From face to face: recarving of Roman portraits and the late-Antique portrait arts
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2016]
|
| Ausgabe: | Second, revised edition |
| Schriftenreihe: | Monumenta Graeca et Romana
volume 18 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xxii, 202 Seiten, 155 Seiten Bildtafeln Illustrationen, 1 Diagramm, 1 Karte |
| ISBN: | 9789004321847 |
Internformat
MARC
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| 245 | 1 | 0 | |a From face to face |b recarving of Roman portraits and the late-Antique portrait arts |c by Marina Prusac Ph.D. (University of Oslo) |
| 250 | |a Second, revised edition | ||
| 264 | 1 | |a Leiden ; Boston |b Brill |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a xxii, 202 Seiten, 155 Seiten Bildtafeln |b Illustrationen, 1 Diagramm, 1 Karte | ||
| 336 | |b txt |2 rdacontent | ||
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| 650 | 4 | |a Politik | |
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| 653 | |a Portrait sculpture, Roman / Political aspects | ||
| 653 | |a Sculpture--Mutilation, defacement, etc / History / To 1500 | ||
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Datensatz im Suchindex
| _version_ | 1804176560240984064 |
|---|---|
| adam_text | CONTENTS
Preface.................................................................................... xi
Editorial note............................................................................... xii
Acknowledgments............................................................................. xiii
List of diagrams and sketches.............................................................. xv
List of figures and photo credits ......................................................... xvii
Introduction The history of sculpture reuse and related problems .......................... 1
The Stand der Forschung of sculpture reuse............................................. 1
The identification of recarved sculpture .................................................. 3
Organisation of the material............................................................... 4
Terminology................................................................................ 6
Definitions of “style”..................................................................... 7
The function of recarved portraits........................................................ 10
Chapter One The reuse of sculpture and recarving of portraits ............................. 13
Criteria for identification............................................................... 13
Spolia and the recarving of portraiture................................................... 15
The reuse of private sculpture............................................................ 17
Relocated and discarded sculpture......................................................... 18
Portrait heads in secondary contexts...................................................... 19
Pagan sculpture in the early Christian period ......................................... 20
The reuse of statuary in late-antique Constantinople................................... 22
Marmora et ornamenta ..................................................................... 22
The archetype of portraits ............................................................... 23
Chapter Two Statistical analyses.............................................................. 29
The relationship between new and recarved portraits....................................... 32
Test case within a defined geographical area.............................................. 33
Chapter Three The lst-2nd centuries ce and the damnatio memoriae portraits................. 37
The significance of imperial portraiture................................................. 37
The damnatio memoriae portraits........................................................... 38
Female portraits.......................................................................... 44
Chapter Four The 3rd century ce............................................................... 47
Economy and reuse......................................................................... 47
The styles of the recarved portraits from the 3rd century ce........................... 50
viii
CONTENTS
Gallienus and a break with tradition................................................. 52
The soldier emperor portraits ....................................................... 54
The philosopher portraits............................................................ 54
A change in portrait function........................................................ 56
Chapter Five Late Antiquity and the emergence of new visual expressions ................ 59
The Tetrarchic period.................................................................. 61
The Constantinian period .............................................................. 63
Visual expression in the Constantinian period.......................................... 69
From Valentinian I to Justinian I...................................................... 73
Private recarved portraits in Late Antiquity........................................... 76
Chapter Six Recarving methods............................................................. 79
Marble and quarries.................................................................... 79
Workshops.............................................................................. 83
Tools.................................................................................. 83
From face to face...................................................................... 83
Hairstyles............................................................................. 84
Facial features....................................................................... 85
Ears................................................................................... 86
Eyes................................................................................... 87
The lower facial features and the mouth................................................ 89
Techniques............................................................................. 90
Chapter Seven Classifications............................................................. 93
The Bandit group....................................................................... 93
The Helmet group....................................................................... 94
The Ephesos-Tetrarch group............................................................. 96
The Athens group....................................................................... 98
The Plotinus group..................................................................... 99
The Eutropius group................................................................... 101
The Iamblichus group.................................................................. 102
From the Bandit group to the Eutropius group: a development of
technique?............................................................................ 103
Chapter Eight Social aspects ............................................................ 109
Imperial vs. private portraits........................................................ 109
Gods and humans....................................................................... 110
Recarvings across gender lines........................................................ 112
Recarved female portraits ............................................................ 113
Recarved portraits on sarcophagi...................................................... 118
Norms ................................................................................ 122
Conclusions Oblivion and reinvention..................................................... 123
Summary
125
CONTENTS ÍX
Map with portrait provenances ........................................................... 126-127
The Roman imperial succession until Justinian I ............................................. 129
Catalogue of recarved portraits ............................................................. 131
Introduction to the catalogue ........................................................... 131
Period 1. Male portraits Imperial....................................................... 131
Private................................................. 138
Female portraits Imperial............................................... 139
Private................................................. 140
Period 2. Male portraits Imperial............................................... 141
Private................................................. 143
Female portraits Imperial............................................... 145
Private................................................. 145
Period 3 Male portraits Imperial............................................... 145
Private................................................. 149
Female portraits Imperial............................................... 156
Private................................................. 157
Bibliography................................................................................. 159
Ancient sources ......................................................................... 159
Modern sources........................................................................... 161
Index of museums and collections............................................................. 177
Concordances ................................................................................ 187
General index................................................................................ 195
Figure plates 1-155
|
| any_adam_object | 1 |
| author | Prusac-Lindhagen, Marina 1974- |
| author_GND | (DE-588)136337600 |
| author_facet | Prusac-Lindhagen, Marina 1974- |
| author_role | aut |
| author_sort | Prusac-Lindhagen, Marina 1974- |
| author_variant | m p l mpl |
| building | Verbundindex |
| bvnumber | BV043751090 |
| classification_rvk | LG 3200 NH 8575 |
| ctrlnum | (gbd)1080973 (OCoLC)959553500 (DE-599)BVBBV043751090 |
| discipline | Geschichte Klassische Archäologie |
| edition | Second, revised edition |
| format | Book |
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| id | DE-604.BV043751090 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:34:07Z |
| institution | BVB |
| isbn | 9789004321847 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029162659 |
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| physical | xxii, 202 Seiten, 155 Seiten Bildtafeln Illustrationen, 1 Diagramm, 1 Karte |
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| publishDate | 2016 |
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| series | Monumenta Graeca et Romana |
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| spelling | Prusac-Lindhagen, Marina 1974- Verfasser (DE-588)136337600 aut From face to face recarving of Roman portraits and the late-Antique portrait arts by Marina Prusac Ph.D. (University of Oslo) Second, revised edition Leiden ; Boston Brill [2016] © 2016 xxii, 202 Seiten, 155 Seiten Bildtafeln Illustrationen, 1 Diagramm, 1 Karte txt rdacontent n rdamedia nc rdacarrier Monumenta Graeca et Romana volume 18 Geschichte Politik Römerzeit (DE-588)4076769-3 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Portrait sculpture, Roman Portrait sculpture, Roman / Political aspects Sculpture--Mutilation, defacement, etc / History / To 1500 Römisches Portrait (DE-2581)TH000008317 gbd Spätantike (DE-2581)TH000003969 gbd Bildnis (DE-588)4006627-7 s Römerzeit (DE-588)4076769-3 s DE-604 Erscheint auch als Online-Ausgabe 978-90-04-32455-8 Monumenta Graeca et Romana volume 18 (DE-604)BV000005928 18 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029162659&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Prusac-Lindhagen, Marina 1974- From face to face recarving of Roman portraits and the late-Antique portrait arts Monumenta Graeca et Romana Geschichte Politik Römerzeit (DE-588)4076769-3 gnd Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)4076769-3 (DE-588)4006627-7 |
| title | From face to face recarving of Roman portraits and the late-Antique portrait arts |
| title_auth | From face to face recarving of Roman portraits and the late-Antique portrait arts |
| title_exact_search | From face to face recarving of Roman portraits and the late-Antique portrait arts |
| title_full | From face to face recarving of Roman portraits and the late-Antique portrait arts by Marina Prusac Ph.D. (University of Oslo) |
| title_fullStr | From face to face recarving of Roman portraits and the late-Antique portrait arts by Marina Prusac Ph.D. (University of Oslo) |
| title_full_unstemmed | From face to face recarving of Roman portraits and the late-Antique portrait arts by Marina Prusac Ph.D. (University of Oslo) |
| title_short | From face to face |
| title_sort | from face to face recarving of roman portraits and the late antique portrait arts |
| title_sub | recarving of Roman portraits and the late-Antique portrait arts |
| topic | Geschichte Politik Römerzeit (DE-588)4076769-3 gnd Bildnis (DE-588)4006627-7 gnd |
| topic_facet | Geschichte Politik Römerzeit Bildnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029162659&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000005928 |
| work_keys_str_mv | AT prusaclindhagenmarina fromfacetofacerecarvingofromanportraitsandthelateantiqueportraitarts |