Myth of the Western: New Perspectives on Hollywood's Frontier Narrative
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource (vii, 246 pages) |
| ISBN: | 9780748685592 0748685596 9780748685585 0748685588 |
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| 505 | 8 | |a What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West? This book re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has and continues to reveal the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a sixty-five year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole | |
| 505 | 8 | |a Title Page; Copyright; Contents; Acknowledgements; INTRODUCTION; PART ONE; 1. A GOOD MAN WITH A GUN; 2. A FINE GOOD PLACE TO BE; 3. RETHINKING REVISIONISM; PART TWO; 4. WHAT COUNTS AS HISTORY AND WHOSE HISTORY IS IT?; 5. ACTORS TRANSCENDING THE DARKNESS; CONCLUSION; Bibliography; Index | |
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Datensatz im Suchindex
| _version_ | 1804176611651616768 |
|---|---|
| any_adam_object | |
| author | Carter, Matthew |
| author_facet | Carter, Matthew |
| author_role | aut |
| author_sort | Carter, Matthew |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | BV043781291 |
| collection | ZDB-4-EBA |
| contents | What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West? This book re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has and continues to reveal the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a sixty-five year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole Title Page; Copyright; Contents; Acknowledgements; INTRODUCTION; PART ONE; 1. A GOOD MAN WITH A GUN; 2. A FINE GOOD PLACE TO BE; 3. RETHINKING REVISIONISM; PART TWO; 4. WHAT COUNTS AS HISTORY AND WHOSE HISTORY IS IT?; 5. ACTORS TRANSCENDING THE DARKNESS; CONCLUSION; Bibliography; Index |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791 |
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| dewey-tens | 790 - Recreational and performing arts |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Carter, Matthew Verfasser aut Myth of the Western New Perspectives on Hollywood's Frontier Narrative Edinburgh Edinburgh University Press 2014 1 online resource (vii, 246 pages) txt rdacontent c rdamedia cr rdacarrier Print version record What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West? This book re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has and continues to reveal the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a sixty-five year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole Title Page; Copyright; Contents; Acknowledgements; INTRODUCTION; PART ONE; 1. A GOOD MAN WITH A GUN; 2. A FINE GOOD PLACE TO BE; 3. RETHINKING REVISIONISM; PART TWO; 4. WHAT COUNTS AS HISTORY AND WHOSE HISTORY IS IT?; 5. ACTORS TRANSCENDING THE DARKNESS; CONCLUSION; Bibliography; Index Geschichte gnd rswk-swf Motion picture producers and directors / United States Myth / Social aspects / United States Western films / United States / History and criticism PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Gesellschaft Western films United States History and criticism Myth Social aspects United States Filmgenre (DE-588)4328427-9 gnd rswk-swf Western Film (DE-588)4132716-0 gnd rswk-swf Filmgeschichtsschreibung (DE-588)4225851-0 gnd rswk-swf USA Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Western Film (DE-588)4132716-0 s Filmgenre (DE-588)4328427-9 s Filmgeschichtsschreibung (DE-588)4225851-0 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe Carter, Matthew (Teacher) Myth of the western 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Carter, Matthew Myth of the Western New Perspectives on Hollywood's Frontier Narrative What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West? This book re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has and continues to reveal the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a sixty-five year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole Title Page; Copyright; Contents; Acknowledgements; INTRODUCTION; PART ONE; 1. A GOOD MAN WITH A GUN; 2. A FINE GOOD PLACE TO BE; 3. RETHINKING REVISIONISM; PART TWO; 4. WHAT COUNTS AS HISTORY AND WHOSE HISTORY IS IT?; 5. ACTORS TRANSCENDING THE DARKNESS; CONCLUSION; Bibliography; Index Motion picture producers and directors / United States Myth / Social aspects / United States Western films / United States / History and criticism PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Gesellschaft Western films United States History and criticism Myth Social aspects United States Filmgenre (DE-588)4328427-9 gnd Western Film (DE-588)4132716-0 gnd Filmgeschichtsschreibung (DE-588)4225851-0 gnd |
| subject_GND | (DE-588)4328427-9 (DE-588)4132716-0 (DE-588)4225851-0 (DE-588)4099817-4 |
| title | Myth of the Western New Perspectives on Hollywood's Frontier Narrative |
| title_auth | Myth of the Western New Perspectives on Hollywood's Frontier Narrative |
| title_exact_search | Myth of the Western New Perspectives on Hollywood's Frontier Narrative |
| title_full | Myth of the Western New Perspectives on Hollywood's Frontier Narrative |
| title_fullStr | Myth of the Western New Perspectives on Hollywood's Frontier Narrative |
| title_full_unstemmed | Myth of the Western New Perspectives on Hollywood's Frontier Narrative |
| title_short | Myth of the Western |
| title_sort | myth of the western new perspectives on hollywood s frontier narrative |
| title_sub | New Perspectives on Hollywood's Frontier Narrative |
| topic | Motion picture producers and directors / United States Myth / Social aspects / United States Western films / United States / History and criticism PERFORMING ARTS / Reference bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Gesellschaft Western films United States History and criticism Myth Social aspects United States Filmgenre (DE-588)4328427-9 gnd Western Film (DE-588)4132716-0 gnd Filmgeschichtsschreibung (DE-588)4225851-0 gnd |
| topic_facet | Motion picture producers and directors / United States Myth / Social aspects / United States Western films / United States / History and criticism PERFORMING ARTS / Reference PERFORMING ARTS / Film & Video / Reference Gesellschaft Western films United States History and criticism Myth Social aspects United States Filmgenre Western Film Filmgeschichtsschreibung USA Los Angeles- Hollywood |
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