The Oxford handbook of critical improvisation studies:
Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies g...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2016]
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| Schriftenreihe: | Oxford handbooks
|
| Schlagworte: | |
| Zusammenfassung: | Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others. - George E. Lewis, Edwin H. Case Professor of American Music at Columbia University, is a fellow of the American Academy of Arts and Sciences, a MacArthur Fellow, a Guggenheim Fellow, and author of the award-winning 2008 book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press). An associate professor of music at Cornell University, Benjamin Piekut writes on the history of experimental and improvised music after 1960. He is the author of Experimentalism Otherwise (University of California Press, 2011) and editor of Tomorrow Is the Question (University of Michigan Press, 2014). (Klappentext) |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 2 Bände |
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| discipline | Allgemeines Musikwissenschaft |
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An associate professor of music at Cornell University, Benjamin Piekut writes on the history of experimental and improvised music after 1960. He is the author of Experimentalism Otherwise (University of California Press, 2011) and editor of Tomorrow Is the Question (University of Michigan Press, 2014). 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| spelling | The Oxford handbook of critical improvisation studies edited by George E. Lewis and Benjamin Piekut Handbook of critical improvisation studies New York, NY Oxford University Press [2016] 2 Bände txt rdacontent n rdamedia nc rdacarrier Oxford handbooks Includes bibliographical references and index Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others. - George E. Lewis, Edwin H. Case Professor of American Music at Columbia University, is a fellow of the American Academy of Arts and Sciences, a MacArthur Fellow, a Guggenheim Fellow, and author of the award-winning 2008 book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press). An associate professor of music at Cornell University, Benjamin Piekut writes on the history of experimental and improvised music after 1960. He is the author of Experimentalism Otherwise (University of California Press, 2011) and editor of Tomorrow Is the Question (University of Michigan Press, 2014). (Klappentext) Improvisation (DE-588)4127993-1 gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Kulturtheorie (DE-588)4120627-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Improvisation (DE-588)4127993-1 s Kreativität (DE-588)4032903-3 s Kulturtheorie (DE-588)4120627-7 s DE-604 Lewis, George 1952- (DE-588)134444302 edt Piekut, Benjamin 1975- (DE-588)1013168755 edt |
| spellingShingle | The Oxford handbook of critical improvisation studies Improvisation (DE-588)4127993-1 gnd Kreativität (DE-588)4032903-3 gnd Kulturtheorie (DE-588)4120627-7 gnd |
| subject_GND | (DE-588)4127993-1 (DE-588)4032903-3 (DE-588)4120627-7 (DE-588)4143413-4 |
| title | The Oxford handbook of critical improvisation studies |
| title_alt | Handbook of critical improvisation studies |
| title_auth | The Oxford handbook of critical improvisation studies |
| title_exact_search | The Oxford handbook of critical improvisation studies |
| title_full | The Oxford handbook of critical improvisation studies edited by George E. Lewis and Benjamin Piekut |
| title_fullStr | The Oxford handbook of critical improvisation studies edited by George E. Lewis and Benjamin Piekut |
| title_full_unstemmed | The Oxford handbook of critical improvisation studies edited by George E. Lewis and Benjamin Piekut |
| title_short | The Oxford handbook of critical improvisation studies |
| title_sort | the oxford handbook of critical improvisation studies |
| topic | Improvisation (DE-588)4127993-1 gnd Kreativität (DE-588)4032903-3 gnd Kulturtheorie (DE-588)4120627-7 gnd |
| topic_facet | Improvisation Kreativität Kulturtheorie Aufsatzsammlung |
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