Screening neoliberalism: transforming Mexican cinema 1988-2012
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Nashville, Tennessee
Vanderbilt University Press
[2014]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Online resource; title from e-book title screen (EBL platform, viewed November 13, 2015) |
| Beschreibung: | 1 online resource (viii, 291 pages) |
| ISBN: | 9780826519672 0826519679 9780826519665 0826519660 9780826519658 0826519652 |
Internformat
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| 100 | 1 | |a Sánchez Prado, Ignacio M. |d 1979- |e Verfasser |0 (DE-588)1057325570 |4 aut | |
| 245 | 1 | 0 | |a Screening neoliberalism |b transforming Mexican cinema 1988-2012 |c Ignacio M. Sánchez Prado |
| 264 | 1 | |a Nashville, Tennessee |b Vanderbilt University Press |c [2014] | |
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| 505 | 8 | |a Introduction: The reinvention of Mexican cinema -- Nationalism eroded: Mexican cinema in times of crisis -- Publicists in love: Romantic comedy, cinema privatization, and the aesthetics of the middle class -- The neoliberal gaze: Reframing politics in the "democratic transition" -- The three amigos and the lone ranger: Mexican "Global Auteurs" on the national stage -- Conclusion: Mexican cinema after neoliberalism | |
| 505 | 8 | |a "Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability."--Publisher's description | |
| 648 | 7 | |a Geschichte 1988-2012 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
| _version_ | 1804176611985063936 |
|---|---|
| any_adam_object | |
| author | Sánchez Prado, Ignacio M. 1979- |
| author_GND | (DE-588)1057325570 |
| author_facet | Sánchez Prado, Ignacio M. 1979- |
| author_role | aut |
| author_sort | Sánchez Prado, Ignacio M. 1979- |
| author_variant | p i m s pim pims |
| building | Verbundindex |
| bvnumber | BV043781461 |
| collection | ZDB-4-EBA |
| contents | Introduction: The reinvention of Mexican cinema -- Nationalism eroded: Mexican cinema in times of crisis -- Publicists in love: Romantic comedy, cinema privatization, and the aesthetics of the middle class -- The neoliberal gaze: Reframing politics in the "democratic transition" -- The three amigos and the lone ranger: Mexican "Global Auteurs" on the national stage -- Conclusion: Mexican cinema after neoliberalism "Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability."--Publisher's description |
| ctrlnum | (ZDB-4-EBA)ocn881756815 (OCoLC)881756815 (DE-599)BVBBV043781461 |
| dewey-full | 791.430972 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430972 |
| dewey-search | 791.430972 |
| dewey-sort | 3791.430972 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1988-2012 gnd |
| era_facet | Geschichte 1988-2012 |
| format | Electronic eBook |
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| geographic | Mexiko Mexiko (DE-588)4039058-5 gnd |
| geographic_facet | Mexiko |
| id | DE-604.BV043781461 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:34:57Z |
| institution | BVB |
| isbn | 9780826519672 0826519679 9780826519665 0826519660 9780826519658 0826519652 |
| language | English |
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| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 online resource (viii, 291 pages) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Vanderbilt University Press |
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| spelling | Sánchez Prado, Ignacio M. 1979- Verfasser (DE-588)1057325570 aut Screening neoliberalism transforming Mexican cinema 1988-2012 Ignacio M. Sánchez Prado Nashville, Tennessee Vanderbilt University Press [2014] 1 online resource (viii, 291 pages) txt rdacontent c rdamedia cr rdacarrier Online resource; title from e-book title screen (EBL platform, viewed November 13, 2015) Introduction: The reinvention of Mexican cinema -- Nationalism eroded: Mexican cinema in times of crisis -- Publicists in love: Romantic comedy, cinema privatization, and the aesthetics of the middle class -- The neoliberal gaze: Reframing politics in the "democratic transition" -- The three amigos and the lone ranger: Mexican "Global Auteurs" on the national stage -- Conclusion: Mexican cinema after neoliberalism "Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability."--Publisher's description Geschichte 1988-2012 gnd rswk-swf PERFORMING ARTS / Reference bisacsh Motion pictures fast Motion pictures / Social aspects fast Film Gesellschaft Motion pictures Mexico History and criticism Motion pictures Social aspects Mexico Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Mexiko Mexiko (DE-588)4039058-5 gnd rswk-swf Mexiko (DE-588)4039058-5 g Film (DE-588)4017102-4 s Filmwirtschaft (DE-588)4154384-1 s Geschichte 1988-2012 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Sánchez Prado, Ignacio M , 1979-. Screening neoliberalism 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Sánchez Prado, Ignacio M. 1979- Screening neoliberalism transforming Mexican cinema 1988-2012 Introduction: The reinvention of Mexican cinema -- Nationalism eroded: Mexican cinema in times of crisis -- Publicists in love: Romantic comedy, cinema privatization, and the aesthetics of the middle class -- The neoliberal gaze: Reframing politics in the "democratic transition" -- The three amigos and the lone ranger: Mexican "Global Auteurs" on the national stage -- Conclusion: Mexican cinema after neoliberalism "Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability."--Publisher's description PERFORMING ARTS / Reference bisacsh Motion pictures fast Motion pictures / Social aspects fast Film Gesellschaft Motion pictures Mexico History and criticism Motion pictures Social aspects Mexico Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4154384-1 (DE-588)4017102-4 (DE-588)4039058-5 |
| title | Screening neoliberalism transforming Mexican cinema 1988-2012 |
| title_auth | Screening neoliberalism transforming Mexican cinema 1988-2012 |
| title_exact_search | Screening neoliberalism transforming Mexican cinema 1988-2012 |
| title_full | Screening neoliberalism transforming Mexican cinema 1988-2012 Ignacio M. Sánchez Prado |
| title_fullStr | Screening neoliberalism transforming Mexican cinema 1988-2012 Ignacio M. Sánchez Prado |
| title_full_unstemmed | Screening neoliberalism transforming Mexican cinema 1988-2012 Ignacio M. Sánchez Prado |
| title_short | Screening neoliberalism |
| title_sort | screening neoliberalism transforming mexican cinema 1988 2012 |
| title_sub | transforming Mexican cinema 1988-2012 |
| topic | PERFORMING ARTS / Reference bisacsh Motion pictures fast Motion pictures / Social aspects fast Film Gesellschaft Motion pictures Mexico History and criticism Motion pictures Social aspects Mexico Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | PERFORMING ARTS / Reference Motion pictures Motion pictures / Social aspects Film Gesellschaft Motion pictures Mexico History and criticism Motion pictures Social aspects Mexico Filmwirtschaft Mexiko |
| work_keys_str_mv | AT sanchezpradoignaciom screeningneoliberalismtransformingmexicancinema19882012 |