Backstage economies: labour and masculinities in contemporary European dance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chester
University of Chester Press
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Online-Ausg: Njaradi, Dunja: Backstage Economies |
| Beschreibung: | VIII, 221 Seiten Illustrationen 20 cm |
| ISBN: | 9781908258144 1908258144 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgements vii
List of Illustrations viii
Chapter One
What is Dance? An Introduction to
Contemporary Dance
1. Introduction 1
2. Writing Dance History: Dance and Modernity 10
3. Writing Dance History: Postmodern Dance and 22
Beyond
4. Globalization, Hybridity, and Contemporary 38
Dance
Chapter Two
Shattered and Sown Europe: Theoretical
Questions and Methodological Approaches to
Study Dance under Globalization
1. End of the Cold War and Cultural Policies in 51
Europe
2. Contemporary Dance in South East Europe 61
3. Methodology 67
4. Dance and Gender 73
5. Dance as Labour and Production 79
Chapter Three
Gender and Masculinities in the World of
Contemporary Professional Dance
1. Introduction 91
2. Gender in the History of Western Theatrical 93
Dance
v
Backstage Economies
3. Dancing at the Borders of Europe: Ziya Azazi 100
4. Doing Dance in Postsocialism: Alexander , 107
Peter , and Igor
5. Concluding Remarks 122
Chapter Four
Dance Performance as Labour and Production
1. Introduction 132
2. Immaterial Labour and Dance in South East 134
Europe
3. Dance Performance as Production: From Marx 143
to Virno
4. Creative Work Against Body Work: Changing 151
Economies of Dance Labour
5. Dancers Speak of Ballet, Contemporary Dance, 155
and Work
6. Conclusion 164
Chapter Five
Conclusion
1. A Few More Words On: Contemporary Dance 171
and Global Mobility — Routes Versus Roots
2. Backstage Economies and New Dance 180
Methodologies
3. Postscript: Belgrade 2013 186
Bibliography 192
Index 218
vi
Backstage Economies: Labour and Masculinities in Contemporary European Dance
investigates gender politics and labour practices in contemporary European dance. By
focusing on masculinities and job careers in professional dance, this study looks at the
cultural, historical, and material conditions that shape the dancers experience of the
everyday as they travel to work; struggle to secure funding; nurse injuries; and negotiate
their gender and work identities. The emphasis on the dancers experience of the
everyday is designed to critically explore and to challenge the established methodological
boundaries of dance studies: the critical focus shifts away from the scholarly attentions tnat
are more regularly pa:c to the phenomenology and perception of performance, towards
re matena5 conditions or cance production, in genera?, tms book revisits tne debates ;
dance education related to gender poutics and the well-being or dancers; and ¡: also traces
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|
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| spellingShingle | Njaradi, Dunja Backstage economies labour and masculinities in contemporary European dance Gesellschaft (DE-588)4020588-5 gnd Geschlecht (DE-588)4020547-2 gnd Tänzer (DE-588)4136608-6 gnd Arbeitsbedingungen (DE-588)4002641-3 gnd Tanz (DE-588)4059028-8 gnd |
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| title | Backstage economies labour and masculinities in contemporary European dance |
| title_auth | Backstage economies labour and masculinities in contemporary European dance |
| title_exact_search | Backstage economies labour and masculinities in contemporary European dance |
| title_full | Backstage economies labour and masculinities in contemporary European dance Dunja Njaradi |
| title_fullStr | Backstage economies labour and masculinities in contemporary European dance Dunja Njaradi |
| title_full_unstemmed | Backstage economies labour and masculinities in contemporary European dance Dunja Njaradi |
| title_short | Backstage economies |
| title_sort | backstage economies labour and masculinities in contemporary european dance |
| title_sub | labour and masculinities in contemporary European dance |
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