The Cold War and entertainment television:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | vii, 277 Seiten |
| ISBN: | 9781443890694 1443890693 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804176529984323584 |
|---|---|
| adam_text | Table of Contents
Chapter One........................................................1
Introduction
Lori Maguire
Chapter Two.......................................................17
Foreign Entertainment Programs on Soviet Television:
Dosage and Censorship
Anatoly Tokmakov
Chapter Three.....................................................31
The Adventures Robin Hood: Outlawed in Sherwood,
Banned from Hollywood
Scott Brand
Chapter Four.................................................... 53
Fight, Classify, Borrow and Replace: The Soviets and the West
in the Television Series State Border (1980-1988)
Gueorgui Chepelev
Chapter Five......................................................69
Socialist Indians and Capitalist Cowboys: The Uses of Westerns
in Both Germanies
Nancy Reagin
Chapter Six.......................................................83
Playing Socialist Games: East German Game Shows and an Alternative
Model of Consumption
Laura Honsberger
Chapter Seven.....................................................97
Images and Image-Making in TASS is Authorized to Announce
Jonathan Ludwig
VI
Table of Contents
Chapter Eight....................................................107
False Nazis and True Chekists, Treacherous Allies and Close Enemies:
The Soviet Series Seventeen Moments of Spring
Cécile Vaissié
Chapter Nine.....................................................121
Treating the Nation’s Wounds: M*A*S*H, 1972-1975
Lori Maguire
Chapter Ten......................................................135
A Cold Warrior in Paradise: American Cold War Masculinity,
Race and Empire in Hawaii Five-O
Michael G. Vann
Chapter Eleven..................................*...............155
Politics and Evil: Detective Stories on Soviet Television in the Cold
War Context
André Filler
Chapter Twelve................................................. 167
Propaganda and the Atomic Age: The Adventures of Superman
and American Cold War Rhetoric
Joseph J. Darowski
Chapter Thirteen.................................................181
Cold War Edutainment: Understanding Czech Documentaries on Cold
War Latin America
Katerina Brezinovâ
Chapter Fourteen.................................................203
Men Into Space: The Space Race and Entertainment Television
Margaret A. Weitekamp
Chapter Fifteen..................................................219
Music on Romanian National Television: Between National Glorification
and Demarcation from the West
Irène Costelian
The Cold War and Entertainment Television vii
Chapter Sixteen................................................... 231
Comedy on the Front Lines of the Cold War: Bob Hope’s Christmas
Specials during the Vietnam War
Uldis Kruze
Chapter Seventeen..................................................247
The Fall and Rise of the Cold War Masquerade: Magical Young Women
in North American Television, 1964-2015
Anne Rubenstein
Contributors.......................................................267
Index
273
An essential dimension of the Cold War took place in the realm of ideas and
culture. While much work exists on cinema, relatively little research has
been conducted on this subject in relation to television, despite the latter
being a technology and popular cultural form that emerged during this
period. This book rectifies that absence by examining the impact of the Cold
War on entertainment television, and underlines the comparative aspect by
studying programs from both blocs - without forgetting, of course, the
outsize impact of American television. Although most of the focus is on the
two main protagonists, the US and the USSR, chapters also consider
programming from the UK, Czechoslovakia, Romania, and both East and
West Germanv.
«/
This book represents a contribution to the debate about the cultural Cold
War through a rigorously comparative analysis of the two blocs. For this
reason, the approach used is thematic. The study begins by considering the
subject of censorship, and then goes on to look at the very particular case of
the two Germanys. A series of comparative genre studies follow, including
police and war, variety shows, and documentaries and docudramas. Perhaps
surprisingly, the similarities are often greater than the differences between
television in the two blocs.
|
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| era_facet | Geschichte |
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| title_full | The Cold War and entertainment television edited by Lori Maguire |
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