Habib Tanvir: towards an inclusive theatre
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Delhi
SAGE Publications
2012
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 |
| Beschreibung: | Includes bibliographical references and index Introduction: Making space for the oral tradition in Indian theatre today -- Growing up in Raipur, and early influences -- The Bombay years -- New directions: Delhi and Agra Bazaar -- England, Europe and Brecht -- Coming home to Mitti ki Gadi -- Naya theatre and other milestones -- Charandas Chor -- Working with the Chhattisgarhis -- The classics and literature -- Connecting with the folk -- Music, song and dance -- The political Habib Tanvir -- Appendices: List of plays directed by Habib Tanvir -- Awards, honours and milestones "Habib Tanvir (1923-2009), playwright, director, actor, journalist, critic, is probably best known for his most popular play, Charandas Chor (1974). However, his real significance in the history of post-independence Indian theatre is that he signposted an important path for the development of modern theatre in India. His productions with Naya Theatre using Chhatisgarhi folk actors opened up a new direction on the map of theatre in India He pioneered an alternative to the dichotomy between the 'theatre of roots' movement (which turned to the Sanskrit Natyashastra and regional performance forms for content, style, training and form) and western-influenced, realist urban theatre styles. His was an inclusive approach to modern theatre which had the space in it for folk actors, who brought with them a whole culture and aesthetic rapidly being marginalized by mainstream theatre in India. His was neither folk theatre nor theatre of roots; neither revisionist nor revivalist; nor could it be classified as realism or naturalism. Neither was it exotic 'ethnic spectacle' like that of some of his peers. His was a serious exploration of how one could do modern theatre integrated with age-old - and yet equally contemporary - folk culture on a basis of equality. This study of Habib Tanvir will analyse his theatre and its contribution to Indian theatre history. Starting with his early life and preparation for his life's work, it will look at his professional trajectory from Agra Bazaar to Gaon Ka Naam Sasural, when he was experimenting and searching for his true form; to Charandas Chor, which expressed the full flowering of his mature style; thereafter the book will explore various important aspects of his theatre philosophy and practice as he experimented with content rather than form."--Provided by publisher |
| Beschreibung: | xxvi, 176 pages, [24] pages of plates |
| ISBN: | 8132111117 9788132111115 9788132109518 8132109511 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043774627 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 160920s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 8132111117 |9 81-321-1111-7 | ||
| 020 | |a 9788132111115 |9 978-81-321-1111-5 | ||
| 020 | |a 9788132109518 |9 978-81-321-0951-8 | ||
| 020 | |a 8132109511 |9 81-321-0951-1 | ||
| 035 | |a (ZDB-4-EBA)ocn824353606 | ||
| 035 | |a (OCoLC)824353606 | ||
| 035 | |a (DE-599)BVBBV043774627 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 792.092 |2 23 | |
| 100 | 1 | |a Katyal, Anjum |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Habib Tanvir |b towards an inclusive theatre |c Anjum Katyal |
| 264 | 1 | |a New Delhi |b SAGE Publications |c 2012 | |
| 300 | |a xxvi, 176 pages, [24] pages of plates | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction: Making space for the oral tradition in Indian theatre today -- Growing up in Raipur, and early influences -- The Bombay years -- New directions: Delhi and Agra Bazaar -- England, Europe and Brecht -- Coming home to Mitti ki Gadi -- Naya theatre and other milestones -- Charandas Chor -- Working with the Chhattisgarhis -- The classics and literature -- Connecting with the folk -- Music, song and dance -- The political Habib Tanvir -- Appendices: List of plays directed by Habib Tanvir -- Awards, honours and milestones | ||
| 500 | |a "Habib Tanvir (1923-2009), playwright, director, actor, journalist, critic, is probably best known for his most popular play, Charandas Chor (1974). However, his real significance in the history of post-independence Indian theatre is that he signposted an important path for the development of modern theatre in India. His productions with Naya Theatre using Chhatisgarhi folk actors opened up a new direction on the map of theatre in India He pioneered an alternative to the dichotomy between the 'theatre of roots' movement (which turned to the Sanskrit Natyashastra and regional performance forms for content, style, training and form) and western-influenced, realist urban theatre styles. His was an inclusive approach to modern theatre which had the space in it for folk actors, who brought with them a whole culture and aesthetic rapidly being marginalized by mainstream theatre in India. His was neither folk theatre nor theatre of roots; neither revisionist nor revivalist; nor could it be classified as realism or naturalism. Neither was it exotic 'ethnic spectacle' like that of some of his peers. His was a serious exploration of how one could do modern theatre integrated with age-old - and yet equally contemporary - folk culture on a basis of equality. This study of Habib Tanvir will analyse his theatre and its contribution to Indian theatre history. Starting with his early life and preparation for his life's work, it will look at his professional trajectory from Agra Bazaar to Gaon Ka Naam Sasural, when he was experimenting and searching for his true form; to Charandas Chor, which expressed the full flowering of his mature style; thereafter the book will explore various important aspects of his theatre philosophy and practice as he experimented with content rather than form."--Provided by publisher | ||
| 600 | 1 | 7 | |a Tanavīra, Habība |2 fast |
| 600 | 1 | 4 | |a Tanavīra, Habība |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / General |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Theater / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Actors |2 fast | |
| 650 | 7 | |a Theater |2 fast | |
| 650 | 4 | |a Actors |z India |z Madhya Pradesh |v Biography | |
| 650 | 4 | |a Theater |z India |z Madhya Pradesh | |
| 651 | 4 | |a Indien | |
| 655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029185687 | ||
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525607 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525607 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176599678976000 |
|---|---|
| any_adam_object | |
| author | Katyal, Anjum |
| author_facet | Katyal, Anjum |
| author_role | aut |
| author_sort | Katyal, Anjum |
| author_variant | a k ak |
| building | Verbundindex |
| bvnumber | BV043774627 |
| collection | ZDB-4-EBA |
| ctrlnum | (ZDB-4-EBA)ocn824353606 (OCoLC)824353606 (DE-599)BVBBV043774627 |
| dewey-full | 792.092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.092 |
| dewey-search | 792.092 |
| dewey-sort | 3792.092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04189nmm a2200505zc 4500</leader><controlfield tag="001">BV043774627</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160920s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">8132111117</subfield><subfield code="9">81-321-1111-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788132111115</subfield><subfield code="9">978-81-321-1111-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788132109518</subfield><subfield code="9">978-81-321-0951-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">8132109511</subfield><subfield code="9">81-321-0951-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-EBA)ocn824353606</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)824353606</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043774627</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Katyal, Anjum</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Habib Tanvir</subfield><subfield code="b">towards an inclusive theatre</subfield><subfield code="c">Anjum Katyal</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Delhi</subfield><subfield code="b">SAGE Publications</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxvi, 176 pages, [24] pages of plates</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction: Making space for the oral tradition in Indian theatre today -- Growing up in Raipur, and early influences -- The Bombay years -- New directions: Delhi and Agra Bazaar -- England, Europe and Brecht -- Coming home to Mitti ki Gadi -- Naya theatre and other milestones -- Charandas Chor -- Working with the Chhattisgarhis -- The classics and literature -- Connecting with the folk -- Music, song and dance -- The political Habib Tanvir -- Appendices: List of plays directed by Habib Tanvir -- Awards, honours and milestones</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Habib Tanvir (1923-2009), playwright, director, actor, journalist, critic, is probably best known for his most popular play, Charandas Chor (1974). However, his real significance in the history of post-independence Indian theatre is that he signposted an important path for the development of modern theatre in India. His productions with Naya Theatre using Chhatisgarhi folk actors opened up a new direction on the map of theatre in India He pioneered an alternative to the dichotomy between the 'theatre of roots' movement (which turned to the Sanskrit Natyashastra and regional performance forms for content, style, training and form) and western-influenced, realist urban theatre styles. His was an inclusive approach to modern theatre which had the space in it for folk actors, who brought with them a whole culture and aesthetic rapidly being marginalized by mainstream theatre in India. His was neither folk theatre nor theatre of roots; neither revisionist nor revivalist; nor could it be classified as realism or naturalism. Neither was it exotic 'ethnic spectacle' like that of some of his peers. His was a serious exploration of how one could do modern theatre integrated with age-old - and yet equally contemporary - folk culture on a basis of equality. This study of Habib Tanvir will analyse his theatre and its contribution to Indian theatre history. Starting with his early life and preparation for his life's work, it will look at his professional trajectory from Agra Bazaar to Gaon Ka Naam Sasural, when he was experimenting and searching for his true form; to Charandas Chor, which expressed the full flowering of his mature style; thereafter the book will explore various important aspects of his theatre philosophy and practice as he experimented with content rather than form."--Provided by publisher</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Tanavīra, Habība</subfield><subfield code="2">fast</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Tanavīra, Habība</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Theater / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Actors</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actors</subfield><subfield code="z">India</subfield><subfield code="z">Madhya Pradesh</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater</subfield><subfield code="z">India</subfield><subfield code="z">Madhya Pradesh</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Indien</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029185687</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525607</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=525607</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | Indien |
| geographic_facet | Indien |
| id | DE-604.BV043774627 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:34:45Z |
| institution | BVB |
| isbn | 8132111117 9788132111115 9788132109518 8132109511 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029185687 |
| oclc_num | 824353606 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | xxvi, 176 pages, [24] pages of plates |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | SAGE Publications |
| record_format | marc |
| spelling | Katyal, Anjum Verfasser aut Habib Tanvir towards an inclusive theatre Anjum Katyal New Delhi SAGE Publications 2012 xxvi, 176 pages, [24] pages of plates txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: Making space for the oral tradition in Indian theatre today -- Growing up in Raipur, and early influences -- The Bombay years -- New directions: Delhi and Agra Bazaar -- England, Europe and Brecht -- Coming home to Mitti ki Gadi -- Naya theatre and other milestones -- Charandas Chor -- Working with the Chhattisgarhis -- The classics and literature -- Connecting with the folk -- Music, song and dance -- The political Habib Tanvir -- Appendices: List of plays directed by Habib Tanvir -- Awards, honours and milestones "Habib Tanvir (1923-2009), playwright, director, actor, journalist, critic, is probably best known for his most popular play, Charandas Chor (1974). However, his real significance in the history of post-independence Indian theatre is that he signposted an important path for the development of modern theatre in India. His productions with Naya Theatre using Chhatisgarhi folk actors opened up a new direction on the map of theatre in India He pioneered an alternative to the dichotomy between the 'theatre of roots' movement (which turned to the Sanskrit Natyashastra and regional performance forms for content, style, training and form) and western-influenced, realist urban theatre styles. His was an inclusive approach to modern theatre which had the space in it for folk actors, who brought with them a whole culture and aesthetic rapidly being marginalized by mainstream theatre in India. His was neither folk theatre nor theatre of roots; neither revisionist nor revivalist; nor could it be classified as realism or naturalism. Neither was it exotic 'ethnic spectacle' like that of some of his peers. His was a serious exploration of how one could do modern theatre integrated with age-old - and yet equally contemporary - folk culture on a basis of equality. This study of Habib Tanvir will analyse his theatre and its contribution to Indian theatre history. Starting with his early life and preparation for his life's work, it will look at his professional trajectory from Agra Bazaar to Gaon Ka Naam Sasural, when he was experimenting and searching for his true form; to Charandas Chor, which expressed the full flowering of his mature style; thereafter the book will explore various important aspects of his theatre philosophy and practice as he experimented with content rather than form."--Provided by publisher Tanavīra, Habība fast Tanavīra, Habība BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Actors fast Theater fast Actors India Madhya Pradesh Biography Theater India Madhya Pradesh Indien (DE-588)4006804-3 Biografie gnd-content |
| spellingShingle | Katyal, Anjum Habib Tanvir towards an inclusive theatre Tanavīra, Habība fast Tanavīra, Habība BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Actors fast Theater fast Actors India Madhya Pradesh Biography Theater India Madhya Pradesh |
| subject_GND | (DE-588)4006804-3 |
| title | Habib Tanvir towards an inclusive theatre |
| title_auth | Habib Tanvir towards an inclusive theatre |
| title_exact_search | Habib Tanvir towards an inclusive theatre |
| title_full | Habib Tanvir towards an inclusive theatre Anjum Katyal |
| title_fullStr | Habib Tanvir towards an inclusive theatre Anjum Katyal |
| title_full_unstemmed | Habib Tanvir towards an inclusive theatre Anjum Katyal |
| title_short | Habib Tanvir |
| title_sort | habib tanvir towards an inclusive theatre |
| title_sub | towards an inclusive theatre |
| topic | Tanavīra, Habība fast Tanavīra, Habība BIOGRAPHY & AUTOBIOGRAPHY / General bisacsh PERFORMING ARTS / Theater / History & Criticism bisacsh Actors fast Theater fast Actors India Madhya Pradesh Biography Theater India Madhya Pradesh |
| topic_facet | Tanavīra, Habība BIOGRAPHY & AUTOBIOGRAPHY / General PERFORMING ARTS / Theater / History & Criticism Actors Theater Actors India Madhya Pradesh Biography Theater India Madhya Pradesh Indien Biografie |
| work_keys_str_mv | AT katyalanjum habibtanvirtowardsaninclusivetheatre |