Modern European Tragedy: Exploring Crucial Plays
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Anthem Press
2014
|
Schriftenreihe: | Anthem studies in theatre and performance
|
Schlagworte: | |
Online-Zugang: | FAW01 FAW02 |
Beschreibung: | Towards the Tragedy of Apotheosis and Derision: A Laboratory for 'Poor Theatre' Modern European Tragedy; Title; Copyright; CONTENTS; ACKNOWLEDGEMENTS; Introduction; Relevance of the Tragic, Irrelevance of Tragedy; The Tragic Scene in the Twentieth Century: A Selection of Dramatic and Performance Texts and a Hypothesis of Interpretation; Greek Tragedy: An Essential Frame of Reference; The Scenario of the Twentieth Century: Generations in Violence; Chapter 1 HUBRIS AND GUILT: 'GENGANGERE' (GHOSTS) BY HENRIK IBSEN; Janus bifrons; From Ancient to Modern Tragedy: Ibsen's Sources; The Tragic Nuclei; The Form of Modern Tragedy; A Perfect Theatrical Machine Chapter 2 EVE BECOMES MARY: 'L'ANNONCE FAITE À MARIE' ('THE TIDINGS BROUGHT TO MARY') BY PAUL CLAUDELThe History of the Text; The Idea of the Tragic; Sources; The Tragic in the Form of a Mystery: Tradition and Modernity; Chapter 3 THE SCHOOL OF HATRED: 'MOURNING BECOMES ELECTRA' BY EUGENE O'NEILL; In Europe, Thinking of the New Broadway; Structure and Plot; From Electra to Lavinia; Hatred: The Driving Force of the Tragedy; Tragic Pessimism: From the Autobiographical Plane to the Historical and the Philosophical-Anthropological Chapter 4 THE DESTINY OF MAN IS MAN: 'MUTTER COURAGE UND IHRE KINDER' ('MOTHER COURAGE AND HER CHILDREN') BY BERTOLT BRECHTThe Genesis of the Work; The Context: Europe in Catastrophe; A Mother without Tears and a Mute Who Beats the Drum of Vengeance. The Stone Begins to Speak.; Sources and Contexts: The Mentality of War; The Limit and Destiny of Humanity Lies in Others. Tragedy Is Not Inevitable. But Courage Learns Nothing.; Tragedy and the Epic Style; Chapter 5 THE TRAGIC AND THE ABSURD: 'CALIGULA' BY ALBERT CAMUS; History of the Text and Contexts The First Version of Caligula in 'les trois Absurdes'The Faces of the Absurd: From the First Caligula to the Last; From the Historical Character to the Tragic-Absurd Character: 'Poetry is More Philosophical and More Important than History'; The Absurd and Caligula's Way: Nihilism; Grotesque Tragedy; Another Way: From Cherea to Rieux; Chapter 6 DIANOETIC LAUGHTER IN TRAGEDY: ACCEPTING FINITUDE: 'ENDGAME' BY SAMUEL BECKETT; 'He's crying. ... Then he's living': Weeping and Life; The Limit and the Evil of the World Disguised as a Minimalist Universe; Laughing at Tragedy; Form without Drama Chapter 7 THE ARROGANCE OF REASON AND THE 'DISAPPEARANCE OF THE FIREFLIES': 'PILADE' ('PYLADES') BY PIER PAOLO PASOLINIThe Idea of the Tragic: Between Structure of the Human and Historical Transformation; The Theatre as 'Cultural Ritual'; Theatre as the Awareness and Pilot of Change; An Anthropological Key to 'Pylades'; The Return of the Same, or Destiny and the March of History; Chapter 8 THE APOCALYPSE OF A CIVILIZATION: FROM 'AKROPOLIS' TO 'APOCALYPSIS CUM FIGURIS' BY JERZY GROTOWSKI; An Introductory Summary; The Language of Nightmare; Our Acropolis: A Colossal Tragic Farce The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century - one of the most violent periods of human history - that the tragic form significantly developed. 'Modern European Tragedy' examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century's most outstanding texts |
Beschreibung: | 264 pages |
ISBN: | 9781783081615 1783081619 9781783081530 1783081538 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043777962 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 160920s2014 |||| o||u| ||||||eng d | ||
020 | |a 9781783081615 |9 978-1-78308-161-5 | ||
020 | |a 1783081619 |9 1-78308-161-9 | ||
020 | |a 9781783081530 |9 978-1-78308-153-0 | ||
020 | |a 1783081538 |9 1-78308-153-8 | ||
035 | |a (ZDB-4-EBA)ocn880530930 | ||
035 | |a (OCoLC)880530930 | ||
035 | |a (DE-599)BVBBV043777962 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-1047 | ||
082 | 0 | |a 809.2 |2 22 | |
082 | 0 | |a 809.2/512 | |
082 | 0 | |a 809.2512 | |
100 | 1 | |a Cascetta, Annamaria |e Verfasser |4 aut | |
245 | 1 | 0 | |a Modern European Tragedy |b Exploring Crucial Plays |
264 | 1 | |a London |b Anthem Press |c 2014 | |
300 | |a 264 pages | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Anthem studies in theatre and performance | |
500 | |a Towards the Tragedy of Apotheosis and Derision: A Laboratory for 'Poor Theatre' | ||
500 | |a Modern European Tragedy; Title; Copyright; CONTENTS; ACKNOWLEDGEMENTS; Introduction; Relevance of the Tragic, Irrelevance of Tragedy; The Tragic Scene in the Twentieth Century: A Selection of Dramatic and Performance Texts and a Hypothesis of Interpretation; Greek Tragedy: An Essential Frame of Reference; The Scenario of the Twentieth Century: Generations in Violence; Chapter 1 HUBRIS AND GUILT: 'GENGANGERE' (GHOSTS) BY HENRIK IBSEN; Janus bifrons; From Ancient to Modern Tragedy: Ibsen's Sources; The Tragic Nuclei; The Form of Modern Tragedy; A Perfect Theatrical Machine | ||
500 | |a Chapter 2 EVE BECOMES MARY: 'L'ANNONCE FAITE À MARIE' ('THE TIDINGS BROUGHT TO MARY') BY PAUL CLAUDELThe History of the Text; The Idea of the Tragic; Sources; The Tragic in the Form of a Mystery: Tradition and Modernity; Chapter 3 THE SCHOOL OF HATRED: 'MOURNING BECOMES ELECTRA' BY EUGENE O'NEILL; In Europe, Thinking of the New Broadway; Structure and Plot; From Electra to Lavinia; Hatred: The Driving Force of the Tragedy; Tragic Pessimism: From the Autobiographical Plane to the Historical and the Philosophical-Anthropological | ||
500 | |a Chapter 4 THE DESTINY OF MAN IS MAN: 'MUTTER COURAGE UND IHRE KINDER' ('MOTHER COURAGE AND HER CHILDREN') BY BERTOLT BRECHTThe Genesis of the Work; The Context: Europe in Catastrophe; A Mother without Tears and a Mute Who Beats the Drum of Vengeance. The Stone Begins to Speak.; Sources and Contexts: The Mentality of War; The Limit and Destiny of Humanity Lies in Others. Tragedy Is Not Inevitable. But Courage Learns Nothing.; Tragedy and the Epic Style; Chapter 5 THE TRAGIC AND THE ABSURD: 'CALIGULA' BY ALBERT CAMUS; History of the Text and Contexts | ||
500 | |a The First Version of Caligula in 'les trois Absurdes'The Faces of the Absurd: From the First Caligula to the Last; From the Historical Character to the Tragic-Absurd Character: 'Poetry is More Philosophical and More Important than History'; The Absurd and Caligula's Way: Nihilism; Grotesque Tragedy; Another Way: From Cherea to Rieux; Chapter 6 DIANOETIC LAUGHTER IN TRAGEDY: ACCEPTING FINITUDE: 'ENDGAME' BY SAMUEL BECKETT; 'He's crying. ... Then he's living': Weeping and Life; The Limit and the Evil of the World Disguised as a Minimalist Universe; Laughing at Tragedy; Form without Drama | ||
500 | |a Chapter 7 THE ARROGANCE OF REASON AND THE 'DISAPPEARANCE OF THE FIREFLIES': 'PILADE' ('PYLADES') BY PIER PAOLO PASOLINIThe Idea of the Tragic: Between Structure of the Human and Historical Transformation; The Theatre as 'Cultural Ritual'; Theatre as the Awareness and Pilot of Change; An Anthropological Key to 'Pylades'; The Return of the Same, or Destiny and the March of History; Chapter 8 THE APOCALYPSE OF A CIVILIZATION: FROM 'AKROPOLIS' TO 'APOCALYPSIS CUM FIGURIS' BY JERZY GROTOWSKI; An Introductory Summary; The Language of Nightmare; Our Acropolis: A Colossal Tragic Farce | ||
500 | |a The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century - one of the most violent periods of human history - that the tragic form significantly developed. 'Modern European Tragedy' examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century's most outstanding texts | ||
648 | 7 | |a 1900 - 1999 |2 fast | |
648 | 4 | |a Geschichte 1900-2000 | |
648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
650 | 4 | |a European drama / 20th century / History and criticism | |
650 | 4 | |a European drama (Tragedy) / History and criticism | |
650 | 4 | |a Tragedy / History and criticism | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Literary |2 bisacsh | |
650 | 7 | |a European drama |2 fast | |
650 | 7 | |a European drama (Tragedy) |2 fast | |
650 | 7 | |a Tragedy |2 fast | |
650 | 4 | |a European drama (Tragedy) |x History and criticism | |
650 | 4 | |a European drama |y 20th century |x History and criticism | |
650 | 4 | |a Tragedy |x History and criticism | |
650 | 0 | 7 | |a Tragödie |0 (DE-588)4060591-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Moderne |0 (DE-588)4039827-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Darstellende Kunst |0 (DE-588)4129566-3 |2 gnd |9 rswk-swf |
651 | 7 | |a Europa |0 (DE-588)4015701-5 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
689 | 0 | 0 | |a Europa |0 (DE-588)4015701-5 |D g |
689 | 0 | 1 | |a Moderne |0 (DE-588)4039827-4 |D s |
689 | 0 | 2 | |a Theater |0 (DE-588)4059702-7 |D s |
689 | 0 | 3 | |a Darstellende Kunst |0 (DE-588)4129566-3 |D s |
689 | 0 | 4 | |a Tragödie |0 (DE-588)4060591-7 |D s |
689 | 0 | 5 | |a Geschichte 1900-2000 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
912 | |a ZDB-4-EBA | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029189022 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=778368 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=778368 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804176605807902720 |
---|---|
any_adam_object | |
author | Cascetta, Annamaria |
author_facet | Cascetta, Annamaria |
author_role | aut |
author_sort | Cascetta, Annamaria |
author_variant | a c ac |
building | Verbundindex |
bvnumber | BV043777962 |
collection | ZDB-4-EBA |
ctrlnum | (ZDB-4-EBA)ocn880530930 (OCoLC)880530930 (DE-599)BVBBV043777962 |
dewey-full | 809.2 809.2/512 809.2512 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 809 - History, description & criticism |
dewey-raw | 809.2 809.2/512 809.2512 |
dewey-search | 809.2 809.2/512 809.2512 |
dewey-sort | 3809.2 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
era | 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1900-2000 gnd |
era_facet | 1900 - 1999 Geschichte 1900-2000 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06303nmm a2200793zc 4500</leader><controlfield tag="001">BV043777962</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160920s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781783081615</subfield><subfield code="9">978-1-78308-161-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1783081619</subfield><subfield code="9">1-78308-161-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781783081530</subfield><subfield code="9">978-1-78308-153-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1783081538</subfield><subfield code="9">1-78308-153-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-EBA)ocn880530930</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)880530930</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043777962</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.2</subfield><subfield code="2">22</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.2/512</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.2512</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cascetta, Annamaria</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Modern European Tragedy</subfield><subfield code="b">Exploring Crucial Plays</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Anthem Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">264 pages</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Anthem studies in theatre and performance</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Towards the Tragedy of Apotheosis and Derision: A Laboratory for 'Poor Theatre'</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Modern European Tragedy; Title; Copyright; CONTENTS; ACKNOWLEDGEMENTS; Introduction; Relevance of the Tragic, Irrelevance of Tragedy; The Tragic Scene in the Twentieth Century: A Selection of Dramatic and Performance Texts and a Hypothesis of Interpretation; Greek Tragedy: An Essential Frame of Reference; The Scenario of the Twentieth Century: Generations in Violence; Chapter 1 HUBRIS AND GUILT: 'GENGANGERE' (GHOSTS) BY HENRIK IBSEN; Janus bifrons; From Ancient to Modern Tragedy: Ibsen's Sources; The Tragic Nuclei; The Form of Modern Tragedy; A Perfect Theatrical Machine</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Chapter 2 EVE BECOMES MARY: 'L'ANNONCE FAITE À MARIE' ('THE TIDINGS BROUGHT TO MARY') BY PAUL CLAUDELThe History of the Text; The Idea of the Tragic; Sources; The Tragic in the Form of a Mystery: Tradition and Modernity; Chapter 3 THE SCHOOL OF HATRED: 'MOURNING BECOMES ELECTRA' BY EUGENE O'NEILL; In Europe, Thinking of the New Broadway; Structure and Plot; From Electra to Lavinia; Hatred: The Driving Force of the Tragedy; Tragic Pessimism: From the Autobiographical Plane to the Historical and the Philosophical-Anthropological</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Chapter 4 THE DESTINY OF MAN IS MAN: 'MUTTER COURAGE UND IHRE KINDER' ('MOTHER COURAGE AND HER CHILDREN') BY BERTOLT BRECHTThe Genesis of the Work; The Context: Europe in Catastrophe; A Mother without Tears and a Mute Who Beats the Drum of Vengeance. The Stone Begins to Speak.; Sources and Contexts: The Mentality of War; The Limit and Destiny of Humanity Lies in Others. Tragedy Is Not Inevitable. But Courage Learns Nothing.; Tragedy and the Epic Style; Chapter 5 THE TRAGIC AND THE ABSURD: 'CALIGULA' BY ALBERT CAMUS; History of the Text and Contexts</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The First Version of Caligula in 'les trois Absurdes'The Faces of the Absurd: From the First Caligula to the Last; From the Historical Character to the Tragic-Absurd Character: 'Poetry is More Philosophical and More Important than History'; The Absurd and Caligula's Way: Nihilism; Grotesque Tragedy; Another Way: From Cherea to Rieux; Chapter 6 DIANOETIC LAUGHTER IN TRAGEDY: ACCEPTING FINITUDE: 'ENDGAME' BY SAMUEL BECKETT; 'He's crying. ... Then he's living': Weeping and Life; The Limit and the Evil of the World Disguised as a Minimalist Universe; Laughing at Tragedy; Form without Drama</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Chapter 7 THE ARROGANCE OF REASON AND THE 'DISAPPEARANCE OF THE FIREFLIES': 'PILADE' ('PYLADES') BY PIER PAOLO PASOLINIThe Idea of the Tragic: Between Structure of the Human and Historical Transformation; The Theatre as 'Cultural Ritual'; Theatre as the Awareness and Pilot of Change; An Anthropological Key to 'Pylades'; The Return of the Same, or Destiny and the March of History; Chapter 8 THE APOCALYPSE OF A CIVILIZATION: FROM 'AKROPOLIS' TO 'APOCALYPSIS CUM FIGURIS' BY JERZY GROTOWSKI; An Introductory Summary; The Language of Nightmare; Our Acropolis: A Colossal Tragic Farce</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century - one of the most violent periods of human history - that the tragic form significantly developed. 'Modern European Tragedy' examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century's most outstanding texts</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">1900 - 1999</subfield><subfield code="2">fast</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">European drama / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">European drama (Tragedy) / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tragedy / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY / Literary</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">European drama</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">European drama (Tragedy)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Tragedy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">European drama (Tragedy)</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">European drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tragedy</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tragödie</subfield><subfield code="0">(DE-588)4060591-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Darstellende Kunst</subfield><subfield code="0">(DE-588)4129566-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Moderne</subfield><subfield code="0">(DE-588)4039827-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Darstellende Kunst</subfield><subfield code="0">(DE-588)4129566-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Tragödie</subfield><subfield code="0">(DE-588)4060591-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029189022</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=778368</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=778368</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4006804-3 Biografie gnd-content |
genre_facet | Biografie |
geographic | Europa (DE-588)4015701-5 gnd |
geographic_facet | Europa |
id | DE-604.BV043777962 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:34:51Z |
institution | BVB |
isbn | 9781783081615 1783081619 9781783081530 1783081538 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029189022 |
oclc_num | 880530930 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 264 pages |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Anthem Press |
record_format | marc |
series2 | Anthem studies in theatre and performance |
spelling | Cascetta, Annamaria Verfasser aut Modern European Tragedy Exploring Crucial Plays London Anthem Press 2014 264 pages txt rdacontent c rdamedia cr rdacarrier Anthem studies in theatre and performance Towards the Tragedy of Apotheosis and Derision: A Laboratory for 'Poor Theatre' Modern European Tragedy; Title; Copyright; CONTENTS; ACKNOWLEDGEMENTS; Introduction; Relevance of the Tragic, Irrelevance of Tragedy; The Tragic Scene in the Twentieth Century: A Selection of Dramatic and Performance Texts and a Hypothesis of Interpretation; Greek Tragedy: An Essential Frame of Reference; The Scenario of the Twentieth Century: Generations in Violence; Chapter 1 HUBRIS AND GUILT: 'GENGANGERE' (GHOSTS) BY HENRIK IBSEN; Janus bifrons; From Ancient to Modern Tragedy: Ibsen's Sources; The Tragic Nuclei; The Form of Modern Tragedy; A Perfect Theatrical Machine Chapter 2 EVE BECOMES MARY: 'L'ANNONCE FAITE À MARIE' ('THE TIDINGS BROUGHT TO MARY') BY PAUL CLAUDELThe History of the Text; The Idea of the Tragic; Sources; The Tragic in the Form of a Mystery: Tradition and Modernity; Chapter 3 THE SCHOOL OF HATRED: 'MOURNING BECOMES ELECTRA' BY EUGENE O'NEILL; In Europe, Thinking of the New Broadway; Structure and Plot; From Electra to Lavinia; Hatred: The Driving Force of the Tragedy; Tragic Pessimism: From the Autobiographical Plane to the Historical and the Philosophical-Anthropological Chapter 4 THE DESTINY OF MAN IS MAN: 'MUTTER COURAGE UND IHRE KINDER' ('MOTHER COURAGE AND HER CHILDREN') BY BERTOLT BRECHTThe Genesis of the Work; The Context: Europe in Catastrophe; A Mother without Tears and a Mute Who Beats the Drum of Vengeance. The Stone Begins to Speak.; Sources and Contexts: The Mentality of War; The Limit and Destiny of Humanity Lies in Others. Tragedy Is Not Inevitable. But Courage Learns Nothing.; Tragedy and the Epic Style; Chapter 5 THE TRAGIC AND THE ABSURD: 'CALIGULA' BY ALBERT CAMUS; History of the Text and Contexts The First Version of Caligula in 'les trois Absurdes'The Faces of the Absurd: From the First Caligula to the Last; From the Historical Character to the Tragic-Absurd Character: 'Poetry is More Philosophical and More Important than History'; The Absurd and Caligula's Way: Nihilism; Grotesque Tragedy; Another Way: From Cherea to Rieux; Chapter 6 DIANOETIC LAUGHTER IN TRAGEDY: ACCEPTING FINITUDE: 'ENDGAME' BY SAMUEL BECKETT; 'He's crying. ... Then he's living': Weeping and Life; The Limit and the Evil of the World Disguised as a Minimalist Universe; Laughing at Tragedy; Form without Drama Chapter 7 THE ARROGANCE OF REASON AND THE 'DISAPPEARANCE OF THE FIREFLIES': 'PILADE' ('PYLADES') BY PIER PAOLO PASOLINIThe Idea of the Tragic: Between Structure of the Human and Historical Transformation; The Theatre as 'Cultural Ritual'; Theatre as the Awareness and Pilot of Change; An Anthropological Key to 'Pylades'; The Return of the Same, or Destiny and the March of History; Chapter 8 THE APOCALYPSE OF A CIVILIZATION: FROM 'AKROPOLIS' TO 'APOCALYPSIS CUM FIGURIS' BY JERZY GROTOWSKI; An Introductory Summary; The Language of Nightmare; Our Acropolis: A Colossal Tragic Farce The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century - one of the most violent periods of human history - that the tragic form significantly developed. 'Modern European Tragedy' examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century's most outstanding texts 1900 - 1999 fast Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf European drama / 20th century / History and criticism European drama (Tragedy) / History and criticism Tragedy / History and criticism BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh European drama fast European drama (Tragedy) fast Tragedy fast European drama (Tragedy) History and criticism European drama 20th century History and criticism Tragedy History and criticism Tragödie (DE-588)4060591-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Europa (DE-588)4015701-5 g Moderne (DE-588)4039827-4 s Theater (DE-588)4059702-7 s Darstellende Kunst (DE-588)4129566-3 s Tragödie (DE-588)4060591-7 s Geschichte 1900-2000 z 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Cascetta, Annamaria Modern European Tragedy Exploring Crucial Plays European drama / 20th century / History and criticism European drama (Tragedy) / History and criticism Tragedy / History and criticism BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh European drama fast European drama (Tragedy) fast Tragedy fast European drama (Tragedy) History and criticism European drama 20th century History and criticism Tragedy History and criticism Tragödie (DE-588)4060591-7 gnd Theater (DE-588)4059702-7 gnd Moderne (DE-588)4039827-4 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
subject_GND | (DE-588)4060591-7 (DE-588)4059702-7 (DE-588)4039827-4 (DE-588)4129566-3 (DE-588)4015701-5 (DE-588)4006804-3 |
title | Modern European Tragedy Exploring Crucial Plays |
title_auth | Modern European Tragedy Exploring Crucial Plays |
title_exact_search | Modern European Tragedy Exploring Crucial Plays |
title_full | Modern European Tragedy Exploring Crucial Plays |
title_fullStr | Modern European Tragedy Exploring Crucial Plays |
title_full_unstemmed | Modern European Tragedy Exploring Crucial Plays |
title_short | Modern European Tragedy |
title_sort | modern european tragedy exploring crucial plays |
title_sub | Exploring Crucial Plays |
topic | European drama / 20th century / History and criticism European drama (Tragedy) / History and criticism Tragedy / History and criticism BIOGRAPHY & AUTOBIOGRAPHY / Literary bisacsh European drama fast European drama (Tragedy) fast Tragedy fast European drama (Tragedy) History and criticism European drama 20th century History and criticism Tragedy History and criticism Tragödie (DE-588)4060591-7 gnd Theater (DE-588)4059702-7 gnd Moderne (DE-588)4039827-4 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
topic_facet | European drama / 20th century / History and criticism European drama (Tragedy) / History and criticism Tragedy / History and criticism BIOGRAPHY & AUTOBIOGRAPHY / Literary European drama European drama (Tragedy) Tragedy European drama (Tragedy) History and criticism European drama 20th century History and criticism Tragedy History and criticism Tragödie Theater Moderne Darstellende Kunst Europa Biografie |
work_keys_str_mv | AT cascettaannamaria moderneuropeantragedyexploringcrucialplays |