Radical aesthetics and modern Black nationalism:
"This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentatio...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2016]
|
Schriftenreihe: | The new Black studies series
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Zusammenfassung: | "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xii, 215 Seiten Illustrationen 23 cm |
ISBN: | 9780252040122 0252040120 9780252081613 0252081617 9780252098321 |
Internformat
MARC
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245 | 1 | 0 | |a Radical aesthetics and modern Black nationalism |c GerShun Avilez |
264 | 1 | |a Urbana ; Chicago ; Springfield |b University of Illinois Press |c [2016] | |
300 | |a xii, 215 Seiten |b Illustrationen |c 23 cm | ||
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490 | 0 | |a The new Black studies series | |
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505 | 8 | 0 | |t <<The>> art of revolution |t <<The>> question of "closing ranks" |t <<The>> claim of innocence: deconstructing the machinery of whiteness |t <<The>> suspicion of kinship: critiquing the construct of black unity |t <<The>> bodily logic of "revolutionizing the mind" |t <<The>> demands on reproduction: worrying the limits of gender identity |t <<The>> space of sex: reconfiguring the coordinates of subjectivity |t Queering representation |
520 | 3 | |a "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher | |
648 | 4 | |a Geschichte 1900-2000 | |
648 | 7 | |a Geschichte 1965-1975 |2 gnd |9 rswk-swf | |
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653 | 0 | |a Black Arts movement | |
653 | 0 | |a African American arts / 20th century | |
653 | 0 | |a African American arts | |
653 | 0 | |a African Americans / Intellectual life | |
653 | 0 | |a American literature / African American authors | |
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Datensatz im Suchindex
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---|---|
adam_text | CONTENTS
*G ^0
ICO
SLUB
ACKNOWLEDGMENTS IX
I
INTRODUCTION: THE ART OF REVOLUTION 1
PART I. THE QUESTION OF CLOSING RANKS
1 THE CLAIM OF INNOCENCE:
DECONSTRUCTING THE MACHINERY OF WHITENESS 29
2 THE SUSPICION OF KINSHIP:
CRITIQUING THE CONSTRUCT OF BLACK UNITY 61
PART II. THE BODILY LOGIC OF REVOLUTIONIZING THE MIND*
3 THE DEMANDS ON REPRODUCTION:
WORRYING THE LIMITS OF GENDER IDENTITY 95
4 THE SPACE OF SEX:
RECONFIGURING THE COORDINATES OF SUBJECTIVITY 133
CONCLUSION: QUEERING REPRESENTATION 167
NOTES 181
INDEX 207
|
any_adam_object | 1 |
author | Avilez, GerShun 1980- |
author_GND | (DE-588)1112297642 |
author_facet | Avilez, GerShun 1980- |
author_role | aut |
author_sort | Avilez, GerShun 1980- |
author_variant | g a ga |
building | Verbundindex |
bvnumber | BV043735788 |
callnumber-first | E - United States History |
callnumber-label | E185 |
callnumber-raw | E185.89.I56 |
callnumber-search | E185.89.I56 |
callnumber-sort | E 3185.89 I56 |
callnumber-subject | E - United States History |
classification_rvk | HU 1728 LO 94000 |
contents | <<The>> art of revolution <<The>> question of "closing ranks" <<The>> claim of innocence: deconstructing the machinery of whiteness <<The>> suspicion of kinship: critiquing the construct of black unity <<The>> bodily logic of "revolutionizing the mind" <<The>> demands on reproduction: worrying the limits of gender identity <<The>> space of sex: reconfiguring the coordinates of subjectivity Queering representation |
ctrlnum | (OCoLC)955209795 (DE-599)BSZ475415329 |
dewey-full | 320.5460973 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 320 - Political science (Politics and government) |
dewey-raw | 320.5460973 |
dewey-search | 320.5460973 |
dewey-sort | 3320.5460973 |
dewey-tens | 320 - Political science (Politics and government) |
discipline | Kunstgeschichte Politologie Anglistik / Amerikanistik |
era | Geschichte 1900-2000 Geschichte 1965-1975 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1965-1975 |
format | Book |
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physical | xii, 215 Seiten Illustrationen 23 cm |
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series2 | The new Black studies series |
spelling | Avilez, GerShun 1980- Verfasser (DE-588)1112297642 aut Radical aesthetics and modern Black nationalism GerShun Avilez Urbana ; Chicago ; Springfield University of Illinois Press [2016] xii, 215 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier The new Black studies series Includes bibliographical references and index <<The>> art of revolution <<The>> question of "closing ranks" <<The>> claim of innocence: deconstructing the machinery of whiteness <<The>> suspicion of kinship: critiquing the construct of black unity <<The>> bodily logic of "revolutionizing the mind" <<The>> demands on reproduction: worrying the limits of gender identity <<The>> space of sex: reconfiguring the coordinates of subjectivity Queering representation "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher Geschichte 1900-2000 Geschichte 1965-1975 gnd rswk-swf Geschichte Schwarze. USA Kunst (DE-588)4114333-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Black arts movement (DE-588)4997095-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf African Americans / Intellectual life / 20th century Black nationalism / History / 20th century / United States American literature / African American authors / History and criticism Black Arts movement African American arts / 20th century African American arts African Americans / Intellectual life American literature / African American authors Black nationalism / United States / Criticism, interpretation, etc / History USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Literatur (DE-588)4035964-5 s Film (DE-588)4017102-4 s Black arts movement (DE-588)4997095-1 s Geschichte 1965-1975 z DE-604 DE-576;DE-14 application/pdf http://swbplus.bsz-bw.de/bsz475415329inh.htm 20160810160206 Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029147591&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Avilez, GerShun 1980- Radical aesthetics and modern Black nationalism <<The>> art of revolution <<The>> question of "closing ranks" <<The>> claim of innocence: deconstructing the machinery of whiteness <<The>> suspicion of kinship: critiquing the construct of black unity <<The>> bodily logic of "revolutionizing the mind" <<The>> demands on reproduction: worrying the limits of gender identity <<The>> space of sex: reconfiguring the coordinates of subjectivity Queering representation Geschichte Schwarze. USA Kunst (DE-588)4114333-4 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Black arts movement (DE-588)4997095-1 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4035964-5 (DE-588)4017102-4 (DE-588)4997095-1 (DE-588)4078704-7 |
title | Radical aesthetics and modern Black nationalism |
title_alt | <<The>> art of revolution <<The>> question of "closing ranks" <<The>> claim of innocence: deconstructing the machinery of whiteness <<The>> suspicion of kinship: critiquing the construct of black unity <<The>> bodily logic of "revolutionizing the mind" <<The>> demands on reproduction: worrying the limits of gender identity <<The>> space of sex: reconfiguring the coordinates of subjectivity Queering representation |
title_auth | Radical aesthetics and modern Black nationalism |
title_exact_search | Radical aesthetics and modern Black nationalism |
title_full | Radical aesthetics and modern Black nationalism GerShun Avilez |
title_fullStr | Radical aesthetics and modern Black nationalism GerShun Avilez |
title_full_unstemmed | Radical aesthetics and modern Black nationalism GerShun Avilez |
title_short | Radical aesthetics and modern Black nationalism |
title_sort | radical aesthetics and modern black nationalism |
topic | Geschichte Schwarze. USA Kunst (DE-588)4114333-4 gnd Literatur (DE-588)4035964-5 gnd Film (DE-588)4017102-4 gnd Black arts movement (DE-588)4997095-1 gnd |
topic_facet | Geschichte Schwarze. USA Kunst Literatur Film Black arts movement USA |
url | http://swbplus.bsz-bw.de/bsz475415329inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029147591&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT avilezgershun radicalaestheticsandmodernblacknationalism |
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