Southern women novelists and the Civil War: trauma and collective memory in the American literary tradition since 1861
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Knoxville
The University of Tennessee Press
[2014]
|
| Ausgabe: | First edition |
| Schlagworte: |
American fiction
> Women authors
> History and criticism
> American fiction
> 19th century
> History and criticism
> American fiction
> 20th century
> History and criticism
> Historical fiction, American
> History and criticism
> War stories, American
> History and criticism
> War and literature
> United States
> History
> War in literature
|
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (xxii, 432 pages) |
| ISBN: | 9781621900849 1621900843 9781621900139 1621900134 |
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| 505 | 8 | |a Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone | |
| 505 | 8 | |a During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. | |
| 505 | 8 | |a She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. | |
| 505 | 8 | |a Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose | |
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| author | Talley, Sharon 1952- |
| author_facet | Talley, Sharon 1952- |
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| contents | Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose |
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| dewey-full | 813.009/358737 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 813 - American fiction in English |
| dewey-raw | 813.009/358737 |
| dewey-search | 813.009/358737 |
| dewey-sort | 3813.009 6358737 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| edition | First edition |
| era | 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1861-2014 gnd |
| era_facet | 1800 - 1999 Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1861-2014 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:34:57Z |
| institution | BVB |
| isbn | 9781621900849 1621900843 9781621900139 1621900134 |
| language | English |
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| publisher | The University of Tennessee Press |
| record_format | marc |
| spelling | Talley, Sharon 1952- Verfasser aut Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 Sharon Talley First edition Knoxville The University of Tennessee Press [2014] 1 online resource (xxii, 432 pages) txt rdacontent c rdamedia cr rdacarrier Print version record Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose American Civil War (1861-1865) fast 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1861-2014 gnd rswk-swf LITERARY CRITICISM / American / General bisacsh LITERARY COLLECTIONS / General bisacsh American fiction fast American fiction / Women authors fast Historical fiction, American fast War and literature fast War in literature fast War stories, American fast Geschichte American fiction Women authors History and criticism American fiction 19th century History and criticism American fiction 20th century History and criticism Historical fiction, American History and criticism War stories, American History and criticism War and literature United States History War in literature Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 gnd rswk-swf Frauenroman (DE-588)4134195-8 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf USA USA Südstaaten (DE-588)4078674-2 gnd rswk-swf USA Südstaaten (DE-588)4078674-2 g Frauenroman (DE-588)4134195-8 s Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 s Kollektives Gedächtnis (DE-588)4200793-8 s Geschichte 1861-2014 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Talley, Sharon, 1952- author Southern women novelists and the Civil War 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Talley, Sharon 1952- Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone During and after the Civil War, southern women played a critical role in shaping the South's evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings--most notably Mary Chesnut's diaries and Margaret Mitchell's novel, Gone with the Wind--have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans's Macaria and Sallie Rochester Ford's Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the "Redeemed" South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker's Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post--World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley's study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation's consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley's close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing "fact" and "fiction" in the long period of artistic production concerning this singular traumatic event in American history. Sharon Talley, professor of English at Texas A & M University--Corpus Christi, is the author of Ambrose Bierce and the Dance of Death and Student Companion to Herman Melville. Her articles have appeared in American Imago, Journal of Men's Studies, and Nineteenth-Century Prose American Civil War (1861-1865) fast LITERARY CRITICISM / American / General bisacsh LITERARY COLLECTIONS / General bisacsh American fiction fast American fiction / Women authors fast Historical fiction, American fast War and literature fast War in literature fast War stories, American fast Geschichte American fiction Women authors History and criticism American fiction 19th century History and criticism American fiction 20th century History and criticism Historical fiction, American History and criticism War stories, American History and criticism War and literature United States History War in literature Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 gnd Frauenroman (DE-588)4134195-8 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
| subject_GND | (DE-588)4208546-9 (DE-588)4134195-8 (DE-588)4200793-8 (DE-588)4078674-2 |
| title | Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 |
| title_auth | Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 |
| title_exact_search | Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 |
| title_full | Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 Sharon Talley |
| title_fullStr | Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 Sharon Talley |
| title_full_unstemmed | Southern women novelists and the Civil War trauma and collective memory in the American literary tradition since 1861 Sharon Talley |
| title_short | Southern women novelists and the Civil War |
| title_sort | southern women novelists and the civil war trauma and collective memory in the american literary tradition since 1861 |
| title_sub | trauma and collective memory in the American literary tradition since 1861 |
| topic | American Civil War (1861-1865) fast LITERARY CRITICISM / American / General bisacsh LITERARY COLLECTIONS / General bisacsh American fiction fast American fiction / Women authors fast Historical fiction, American fast War and literature fast War in literature fast War stories, American fast Geschichte American fiction Women authors History and criticism American fiction 19th century History and criticism American fiction 20th century History and criticism Historical fiction, American History and criticism War stories, American History and criticism War and literature United States History War in literature Sezessionskrieg 1861-1865, Motiv (DE-588)4208546-9 gnd Frauenroman (DE-588)4134195-8 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
| topic_facet | American Civil War (1861-1865) LITERARY CRITICISM / American / General LITERARY COLLECTIONS / General American fiction American fiction / Women authors Historical fiction, American War and literature War in literature War stories, American Geschichte American fiction Women authors History and criticism American fiction 19th century History and criticism American fiction 20th century History and criticism Historical fiction, American History and criticism War stories, American History and criticism War and literature United States History War in literature Sezessionskrieg 1861-1865, Motiv Frauenroman Kollektives Gedächtnis USA USA Südstaaten |
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