American cinema in the shadow of 9/11:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | x, 341 Seiten Illustrationen |
| ISBN: | 9781474413817 9781474431958 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures v
Acknowledgements viii
Foreword ix
Alison Landsberg
Introduction: American Cinema in the Shadow of 9/11 1
Terence McSweeney
Part I Dramatisations of the ‘War on Terror’
x. The Mythic Shape of American Sniper (2015) 23
John Shelton Lawrence and Robert Jewett
2. Responding to Realities or Telling the Same Old Story?
Mixing ReaLworld and Mythic Resonances in
The Kingdom (2007) and Zero Dark Thirty (2012) 49
Geoff King
3. Acts of Redemption and ‘The Falling Man’ Photograph
in Post-9/11 US Cinema 67
Guy Westwell
4. ‘You be very mindful of how you act’: Post-9/11
Culture and Arab American Subjectivities in Joseph
Castelo’s The War Within (2005) and Hesham Issawi’s
AmeriçanEast (2008) 89
Paul Petrovic
5. Refracting Fundamentalism in Mira Nair’s The Reluctant
Fundamentalist (2012) 109
Ana Cristina Mendes and Karen Bennett
iv CONTENTS
Part II Influences of the ‘War on Terror’
6. ‘Not now that strength’: Embodimenr and Globalisation
in Post-9/11 James Bond 12.7
Vincent M. Gaine
7. Training the Body Politic: Networked Masculinity and
the ‘War on Terror’ in Hollywood Film 147
Adam Knee
8. ‘Gettin’ Dirty’: Tarantino’s Vengeful Justice, the
Marked Viewer and Post-9/11 America 169
Andrew Scbopp
9. Stop the Clocks: Lincoln and Post-9/11 Cinema 191
lan Scott
10. Foreshadows of the Fall: Questioning 9/1 x’s
Impact on American Attitudes 2.07
Stephen Joyce
Part III Allegories of the ‘War on Terror’
11. ‘Daddy, I’m scared. Can we go home?’ Fear and
Allegory in Frank Darabont’s The Mist 7) 227
Terence McSweeney
12. The Terrible, Horrible Desire to Know: Post-9/11
Horror Remakes, Reboots, Sequels and Prequels 249
James Kendrick
13. Post-9/11 Power and Responsibility in the Marvel
Cinematic Universe 269
Christine Muller
14. Nowhere Left to Zone in Children of Men (2006) 291
Sean Redmond
15. Traumatise, Repeat, Finish: Military Science
Fiction (Long) after 9/11 and Doug Liman’s
Edge of Tomorrow(2014) 307
Steffen Hantke
Selected Filmography 327
Notes on the Contributors 335
Index 339
Gripping and smart, American Cinema in the Shadow of
9/11 is a must-read for cinema students and researchers.
It offers especially timely and important analyses of
post-9/11 US film through a series of lucid essays that
incisively explore how the traumas and anxieties of the
terrorist attacks continue to haunt American identity and
its imaginary. I can t recommended this book enough for
anyone interested in the cultural function of film, narrative
and allegory.
Anna Froula, East Carolina University
American Cinema in the Shadow of 9/11 is a ground-breaking
collection of essays by some of the foremost scholars writing in
the field of contemporary American film. Through a dynamic
critical analysis of the defining films of the turbulent post-9/11
decade, the volume explores and interrogates the impact
of 9/11 and the War on Terror on American cinema and
culture. In a vibrant discussion of films like Sniper
(2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful
Eight (2015), Lincoln (2012), The Mist (2007), Children of
Men (2006), Edge of Tomorrow (2014) and Avengers: Age of
Ultron (2015), noted authors Geoff King, Guy Westwell, John
Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick,
Sean Redmond, Steffen Hantke and many others consider the
power of popular film to function as a potent cultural artefact,
able both to reflect the defining fears and anxieties of the
tumultuous era, but also to shape them in compelling and
resonant ways.
Terence McSweeney is Lecturer in the School of Media Arts
and Technology, Southampton Solent University.
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