Unhomely Cinema: Home and Place in Global Cinema
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Anthem Press
2014
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| Schriftenreihe: | Anthem Global Media and Communication Studies, New Perspectives on World Cinema
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Unhomely Cinema; Title; Copyright; CONTENTS; Introduction UNHOMELY CINEMA; Going Home: The Problem of Dwelling in Contemporary Film; Chapters; Chapter 1 AN UNHOMELY THEORY; The Uncanny '90s; The Freudian Uncanny; From the Uncanny to the Unhomely; Unhomely Space; Exile and Migration: Traversing the Unhomely ; Unhomely Cinema; Unhomely Narrative; Chapter 2 THE DECLINE OF THE FAMILY: HOME AND NATION IN KRZYSZTOF KIESLOWSKI'S THE DECALOGUE; The Politics of Domestic Uncertainty ; Blurring the Boundaries of Home and Nation ; A Socialist Complex: Mapping the Communist Home A Present Future: Mapping the Flows of the Postindustrial CityEpisode 6: Remote Control or Contact at a Distance; The Network of Remote Control ; Episode 10: Guarding the Home at All Costs; Conclusion; Chapter 3 THE FUTURE IS BEHIND YOU: GLOBAL GENTRIFICATION AND THE UNHOMELY NATURE OF DISCARDED PLACES; Nostalgia, Technology and the Home; The Future Is behind You; Disruption One; The City in Film: The New Process of Gentrification; Disruption Two: Memory, Media and the Forgotten World of Junkspace; "Sweding": A Lesson in Creative Erasure; Disruption Three; Conclusion Chapter 4 NO PLACE TO CALL HOME: WORK AND HOME IN PAUL THOMAS ANDERSON'S PUNCH DRUNK LOVE AND JASON REITMAN'S UP IN THE AIRIntroduction: The Unhomely Spaces of Home and Work; No Place to Call Home: Work and Home in Punch Drunk Love and Up in the Air; The Home as Moral Centre ; Air Miles Promotions: Consumption as New Labour ; Intimacy, Distance and the Home; Love and the Home's Redemption; Conclusion; Chapter 5 THE TERRIBLE LIGHTNESS OF BEING MOBILE: CELL PHONE AND THE DISLOCATION OF HOME; Mobile Work and Play: The Uncanny Feeling of Being Everywhere; Film and Phones Escape from the Home: The Flexibility and Burden of a Mobile Life The Unbearable Lightness of Being Connected; The Ideal Female Phone; Chapter 6 UNHOMELY REVOLT IN LAURENT CANTET'S TIME OUT; Introduction; Unemployment and the Experience of Free Fall; Vincent's Time Out: Orbiting as an Escape from the Ground of Reality ; Cell Phone Connections: A Home away from Home ; The Return to Work: A Case of Déjà Vu; Conclusion: The Return to Work as the Precondition for a Free Fall; CONCLUSION; A Look Back or an Unhomely Return; The Scale of the Unhomely; Hybridity; Motilities; The Right to the Home Referencesindex Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. ""Unhomely Cinema"" explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today's global societies |
| Beschreibung: | 148 pages |
| ISBN: | 9781783083039 1783083034 1783083026 9781783083022 |
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| 500 | |a Unhomely Cinema; Title; Copyright; CONTENTS; Introduction UNHOMELY CINEMA; Going Home: The Problem of Dwelling in Contemporary Film; Chapters; Chapter 1 AN UNHOMELY THEORY; The Uncanny '90s; The Freudian Uncanny; From the Uncanny to the Unhomely; Unhomely Space; Exile and Migration: Traversing the Unhomely ; Unhomely Cinema; Unhomely Narrative; Chapter 2 THE DECLINE OF THE FAMILY: HOME AND NATION IN KRZYSZTOF KIESLOWSKI'S THE DECALOGUE; The Politics of Domestic Uncertainty ; Blurring the Boundaries of Home and Nation ; A Socialist Complex: Mapping the Communist Home | ||
| 500 | |a A Present Future: Mapping the Flows of the Postindustrial CityEpisode 6: Remote Control or Contact at a Distance; The Network of Remote Control ; Episode 10: Guarding the Home at All Costs; Conclusion; Chapter 3 THE FUTURE IS BEHIND YOU: GLOBAL GENTRIFICATION AND THE UNHOMELY NATURE OF DISCARDED PLACES; Nostalgia, Technology and the Home; The Future Is behind You; Disruption One; The City in Film: The New Process of Gentrification; Disruption Two: Memory, Media and the Forgotten World of Junkspace; "Sweding": A Lesson in Creative Erasure; Disruption Three; Conclusion | ||
| 500 | |a Chapter 4 NO PLACE TO CALL HOME: WORK AND HOME IN PAUL THOMAS ANDERSON'S PUNCH DRUNK LOVE AND JASON REITMAN'S UP IN THE AIRIntroduction: The Unhomely Spaces of Home and Work; No Place to Call Home: Work and Home in Punch Drunk Love and Up in the Air; The Home as Moral Centre ; Air Miles Promotions: Consumption as New Labour ; Intimacy, Distance and the Home; Love and the Home's Redemption; Conclusion; Chapter 5 THE TERRIBLE LIGHTNESS OF BEING MOBILE: CELL PHONE AND THE DISLOCATION OF HOME; Mobile Work and Play: The Uncanny Feeling of Being Everywhere; Film and Phones | ||
| 500 | |a Escape from the Home: The Flexibility and Burden of a Mobile Life The Unbearable Lightness of Being Connected; The Ideal Female Phone; Chapter 6 UNHOMELY REVOLT IN LAURENT CANTET'S TIME OUT; Introduction; Unemployment and the Experience of Free Fall; Vincent's Time Out: Orbiting as an Escape from the Ground of Reality ; Cell Phone Connections: A Home away from Home ; The Return to Work: A Case of Déjà Vu; Conclusion: The Return to Work as the Precondition for a Free Fall; CONCLUSION; A Look Back or an Unhomely Return; The Scale of the Unhomely; Hybridity; Motilities; The Right to the Home | ||
| 500 | |a Referencesindex | ||
| 500 | |a Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. ""Unhomely Cinema"" explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today's global societies | ||
| 650 | 4 | |a Families in motion pictures | |
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Datensatz im Suchindex
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| author | Avery, Dwayne |
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| dewey-full | 791.4375 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4375 |
| dewey-search | 791.4375 |
| dewey-sort | 3791.4375 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| isbn | 9781783083039 1783083034 1783083026 9781783083022 |
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| spelling | Avery, Dwayne Verfasser aut Unhomely Cinema Home and Place in Global Cinema London Anthem Press 2014 148 pages txt rdacontent c rdamedia cr rdacarrier Anthem Global Media and Communication Studies, New Perspectives on World Cinema Unhomely Cinema; Title; Copyright; CONTENTS; Introduction UNHOMELY CINEMA; Going Home: The Problem of Dwelling in Contemporary Film; Chapters; Chapter 1 AN UNHOMELY THEORY; The Uncanny '90s; The Freudian Uncanny; From the Uncanny to the Unhomely; Unhomely Space; Exile and Migration: Traversing the Unhomely ; Unhomely Cinema; Unhomely Narrative; Chapter 2 THE DECLINE OF THE FAMILY: HOME AND NATION IN KRZYSZTOF KIESLOWSKI'S THE DECALOGUE; The Politics of Domestic Uncertainty ; Blurring the Boundaries of Home and Nation ; A Socialist Complex: Mapping the Communist Home A Present Future: Mapping the Flows of the Postindustrial CityEpisode 6: Remote Control or Contact at a Distance; The Network of Remote Control ; Episode 10: Guarding the Home at All Costs; Conclusion; Chapter 3 THE FUTURE IS BEHIND YOU: GLOBAL GENTRIFICATION AND THE UNHOMELY NATURE OF DISCARDED PLACES; Nostalgia, Technology and the Home; The Future Is behind You; Disruption One; The City in Film: The New Process of Gentrification; Disruption Two: Memory, Media and the Forgotten World of Junkspace; "Sweding": A Lesson in Creative Erasure; Disruption Three; Conclusion Chapter 4 NO PLACE TO CALL HOME: WORK AND HOME IN PAUL THOMAS ANDERSON'S PUNCH DRUNK LOVE AND JASON REITMAN'S UP IN THE AIRIntroduction: The Unhomely Spaces of Home and Work; No Place to Call Home: Work and Home in Punch Drunk Love and Up in the Air; The Home as Moral Centre ; Air Miles Promotions: Consumption as New Labour ; Intimacy, Distance and the Home; Love and the Home's Redemption; Conclusion; Chapter 5 THE TERRIBLE LIGHTNESS OF BEING MOBILE: CELL PHONE AND THE DISLOCATION OF HOME; Mobile Work and Play: The Uncanny Feeling of Being Everywhere; Film and Phones Escape from the Home: The Flexibility and Burden of a Mobile Life The Unbearable Lightness of Being Connected; The Ideal Female Phone; Chapter 6 UNHOMELY REVOLT IN LAURENT CANTET'S TIME OUT; Introduction; Unemployment and the Experience of Free Fall; Vincent's Time Out: Orbiting as an Escape from the Ground of Reality ; Cell Phone Connections: A Home away from Home ; The Return to Work: A Case of Déjà Vu; Conclusion: The Return to Work as the Precondition for a Free Fall; CONCLUSION; A Look Back or an Unhomely Return; The Scale of the Unhomely; Hybridity; Motilities; The Right to the Home Referencesindex Representations of troubled and inhospitable domestic places are a common feature of many cinematic narratives. ""Unhomely Cinema"" explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today's global societies Families in motion pictures Home in motion pictures PERFORMING ARTS / Reference bisacsh Families in motion pictures fast Home in motion pictures fast |
| spellingShingle | Avery, Dwayne Unhomely Cinema Home and Place in Global Cinema Families in motion pictures Home in motion pictures PERFORMING ARTS / Reference bisacsh Families in motion pictures fast Home in motion pictures fast |
| title | Unhomely Cinema Home and Place in Global Cinema |
| title_auth | Unhomely Cinema Home and Place in Global Cinema |
| title_exact_search | Unhomely Cinema Home and Place in Global Cinema |
| title_full | Unhomely Cinema Home and Place in Global Cinema |
| title_fullStr | Unhomely Cinema Home and Place in Global Cinema |
| title_full_unstemmed | Unhomely Cinema Home and Place in Global Cinema |
| title_short | Unhomely Cinema |
| title_sort | unhomely cinema home and place in global cinema |
| title_sub | Home and Place in Global Cinema |
| topic | Families in motion pictures Home in motion pictures PERFORMING ARTS / Reference bisacsh Families in motion pictures fast Home in motion pictures fast |
| topic_facet | Families in motion pictures Home in motion pictures PERFORMING ARTS / Reference |
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