Mermaids and the production of knowledge in early modern England:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Farnham, Surrey, England
Ashgate Publishing Limited ; Burlington, Vermont : Ashgate Publishing Company
[2015]
|
Schlagworte: | |
Online-Zugang: | KUBA1 |
Beschreibung: | Description based on print version record |
Beschreibung: | 1 online resource (166 pages) illustrations |
ISBN: | 9781472440013 9781472440020 |
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505 | 8 | |a "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- | |
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Datensatz im Suchindex
_version_ | 1804176534828744704 |
---|---|
any_adam_object | |
author | Pedersen, Tara E. |
author_facet | Pedersen, Tara E. |
author_role | aut |
author_sort | Pedersen, Tara E. |
author_variant | t e p te tep |
building | Verbundindex |
bvnumber | BV043735547 |
collection | ZDB-38-EBR |
contents | "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- |
ctrlnum | (ZDB-38-EBR)ebr11011382 (OCoLC)896872963 (DE-599)BVBBV043735547 |
dewey-full | 820.9/375 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9/375 |
dewey-search | 820.9/375 |
dewey-sort | 3820.9 3375 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1600-1700 Geschichte 1500-1700 gnd |
era_facet | Geschichte 1600-1700 Geschichte 1500-1700 |
format | Electronic eBook |
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id | DE-604.BV043735547 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:33:43Z |
institution | BVB |
isbn | 9781472440013 9781472440020 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029147356 |
oclc_num | 896872963 |
open_access_boolean | |
owner | DE-Y3 |
owner_facet | DE-Y3 |
physical | 1 online resource (166 pages) illustrations |
psigel | ZDB-38-EBR KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD KHI |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Ashgate Publishing Limited ; Burlington, Vermont : Ashgate Publishing Company |
record_format | marc |
spelling | Pedersen, Tara E. Verfasser aut Mermaids and the production of knowledge in early modern England by Tara E. Pedersen Farnham, Surrey, England Ashgate Publishing Limited ; Burlington, Vermont : Ashgate Publishing Company [2015] © 2015 1 online resource (166 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on print version record "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- Geschichte 1600-1700 Geschichte 1500-1700 gnd rswk-swf Geschichte Women in literature English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role England History Women and literature England History Drama (DE-588)4012899-4 gnd rswk-swf Meerweib (DE-588)4228017-5 gnd rswk-swf Geschlechterrolle Motiv (DE-588)4222106-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Meerweib (DE-588)4228017-5 s Geschlechterrolle Motiv (DE-588)4222106-7 s Geschichte 1500-1700 z 1\p DE-604 Erscheint auch als Druck-Ausgabe Pedersen, Tara E . Mermaids and the production of knowledge in early modern England 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Pedersen, Tara E. Mermaids and the production of knowledge in early modern England "We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid's existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates" -- Geschichte Women in literature English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role England History Women and literature England History Drama (DE-588)4012899-4 gnd Meerweib (DE-588)4228017-5 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4012899-4 (DE-588)4228017-5 (DE-588)4222106-7 (DE-588)4014777-0 |
title | Mermaids and the production of knowledge in early modern England |
title_auth | Mermaids and the production of knowledge in early modern England |
title_exact_search | Mermaids and the production of knowledge in early modern England |
title_full | Mermaids and the production of knowledge in early modern England by Tara E. Pedersen |
title_fullStr | Mermaids and the production of knowledge in early modern England by Tara E. Pedersen |
title_full_unstemmed | Mermaids and the production of knowledge in early modern England by Tara E. Pedersen |
title_short | Mermaids and the production of knowledge in early modern England |
title_sort | mermaids and the production of knowledge in early modern england |
topic | Geschichte Women in literature English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role England History Women and literature England History Drama (DE-588)4012899-4 gnd Meerweib (DE-588)4228017-5 gnd Geschlechterrolle Motiv (DE-588)4222106-7 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Geschichte Women in literature English drama 17th century History and criticism English drama Early modern and Elizabethan, 1500-1600 History and criticism Mermaids in literature Sex role in literature Social values in literature Sex role England History Women and literature England History Drama Meerweib Geschlechterrolle Motiv Englisch |
work_keys_str_mv | AT pedersentarae mermaidsandtheproductionofknowledgeinearlymodernengland |