Verse drama in England: 1900-2015 ; art, modernity, and the national stage
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; New Delhi ; Sydney
Bloomsbury Methuen Drama
2016
|
| Schriftenreihe: | Critical companions
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 287 Seiten |
| ISBN: | 9781472580139 9781472580146 |
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Datensatz im Suchindex
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| adam_text | CONTENTS
Acknowledgements xi
Introduction: Modern Verse Drama in England:
The Forgotten Tradition 1
1 Nineteenth-century Legacies: Spectacle, Sonority and
Romantic Reform in the Theatre of Stephen Phillips and
James Elroy Flecker 19
2 The New Drama: Social Challenge and Poetic Theatre
from W.B. Yeats to Terence Gray 41
3 Georgian Revolt: John Masefield, Shakespeare and
Gordon Bottomley’s King Lear s Wife 65
4 Religious Drama: Theatrical Experimentation and
Spiritual Renewal between the Wars 89
5 Music, Politics and the Modern Poet: T.S. Eliot and
W.H. Auden in the 1930s 113
6 Renaissance and False Dawn: Mainstream Success on the
Post-war Stage 143
7 Anger and Aftermath: Royal Court, National Theatre and
Verse Drama after 1956 171
8 Tradition and Trajectory: Verse and Dramatic Heritage in
Caryl Churchill, Steven Berkoff and Tony Harrison 191
9 The Return of the King: King Charles III and Shakespearean
Power and Pastiche 215
Notes 225
Bibliography 265
Index 281
Verse Drama in England 1900-2015 provides a critical
and historical exploration of a tradition of modern
dramatic creativity that has received very little scholarly
attention. Exploring the emergence of a distinctly modern
verse drama at the turn of the century and its development
into the twenty-first, it counters common assumptions
that the form is a marginal, fundamentally outdated
curiosity. Through an examination of the extensive and
diverse engagement of literary and theatrical writers, directors and
musicians, Irene Morra Identifies In modern verse drama a consistent
and often prominent attempt to expand upon, revitalize and redefine the
contemporary English stage.
Dramatists discussed include Stephen Phillips, Gordon Bottomley, John
Masefield, James Elroy Flecker, T. S. Eliot, W. H. Auden, Ronald Duncan,
Christopher Fry, John Arden, Anne Ridler, Tony Harrison, Steven Berkoff,
Caryl Churchill and Mike Bartlett. The book explores the negotiation of
these dramatists with the changing position of verse drama in relation
to constructions of national and communal audience, aesthetic challenge
and dramatic heritage. Key to the study Is the self-conscious positioning
of many of these dramatists in relation to an assumed mainstream
tradition - and the various critical responses that positioning has
provoked. The study advocates for a scholarly revaluation of what
must be identified as an influential and overlooked tradition of aesthetic
challenge and creativity.
|
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 Geschichte 1900-2015 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1900-2015 |
| format | Book |
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| title | Verse drama in England 1900-2015 ; art, modernity, and the national stage |
| title_auth | Verse drama in England 1900-2015 ; art, modernity, and the national stage |
| title_exact_search | Verse drama in England 1900-2015 ; art, modernity, and the national stage |
| title_full | Verse drama in England 1900-2015 ; art, modernity, and the national stage Irene Morra |
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| title_full_unstemmed | Verse drama in England 1900-2015 ; art, modernity, and the national stage Irene Morra |
| title_short | Verse drama in England |
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| title_sub | 1900-2015 ; art, modernity, and the national stage |
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