John Gay and the London Theatre:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lexington
University Press of Kentucky
©1993
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Includes bibliographical references and index The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century -- and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognizes the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre but also on the politics and culture of his era |
| ISBN: | 9780813159362 0813159369 9780813118321 |
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| 500 | |a The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century -- and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions | ||
| 500 | |a But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognizes the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre but also on the politics and culture of his era | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Winton, Calhoun |
| author_facet | Winton, Calhoun |
| author_role | aut |
| author_sort | Winton, Calhoun |
| author_variant | c w cw |
| building | Verbundindex |
| bvnumber | BV043778959 |
| collection | ZDB-4-EBA |
| ctrlnum | (ZDB-4-EBA)ocn900344592 (OCoLC)900344592 (DE-599)BVBBV043778959 |
| dewey-full | 822.5 822/.5 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.5 822/.5 |
| dewey-search | 822.5 822/.5 |
| dewey-sort | 3822.5 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
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| era_facet | Geschichte 1700-1800 Geschichte 1705-1733 Geschichte 1700-1733 Geschichte 1728-1733 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:34:52Z |
| institution | BVB |
| isbn | 9780813159362 0813159369 9780813118321 |
| language | English |
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| publisher | University Press of Kentucky |
| record_format | marc |
| spelling | Winton, Calhoun Verfasser aut John Gay and the London Theatre Calhoun Winton Lexington University Press of Kentucky ©1993 txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index The Beggar's Opera, often referred to today as the first musical comedy, was the most popular dramatic piece of the eighteenth century -- and is the work that John Gay (1685-1732) is best remembered for having written. That association of popular music and satiric lyrics has proved to be continuingly attractive, and variations on the Opera have flourished in this century: by Kurt Weill and Bertolt Brecht, by Duke Ellington, and most recently by Vaclav Havel. The original opera itself is played all over the world in amateur and professional productions But John Gay's place in all this has not been well defined. His Opera is often regarded as some sort of chance event. In John Gay and the London Theatre, the first book-length study of John Gay as dramatic author, Calhoun Winton recognizes the Opera as part of an entirely self-conscious career in the theatre, a career that Gay pursued from his earliest days as a writer in London and continued to follow to his death. Winton emphasizes Gay's knowledge of and affection for music, acquired, he argues, by way of his association with Handel. Although concentrating on Gay and his theatrical career, Winton also limns a vivid portrait of London itself and of the London stage of Gay's time, a period of considerable turbulence both within and outside the theatre. Gay's plays reflect in varying ways and degrees that social, political, and cultural turmoil. Winton's study sheds new light not only on Gay and the theatre but also on the politics and culture of his era Gay, John 1685-1732 Beggar's opera Gay, John 1685-1732 Stage history England London Gay, John 1685-1732 (DE-588)118716573 gnd rswk-swf Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 gnd rswk-swf Geschichte 1700-1800 Geschichte 1705-1733 gnd rswk-swf Geschichte 1700-1733 gnd rswk-swf Geschichte 1728-1733 gnd rswk-swf Brigands and robbers in literature Gay, John, 1685-1732 / Stage history / England / London Gay, John, 1685-1732. Beggar's opera Theater / England / London / History / 18th century DRAMA / English, Irish, Scottish, Welsh bisacsh DRAMA / European / English, Irish, Scottish, Welsh bisacsh Geschichte Theater England London History 18th century Theater (DE-588)4059702-7 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Gay, John 1685-1732 (DE-588)118716573 p London (DE-588)4074335-4 g Theater (DE-588)4059702-7 s Geschichte 1705-1733 z 1\p DE-604 Großbritannien (DE-588)4022153-2 g Geschichte 1700-1733 z 2\p DE-604 Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 u Aufführung (DE-588)4143388-9 s Geschichte 1728-1733 z 3\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Winton, Calhoun John Gay and the London Theatre Gay, John 1685-1732 Beggar's opera Gay, John 1685-1732 Stage history England London Gay, John 1685-1732 (DE-588)118716573 gnd Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 gnd Brigands and robbers in literature Gay, John, 1685-1732 / Stage history / England / London Gay, John, 1685-1732. Beggar's opera Theater / England / London / History / 18th century DRAMA / English, Irish, Scottish, Welsh bisacsh DRAMA / European / English, Irish, Scottish, Welsh bisacsh Geschichte Theater England London History 18th century Theater (DE-588)4059702-7 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)118716573 (DE-588)4351922-2 (DE-588)4059702-7 (DE-588)4143388-9 (DE-588)4074335-4 (DE-588)4022153-2 |
| title | John Gay and the London Theatre |
| title_auth | John Gay and the London Theatre |
| title_exact_search | John Gay and the London Theatre |
| title_full | John Gay and the London Theatre Calhoun Winton |
| title_fullStr | John Gay and the London Theatre Calhoun Winton |
| title_full_unstemmed | John Gay and the London Theatre Calhoun Winton |
| title_short | John Gay and the London Theatre |
| title_sort | john gay and the london theatre |
| topic | Gay, John 1685-1732 Beggar's opera Gay, John 1685-1732 Stage history England London Gay, John 1685-1732 (DE-588)118716573 gnd Gay, John 1685-1732 The beggar's opera (DE-588)4351922-2 gnd Brigands and robbers in literature Gay, John, 1685-1732 / Stage history / England / London Gay, John, 1685-1732. Beggar's opera Theater / England / London / History / 18th century DRAMA / English, Irish, Scottish, Welsh bisacsh DRAMA / European / English, Irish, Scottish, Welsh bisacsh Geschichte Theater England London History 18th century Theater (DE-588)4059702-7 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Gay, John 1685-1732 Beggar's opera Gay, John 1685-1732 Stage history England London Gay, John 1685-1732 Gay, John 1685-1732 The beggar's opera Brigands and robbers in literature Gay, John, 1685-1732 / Stage history / England / London Gay, John, 1685-1732. Beggar's opera Theater / England / London / History / 18th century DRAMA / English, Irish, Scottish, Welsh DRAMA / European / English, Irish, Scottish, Welsh Geschichte Theater England London History 18th century Theater Aufführung London Großbritannien |
| work_keys_str_mv | AT wintoncalhoun johngayandthelondontheatre |