Gothic kinship:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2016
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | xi, 237 Seiten |
| ISBN: | 9781526106919 9780719088605 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804176569183240192 |
|---|---|
| adam_text | Contents
Acknowledgements
Notes on contributors
Introduction Agnes Andeweg and Sue Zlosnik 1
1 Matriarchal picture identification in first-wave British
Gothic fiction Kamilla Elliott 12
2 ‘Those most intimately concerned’: the strength of
chosen family in Elizabeth Gaskell’s Gothic short fiction
Ardel Haefele-Thomas 30
3 The madwoman in the attic of Labuwangi: Couperus
and colonial Gothic Rosemarie Buikema 48
4 Seed from the east, seed from the west, which one will
turn out best? The demonic adoptee in The Bad Seed
(1954) Elisabeth Wesseling 63
5 ‘Children misbehaving in the walls!’ or, Wes Craven’s
suburban family values Bernice M. Murphy 81
6 Fathers, friends, and families: Gothic kinship in Stephen
King’s Bet Sematary John Sears 97
7 Sisterhood is monstrous: Gothic imagery in Dutch
feminist fiction Agnes Andeweg 115
R
page vii
viii
Contents
vi
8 The political uncanny of the family: Patricia Duncker’s
The Deadly Space Between and The Civil Partnership
Act Anne Quema 132
9 Violent households: the family destabilized in The Monk
(1796), Zofloya, or the Moor (1818), and Her Fearful
Symmetry (2009) Joanne Watkiss 157
10 ‘As much a family as anyone could be, anywhere
ever’: revisioning the family in Poppy Z. Brite’s Lost
Souls William Hughes 174
11 Gothic half-bloods: maternal kinship in Rowling’s Harry
Potter series Ranita Chatterjee 196
12 ‘They fuck you up’ - revaluations of the family in
contemporary British horror film: Steven Sheil’s Mum
Dad Johannes Schlegel 211
Index
231
Gothic kinship is the first collection that investigates the nexus
between Gothic and kinship figurations in a wide range of
texts from different periods and different countries. What is
it that makes certain forms of relatedness Gothic? In what sense may
kinship be regarded as monstrous, or evil, or haunting? Although
the preoccupation of Gothic fiction with the family has often been
observed, these essays break new ground by bringing together case
studies of Gothic kinship ties in film and literature and offering
a synthesis and theorisation of the different appearances of the
Gothic family.
Writers discussed include early British Gothic writers such as Eleanor
Sleath and Louisa Sidney Stanhope as well as a range of later authors
writing in English, including Elizabeth Gaske 11, William March,
Stephen King, Poppy Z. Brite, Patricia Duncker, J.K. Rowling and
Audrey Niffenegger. There are also essays on Dutch authors (Louis
Couperus and Renate Dorrestein) and on the film directors Wes
Craven and Steven Sheil.
Arranged chronologically, the various contributions show that both
early and contemporary Gothic display very diverse kinship ties,
ranging from metaphorical to triangular, from queer to nuclear-
patriarchal. Gothic proves to be a rich source of expressing both
subversive and conservative notions of the family.
Gothic kinship will be of interest to academics, graduate students
and advanced undergraduates working on the Gothic, English,
American and Dutch studies in literature and film, gender studies and
cultural studies.
Agnes Andeweg is a Lecturer at the Department of Literature
and Art and Research Fellow at the Centre for Gender and Diversity
at Maastricht University
Sue Zlosnik is Professor of Gothic Literature
at Manchester Metropolitan University
ISBN 978-1-5261-0691-9
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| title | Gothic kinship |
| title_auth | Gothic kinship |
| title_exact_search | Gothic kinship |
| title_full | Gothic kinship edited by Agnes Andeweg and Sue Zlosnik |
| title_fullStr | Gothic kinship edited by Agnes Andeweg and Sue Zlosnik |
| title_full_unstemmed | Gothic kinship edited by Agnes Andeweg and Sue Zlosnik |
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