Médiakultúra: Közép-Kelet-Európában = Media culture in Central and Eastern Europe
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | Hungarian |
| Published: |
Cluj-Napoca
Erdélyi Múzeum-Egyesület
2016
|
| Series: | Letöltés
4 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Abstract |
| Physical Description: | 148 Seiten |
| ISBN: | 9786067390445 |
Staff View
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Record in the Search Index
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| adam_text | Tartalom
Bevezetö .................................................................... 7
Jacques Migozzi
A mediakultüra napja keleten is felkel:
Összegzes es perspektiväk egy kutatäs beinditäsähoz.......................11
Kälai Sändor
A magyar (kelet-euröpai) mediakultura elsö szakasza (1840-1920)........... 25
Lampros Flitouris - Christas Dermentzopoulos
Felüton a modernitäs feie: ätmenet a populäris kultüräbol
a tömegkultüräba Delkelet-Euröpäban..........................................39
Keszeg Vilmos
Populäris kultüräk a 19-20. szäzadban........................................53
Vincze Hanna Orsolya
Nepi jelenteskepzes es közelet az eszmetörtenetben:
Eötvös Jözsef es Az uralkodö eszmek...........................................91
Norbert Bachleitner
Irodalom a becsi üjsägok tärcarovatäban 1855-ben.............................111
Marcela Poucová
A francia populáris regény cseh fordításai
a 19. században és a 20. század elején......................................123
KeszegAnna
A Magyar Királyság városainak
látványstruktúrái a századforduló képeslapjain..............................129
Abstract....................................................................145
Akotetszerzói...............................................................149
Media Culture in Central and Eastern Europe
French literary history has long been engaged in the research of the so-called popular
literature’s works, its well- or lesser-known authors. However, the legitimation process
of this research area was far from self-evident. Charles Grivel’s landmark work
from 1973 was concerned with the caption and sustention of readers’ attention and
analyzed book-format novels published between 1870 and 1880 in Paris, selecting a
sample of 200 from a corpus about 3 thousand volumes regardless of the popular or
elite framing of the texts. A few years later the literary historians of the University of
Limoges published their pioneer works: Ellen Constans, who was an active member
of the French Communist Party, was interested in sentimental novels, Jean-Claude
Vareille respectively in the aesthetics of the popular novel. It is important to mention
those specialists from Belgium and Quebec (Jacques Dubois, Marc Lits, Paul Bleton,
Julia Bettinotti) whose academic situation is peripheral compared to the French
literary system, and whose works were a proactive force - perhaps precisely because
of that position.
After a while it became clear that we should not speak about literary texts without,
on the one hand, understanding the cultural and economic context in which they were
born and experienced, and on the other hand, following up the adaptations of the
written media texts or of those hybrid works of art based on various codes of mixing
(comics, photo novels, film novels...). The result of that perspective was a reflection on
the media culture and its characteristics represented by the works of Marc Lits, Jacques
Migozzi, Dominique Kalifa.
The researchers, coming from different horizons, began to co-operate in more and
more organized forms and an important phase of this process was May 2011 when
at the University of Limoges the LPCM, the Associations des Chercheurs en Littératures
Populaires et Cultures Médiatiques was established. The LPCM attempts to integrate the
46
Media Culture in Central and Eastern Europe
scientific approaches dealing with Eastern European media culture phenomena beside
the Western European one.
All this information is necessary for the reader holding this volume to understand the
context of those studies. In December 2014 with the organization and financial support
of the Department of Communication and Media Studies of the University of Debrecen,
the Queen’s University of Belfast and the University of Limoges, a conference was held
at the University of Debrecen, where the speakers tried to point out what similarities
and differences can be grasped between the processes of Eastern and Western European
media culture. The studies issued from those lectures will be published later in English
or French and for this edition the organizers selected those few texts having either
Hungarian or Eastern European implications.
Jacques Migozzi’s study may be interesting to the reader partly because he points
out how the French researches in this field evolved, and secondly because he reveals
what shift is produced in the scientific perspective if we take into consideration both the
Eastern and the Western European case.
The main concern of the study of Sandor Kalai is what kind of economic and socio-
cultural context defines the evolution of the Hungarian media culture compared to the
Western European situation. He also tries to clarify what the implications of the concept
of media culture are in contrast with the often-used term of mass culture.
Lampros Flitouris’s and Christos Dermentzopoulos’s study summarizes an on-going
research that examines the social changes of South-East-Europe through the perspective
of the emergence of its national cultures, whilst taking account of the way in which the
mass cultural practices appear in the countries of the region (Greece, Turkey, Albania,
Yugoslavia, Bulgaria). In the Balkan countries we can talk about mass culture only after
the war, in particular in the context of the social transformation of the 1950s and 1960s.
The starting point of Vilmos Keszeg’s study is the problem of which place can be
assigned to popular and folk culture and how they intersect. To answer this question
he points out several problems. On the one hand he reconstructs the long process by
MEDiA Culture in Cental and Eastern Europe QQ
which scientific research discovered Hungarian folk culture and identified its various
functions, and how later the theory of folklorism and of the heritage standardized and
revitalized this tradition. On the other hand, he analyses how the various media are
domesticated in everyday life creating a new kind of folk (popular) culture. Thirdly, we
get an answer to the question whether the communist state did or did not have a specific
popular culture.
Hanna Orsolya Vincze analyses Eotvos Jozsef’s monumental work The Influence
of the Main Ideals of the 19th Century on the State through the lenses of the history of
ideas. She points out that, according to Eotvos, first of all we have to understand how
the people themselves interpret popular ideals. Popularity, in this approach, had three
components; ideas around which people rallied, emotions that connected them to these
ideas, and actions people undertook in their name. The way towards understanding these
components was to understand the culture of the people in its various manifestations,
from popular religiosity to literary and material culture. By re-reading Eotvos’s work
focusing on his conception of popular ideas, this paper investigates how the longstanding
tension between popularity and the distrust in populism was articulated in a classic of
nineteenth century central European political thought.
The press was undoubtedly the catalyst of popular literature and an important tool
of its distribution. The popular press appears in Vienna only in the 1850s. Those journals
published serial novels, local and heteronomous, adventure or thesis novels that are
sharply different from the international and autonomous literature published in the so-
called “quality” newspapers. Norbert Bachleitner’s study compares their thematic and
stylistic differences based on two examples.
Marcela Poucova s research based on the Czech Republic’s National Library’s collec-
tions presents who are the most frequently read and translated French authors and
novels in the late 19th Century and in the first decades of the 20th Century in the Czech
areas, willing to answer the question which was the a role of the translations in the
Czech cultural field.
tEEl Media Culture in Cental an^
Anna Keszeg’s study focuses on the visual aspects of media culture, analysing the
attractions and the landscape of Hungarian cities at the beginning of the 20th Century.
Summarizing the researches about the economic, social and urban evolution of
Hungarian cities in this period and the history of the popular attractions and of the
visual culture, she presents the visual evolution of eleven Hungarian cities using epochal
postcards as sources.
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| spelling | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe szerkestette Kálai Sándor Media culture in Central and Eastern Europe Cluj-Napoca Erdélyi Múzeum-Egyesület 2016 148 Seiten txt rdacontent n rdamedia nc rdacarrier Letöltés 4 Zusammenfassung auf Englisch Geschichte gnd rswk-swf Medienkultur (DE-588)7622329-2 gnd rswk-swf Ostmitteleuropa (DE-588)4075753-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Ostmitteleuropa (DE-588)4075753-5 g Medienkultur (DE-588)7622329-2 s Geschichte z DE-604 Kálai, Sándor 1974- (DE-588)1122775121 edt Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029154866&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029154866&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
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| subject_GND | (DE-588)7622329-2 (DE-588)4075753-5 (DE-588)4143413-4 |
| title | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe |
| title_alt | Media culture in Central and Eastern Europe |
| title_auth | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe |
| title_exact_search | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe |
| title_full | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe szerkestette Kálai Sándor |
| title_fullStr | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe szerkestette Kálai Sándor |
| title_full_unstemmed | Médiakultúra Közép-Kelet-Európában = Media culture in Central and Eastern Europe szerkestette Kálai Sándor |
| title_short | Médiakultúra |
| title_sort | mediakultura kozep kelet europaban media culture in central and eastern europe |
| title_sub | Közép-Kelet-Európában = Media culture in Central and Eastern Europe |
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| topic_facet | Medienkultur Ostmitteleuropa Aufsatzsammlung |
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