B-sides, undercurrents and overtones: peripheries to popular in music, 1960 to the present
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham, England ; Burlington, VT
Ashgate
[2009]
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xii, 209 pages) |
| ISBN: | 9780754693826 0754693821 9780754665618 0754665615 |
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| 245 | 1 | 0 | |a B-sides, undercurrents and overtones |b peripheries to popular in music, 1960 to the present |c George Plasketes, Auburn University, USA. |
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| 490 | 0 | |a Ashgate popular and folk music series | |
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| 505 | 8 | |a There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha | |
| 505 | 8 | |a Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata | |
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Datensatz im Suchindex
| _version_ | 1804176618920345600 |
|---|---|
| any_adam_object | |
| author | Plasketes, George |
| author_facet | Plasketes, George |
| author_role | aut |
| author_sort | Plasketes, George |
| author_variant | g p gp |
| building | Verbundindex |
| bvnumber | BV043785138 |
| collection | ZDB-4-EBA |
| contents | There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata |
| ctrlnum | (ZDB-4-EBA)ocn519890734 (OCoLC)519890734 (DE-599)BVBBV043785138 |
| dewey-full | 781.640973/09045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.640973/09045 |
| dewey-search | 781.640973/09045 |
| dewey-sort | 3781.640973 49045 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1960-2007 gnd |
| era_facet | Geschichte 1960-2007 |
| format | Electronic eBook |
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| id | DE-604.BV043785138 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:03Z |
| institution | BVB |
| isbn | 9780754693826 0754693821 9780754665618 0754665615 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029196198 |
| oclc_num | 519890734 |
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| physical | 1 online resource (xii, 209 pages) |
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| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Ashgate |
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| series2 | Ashgate popular and folk music series |
| spelling | Plasketes, George Verfasser aut B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present George Plasketes, Auburn University, USA. Farnham, England ; Burlington, VT Ashgate [2009] © 2009 1 online resource (xii, 209 pages) txt rdacontent c rdamedia cr rdacarrier Ashgate popular and folk music series Print version record There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata Geschichte 1960-2007 gnd rswk-swf Popular music MUSIC / Genres & Styles / Pop Vocal bisacsh Music fast Popular music fast Musik Popular music United States History and criticism Music United States History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s Geschichte 1960-2007 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Plasketes, George B-sides, undercurrents and overtones 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Plasketes, George B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata Popular music MUSIC / Genres & Styles / Pop Vocal bisacsh Music fast Popular music fast Musik Popular music United States History and criticism Music United States History and criticism Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4046781-8 (DE-588)4078704-7 |
| title | B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present |
| title_auth | B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present |
| title_exact_search | B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present |
| title_full | B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present George Plasketes, Auburn University, USA. |
| title_fullStr | B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present George Plasketes, Auburn University, USA. |
| title_full_unstemmed | B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present George Plasketes, Auburn University, USA. |
| title_short | B-sides, undercurrents and overtones |
| title_sort | b sides undercurrents and overtones peripheries to popular in music 1960 to the present |
| title_sub | peripheries to popular in music, 1960 to the present |
| topic | Popular music MUSIC / Genres & Styles / Pop Vocal bisacsh Music fast Popular music fast Musik Popular music United States History and criticism Music United States History and criticism Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Popular music MUSIC / Genres & Styles / Pop Vocal Music Musik Popular music United States History and criticism Music United States History and criticism Popmusik USA |
| work_keys_str_mv | AT plasketesgeorge bsidesundercurrentsandovertonesperipheriestopopularinmusic1960tothepresent |