Omnibus Films: Theorizing Transauthorial Cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Title page; Copyright; Contents; Figures; Acknowledgments; PART I Historical and Theoretical Perspectives; 1 "Beginnings without Ends": Conceptual Parameters and the Critical Discourses of Episodic Cinema; 2 Regulated Variety and Excess: Antecedents and Extensions of Episodic Cinema; 3 Key Concepts in Transauthorial Cinema: Abundance, Change, Containment, and Order; 4 Key Concepts in Film Studies: Authorship, Audience, Genre, and Nation; PART II Get on the Omnibus: Case Studies in Transauthorial Cinema 5 Wartime "Consensus Pictures" and the "Housing" of History: from Forever and a Day to Dead of Night6 Three Cases of Maugham: Quartet, Trio, and Encore; 7 Episodic Erotics and the Politics of Place: From Love in the City to Love and Anger; 8 Collective Opposition, Political Participation, and Worldwide Competition: from Visions of Eight to Visions of Europe; 9 The Recent Revival of the Omnibus Film: from Paris, je t'aime to 11'09"01; Notes; Filmography; Index As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narra Includes bibliographical references (pages 222-247), filmography (p. 248-265) and index |
| Beschreibung: | 289 pages |
| ISBN: | 9780748695676 0748695672 1322059829 9781322059822 |
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| 500 | |a Title page; Copyright; Contents; Figures; Acknowledgments; PART I Historical and Theoretical Perspectives; 1 "Beginnings without Ends": Conceptual Parameters and the Critical Discourses of Episodic Cinema; 2 Regulated Variety and Excess: Antecedents and Extensions of Episodic Cinema; 3 Key Concepts in Transauthorial Cinema: Abundance, Change, Containment, and Order; 4 Key Concepts in Film Studies: Authorship, Audience, Genre, and Nation; PART II Get on the Omnibus: Case Studies in Transauthorial Cinema | ||
| 500 | |a 5 Wartime "Consensus Pictures" and the "Housing" of History: from Forever and a Day to Dead of Night6 Three Cases of Maugham: Quartet, Trio, and Encore; 7 Episodic Erotics and the Politics of Place: From Love in the City to Love and Anger; 8 Collective Opposition, Political Participation, and Worldwide Competition: from Visions of Eight to Visions of Europe; 9 The Recent Revival of the Omnibus Film: from Paris, je t'aime to 11'09"01; Notes; Filmography; Index | ||
| 500 | |a As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narra | ||
| 500 | |a Includes bibliographical references (pages 222-247), filmography (p. 248-265) and index | ||
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| author | Diffrient, David Scott |
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| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Diffrient, David Scott Verfasser aut Omnibus Films Theorizing Transauthorial Cinema Edinburgh Edinburgh University Press 2014 289 pages txt rdacontent c rdamedia cr rdacarrier Title page; Copyright; Contents; Figures; Acknowledgments; PART I Historical and Theoretical Perspectives; 1 "Beginnings without Ends": Conceptual Parameters and the Critical Discourses of Episodic Cinema; 2 Regulated Variety and Excess: Antecedents and Extensions of Episodic Cinema; 3 Key Concepts in Transauthorial Cinema: Abundance, Change, Containment, and Order; 4 Key Concepts in Film Studies: Authorship, Audience, Genre, and Nation; PART II Get on the Omnibus: Case Studies in Transauthorial Cinema 5 Wartime "Consensus Pictures" and the "Housing" of History: from Forever and a Day to Dead of Night6 Three Cases of Maugham: Quartet, Trio, and Encore; 7 Episodic Erotics and the Politics of Place: From Love in the City to Love and Anger; 8 Collective Opposition, Political Participation, and Worldwide Competition: from Visions of Eight to Visions of Europe; 9 The Recent Revival of the Omnibus Film: from Paris, je t'aime to 11'09"01; Notes; Filmography; Index As the first book-length exploration of internationally distributed, multi-director episode films, Omnibus Films fills a considerable gap in the history of world cinema and aims to expand contemporary understandings of authorship, genre, narra Includes bibliographical references (pages 222-247), filmography (p. 248-265) and index Auteur theory (Motion pictures) Motion picture authorship Motion pictures and literature PERFORMING ARTS / Reference bisacsh Auteur theory (Motion pictures) fast Episodenfilm (DE-588)4248221-5 gnd rswk-swf Episodenfilm (DE-588)4248221-5 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Diffrient, David Scott Omnibus Films Theorizing Transauthorial Cinema Auteur theory (Motion pictures) Motion picture authorship Motion pictures and literature PERFORMING ARTS / Reference bisacsh Auteur theory (Motion pictures) fast Episodenfilm (DE-588)4248221-5 gnd |
| subject_GND | (DE-588)4248221-5 |
| title | Omnibus Films Theorizing Transauthorial Cinema |
| title_auth | Omnibus Films Theorizing Transauthorial Cinema |
| title_exact_search | Omnibus Films Theorizing Transauthorial Cinema |
| title_full | Omnibus Films Theorizing Transauthorial Cinema |
| title_fullStr | Omnibus Films Theorizing Transauthorial Cinema |
| title_full_unstemmed | Omnibus Films Theorizing Transauthorial Cinema |
| title_short | Omnibus Films |
| title_sort | omnibus films theorizing transauthorial cinema |
| title_sub | Theorizing Transauthorial Cinema |
| topic | Auteur theory (Motion pictures) Motion picture authorship Motion pictures and literature PERFORMING ARTS / Reference bisacsh Auteur theory (Motion pictures) fast Episodenfilm (DE-588)4248221-5 gnd |
| topic_facet | Auteur theory (Motion pictures) Motion picture authorship Motion pictures and literature PERFORMING ARTS / Reference Episodenfilm |
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