American postfeminist cinema: women, romance and contemporary culture
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2014]
|
Schriftenreihe: | Traditions in American cinema
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 |
Beschreibung: | Print version record |
Beschreibung: | 1 online resource (vii, 200 pages) illustrations |
ISBN: | 9780748693375 0748693378 9780748693368 074869336X |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043781292 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 160920s2014 |||| o||u| ||||||eng d | ||
020 | |a 9780748693375 |9 978-0-7486-9337-5 | ||
020 | |a 0748693378 |9 0-7486-9337-8 | ||
020 | |a 9780748693368 |9 978-0-7486-9336-8 | ||
020 | |a 074869336X |9 0-7486-9336-X | ||
035 | |a (ZDB-4-EBA)ocn880877855 | ||
035 | |a (OCoLC)880877855 | ||
035 | |a (DE-599)BVBBV043781292 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 791.436522 |2 23 | |
100 | 1 | |a Schreiber, Michele |e Verfasser |4 aut | |
245 | 1 | 0 | |a American postfeminist cinema |b women, romance and contemporary culture |c Michele Schreiber |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2014] | |
300 | |a 1 online resource (vii, 200 pages) |b illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Traditions in American cinema | |
500 | |a Print version record | ||
505 | 8 | |a In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? This book explores this question | |
505 | 8 | |a Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index | |
648 | 7 | |a Geschichte 1980-2012 |2 gnd |9 rswk-swf | |
650 | 4 | |a Feminism and motion pictures | |
650 | 4 | |a Man-woman relationships in motion pictures | |
650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
650 | 7 | |a Feminism and motion pictures |2 fast | |
650 | 7 | |a Man-woman relationships in motion pictures |2 fast | |
650 | 7 | |a Frau (Motiv) |2 gnd | |
650 | 7 | |a Liebesfilm |2 gnd | |
650 | 4 | |a Man-woman relationships in motion pictures |a Feminism and motion pictures | |
650 | 0 | 7 | |a Frau |g Motiv |0 (DE-588)4113617-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Liebesfilm |0 (DE-588)4261643-8 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Liebesfilm |0 (DE-588)4261643-8 |D s |
689 | 0 | 2 | |a Frau |g Motiv |0 (DE-588)4113617-2 |D s |
689 | 0 | 3 | |a Geschichte 1980-2012 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Schreiber, Michele |t American postfeminist cinema |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029192352 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=783914 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=783914 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804176611652665344 |
---|---|
any_adam_object | |
author | Schreiber, Michele |
author_facet | Schreiber, Michele |
author_role | aut |
author_sort | Schreiber, Michele |
author_variant | m s ms |
building | Verbundindex |
bvnumber | BV043781292 |
collection | ZDB-4-EBA |
contents | In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? This book explores this question Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index |
ctrlnum | (ZDB-4-EBA)ocn880877855 (OCoLC)880877855 (DE-599)BVBBV043781292 |
dewey-full | 791.436522 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.436522 |
dewey-search | 791.436522 |
dewey-sort | 3791.436522 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Geschichte 1980-2012 gnd |
era_facet | Geschichte 1980-2012 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03401nmm a2200637zc 4500</leader><controlfield tag="001">BV043781292</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160920s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748693375</subfield><subfield code="9">978-0-7486-9337-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0748693378</subfield><subfield code="9">0-7486-9337-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748693368</subfield><subfield code="9">978-0-7486-9336-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">074869336X</subfield><subfield code="9">0-7486-9336-X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-EBA)ocn880877855</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)880877855</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043781292</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.436522</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schreiber, Michele</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">American postfeminist cinema</subfield><subfield code="b">women, romance and contemporary culture</subfield><subfield code="c">Michele Schreiber</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2014]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (vii, 200 pages)</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in American cinema</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? This book explores this question</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1980-2012</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Feminism and motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Man-woman relationships in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Feminism and motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Man-woman relationships in motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Frau (Motiv)</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Liebesfilm</subfield><subfield code="2">gnd</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Man-woman relationships in motion pictures</subfield><subfield code="a">Feminism and motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Liebesfilm</subfield><subfield code="0">(DE-588)4261643-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Liebesfilm</subfield><subfield code="0">(DE-588)4261643-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1980-2012</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Schreiber, Michele</subfield><subfield code="t">American postfeminist cinema</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029192352</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=783914</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=783914</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV043781292 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:34:56Z |
institution | BVB |
isbn | 9780748693375 0748693378 9780748693368 074869336X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029192352 |
oclc_num | 880877855 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 online resource (vii, 200 pages) illustrations |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | Traditions in American cinema |
spelling | Schreiber, Michele Verfasser aut American postfeminist cinema women, romance and contemporary culture Michele Schreiber Edinburgh Edinburgh University Press [2014] 1 online resource (vii, 200 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Traditions in American cinema Print version record In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? This book explores this question Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index Geschichte 1980-2012 gnd rswk-swf Feminism and motion pictures Man-woman relationships in motion pictures PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Feminism and motion pictures fast Man-woman relationships in motion pictures fast Frau (Motiv) gnd Liebesfilm gnd Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv (DE-588)4113617-2 gnd rswk-swf Liebesfilm (DE-588)4261643-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Liebesfilm (DE-588)4261643-8 s Frau Motiv (DE-588)4113617-2 s Geschichte 1980-2012 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Schreiber, Michele American postfeminist cinema 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Schreiber, Michele American postfeminist cinema women, romance and contemporary culture In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why do most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? This book explores this question Title page; Imprint; CONTENTS; Acknowledgments; Illustrations; INTRODUCTION: WOMEN, POSTFEMINISM AND ROMANCE; 1. 'BOTH GLAD AND SORRY': ROMANCE CYCLES AND WOMEN'S POLITICS; 2. PRAGMATISM VS. SENTIMENTALITY: AMELIORATION IN THE POSTFEMINIST CYCLE; 3. PAST VS. PRESENT: TEMPORALITY IN THE POSTFEMINIST CYCLE; 4. SEXY VS. FUNNY: SEXUALITY IN THE POSTFEMINIST CYCLE; 5. INDEPENDENCE VS. DEPENDENCE: ECONOMICS IN THE POSTFEMINIST CYCLE; CONCLUSION: BEGINNINGS VS. ENDINGS: THE FUTURE OF THE POSTFEMINIST CYCLE; Selected bibliography; Index Feminism and motion pictures Man-woman relationships in motion pictures PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Feminism and motion pictures fast Man-woman relationships in motion pictures fast Frau (Motiv) gnd Liebesfilm gnd Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv (DE-588)4113617-2 gnd Liebesfilm (DE-588)4261643-8 gnd |
subject_GND | (DE-588)4113617-2 (DE-588)4261643-8 (DE-588)4078704-7 |
title | American postfeminist cinema women, romance and contemporary culture |
title_auth | American postfeminist cinema women, romance and contemporary culture |
title_exact_search | American postfeminist cinema women, romance and contemporary culture |
title_full | American postfeminist cinema women, romance and contemporary culture Michele Schreiber |
title_fullStr | American postfeminist cinema women, romance and contemporary culture Michele Schreiber |
title_full_unstemmed | American postfeminist cinema women, romance and contemporary culture Michele Schreiber |
title_short | American postfeminist cinema |
title_sort | american postfeminist cinema women romance and contemporary culture |
title_sub | women, romance and contemporary culture |
topic | Feminism and motion pictures Man-woman relationships in motion pictures PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Feminism and motion pictures fast Man-woman relationships in motion pictures fast Frau (Motiv) gnd Liebesfilm gnd Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv (DE-588)4113617-2 gnd Liebesfilm (DE-588)4261643-8 gnd |
topic_facet | Feminism and motion pictures Man-woman relationships in motion pictures PERFORMING ARTS / Reference PERFORMING ARTS / Film & Video / Reference Frau (Motiv) Liebesfilm Man-woman relationships in motion pictures Feminism and motion pictures Frau Motiv USA |
work_keys_str_mv | AT schreibermichele americanpostfeministcinemawomenromanceandcontemporaryculture |