Gabriel García Márquez:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke
Palgrave Macmillan
2016
|
| Schriftenreihe: | Readers' guides to essential criticism
Macmillan education |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | vii, 155 Seiten 23 cm |
| ISBN: | 9781137513397 9781137513366 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
INTRODUCTION 1
An overview of García Marquez’s works, major and minor, with a suc-
cinct account of the author’s sudden fame, which brought attention
to his earlier works, his novels in succession after One Hundred
Years of Solitude, key biographical details relating to his fiction and
his level of importance in the literary world.
CHAPTER ONE 7
Early Fiction and Short Fiction
Details the first short pieces of fiction printed in Colombian news-
papers from 1947 and traces the development of the author’s craft
while examining critical differences of opinion regarding their qual-
ity and purported literary influences. Donald McGrady and Mario
Vargas Llosa disagree on the quality of these works while suggest-
ing that there are themes, motifs and techniques that resemble
those used by William Faulkner. Later critics such as Suzanne Jill
Levine and Harley Oberhelman explore those questions.
In Evil Hour and No One Writes to the Colonel are the subject of
a critical overview of book-length fiction, and the stories from Big
Mama’s Funeral are examined, particularly those that form part of
the Macondo cycle. The stories from Innocent Erendira are seen as
representative of García Marquez’s maturity as a writer.
CHAPTER TWO 27
One Hundred Years of Solitude I
Considers Reinaldo Arenas’ essay review, which highlights most
of the points of later critical investigation: biblical allusions, the
influences of Borges and Alejo Carpentier among Latin American
authors, Colombian history and magical realism. Rodriguez Monegal,
Palencia-Roth, Levine and Oberhelman investigate the question of
the Macondo cycle and comparisons with Faulkner’s Yoknapatawpha
County, the banana plantation workers massacre, the etymology of
v
vi CONTENTS
Macondo, Biblical paradigms, Melquíades’ parchments, the Biblical
hurricane, incest and Sophocles, magical realism and The Boom.
CHAPTER THREE 50
One Hundred Years of Solitude II
Explores Anglo-American and Latin American comparative strategies
and literary genealogies proposed by different critics, and looks
at the novelist’s discussions about Sophocles, Faulkner, Borges,
Virginia Woolf and Tolstoy and their appeal to him. Considers how
González Echevarría characterizes the novel within a theory of Latin
American archival fiction and Regina Janes disputes the validity of
theoretical conventions, citing regional grounding. Examines the
critical contentions regarding the insomnia plague; Wayuu folklore;
Chibcha mythology versus Biblical intertextuality; the meaning of
‘solitude’; and whether the novel is serious or not, including an
analysis of the chemical and botanical poisons scattered through-
out its pages. Reflects also on the novel’s influence on post-Boom
novels in Latin America (especially Isabel Allende’s The House of the
Spirits) and on world literature, and on the rejection of the yoke of
magical realism in the anthology McOndo.
CHAPTER FOUR 71
The Autumn of the Patriarch and The General
in His Labyrinth
Discusses The Autumn of the Patriarch as an example of the sub-
genre of ‘the novel of the dictator’ and compares it with Miguel
Ángel Asturias’ The President and highlights the author’s desire to
write the paradigm of the sub-genre. Focuses on Gene Bell-Villada’s
examination of the aesthetic qualities of the novel and his proposed
sources in Virginia Woolf and Béla Bartók. Considers Raymond L.
Williams’ analysis of the poetics of the novel. Explores Julio Ortega’s
comments on the burden of dictatorships borne by Latin Americans
and relates the novel to popular culture. Investigates how Lois Par-
kinson Zamora and Regina Janes contrast and compare the novel
with One Hundred Years of Solitude, both considering the end of
time. Goes on to explore the treatment of history, the mythification
of Simón Bolívar and García Márquez’s depiction of a demythified
historical figure in The General in His Labyrinth.
CONTENTS vii
CHAPTER FIVE 86
Chronicle of a Death Foretold
Considers various critical treatments of the question of scapegoat-
ing, the best of which is by Gustavo Pellón. Raymond L. Williams
examines the question of journalism in the novel. Carlos Alonso
takes on the same topic but subordinates it to critical theory. Ángel
Rama suggests that the novel s genuine inspiration is Sophocles’
Oedipus, proves the point and argues that the narrator, like Oedipus,
is investigating a crime he himself has unwittingly committed. Ali
Shehzad Zaidi takes the point much further, demonstrating convinc-
ingly that the narrator is responsible for having deflowered Ángela
Vicario, his distant cousin, and is therefore also responsible for
the tragedy that unfolds. Biblical imagery and orientalism are both
examined.
CHAPTER SIX 107
Love in the Time of Cholera and Of Love
and Other Demons
Discusses different critical treatments of parody and satire in the
novel. Álvarez Borland examines the novel’s internal texts and
the oil painting for deeper meaning. Claudette Kemper Columbus
presses a Marxist interpretation. John Benson explores the mean-
ing of the layers of nostalgia in the novel. Steven Hunsaker looks at
the role of black women in it and compares Garcia Marquez’s treat-
ment with Jorge Amado’s in his novel Tent of Miracles. Of Love and
Other Demons is examined in relation to Baroque era conceptismo,
the Inquisition, the Roman Catholic faith and the Yoruba tradition.
Aníbal González links it with the post-Boom sentimental novel and
a Platonic view of the novel; Arnold Penuel considers the role of the
Church in oppression; and William O. Deaver contrasts it with the
Yoruba ancestor of Santería.
CONCLUSION 126
NOTES 132
SELECT BIBLIOGRAPHY 146
INDEX 152
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| indexdate | 2024-07-10T07:33:37Z |
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| isbn | 9781137513397 9781137513366 |
| language | English |
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| physical | vii, 155 Seiten 23 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
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| publisher | Palgrave Macmillan |
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| series2 | Readers' guides to essential criticism Macmillan education |
| spelling | Corwin, Jay Verfasser aut Gabriel García Márquez Jay Corwin. Consultant editor: Nicolas Tredell Basingstoke Palgrave Macmillan 2016 vii, 155 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Readers' guides to essential criticism Macmillan education García Márquez, Gabriel 1927-2014 Criticism and interpretation García Márquez, Gabriel 1927-2014 (DE-588)118537601 gnd rswk-swf García Márquez, Gabriel 1927-2014 (DE-588)118537601 p DE-604 Tredell, Nicolas 1950- (DE-588)1030490309 edt http://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=6821673&custom_att_2=simple_viewer Gabriel García Márquez Inhaltsverzeichnis Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029141752&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Gabriel García Márquez |
| title_auth | Gabriel García Márquez |
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