Experimental music since 1970:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (pages 283-285) and index |
| Beschreibung: | viii, 292 Seiten Illustrationen |
| ISBN: | 9781628922486 9781628922479 |
Internformat
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| 100 | 1 | |a Gottschalk, Jennie |d 1978- |0 (DE-588)1117832740 |4 aut | |
| 245 | 1 | 0 | |a Experimental music since 1970 |c Jennie Gottschalk |
| 264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c [2016] | |
| 300 | |a viii, 292 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 283-285) and index | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1970-2015 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |y 20th century |x History and criticism | |
| 650 | 4 | |a Music |y 21st century |x History and criticism | |
| 650 | 4 | |a Avant-garde (Music) | |
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| 689 | 0 | 1 | |a Avantgarde |0 (DE-588)4133965-4 |D s |
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Datensatz im Suchindex
| _version_ | 1804176571254177792 |
|---|---|
| adam_text | Contents
Acknowledgments
1 Defining Features of Experimental Music
1.1 Introduction
Indeterminacy—Change—Non - subj ectivity—
Research—Experience—Difficulties of definition—
Inclusion and structure
1.2 Indeterminacy
Release of control (Cage, Wolff, Thut)—Machine behaviors
(Chavez, Marclay, Tone, Collins)—Imitating nature
(Tudor, Dunn)—Prescribed actions, varied consequences
(Solomon/Sargent, Sato/Yoshida, Gaburo, Kumpf, McLaughlin)—
Non-selectiveness (Pisaro, Wolff, Lucier)—Letting the outside in
(Rowe, Parkinson)
1.3 Silence
Sound that has to be found (Suzuki)—Thresholds of perception
(S. Ashley, Schlothauer, Duplant, Tenney, Radigue, Ullmann,
Günter)—Little to no input (Peters, Di Scipio, Nakamura, Dunn,
Barrett)—Performative tensions of silence (Karassikov)—
Countless qualities of silence (Sugimoto, Rogalsky, Beuger,
Malfatti, Houben, Susam)
2 Scientific Approaches
2.1 Acts of discovery
(Crane, Arnold, Stiebler, K Lang, Smith)
2.2 Harmonic relations
(Polansky, Johnston, Tenney, Corner, Eastman, Möller,
C. Lamb, Hastings, Zimmermann, L. Harrison, Sabat,
Hayward, von Schweinitz)
2.3 Playing with numbers
(T Johnson, Skempton, Parsons, Hobbs, Glover, Lely, Vriezen)
2.4 Learning by making
(Behrman, Mumma, Hopkin, Fullman, Le Junter, Anderson,
Suzuki, H. Davies, Collins, Ghazala, Radittya, Waisvisz)
VI
Contents
2.5 Finding hidden sounds 64
(Lerman, Dunn, Grzinich Cusack, Windeten, M. Namblard,
Patterson, Holterbach, Haco, Tsunoda, Kubisch, Prime, Masaoka,
Bullitt, Lockwood, Lucier)
3 Physicalities 77
3.1 The physicality of performance 77
(Luck, Steen-Andersen, Beugger, Cassidy, Minton,
E. Johnson, Isaacs, Shim)
3.2 Resonant spaces 85
(Lucier, Wada, Panhuysen, Julius, Carter, Winter)
3.3 Objects as instruments 89
(Saunders, Pritchard, Johansson, Battistelli, Leonard, Knowles,
Hartman, Neumann, Dunaway, Arias, Laporte, Nakajima, Berthet,
Baghdassarians)
3.4 From shape to sound 96
(Nicolai/lkeda, Cage, Lucier, A. Davies, Szlavnics, Walshe,
Goldstein, Burt, Behrman/Diamond/Watts)
4 Perception
4.1 The position of the listener
(Oliveros)
Architectures of sound (Frey)—Immersions (Spiegel, Norment,
Neuhaus, Ablinger, Niblock, DeMarinis, Dempster, Lopez)—
Distances of sound (Chowning, Sonami, Battus, Takasugi,
Kourliandski, Molitor, Chattier)—Listeners and sounds in motion
(Tenney, Lucier, Leach, Kuivila, Brewster, Young, Dietz, Schiemer,
Monahan)—Disembodied sound (Drummond, Ablinger, Pisaro,
Gagliardi, Wolman, Oliveros, Mason)—The listener constructs
the music (Schmickler, Amacher)—Mediated hearing (Holterbach,
Kirkegaard, Kim, Rose, Tsunoda)
4.2 The perception of time
The wide canvas—The shallow surface—The veiled grid—
Repetition, automation, and audible illusions—The art of
forgetting—What is found when time is lost?
(Feldman, B. Harrison, Pisaro, Clementi, Hennix,
Flynt, B. Lang, Tsunoda)
107
107
133
Contents
5 Information, Language, and Interaction
5.1 Treatments of sonic information
Noise—Verticalization—Pixelation
(Ablinger, Saunders, Pisaro3 Ciciliani, eRikm, Inge, JLIATy Bailie)
5.2 The sounds of living beings
Human sound production (Stabler,; Yoshida, La Barbara)—
Animal sounds and communication (La Barbara, Z, Mercer)—
Dialogues (Holterbach, Dunn, Mercer)—Animal spaces (Farmer,
Masaoka, Dauby)—Habitats, ecologies, biophonies (Watson,
Krause, Dunn, Winderen)
5.3 Language
Letters, spelling, and phonetics (Walshe, Wooley, Jones, A.
Typist)—The ordering of words (Yudo, Oesterle, Bosetti)—
Finding music in language (Gaburo, DeMarinis, Reich, Z, Ablinger,
Lansky, Amirkhanian, R. Ashley)—Vocal performance and sound
poetry, sense and nonsense (Mann, Adachi, Blonk)—Translation
(Blonk, Tone, Barlow, Bosetti, Sfirri, Hughes, Mills)
5.4 Interaction
Interaction, improvisation, indeterminacy—Groups, collectives,
and long-term interactions (Scratch Orchestra, LMC, AMM,
AACM, Nuova Consonanza, MEV, Echtzeitmusik, The Sealed
Knot)—Types of rejection—Power plays and other forms of
relating—Individual and collective decision-making (Wolff,
Braxton, Saunders, Pisaro)—Cueing (Kudirka, Saunders, Lash,
Sdraulig, Wolff, Epstein)—Games and communities (Zorn,
Mitchell, Nicols)—Inhabiting a space together (improvisers,
audience, context)—Technology as conversationalist, technology
as environment (Chadabe, Lewis, Tudor, Behrman, Teitelbaum)—
The interaction is the score (Monk, Radigue, Nickel)
6 Place and Time
6.1 Mappings
Tracing lines through space (Ogboh, Watson, Dunn, Chase,
Parsons, Lockwood)—Borders (Lerman, Cornford, Rose/
Taylor)—Acoustic ecology and related practices (Schafer,
Neuhaus)—Soundwalks (Westerkamp, Parsons, Gagliardi,
Shepard)— Multiple journeys along the same route, compounded
vii
155
155
164
172
188
227
227
viii
Contents
routes (Harris, Corringham, Helbich)—Listening points in the city
(Suzuki, Helbich)— Collective sound mapping (Watson, Kahn)
6.2 Site-specific works 242
Site specificity (A. Lamb, Kallmyer, Laska)—Changing the
perceived character of a place: Industrial and commercial sites
(Chen, Kesten, Comer; Wang)—Sounding out the character
of a place (Riek, English Ferrari, Namblard, Goldstein)—A site
over time (Chattopadhyay, Werder, Neuhaus)—City pieces
(Barber, Koch, Fontana, Neuhaus, Blackburn)
6.3 Histories 255
Historical objects and technologies (Kubisch, Kolkowski,
DeMarinis, Cuellar/Mills)—The history of a place (Ctlkova,
Kirkegaard, Watson, Kerbaj)—Personal histories: Resonance of
place (Onda, Obadike, Guionnet/La Casa, Kreutzfeldt/Labette)—
Treatments of musical material (Collins, Whitty, Carlson,
Zagny, Miller)—A piece makes a history (Cage, Werder, Kaiser,
Ullmann)—Imagined histories and cultures (Walshe, Dharmoo,
Chang/Lamb, Monk, de Alvear)
7 Advocates 281
Appendix 283
Index 286
|
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1970-2015 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1970-2015 |
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| spelling | Gottschalk, Jennie 1978- (DE-588)1117832740 aut Experimental music since 1970 Jennie Gottschalk New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic [2016] viii, 292 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 283-285) and index Geschichte 1900-2000 Geschichte 1970-2015 gnd rswk-swf Musik Music 20th century History and criticism Music 21st century History and criticism Avant-garde (Music) Avantgarde (DE-588)4133965-4 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 s Avantgarde (DE-588)4133965-4 s Geschichte 1970-2015 z DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-6289-2249-3 Erscheint auch als Online-Ausgabe, ePub 978-1-6289-2251-6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029169165&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gottschalk, Jennie 1978- Experimental music since 1970 Musik Music 20th century History and criticism Music 21st century History and criticism Avant-garde (Music) Avantgarde (DE-588)4133965-4 gnd Experimentelle Musik (DE-588)4153365-3 gnd |
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| title_auth | Experimental music since 1970 |
| title_exact_search | Experimental music since 1970 |
| title_full | Experimental music since 1970 Jennie Gottschalk |
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| title_full_unstemmed | Experimental music since 1970 Jennie Gottschalk |
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