Radical theatrics: put-ons, politics, and the sixties
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Seattle ; London
University of Washington Press
[2014]
|
| Schlagworte: |
Protest movements
> United States
> History
> 20th century
> Radicalism
> Social aspects
> United States
> History
> 20th century
> Radicals
> United States
> History
> 20th century
> Political activists
> United States
> History
> 20th century
> Art
> Political aspects
> United States
> History
> 20th century
> Performing arts
> Political aspects
> United States
> History
> 20th century
> Street theater
> Political aspects
> United States
> History
> 20th century
> Political culture
> United States
> History
> 20th century
> Counterculture
> United States
> History
> 20th century
|
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xi, 233 pages) |
| ISBN: | 9780295805573 0295805579 9780295994116 0295994118 |
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| 505 | 8 | |a "From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective 'tolerance' masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the 'put-on'--the signature activist performance of the radical left--ended up becoming a valuable American political practice, one that continues to influence contemporary radicals such as Occupy Wall Street"--Publisher's website | |
| 505 | 8 | |a Introduction: Stereotypes, opposition, and "the sixties" -- Monkey theater -- "Watch out for pigs in queen's clothing" : camp and the image of radical sexuality -- "Erect strong resilient and firm" : Eldridge Cleaver and the performance of "Black" liberation -- Afterword | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1960-1970 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a SOCIAL SCIENCE / General |2 bisacsh | |
| 650 | 4 | |a Geschichte | |
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Datensatz im Suchindex
| _version_ | 1804176616030470144 |
|---|---|
| any_adam_object | |
| author | Peariso, Craig J. |
| author_facet | Peariso, Craig J. |
| author_role | aut |
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| author_variant | c j p cj cjp |
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| contents | "From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective 'tolerance' masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the 'put-on'--the signature activist performance of the radical left--ended up becoming a valuable American political practice, one that continues to influence contemporary radicals such as Occupy Wall Street"--Publisher's website Introduction: Stereotypes, opposition, and "the sixties" -- Monkey theater -- "Watch out for pigs in queen's clothing" : camp and the image of radical sexuality -- "Erect strong resilient and firm" : Eldridge Cleaver and the performance of "Black" liberation -- Afterword |
| ctrlnum | (ZDB-4-EBA)ocn899212005 (OCoLC)899212005 (DE-599)BVBBV043783843 |
| dewey-full | 303.48/4 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 303 - Social processes |
| dewey-raw | 303.48/4 |
| dewey-search | 303.48/4 |
| dewey-sort | 3303.48 14 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| era | Geschichte 1900-2000 Geschichte 1960-1970 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1960-1970 |
| format | Electronic eBook |
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| id | DE-604.BV043783843 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:35:00Z |
| institution | BVB |
| isbn | 9780295805573 0295805579 9780295994116 0295994118 |
| language | English |
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| spelling | Peariso, Craig J. Verfasser aut Radical theatrics put-ons, politics, and the sixties Craig J. Peariso Seattle ; London University of Washington Press [2014] 1 online resource (xi, 233 pages) txt rdacontent c rdamedia cr rdacarrier Print version record "From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective 'tolerance' masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the 'put-on'--the signature activist performance of the radical left--ended up becoming a valuable American political practice, one that continues to influence contemporary radicals such as Occupy Wall Street"--Publisher's website Introduction: Stereotypes, opposition, and "the sixties" -- Monkey theater -- "Watch out for pigs in queen's clothing" : camp and the image of radical sexuality -- "Erect strong resilient and firm" : Eldridge Cleaver and the performance of "Black" liberation -- Afterword Geschichte 1900-2000 Geschichte 1960-1970 gnd rswk-swf SOCIAL SCIENCE / General bisacsh Geschichte Gesellschaft Kunst Politik Radikalismus Protest movements United States History 20th century Radicalism Social aspects United States History 20th century Radicals United States History 20th century Political activists United States History 20th century Art Political aspects United States History 20th century Performing arts Political aspects United States History 20th century Street theater Political aspects United States History 20th century Political culture United States History 20th century Counterculture United States History 20th century Politische Kultur (DE-588)4046540-8 gnd rswk-swf USA Seattle, Wash. (DE-588)4054058-3 gnd rswk-swf Seattle, Wash. (DE-588)4054058-3 g Politische Kultur (DE-588)4046540-8 s Geschichte 1960-1970 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Peariso, Craig J , author. Radical theatrics 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Peariso, Craig J. Radical theatrics put-ons, politics, and the sixties "From burning draft cards to staging nude protests, much left-wing political activism in 1960s America was distinguished by deliberate outrageousness. This theatrical activism, aimed at the mass media and practiced by Abbie Hoffman and the Yippies, the Black Panthers, and the Gay Activists Alliance, among others, is often dismissed as naive and out of touch, or criticized for tactics condemned as silly and off-putting to the general public. In Radical Theatrics, however, Craig Peariso argues that these over-the-top antics were far more than just the spontaneous actions of a self-indulgent radical impulse. Instead, he shows, they were well-considered aesthetic and political responses to a jaded cultural climate in which an unreflective 'tolerance' masked an unwillingness to engage with challenging ideas. Through innovative analysis that links political protest to the art of contemporaries such as Andy Warhol, Peariso reveals how the 'put-on'--the signature activist performance of the radical left--ended up becoming a valuable American political practice, one that continues to influence contemporary radicals such as Occupy Wall Street"--Publisher's website Introduction: Stereotypes, opposition, and "the sixties" -- Monkey theater -- "Watch out for pigs in queen's clothing" : camp and the image of radical sexuality -- "Erect strong resilient and firm" : Eldridge Cleaver and the performance of "Black" liberation -- Afterword SOCIAL SCIENCE / General bisacsh Geschichte Gesellschaft Kunst Politik Radikalismus Protest movements United States History 20th century Radicalism Social aspects United States History 20th century Radicals United States History 20th century Political activists United States History 20th century Art Political aspects United States History 20th century Performing arts Political aspects United States History 20th century Street theater Political aspects United States History 20th century Political culture United States History 20th century Counterculture United States History 20th century Politische Kultur (DE-588)4046540-8 gnd |
| subject_GND | (DE-588)4046540-8 (DE-588)4054058-3 |
| title | Radical theatrics put-ons, politics, and the sixties |
| title_auth | Radical theatrics put-ons, politics, and the sixties |
| title_exact_search | Radical theatrics put-ons, politics, and the sixties |
| title_full | Radical theatrics put-ons, politics, and the sixties Craig J. Peariso |
| title_fullStr | Radical theatrics put-ons, politics, and the sixties Craig J. Peariso |
| title_full_unstemmed | Radical theatrics put-ons, politics, and the sixties Craig J. Peariso |
| title_short | Radical theatrics |
| title_sort | radical theatrics put ons politics and the sixties |
| title_sub | put-ons, politics, and the sixties |
| topic | SOCIAL SCIENCE / General bisacsh Geschichte Gesellschaft Kunst Politik Radikalismus Protest movements United States History 20th century Radicalism Social aspects United States History 20th century Radicals United States History 20th century Political activists United States History 20th century Art Political aspects United States History 20th century Performing arts Political aspects United States History 20th century Street theater Political aspects United States History 20th century Political culture United States History 20th century Counterculture United States History 20th century Politische Kultur (DE-588)4046540-8 gnd |
| topic_facet | SOCIAL SCIENCE / General Geschichte Gesellschaft Kunst Politik Radikalismus Protest movements United States History 20th century Radicalism Social aspects United States History 20th century Radicals United States History 20th century Political activists United States History 20th century Art Political aspects United States History 20th century Performing arts Political aspects United States History 20th century Street theater Political aspects United States History 20th century Political culture United States History 20th century Counterculture United States History 20th century Politische Kultur USA Seattle, Wash. |
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