY/Independent Music/Producers""; ""Electronic Music Producer""; ""What Does â€Professionalâ€? Mean?""; ""Aspiring Pro, Semi-Pro, or Serious Hobbyist"" ""Last Refrain""""Chapter 3 What Is Your Plan?""; ""Did You Choose This, or Did It Choose You?""; ""Sense of Direction""; ""The Butterfly Effect""; ""Patience and Persistence""; ""Luck, Talent, Preparation, Opportunity, and Success""; ""Defining Your Goals""; ""Brainstorming""; ""Developing a Plan""; ""Possible Pieces of the Planning Puzzle""; ""Backup Plans Versus Alternate Paths""; ""Be Flexible""; ""Some Considerations, Strategies, and Options""; ""Technology and the Internet""; ""Before Skills Pay the Bills""; ""Paying the Bills with Your Skills""; ""Be Involved"" Sound / Recording and reproducing Sound recording executives and producers Electronic music MUSIC / Instruction & Study / Theory bisacsh Sound / Recording and reproducing fast Sound recording executives and producers fast Sound / Recording and reproducing local Sound recording executives and producers local Electronic music local Sound Recording and reproducing Sound recording executives and producers Musikwirtschaft (DE-588)4268614-3 gnd Indie (DE-588)4347120-1 gnd Karriereplanung (DE-588)4129406-3 gnd Elektronische Musik (DE-588)4014355-7 gnd Musikproduzent (DE-588)4572889-6 gnd |
| subject_GND | (DE-588)4268614-3 (DE-588)4347120-1 (DE-588)4129406-3 (DE-588)4014355-7 (DE-588)4572889-6 (DE-588)4048476-2 |
| title | The music producer's survival guide chaos, creativity, and career in independent and electronic music |
| title_auth | The music producer's survival guide chaos, creativity, and career in independent and electronic music |
| title_exact_search | The music producer's survival guide chaos, creativity, and career in independent and electronic music |
| title_full | The music producer's survival guide chaos, creativity, and career in independent and electronic music Brian M. Jackson |
| title_fullStr | The music producer's survival guide chaos, creativity, and career in independent and electronic music Brian M. Jackson |
| title_full_unstemmed | The music producer's survival guide chaos, creativity, and career in independent and electronic music Brian M. Jackson |
| title_short | The music producer's survival guide |
| title_sort | the music producer s survival guide chaos creativity and career in independent and electronic music |
| title_sub | chaos, creativity, and career in independent and electronic music |
| topic | Sound / Recording and reproducing Sound recording executives and producers Electronic music MUSIC / Instruction & Study / Theory bisacsh Sound / Recording and reproducing fast Sound recording executives and producers fast Sound / Recording and reproducing local Sound recording executives and producers local Electronic music local Sound Recording and reproducing Sound recording executives and producers Musikwirtschaft (DE-588)4268614-3 gnd Indie (DE-588)4347120-1 gnd Karriereplanung (DE-588)4129406-3 gnd Elektronische Musik (DE-588)4014355-7 gnd Musikproduzent (DE-588)4572889-6 gnd |
| topic_facet | Sound / Recording and reproducing Sound recording executives and producers Electronic music MUSIC / Instruction & Study / Theory Sound Recording and reproducing Sound recording executives and producers Musikwirtschaft Indie Karriereplanung Elektronische Musik Musikproduzent Ratgeber |
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