Cave:
Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting. The first issue of Cave looks into the territory of the public collection considering it bot...
Gespeichert in:
Körperschaft: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berlin
Sternberg Press
2016-
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Zusammenfassung: | Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting. The first issue of Cave looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure. Artists, scholars, and other thinkers address the role of museums and collections for identity-making and territorial representation, the increasing invisibility of the collection, productive and problematic processes of inclusion and exclusion, and what seems to be a general distrust towards history in the contemporary art museum. As such they speculate on radical yet tangible strategies for the activation and sedimentation of the collection in the contemporary art museum from the point of view of its architecture, scale, locality, history, organizational model, display, research, and collecting methodologies. |
Beschreibung: | Bände |
Internformat
MARC
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520 | |a Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting. The first issue of Cave looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure. Artists, scholars, and other thinkers address the role of museums and collections for identity-making and territorial representation, the increasing invisibility of the collection, productive and problematic processes of inclusion and exclusion, and what seems to be a general distrust towards history in the contemporary art museum. As such they speculate on radical yet tangible strategies for the activation and sedimentation of the collection in the contemporary art museum from the point of view of its architecture, scale, locality, history, organizational model, display, research, and collecting methodologies. | ||
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Datensatz im Suchindex
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any_adam_object | |
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author_corporate_role | aut |
author_facet | Contemporary Art Heritage Flanders |
author_sort | Contemporary Art Heritage Flanders |
building | Verbundindex |
bvnumber | BV043728867 |
ctrlnum | (DE-599)BVBBV043728867 |
format | Book |
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id | DE-604.BV043728867 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:33:35Z |
institution | BVB |
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language | English |
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physical | Bände |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Sternberg Press |
record_format | marc |
spelling | Contemporary Art Heritage Flanders Verfasser (DE-588)1042169322 aut Cave Berlin Sternberg Press 2016- Bände txt rdacontent sti rdacontent n rdamedia nc rdacarrier Cave is a series of publications featuring commissioned and republished explorations, anecdotes, research, documents, case studies, essays, and scenarios on how to think and practice contemporary collecting. The first issue of Cave looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure. Artists, scholars, and other thinkers address the role of museums and collections for identity-making and territorial representation, the increasing invisibility of the collection, productive and problematic processes of inclusion and exclusion, and what seems to be a general distrust towards history in the contemporary art museum. As such they speculate on radical yet tangible strategies for the activation and sedimentation of the collection in the contemporary art museum from the point of view of its architecture, scale, locality, history, organizational model, display, research, and collecting methodologies. |
spellingShingle | Cave |
title | Cave |
title_auth | Cave |
title_exact_search | Cave |
title_full | Cave |
title_fullStr | Cave |
title_full_unstemmed | Cave |
title_short | Cave |
title_sort | cave |
work_keys_str_mv | AT contemporaryartheritageflanders cave |