Gender and the uncanny in films of the Weimar Republic:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Detroit, Michigan
Wayne State University Press
[2014]
|
| Schriftenreihe: | Contemporary approaches to film and media series
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (viii, 302 pages) illustrations |
| ISBN: | 9780814338940 0814338941 9780814338957 081433895X |
Internformat
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Datensatz im Suchindex
| _version_ | 1804176618339434496 |
|---|---|
| any_adam_object | |
| author | Hans, Anjeana K. |
| author_facet | Hans, Anjeana K. |
| author_role | aut |
| author_sort | Hans, Anjeana K. |
| author_variant | a k h ak akh |
| building | Verbundindex |
| bvnumber | BV043784854 |
| collection | ZDB-4-EBA |
| contents | The world turned upside down : changing society, changing gender roles, changing medium in Weimar Germany -- The eyes of the mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918) : from the monster with the "eyes that live" to the passive object of the male gaze -- Uncanny tales (Unheimliche Geschichten, Richard Oswald, 1919) : the many guises of the dangerous woman -- Warning shadows (Schatten : Eine nächtliche Halluzination, Artur Robison, 1923) : transgression, abjection, projection -- The hands of Orlac (Orlacs Hände, Robert Wiene, 1924) : war trauma, injury, and the return to a changed world -- A daughter of destiny (Alraune, Henrik Galeen, 1928) and daughter of evil (Alraune, Richard Oswald, 1930) : from dangerous hybrid to self-sacrificing woman |
| ctrlnum | (ZDB-4-EBA)ocn921890073 (OCoLC)921890073 (DE-599)BVBBV043784854 |
| dewey-full | 741.43094309/042 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.43094309/042 |
| dewey-search | 741.43094309/042 |
| dewey-sort | 3741.43094309 242 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| era | 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1919-1933 gnd |
| era_facet | 1900 - 1999 Geschichte 1900-2000 Geschichte 1919-1933 |
| format | Electronic eBook |
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| geographic | Deutschland Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV043784854 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:35:03Z |
| institution | BVB |
| isbn | 9780814338940 0814338941 9780814338957 081433895X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029195914 |
| oclc_num | 921890073 |
| open_access_boolean | |
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| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (viii, 302 pages) illustrations |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Wayne State University Press |
| record_format | marc |
| series2 | Contemporary approaches to film and media series |
| spelling | Hans, Anjeana K. Verfasser aut Gender and the uncanny in films of the Weimar Republic Anjeana K. Hans Detroit, Michigan Wayne State University Press [2014] © 2014 1 online resource (viii, 302 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Contemporary approaches to film and media series Print version record The world turned upside down : changing society, changing gender roles, changing medium in Weimar Germany -- The eyes of the mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918) : from the monster with the "eyes that live" to the passive object of the male gaze -- Uncanny tales (Unheimliche Geschichten, Richard Oswald, 1919) : the many guises of the dangerous woman -- Warning shadows (Schatten : Eine nächtliche Halluzination, Artur Robison, 1923) : transgression, abjection, projection -- The hands of Orlac (Orlacs Hände, Robert Wiene, 1924) : war trauma, injury, and the return to a changed world -- A daughter of destiny (Alraune, Henrik Galeen, 1928) and daughter of evil (Alraune, Richard Oswald, 1930) : from dangerous hybrid to self-sacrificing woman 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1919-1933 gnd rswk-swf Motion pictures fast Sex role in motion pictures fast Uncanny, The (Psychoanalysis) fast Women in motion pictures fast ART / Techniques / Drawing bisacsh Film Geschichte Motion pictures Germany History 20th century Women in motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) Erotik Motiv (DE-588)4123157-0 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Film (DE-588)4017102-4 s Frau Motiv (DE-588)4113617-2 s Erotik Motiv (DE-588)4123157-0 s Geschichte 1919-1933 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Hans, Anjeana K , author. Gender and the uncanny in films of the Weimar Republic 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hans, Anjeana K. Gender and the uncanny in films of the Weimar Republic The world turned upside down : changing society, changing gender roles, changing medium in Weimar Germany -- The eyes of the mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918) : from the monster with the "eyes that live" to the passive object of the male gaze -- Uncanny tales (Unheimliche Geschichten, Richard Oswald, 1919) : the many guises of the dangerous woman -- Warning shadows (Schatten : Eine nächtliche Halluzination, Artur Robison, 1923) : transgression, abjection, projection -- The hands of Orlac (Orlacs Hände, Robert Wiene, 1924) : war trauma, injury, and the return to a changed world -- A daughter of destiny (Alraune, Henrik Galeen, 1928) and daughter of evil (Alraune, Richard Oswald, 1930) : from dangerous hybrid to self-sacrificing woman Motion pictures fast Sex role in motion pictures fast Uncanny, The (Psychoanalysis) fast Women in motion pictures fast ART / Techniques / Drawing bisacsh Film Geschichte Motion pictures Germany History 20th century Women in motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) Erotik Motiv (DE-588)4123157-0 gnd Frau Motiv (DE-588)4113617-2 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4123157-0 (DE-588)4113617-2 (DE-588)4017102-4 (DE-588)4011882-4 |
| title | Gender and the uncanny in films of the Weimar Republic |
| title_auth | Gender and the uncanny in films of the Weimar Republic |
| title_exact_search | Gender and the uncanny in films of the Weimar Republic |
| title_full | Gender and the uncanny in films of the Weimar Republic Anjeana K. Hans |
| title_fullStr | Gender and the uncanny in films of the Weimar Republic Anjeana K. Hans |
| title_full_unstemmed | Gender and the uncanny in films of the Weimar Republic Anjeana K. Hans |
| title_short | Gender and the uncanny in films of the Weimar Republic |
| title_sort | gender and the uncanny in films of the weimar republic |
| topic | Motion pictures fast Sex role in motion pictures fast Uncanny, The (Psychoanalysis) fast Women in motion pictures fast ART / Techniques / Drawing bisacsh Film Geschichte Motion pictures Germany History 20th century Women in motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) Erotik Motiv (DE-588)4123157-0 gnd Frau Motiv (DE-588)4113617-2 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) Women in motion pictures ART / Techniques / Drawing Film Geschichte Motion pictures Germany History 20th century Women in motion pictures Sex role in motion pictures Uncanny, The (Psychoanalysis) Erotik Motiv Frau Motiv Deutschland |
| work_keys_str_mv | AT hansanjeanak genderandtheuncannyinfilmsoftheweimarrepublic |