Perspectives on German popular music:
In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popu...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2017
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies. |
| Beschreibung: | xvii, 320 Seiten Illustrationen |
| ISBN: | 9781472479624 |
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| 520 | |a In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. | ||
| 520 | |a Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies. | ||
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Datensatz im Suchindex
| _version_ | 1804176548279877632 |
|---|---|
| adam_text | Contents
List of figures and tables ix
Notes on contributors x
PARTI
Histories and foundations 1
1 A fragile kaleidoscope: institutions, methodologies and
outlooks on German popular music (studies) 3
MICHAEL AHLERS AND CHRISTOPH JACKE
2 Popular music studies in Germany: from the
origins to the 1990s 16
HELMUT ROSING
3 Looking east: popular music studies between theory
and practice 33
PETER WICKE
PART II
Arts and experiments 53
4 Kosmische musik: on krautrock’s takeoff 55
JENS GERRIT PAPENBURG
5 Kraftwerk: the history and aesthetics of a pop-cultural concept 61
DIRK MATEJOVSKI
6 Pophorspiel: popular music in radio art 67
HOLGER SCHULZE
vi Contents
PART III
Mainstreams and masses
75
7 Hit Men: Giorgio Moroder, Frank Farian and the eurodiseo
sound of the 1970/80s 77
THOMAS KRETTENAUER
8 A re-encounter with the Scorpions’ 6 Wind of Change’: why
I couldn’t stand it then — what I learn from analysing it now 88
RALF VON APPEN
9 Modern Talking, musicology and I: analysing and
interpreting forbidden fruit 94
ANDRÉ DOEHRING
10 Rocking Granny’s living room? The new voices
of German schlager 100
JULIO MENDÎVIL
PART IV
Niches and subcultures 109
11 The popularization of electronic dance music: German
artists/producers and the eurodance phenomenon 111
NICO THOM
12 Restless and wild: early West German heavy metal 116
DIETMAR ELFLEIN
13 No escape from noise: ‘geräuschmusik’ made in Germany 123
TILL KNIOLA
14 German gothic: from ‘Neue Deutsche Todeskunst’ to neo-
Victorian steampunk 128
BIRGIT RICHARD
15 ‘The interesting ones’: ‘Hamburger Schule’ and the
‘secondariness’ of German pop 135
TILL HUBER
16 Music, line dance and country and western-themed events:
insights into German country music culture 140
STEFANIE JÄGER AND NILS KIRSCHLAGER
PART V
Politics and gender
Contents vii
147
17 Music of the right-wing scene: text content, distribution
and effects
GEORG BRUNNER
149
18 Rammstein under observation
SUSANNE BINAS-PREISENDÖRFER AND ARNE WACHTMANN
158
19 Rap music in Germany
165
AYLA GULER SAIED
20 ‘Heulsusen-pop’: new male sensitivity in German
independent music 172
MAREN VOLKMANN
21 From ‘Frauenfest’ to ‘Bitchsm’: feminist strategies in
German-language popular music from the 1970s until today 179
SONJA EISMANN
PART VI
Germanness and otherness 183
22 ‘White punks on dope’ in Germany: Nina Hagen’s
punk covers 185
MORITZ BAftLER
23 Singing in German: pop music and the question
of language 190
DIEDRICH DIEDERICHSEN
24 ‘NDW’/New German wave: from punk to mainstream 195
BARBARA HORNBERGER
25 Integrated music media analysis: an application to Trio 201
CHRISTOFER JOST
26 Punk in Germany 208
PHILIPP ME INERT AND MARTIN SEELIGER
27 Popular music from Austria 213
ROSA REITSAMER
Vlll
Contents
28 From soundtrack of the reunification to the celebration of
Germanness: Paul van Dyk and Peter Heppner’s ‘Wir sind
Wir’ as national trance anthem 217
MELANIE SCHILLER
PART VII
Electronic sounds and cities 223
29 Concepts of Cologne 225
HANS NIESWANDT
30 Who said it’s got to be ‘clean’? Stereotypes, presets and
discontent in German electronic sound studios 231
JOHANNES ISMAIEL-WENDT
31 The Berlin sound of techno 237
DANIEL METEO AND SANDRA PASSARO
PART VIII
Media and industries 245
32 The history of the German popular music industry in the
twentieth century 247
KLAUS NATHAUS
33 Pop on TV: the national and international success of Radio
Bremen’s Beat-Club 253
DETLEF SIEGFRIED
34 German music talent shows 259
NICOLAS RUTH AND HOLGER SCHRAMM
References and further reading 265
Index 305
|
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| discipline | Musikwissenschaft |
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| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke London ; New York Routledge, Taylor & Francis Group 2017 xvii, 320 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies. Popular music Germany History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Deutschland (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsch (DE-588)4113292-0 s Unterhaltungsmusik (DE-588)4061916-3 s Musiksoziologie (DE-588)4040869-3 s b DE-604 Ahlers, Michael 1973- (DE-588)131926071 edt Jacke, Christoph 1968- (DE-588)132242869 edt Erscheint auch als Online-Ausgabe 978-1-315-60020-8 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029156059&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Perspectives on German popular music Popular music Germany History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Deutsch (DE-588)4113292-0 gnd Musiksoziologie (DE-588)4040869-3 gnd |
| subject_GND | (DE-588)4061916-3 (DE-588)4113292-0 (DE-588)4040869-3 (DE-588)4143413-4 |
| title | Perspectives on German popular music |
| title_auth | Perspectives on German popular music |
| title_exact_search | Perspectives on German popular music |
| title_full | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke |
| title_fullStr | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke |
| title_full_unstemmed | Perspectives on German popular music edited by Michael Ahlers and Christoph Jacke |
| title_short | Perspectives on German popular music |
| title_sort | perspectives on german popular music |
| topic | Popular music Germany History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Deutsch (DE-588)4113292-0 gnd Musiksoziologie (DE-588)4040869-3 gnd |
| topic_facet | Popular music Germany History and criticism Unterhaltungsmusik Deutsch Musiksoziologie Deutschland Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029156059&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ahlersmichael perspectivesongermanpopularmusic AT jackechristoph perspectivesongermanpopularmusic |