Bergson and the art of immanence: painting, photography, film
Gespeichert in:
Bibliographische Detailangaben
Weitere Verfasser: Ó Maoilearca, John 1965- (HerausgeberIn), De Mille, Charlotte (HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Edinburgh Edinburgh University Press 2013
Schlagworte:
Online-Zugang:FAW01
FAW02
Beschreibung:Includes bibliographical references and index
Title page; Copyright; Contents; List of Illustrations; Notes on Contributors; Introduction: Art's Philosophy -- Bergson and Immanence; Part I Bergson, Art, History; 1. Bergson, History and Ontology; 2. Art History, Immanently; 3. Art History, Less Its Conditions of Possibility: Following Bergson's 'Le Possible et le réel'; 4. Matisse, Bergson, Oiticica, etc.; 5. Bergson Before Deleuze: How to Read Informel Painting; 6. Revolutionary Immanence: Bergson Among the Anarchists; Part II Unconditional Practice; 7. The Matter of the Image: Notes on Practice-Philosophy
8. Pasearse: Duration and the Act of Photographing9. Duration and Rhetorical Movement; 10. A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity; Part III Immanence of the Visible; 11. Painting the Invisible: Time, Matter and the Image in Bergson and Michel Henry; 12. 'For We Will Have Shown it Nothing': Bergson as Non-Philosopher (of) Art; 13. The Untimeliness of Bergson's Metaphysics: Reading Diffractively; 14. Hyperaesthesia and the Virtual; Afterword: An Art Historical Return to Bergson; Index
This collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography, film and performance
Beschreibung:289 pages
ISBN:9780748670239
0748670238
9780748695089
0748695087

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