Rancière and film:
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2013
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Schriftenreihe: | Critical connections
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Schlagworte: | |
Online-Zugang: | FAW01 FAW02 |
Beschreibung: | Includes bibliographical references and index Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index This is the first collection of critical essays on the film work of the philosopher Jacques Rancière. Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself |
Beschreibung: | vii, 214 pages |
ISBN: | 9780748647378 0748647376 9780748647361 |
Internformat
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500 | |a Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index | ||
500 | |a This is the first collection of critical essays on the film work of the philosopher Jacques Rancière. Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself | ||
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spelling | Rancière and film edited by Paul Bowman Edinburgh Edinburgh University Press 2013 vii, 214 pages txt rdacontent c rdamedia cr rdacarrier Critical connections Includes bibliographical references and index Title Page; Imprint; Contents; Acknowledgements; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies; 2 What Does It Mean to Call Film an Art?; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications; 4 The Spectator without Qualities; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad; 7 Inhuman Spectatorship; 8 Cinemarxis: Rancière and Godard; 9 Jacques Rancière's Animated Vertigo Or, How to be Specific about Medium10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema; 11 Remarks by Way of a Postface; Contributors; Bibliography; Index This is the first collection of critical essays on the film work of the philosopher Jacques Rancière. Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself Rancière, Jacques fast Rancière, Jacques Rancière, Jacques 1940- (DE-588)130468975 gnd rswk-swf PERFORMING ARTS / Reference bisacsh Motion pictures fast Film Motion pictures Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Rancière, Jacques 1940- (DE-588)130468975 p Film (DE-588)4017102-4 s 2\p DE-604 Bowman, Paul Sonstige oth 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Rancière and film Rancière, Jacques fast Rancière, Jacques Rancière, Jacques 1940- (DE-588)130468975 gnd PERFORMING ARTS / Reference bisacsh Motion pictures fast Film Motion pictures Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)130468975 (DE-588)4017102-4 (DE-588)4143413-4 |
title | Rancière and film |
title_auth | Rancière and film |
title_exact_search | Rancière and film |
title_full | Rancière and film edited by Paul Bowman |
title_fullStr | Rancière and film edited by Paul Bowman |
title_full_unstemmed | Rancière and film edited by Paul Bowman |
title_short | Rancière and film |
title_sort | ranciere and film |
topic | Rancière, Jacques fast Rancière, Jacques Rancière, Jacques 1940- (DE-588)130468975 gnd PERFORMING ARTS / Reference bisacsh Motion pictures fast Film Motion pictures Film (DE-588)4017102-4 gnd |
topic_facet | Rancière, Jacques Rancière, Jacques 1940- PERFORMING ARTS / Reference Motion pictures Film Aufsatzsammlung |
work_keys_str_mv | AT bowmanpaul ranciereandfilm |