Signs of music: a guide to musical semiotics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; New York
Mouton de Gruyter
2002
|
| Schriftenreihe: | Approaches to applied semiotics
3 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 |
| Beschreibung: | 1 online resource (232 pages) illustrations |
| ISBN: | 9783110899870 3110899876 9783110172263 3110172267 3110172275 9783110172270 |
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| 245 | 1 | 0 | |a Signs of music |b a guide to musical semiotics |c by Eero Tarasti |
| 264 | 1 | |a Berlin ; New York |b Mouton de Gruyter |c 2002 | |
| 300 | |a 1 online resource (232 pages) |b illustrations | ||
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| 490 | 0 | |a Approaches to applied semiotics |v 3 | |
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| 505 | 8 | 0 | |t Music as sign -- |t Is music sign? -- |t Music as semiotic: A historical perspective -- |t Peirce, Greimas, and music-semiotic analysis -- |t Understanding / misunderstanding musical signs -- |t Theses on understanding / misunderstanding musical signs -- |t Theses on processes of understanding -- |t Signs in music history, history of music semiotics -- |t Signs in music itself -- |t Romanticism -- |t Modernism -- |t History of musical scholarship in the light of semiotics -- |t Main lines in the development of musical semiotics -- |t Signs as acts and events: On musical situations -- |t Situation as communication and signification -- |t Situation as act and event -- |t Situations as intertextuality -- |t Articulation of situations -- |t Gender, biology, and transcendence -- |t Metaphors of nature and organicism in music: A "biosemiotic" approach -- |t On the musically organic -- |t Sibelius and the idea of the "organic" -- |t Organic narrativity -- |t The emancipation of the sign: On corporeal and gestural meanings in music -- |t Body and transcendence in Chopin -- |t Are corporeal signs iconic? -- |t Are corporeal signs indexical? -- |t Analysis -- |t Social and musical practices -- |t Voice and identity -- |t Voice and signification -- |t Text -- |t Transcendence -- |t Orality -- |t Singing as social identity -- |t National voice types -- |t Gender -- |t Education -- |t Empirical methods -- |t On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- |t Musical improvisation and semiotics -- |t Improvisation as communication -- |t Improvisation as signification: A peircean view |
| 650 | 4 | |a Music / Philosophy and aesthetics | |
| 650 | 4 | |a Music / Semiotics | |
| 650 | 4 | |a Symbolism in music | |
| 650 | 4 | |a Sémiotique et musique | |
| 650 | 4 | |a Musique / Philosophie et esthétique | |
| 650 | 4 | |a Symbolisme dans la musique | |
| 650 | 7 | |a MUSIC / Genres & Styles / Classical |2 bisacsh | |
| 650 | 7 | |a MUSIC / Reference |2 bisacsh | |
| 650 | 7 | |a Music / Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Music / Semiotics |2 fast | |
| 650 | 7 | |a Symbolism in music |2 fast | |
| 650 | 7 | |a Semiotiek |2 gtt | |
| 650 | 7 | |a Muziek |2 gtt | |
| 650 | 7 | |a Musikalische Semiotik |2 swd | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |x Philosophy and aesthetics |a Music |x Semiotics |a Symbolism in music | |
| 650 | 0 | 7 | |a Musikalische Semiotik |0 (DE-588)4195308-3 |2 gnd |9 rswk-swf |
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Datensatz im Suchindex
| _version_ | 1804176619252744192 |
|---|---|
| any_adam_object | |
| author | Tarasti, Eero |
| author_facet | Tarasti, Eero |
| author_role | aut |
| author_sort | Tarasti, Eero |
| author_variant | e t et |
| building | Verbundindex |
| bvnumber | BV043785276 |
| collection | ZDB-4-EBA |
| contents | Music as sign -- Is music sign? -- Music as semiotic: A historical perspective -- Peirce, Greimas, and music-semiotic analysis -- Understanding / misunderstanding musical signs -- Theses on understanding / misunderstanding musical signs -- Theses on processes of understanding -- Signs in music history, history of music semiotics -- Signs in music itself -- Romanticism -- Modernism -- History of musical scholarship in the light of semiotics -- Main lines in the development of musical semiotics -- Signs as acts and events: On musical situations -- Situation as communication and signification -- Situation as act and event -- Situations as intertextuality -- Articulation of situations -- Gender, biology, and transcendence -- Metaphors of nature and organicism in music: A "biosemiotic" approach -- On the musically organic -- Sibelius and the idea of the "organic" -- Organic narrativity -- The emancipation of the sign: On corporeal and gestural meanings in music -- Body and transcendence in Chopin -- Are corporeal signs iconic? -- Are corporeal signs indexical? -- Analysis -- Social and musical practices -- Voice and identity -- Voice and signification -- Text -- Transcendence -- Orality -- Singing as social identity -- National voice types -- Gender -- Education -- Empirical methods -- On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Musical improvisation and semiotics -- Improvisation as communication -- Improvisation as signification: A peircean view |
| ctrlnum | (ZDB-4-EBA)ocn861527664 (OCoLC)861527664 (DE-599)BVBBV043785276 |
| dewey-full | 780/.1/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.1/4 |
| dewey-search | 780/.1/4 |
| dewey-sort | 3780 11 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043785276 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:03Z |
| institution | BVB |
| isbn | 9783110899870 3110899876 9783110172263 3110172267 3110172275 9783110172270 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029196336 |
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| physical | 1 online resource (232 pages) illustrations |
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| publishDate | 2002 |
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| publisher | Mouton de Gruyter |
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| series2 | Approaches to applied semiotics |
| spelling | Tarasti, Eero Verfasser aut Signs of music a guide to musical semiotics by Eero Tarasti Berlin ; New York Mouton de Gruyter 2002 1 online resource (232 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Approaches to applied semiotics 3 Print version record. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 Music as sign -- Is music sign? -- Music as semiotic: A historical perspective -- Peirce, Greimas, and music-semiotic analysis -- Understanding / misunderstanding musical signs -- Theses on understanding / misunderstanding musical signs -- Theses on processes of understanding -- Signs in music history, history of music semiotics -- Signs in music itself -- Romanticism -- Modernism -- History of musical scholarship in the light of semiotics -- Main lines in the development of musical semiotics -- Signs as acts and events: On musical situations -- Situation as communication and signification -- Situation as act and event -- Situations as intertextuality -- Articulation of situations -- Gender, biology, and transcendence -- Metaphors of nature and organicism in music: A "biosemiotic" approach -- On the musically organic -- Sibelius and the idea of the "organic" -- Organic narrativity -- The emancipation of the sign: On corporeal and gestural meanings in music -- Body and transcendence in Chopin -- Are corporeal signs iconic? -- Are corporeal signs indexical? -- Analysis -- Social and musical practices -- Voice and identity -- Voice and signification -- Text -- Transcendence -- Orality -- Singing as social identity -- National voice types -- Gender -- Education -- Empirical methods -- On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Musical improvisation and semiotics -- Improvisation as communication -- Improvisation as signification: A peircean view Music / Philosophy and aesthetics Music / Semiotics Symbolism in music Sémiotique et musique Musique / Philosophie et esthétique Symbolisme dans la musique MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Music / Philosophy and aesthetics fast Music / Semiotics fast Symbolism in music fast Semiotiek gtt Muziek gtt Musikalische Semiotik swd Musik Music Philosophy and aesthetics Music Semiotics Symbolism in music Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf Musikalische Semiotik (DE-588)4195308-3 s 1\p DE-604 Erscheint auch als Druck-Ausgabe Tarasti, Eero Signs of music 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tarasti, Eero Signs of music a guide to musical semiotics Music as sign -- Is music sign? -- Music as semiotic: A historical perspective -- Peirce, Greimas, and music-semiotic analysis -- Understanding / misunderstanding musical signs -- Theses on understanding / misunderstanding musical signs -- Theses on processes of understanding -- Signs in music history, history of music semiotics -- Signs in music itself -- Romanticism -- Modernism -- History of musical scholarship in the light of semiotics -- Main lines in the development of musical semiotics -- Signs as acts and events: On musical situations -- Situation as communication and signification -- Situation as act and event -- Situations as intertextuality -- Articulation of situations -- Gender, biology, and transcendence -- Metaphors of nature and organicism in music: A "biosemiotic" approach -- On the musically organic -- Sibelius and the idea of the "organic" -- Organic narrativity -- The emancipation of the sign: On corporeal and gestural meanings in music -- Body and transcendence in Chopin -- Are corporeal signs iconic? -- Are corporeal signs indexical? -- Analysis -- Social and musical practices -- Voice and identity -- Voice and signification -- Text -- Transcendence -- Orality -- Singing as social identity -- National voice types -- Gender -- Education -- Empirical methods -- On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Musical improvisation and semiotics -- Improvisation as communication -- Improvisation as signification: A peircean view Music / Philosophy and aesthetics Music / Semiotics Symbolism in music Sémiotique et musique Musique / Philosophie et esthétique Symbolisme dans la musique MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Music / Philosophy and aesthetics fast Music / Semiotics fast Symbolism in music fast Semiotiek gtt Muziek gtt Musikalische Semiotik swd Musik Music Philosophy and aesthetics Music Semiotics Symbolism in music Musikalische Semiotik (DE-588)4195308-3 gnd |
| subject_GND | (DE-588)4195308-3 |
| title | Signs of music a guide to musical semiotics |
| title_alt | Music as sign -- Is music sign? -- Music as semiotic: A historical perspective -- Peirce, Greimas, and music-semiotic analysis -- Understanding / misunderstanding musical signs -- Theses on understanding / misunderstanding musical signs -- Theses on processes of understanding -- Signs in music history, history of music semiotics -- Signs in music itself -- Romanticism -- Modernism -- History of musical scholarship in the light of semiotics -- Main lines in the development of musical semiotics -- Signs as acts and events: On musical situations -- Situation as communication and signification -- Situation as act and event -- Situations as intertextuality -- Articulation of situations -- Gender, biology, and transcendence -- Metaphors of nature and organicism in music: A "biosemiotic" approach -- On the musically organic -- Sibelius and the idea of the "organic" -- Organic narrativity -- The emancipation of the sign: On corporeal and gestural meanings in music -- Body and transcendence in Chopin -- Are corporeal signs iconic? -- Are corporeal signs indexical? -- Analysis -- Social and musical practices -- Voice and identity -- Voice and signification -- Text -- Transcendence -- Orality -- Singing as social identity -- National voice types -- Gender -- Education -- Empirical methods -- On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- Musical improvisation and semiotics -- Improvisation as communication -- Improvisation as signification: A peircean view |
| title_auth | Signs of music a guide to musical semiotics |
| title_exact_search | Signs of music a guide to musical semiotics |
| title_full | Signs of music a guide to musical semiotics by Eero Tarasti |
| title_fullStr | Signs of music a guide to musical semiotics by Eero Tarasti |
| title_full_unstemmed | Signs of music a guide to musical semiotics by Eero Tarasti |
| title_short | Signs of music |
| title_sort | signs of music a guide to musical semiotics |
| title_sub | a guide to musical semiotics |
| topic | Music / Philosophy and aesthetics Music / Semiotics Symbolism in music Sémiotique et musique Musique / Philosophie et esthétique Symbolisme dans la musique MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Music / Philosophy and aesthetics fast Music / Semiotics fast Symbolism in music fast Semiotiek gtt Muziek gtt Musikalische Semiotik swd Musik Music Philosophy and aesthetics Music Semiotics Symbolism in music Musikalische Semiotik (DE-588)4195308-3 gnd |
| topic_facet | Music / Philosophy and aesthetics Music / Semiotics Symbolism in music Sémiotique et musique Musique / Philosophie et esthétique Symbolisme dans la musique MUSIC / Genres & Styles / Classical MUSIC / Reference Semiotiek Muziek Musikalische Semiotik Musik Music Philosophy and aesthetics Music Semiotics Symbolism in music |
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