Composing for the jazz orchestra:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago
University of Chicago Press
[1973]
|
| Ausgabe: | [Reprint with revisions] |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Reprint of the 1961 edited with revisions Print version record |
| Beschreibung: | 1 Online-Ressource (VI, 90 Seiten) Notenbeispiele |
| ISBN: | 9780226353463 022635346X 0226732096 9780226732091 |
Internformat
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| 245 | 1 | 0 | |a Composing for the jazz orchestra |c by William Russo |
| 250 | |a [Reprint with revisions] | ||
| 264 | 1 | |a Chicago |b University of Chicago Press |c [1973] | |
| 300 | |a 1 Online-Ressource (VI, 90 Seiten) |b Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Reprint of the 1961 edited with revisions | ||
| 500 | |a Print version record | ||
| 505 | 8 | |a Table of contents; 1 alphabetical chord symbols; 2 the six types of chords; 3 elaboration of the six types of chords; 4 basic harmonic considerations; 5 the ranges of the instruments; 6 voicing; 7 close position voicing (i); 8 close position voicing (ii); 9 close position voicing (iii); 10 open position voicing (i); 11 open position voicing (ii); 12 open position voicing (iii); 13 non-chordal tones; 14 harmonization of non-chordal tones (i); 15 harmonization of non-chordal tones (ii); 16 the thickened line; 17 the widened line; 18 percussion; 19 the double bass; 20 the guitar; 21 the piano | |
| 505 | 8 | |a 22 a preliminary view of the ensemble23 the basic ensemble method; 24 the four-tone ensemble method; 25 the percussive ensemble method; 26 brass mutes; 27 the background; 28 the planning of orchestration; 29 combinations of instruments; 30 identities; 31 chords derived from scales; 32 the progression of chords derived from scales; 33 mixed voicing; 34 mixed ensembles | |
| 505 | 8 | |a <Div>""Although it will be of primary interest to those who are engaged in composition themselves, [this] book is also recommended for readers who may wish to gain further insight into just what makes jazz composition so different from traditional approaches.""-Malcolm Bessom, <i>The Music Magazine</i></div> | |
| 650 | 7 | |a Composition (Music) |2 fast | |
| 650 | 7 | |a Instrumentation and orchestration |2 fast | |
| 650 | 7 | |a Jazz |2 fast | |
| 650 | 7 | |a MUSIC / Genres & Styles / Chamber |2 bisacsh | |
| 650 | 4 | |a Composition (Music) | |
| 650 | 4 | |a Improvisation (Music) | |
| 650 | 4 | |a Instrumentation and orchestration (Dance orchestra) | |
| 650 | 4 | |a Jazz / Instruction and study | |
| 650 | 4 | |a Instrumentation and orchestration |a Jazz |a Composition (Music) | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t Composing for the jazz orchestra |z 978-0-226-73209-1 |w (DE-604)BV018799370 |
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Datensatz im Suchindex
| _version_ | 1804176618260791296 |
|---|---|
| any_adam_object | |
| author | Russo, William 1928-2003 |
| author_GND | (DE-588)134504828 |
| author_facet | Russo, William 1928-2003 |
| author_role | cmp |
| author_sort | Russo, William 1928-2003 |
| author_variant | w r wr |
| building | Verbundindex |
| bvnumber | BV043784797 |
| collection | ZDB-4-EBA |
| contents | Table of contents; 1 alphabetical chord symbols; 2 the six types of chords; 3 elaboration of the six types of chords; 4 basic harmonic considerations; 5 the ranges of the instruments; 6 voicing; 7 close position voicing (i); 8 close position voicing (ii); 9 close position voicing (iii); 10 open position voicing (i); 11 open position voicing (ii); 12 open position voicing (iii); 13 non-chordal tones; 14 harmonization of non-chordal tones (i); 15 harmonization of non-chordal tones (ii); 16 the thickened line; 17 the widened line; 18 percussion; 19 the double bass; 20 the guitar; 21 the piano 22 a preliminary view of the ensemble23 the basic ensemble method; 24 the four-tone ensemble method; 25 the percussive ensemble method; 26 brass mutes; 27 the background; 28 the planning of orchestration; 29 combinations of instruments; 30 identities; 31 chords derived from scales; 32 the progression of chords derived from scales; 33 mixed voicing; 34 mixed ensembles <Div>""Although it will be of primary interest to those who are engaged in composition themselves, [this] book is also recommended for readers who may wish to gain further insight into just what makes jazz composition so different from traditional approaches.""-Malcolm Bessom, <i>The Music Magazine</i></div> |
| ctrlnum | (ZDB-4-EBA)ocn915563039 (OCoLC)915563039 (DE-599)BVBBV043784797 |
| dewey-full | 785.42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 785 - Ensembles with one instrument per part |
| dewey-raw | 785.42 |
| dewey-search | 785.42 |
| dewey-sort | 3785.42 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | [Reprint with revisions] |
| format | Electronic eBook |
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| id | DE-604.BV043784797 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:02Z |
| institution | BVB |
| isbn | 9780226353463 022635346X 0226732096 9780226732091 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029195857 |
| oclc_num | 915563039 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (VI, 90 Seiten) Notenbeispiele |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 1973 |
| publishDateSearch | 1973 |
| publishDateSort | 1973 |
| publisher | University of Chicago Press |
| record_format | marc |
| spelling | Russo, William 1928-2003 (DE-588)134504828 cmp Composing for the jazz orchestra by William Russo [Reprint with revisions] Chicago University of Chicago Press [1973] 1 Online-Ressource (VI, 90 Seiten) Notenbeispiele txt rdacontent c rdamedia cr rdacarrier Reprint of the 1961 edited with revisions Print version record Table of contents; 1 alphabetical chord symbols; 2 the six types of chords; 3 elaboration of the six types of chords; 4 basic harmonic considerations; 5 the ranges of the instruments; 6 voicing; 7 close position voicing (i); 8 close position voicing (ii); 9 close position voicing (iii); 10 open position voicing (i); 11 open position voicing (ii); 12 open position voicing (iii); 13 non-chordal tones; 14 harmonization of non-chordal tones (i); 15 harmonization of non-chordal tones (ii); 16 the thickened line; 17 the widened line; 18 percussion; 19 the double bass; 20 the guitar; 21 the piano 22 a preliminary view of the ensemble23 the basic ensemble method; 24 the four-tone ensemble method; 25 the percussive ensemble method; 26 brass mutes; 27 the background; 28 the planning of orchestration; 29 combinations of instruments; 30 identities; 31 chords derived from scales; 32 the progression of chords derived from scales; 33 mixed voicing; 34 mixed ensembles <Div>""Although it will be of primary interest to those who are engaged in composition themselves, [this] book is also recommended for readers who may wish to gain further insight into just what makes jazz composition so different from traditional approaches.""-Malcolm Bessom, <i>The Music Magazine</i></div> Composition (Music) fast Instrumentation and orchestration fast Jazz fast MUSIC / Genres & Styles / Chamber bisacsh Composition (Music) Improvisation (Music) Instrumentation and orchestration (Dance orchestra) Jazz / Instruction and study Instrumentation and orchestration Jazz Composition (Music) Erscheint auch als Druck-Ausgabe Composing for the jazz orchestra 978-0-226-73209-1 (DE-604)BV018799370 |
| spellingShingle | Russo, William 1928-2003 Composing for the jazz orchestra Table of contents; 1 alphabetical chord symbols; 2 the six types of chords; 3 elaboration of the six types of chords; 4 basic harmonic considerations; 5 the ranges of the instruments; 6 voicing; 7 close position voicing (i); 8 close position voicing (ii); 9 close position voicing (iii); 10 open position voicing (i); 11 open position voicing (ii); 12 open position voicing (iii); 13 non-chordal tones; 14 harmonization of non-chordal tones (i); 15 harmonization of non-chordal tones (ii); 16 the thickened line; 17 the widened line; 18 percussion; 19 the double bass; 20 the guitar; 21 the piano 22 a preliminary view of the ensemble23 the basic ensemble method; 24 the four-tone ensemble method; 25 the percussive ensemble method; 26 brass mutes; 27 the background; 28 the planning of orchestration; 29 combinations of instruments; 30 identities; 31 chords derived from scales; 32 the progression of chords derived from scales; 33 mixed voicing; 34 mixed ensembles <Div>""Although it will be of primary interest to those who are engaged in composition themselves, [this] book is also recommended for readers who may wish to gain further insight into just what makes jazz composition so different from traditional approaches.""-Malcolm Bessom, <i>The Music Magazine</i></div> Composition (Music) fast Instrumentation and orchestration fast Jazz fast MUSIC / Genres & Styles / Chamber bisacsh Composition (Music) Improvisation (Music) Instrumentation and orchestration (Dance orchestra) Jazz / Instruction and study Instrumentation and orchestration Jazz Composition (Music) |
| title | Composing for the jazz orchestra |
| title_auth | Composing for the jazz orchestra |
| title_exact_search | Composing for the jazz orchestra |
| title_full | Composing for the jazz orchestra by William Russo |
| title_fullStr | Composing for the jazz orchestra by William Russo |
| title_full_unstemmed | Composing for the jazz orchestra by William Russo |
| title_short | Composing for the jazz orchestra |
| title_sort | composing for the jazz orchestra |
| topic | Composition (Music) fast Instrumentation and orchestration fast Jazz fast MUSIC / Genres & Styles / Chamber bisacsh Composition (Music) Improvisation (Music) Instrumentation and orchestration (Dance orchestra) Jazz / Instruction and study Instrumentation and orchestration Jazz Composition (Music) |
| topic_facet | Composition (Music) Instrumentation and orchestration Jazz MUSIC / Genres & Styles / Chamber Improvisation (Music) Instrumentation and orchestration (Dance orchestra) Jazz / Instruction and study Instrumentation and orchestration Jazz Composition (Music) |
| work_keys_str_mv | AT russowilliam composingforthejazzorchestra |