The poem is you: 60 contemporary American poems and how to read them
Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty--and sheer variety--leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s where critical c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
Belknap Press of Harvard University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty--and sheer variety--leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline making urgency of Claudia Rankine's Citizen to the stark pathos of Louise Glück, the limitless energy of J. F. Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), prizewinning poets near the start of their careers (such as Brandon Som), and others who are not--or not yet--well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today. -- |
| Beschreibung: | Includes index |
| Beschreibung: | vii, 419 Seiten |
| ISBN: | 9780674737877 |
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| 520 | 3 | |a Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty--and sheer variety--leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline making urgency of Claudia Rankine's Citizen to the stark pathos of Louise Glück, the limitless energy of J. F. Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), prizewinning poets near the start of their careers (such as Brandon Som), and others who are not--or not yet--well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today. -- | |
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Datensatz im Suchindex
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| adam_text | Contents
Introduction i
John Ashbery, Paradoxes and Oxymorons (1981) 17
Tato Laviera, tito madera smith (1981) 22
Richard Wilbur, The Ride (1982) 30
Lucille Clifton, my dream about the second coming
(1982/1987) 35
Carla Harryman, Possession (1982) 40
John Hollander, Songs Sonnets (1983) 43
Carl Dennis, More Music (1984/1985) 31
Liam Rector, Saxophone (1984) 36
Czeslaw Milosz, trans. Robert Pinsky and Czeslaw Milosz,
Incantation (1984) 61
Robert Grenier, Shoe from the Waves (1984) 68
Rita Dove, Lightnin Blues (1986) 73
A. R* Ammons, Target (1987) 78
Yusef Komunyakaa, Facing It (1987/1988) 83
Diane Glancy, Hamatawk (1988/1991) 88
Lucie Brock-Broido, Domestic Mysticism (1988) 94
Killarney Clary, Above the Inland Empire today (1989) 99
John Yau, Modern Love (1989) 104
Robert Creeley, Oh (1990) no
Charles Wright, December Journal (1990) 114
Allen Grossman, The Piano Player Explains Himself (1991) 121
Adrienne Rich, An Atlas of the Difficult World XIII
(Dedications) (1991) 126
Louise Glück, Lamium (1992) 752
James Merrill, Self-Portrait in Tyvek™ Windbreaker
(1992/1995) 135
Linda Gregerson, Salt (1993 /1996) 143
Kay Ryan, Emptiness (1993) 134
Albert Goldbarth, “A Wooden Eye. An 1884 Silver Dollar.
A Homemade Explosive. A Set of False Teeth. And a
14-Karat Gold Ashtray” (1995 /1998) 138
Harryette Mullen, honey jars of hair (1995) 164
Stanley Kunitz, Halleys Comet (1995) 169
Michael Palmer, Letters to Zanzotto: Letter 3 (1995) 174
Robert Hass, Our Lady of the Snows (1996) 179
C. D. Wright, Key Episodes from an Earthly Life (1996) 183
Juan Felipe Herrera, Blood on the Wheel (1999) 192
Carter Revard, A Song That We Still Sing (2001) 200
Allan Peterson, Epigraph (2001) 207
Rae Armantrout, Our Nature (2001) 213
Elizabeth Alexander, Race (2001) 218
Liz Waldner, A / ppeal A / pple A / dam A / dream (2002) 223
kari edwards, » » » PLEASE FORWARD » (2003) 228
Agha Shahid Ali, Tonight (1996/2003) 233
D. A. Powell, [when he comes he is neither sun nor shade:
a china doll] (2004) 240
Angie Estes, Sans Serif (2005) 245
W. S. Merwin, To the Wires Overhead (2005/ 2007) 230
Bernadette Mayer, On Sleep (2005) 233
Donald Revell, Moab (2005 / 2007) 263
Terrance Hayes, The Blue Terrance (2006) 268
Jorie Graham, Futures (2007/2008)
Laura Kasischke, Miss Weariness (2007) 282
Frank Bidart, Song of the Mortar and Pestle (2008) 288
Robyn SchifF, Lustron: The House America Has Been
Waiting For (2008) 2%
Mary Jo Bang, Q Is for the Quick (2009)
Lucia Perillo, Viagra (2009) 308
Melissa Range, The Workhorse (2010) 314
Joseph Massey, Prescription (2011) 320
dg nanouk okpik, Date: Post Glacial (2012) 324
Rosa Alcalá, Class (2012) 330
Gabby Bess, Oversized T-Shirts (2012/2013) 336
Brenda Shaughnessy, Hide-and-Seek with God (2012) 343
Claudia Rankine, You and your partner go to see the film (2014) 348
Brandon Som, Oulipo (2014) 344
Ross Gay, Weeping (2015) 362
Sources 371
Further Reading 343
Acknowledgments 347
Credits
Index 407
Contemporary American poetry has plenty to
offer new readers, and plenty more for those
who already follow it. Yet its difficulty-and
sheer variety-leaves many readers puzzled
or overwhelmed. The critic, scholar, and poet
Stephen Burt sets out to help. Beginning in
the early 1 98Os, where critical consensus ends,
Burt canvasses American poetry of the past four
decades, from the headline-making urgency of
Claudia Rankines Citizen to the stark pathos of
Louise Gluck, the limitless energy of Juan Felipe
Herrera, and the erotic provocations of D. A.
Powell.
The Poem Is Yon: Sixty Contemporary ¿American
Poems ¿m d Hons to Reatl Them is a guide to the
diverse magnificences of American poetry today.
It presents a wide range of poems selected by
Burt for this volume, each accompanied by an
original essay explaining how a given poena
works, why it matters, and how the poem speaks
to other parts of art and culture. Included here
are some classroom classics (by Ashbery,
Komunyakaa, Hass), less famous poems by very
famous poets (Glück, Kay Ryan), and poems by
prizewinning poets near the start of their careers
(such as Brandon Som), and by others who are
not---or not yet--well known.
The Poem Is Yon wall appeal to poets, teachers,
and students, but it is intended especially for
readers who want to learn more about con-
temporary American poetry but who have not
known where or how to start. It describes what
American poets have fashioned for one another,
and what they can give us today.
|
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| title_full | The poem is you 60 contemporary American poems and how to read them Stephen Burt |
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