Feast of excess: a cultural history of the new sensibility
"In 1952, John Cage shocked audiences with 4'33", his compositional ode to the ironic power of silence. From Cage's minimalism to Chris Burden's radical performance art two decades later (in one piece he had himself shot), the post-war American avant-garde shattered the divi...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | BSB01 EUV01 Volltext |
| Zusammenfassung: | "In 1952, John Cage shocked audiences with 4'33", his compositional ode to the ironic power of silence. From Cage's minimalism to Chris Burden's radical performance art two decades later (in one piece he had himself shot), the post-war American avant-garde shattered the divide between low and high art, between artist and audience. They changed the cultural landscape. Feast of Excess is an engaging and accessible portrait of 'The New Sensibility,' as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures...John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few...George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment. This inventive and jaunty narrative captures the excitement of liberation in American culture. The roots of this release, as Cotkin demonstrates, began in the 1950s, boomed in the 1960s, and became the cultural norm by the 1970s. More than a detailed immersion in the history of cultural extremism, Feast of Excess raises provocative questions for our present-day culture"... |
| Beschreibung: | Published to Oxford Scholarship Online: December 2015 |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780190218508 |
| DOI: | 10.1093/acprof:oso/9780190218478.001.0001 |
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| 505 | 8 | |a Introduction: The New Sensibility<br>Prelude: A New Year : Judith Malina<br>[I] Emergence, 1952-1960 -- 1952: Sounds of Silence : John Cage -- 1953: Erasure and Addition : Robert Rauschenberg -- 1954: The Wild One : Marlon Brando -- 1955: Ever Mysterious : Patricia Highsmith -- 1956: Howling in the Wilderness : Allen Ginsberg -- 1957: "Great Balls of Fire" : Jerry Lee Lewis -- 1958: To "Nullify Explanation" : Robert Frank -- 1959: Making a Connection : Judith Malina and Jack Gelber -- 1960: All About Me : Norman Mailer<br>[II] Explosion, 1961-1969 -- 1961: Say What? : Lenny Bruce -- 1962: Pop Goes the Paradigm -- 1963: Picking His Nose at Tradition : Andy Warhol -- 1964: Naming the New : Susan Sontag -- 1965: "How Does It Feel?" : John Coltrane and Bob Dylan -- 1966: Living and Dying : Anne Sexton -- 1967: "Utmost Freedom of Imagination" : William Styron -- 1968: An "Extreme Gesture" : Gore Vidal<br>[III] Cultural Commonplace, 1970-1974 -- 1969: "Terribleness" : Amiri Baraka -- 1970: "I Just Love Freaks" : Diane Arbus -- 1971: Vegas, Baby! : Robert Venturi, Denise Scott Brown, Hunter Thompson -- 1972: Erectile Destruction : Samuel R. Delany and Thomas Pynchon -- 1973: Zipless Abandon : Erica Jong -- 1974: Crucified and Shot : Chris Burden -- Conclusion: The Shock of the Old... and New | |
| 520 | |a "In 1952, John Cage shocked audiences with 4'33", his compositional ode to the ironic power of silence. From Cage's minimalism to Chris Burden's radical performance art two decades later (in one piece he had himself shot), the post-war American avant-garde shattered the divide between low and high art, between artist and audience. They changed the cultural landscape. Feast of Excess is an engaging and accessible portrait of 'The New Sensibility,' as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures...John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few...George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment. This inventive and jaunty narrative captures the excitement of liberation in American culture. The roots of this release, as Cotkin demonstrates, began in the 1950s, boomed in the 1960s, and became the cultural norm by the 1970s. More than a detailed immersion in the history of cultural extremism, Feast of Excess raises provocative questions for our present-day culture"... | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1952-1974 |2 gnd |9 rswk-swf | |
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| 650 | 4 | |a Intellectuals |z United States |v Biography | |
| 650 | 4 | |a Extremists |z United States |v Biography | |
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| 650 | 4 | |a Art, American |y 20th century | |
| 650 | 4 | |a American literature |y 20th century |x History and criticism | |
| 650 | 4 | |a Performance art |z United States |x History |y 20th century | |
| 650 | 4 | |a HISTORY / United States / 20th Century | |
| 650 | 4 | |a MUSIC / History & Criticism | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Cotkin, George 1950- |
| author_GND | (DE-588)1011620200 |
| author_facet | Cotkin, George 1950- |
| author_role | aut |
| author_sort | Cotkin, George 1950- |
| author_variant | g c gc |
| building | Verbundindex |
| bvnumber | BV043762728 |
| callnumber-first | E - United States History |
| callnumber-label | E169 |
| callnumber-raw | E169.12 |
| callnumber-search | E169.12 |
| callnumber-sort | E 3169.12 |
| callnumber-subject | E - United States History |
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| contents | Introduction: The New Sensibility<br>Prelude: A New Year : Judith Malina<br>[I] Emergence, 1952-1960 -- 1952: Sounds of Silence : John Cage -- 1953: Erasure and Addition : Robert Rauschenberg -- 1954: The Wild One : Marlon Brando -- 1955: Ever Mysterious : Patricia Highsmith -- 1956: Howling in the Wilderness : Allen Ginsberg -- 1957: "Great Balls of Fire" : Jerry Lee Lewis -- 1958: To "Nullify Explanation" : Robert Frank -- 1959: Making a Connection : Judith Malina and Jack Gelber -- 1960: All About Me : Norman Mailer<br>[II] Explosion, 1961-1969 -- 1961: Say What? : Lenny Bruce -- 1962: Pop Goes the Paradigm -- 1963: Picking His Nose at Tradition : Andy Warhol -- 1964: Naming the New : Susan Sontag -- 1965: "How Does It Feel?" : John Coltrane and Bob Dylan -- 1966: Living and Dying : Anne Sexton -- 1967: "Utmost Freedom of Imagination" : William Styron -- 1968: An "Extreme Gesture" : Gore Vidal<br>[III] Cultural Commonplace, 1970-1974 -- 1969: "Terribleness" : Amiri Baraka -- 1970: "I Just Love Freaks" : Diane Arbus -- 1971: Vegas, Baby! : Robert Venturi, Denise Scott Brown, Hunter Thompson -- 1972: Erectile Destruction : Samuel R. Delany and Thomas Pynchon -- 1973: Zipless Abandon : Erica Jong -- 1974: Crucified and Shot : Chris Burden -- Conclusion: The Shock of the Old... and New |
| ctrlnum | (ZDB-28-OSH)EDZ0001271997 (OCoLC)958585499 (DE-599)BVBBV043762728 |
| dewey-full | 973.91 973.92 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 973 - United States |
| dewey-raw | 973.91 973.92 |
| dewey-search | 973.91 973.92 |
| dewey-sort | 3973.91 |
| dewey-tens | 970 - History of North America |
| discipline | Kunstgeschichte Geschichte |
| doi_str_mv | 10.1093/acprof:oso/9780190218478.001.0001 |
| era | Geschichte 1900-2000 Geschichte 1952-1974 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1952-1974 |
| format | Electronic eBook |
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| publisher | Oxford University Press |
| record_format | marc |
| spelling | Cotkin, George 1950- Verfasser (DE-588)1011620200 aut Feast of excess a cultural history of the new sensibility George Cotkin New York Oxford University Press [2016] © 2016 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Published to Oxford Scholarship Online: December 2015 Introduction: The New Sensibility<br>Prelude: A New Year : Judith Malina<br>[I] Emergence, 1952-1960 -- 1952: Sounds of Silence : John Cage -- 1953: Erasure and Addition : Robert Rauschenberg -- 1954: The Wild One : Marlon Brando -- 1955: Ever Mysterious : Patricia Highsmith -- 1956: Howling in the Wilderness : Allen Ginsberg -- 1957: "Great Balls of Fire" : Jerry Lee Lewis -- 1958: To "Nullify Explanation" : Robert Frank -- 1959: Making a Connection : Judith Malina and Jack Gelber -- 1960: All About Me : Norman Mailer<br>[II] Explosion, 1961-1969 -- 1961: Say What? : Lenny Bruce -- 1962: Pop Goes the Paradigm -- 1963: Picking His Nose at Tradition : Andy Warhol -- 1964: Naming the New : Susan Sontag -- 1965: "How Does It Feel?" : John Coltrane and Bob Dylan -- 1966: Living and Dying : Anne Sexton -- 1967: "Utmost Freedom of Imagination" : William Styron -- 1968: An "Extreme Gesture" : Gore Vidal<br>[III] Cultural Commonplace, 1970-1974 -- 1969: "Terribleness" : Amiri Baraka -- 1970: "I Just Love Freaks" : Diane Arbus -- 1971: Vegas, Baby! : Robert Venturi, Denise Scott Brown, Hunter Thompson -- 1972: Erectile Destruction : Samuel R. Delany and Thomas Pynchon -- 1973: Zipless Abandon : Erica Jong -- 1974: Crucified and Shot : Chris Burden -- Conclusion: The Shock of the Old... and New "In 1952, John Cage shocked audiences with 4'33", his compositional ode to the ironic power of silence. From Cage's minimalism to Chris Burden's radical performance art two decades later (in one piece he had himself shot), the post-war American avant-garde shattered the divide between low and high art, between artist and audience. They changed the cultural landscape. Feast of Excess is an engaging and accessible portrait of 'The New Sensibility,' as it was named by Susan Sontag in 1965. The New Sensibility sought to push culture in extreme directions: either towards stark minimalism or gaudy maximalism. Through vignette profiles of prominent figures...John Cage, Patricia Highsmith, Allen Ginsberg, Andy Warhol, Anne Sexton, John Coltrane, Bob Dylan, Erica Jong, and Thomas Pynchon, to name a few...George Cotkin presents their bold, headline-grabbing performances and places them within the historical moment. This inventive and jaunty narrative captures the excitement of liberation in American culture. The roots of this release, as Cotkin demonstrates, began in the 1950s, boomed in the 1960s, and became the cultural norm by the 1970s. More than a detailed immersion in the history of cultural extremism, Feast of Excess raises provocative questions for our present-day culture"... Geschichte 1900-2000 Geschichte 1952-1974 gnd rswk-swf HISTORY / United States / 20th Century bisacsh MUSIC / History & Criticism bisacsh ART / American / General bisacsh Geschichte Artists United States Biography Intellectuals United States Biography Extremists United States Biography Avant-garde (Aesthetics) United States History 20th century Art, American 20th century American literature 20th century History and criticism Performance art United States History 20th century HISTORY / United States / 20th Century MUSIC / History & Criticism ART / American / General Kunst (DE-588)4114333-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf USA United States Intellectual life 20th century United States Civilization 1945- USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Kultur (DE-588)4125698-0 s Geschichte 1952-1974 z DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-021847-8 https://doi.org/10.1093/acprof:oso/9780190218478.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cotkin, George 1950- Feast of excess a cultural history of the new sensibility Introduction: The New Sensibility<br>Prelude: A New Year : Judith Malina<br>[I] Emergence, 1952-1960 -- 1952: Sounds of Silence : John Cage -- 1953: Erasure and Addition : Robert Rauschenberg -- 1954: The Wild One : Marlon Brando -- 1955: Ever Mysterious : Patricia Highsmith -- 1956: Howling in the Wilderness : Allen Ginsberg -- 1957: "Great Balls of Fire" : Jerry Lee Lewis -- 1958: To "Nullify Explanation" : Robert Frank -- 1959: Making a Connection : Judith Malina and Jack Gelber -- 1960: All About Me : Norman Mailer<br>[II] Explosion, 1961-1969 -- 1961: Say What? : Lenny Bruce -- 1962: Pop Goes the Paradigm -- 1963: Picking His Nose at Tradition : Andy Warhol -- 1964: Naming the New : Susan Sontag -- 1965: "How Does It Feel?" : John Coltrane and Bob Dylan -- 1966: Living and Dying : Anne Sexton -- 1967: "Utmost Freedom of Imagination" : William Styron -- 1968: An "Extreme Gesture" : Gore Vidal<br>[III] Cultural Commonplace, 1970-1974 -- 1969: "Terribleness" : Amiri Baraka -- 1970: "I Just Love Freaks" : Diane Arbus -- 1971: Vegas, Baby! : Robert Venturi, Denise Scott Brown, Hunter Thompson -- 1972: Erectile Destruction : Samuel R. Delany and Thomas Pynchon -- 1973: Zipless Abandon : Erica Jong -- 1974: Crucified and Shot : Chris Burden -- Conclusion: The Shock of the Old... and New HISTORY / United States / 20th Century bisacsh MUSIC / History & Criticism bisacsh ART / American / General bisacsh Geschichte Artists United States Biography Intellectuals United States Biography Extremists United States Biography Avant-garde (Aesthetics) United States History 20th century Art, American 20th century American literature 20th century History and criticism Performance art United States History 20th century HISTORY / United States / 20th Century MUSIC / History & Criticism ART / American / General Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4125698-0 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | Feast of excess a cultural history of the new sensibility |
| title_auth | Feast of excess a cultural history of the new sensibility |
| title_exact_search | Feast of excess a cultural history of the new sensibility |
| title_full | Feast of excess a cultural history of the new sensibility George Cotkin |
| title_fullStr | Feast of excess a cultural history of the new sensibility George Cotkin |
| title_full_unstemmed | Feast of excess a cultural history of the new sensibility George Cotkin |
| title_short | Feast of excess |
| title_sort | feast of excess a cultural history of the new sensibility |
| title_sub | a cultural history of the new sensibility |
| topic | HISTORY / United States / 20th Century bisacsh MUSIC / History & Criticism bisacsh ART / American / General bisacsh Geschichte Artists United States Biography Intellectuals United States Biography Extremists United States Biography Avant-garde (Aesthetics) United States History 20th century Art, American 20th century American literature 20th century History and criticism Performance art United States History 20th century HISTORY / United States / 20th Century MUSIC / History & Criticism ART / American / General Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | HISTORY / United States / 20th Century MUSIC / History & Criticism ART / American / General Geschichte Artists United States Biography Intellectuals United States Biography Extremists United States Biography Avant-garde (Aesthetics) United States History 20th century Art, American 20th century American literature 20th century History and criticism Performance art United States History 20th century Kunst Kultur USA United States Intellectual life 20th century United States Civilization 1945- Biografie |
| url | https://doi.org/10.1093/acprof:oso/9780190218478.001.0001 |
| work_keys_str_mv | AT cotkingeorge feastofexcessaculturalhistoryofthenewsensibility |