Eisagōgē stē byzantinē musikē: = Introduction to byzantine music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Greek |
| Veröffentlicht: |
Thessalonikē
University Studio Press
2016
|
| Ausgabe: | Prōtē ekdosē |
| Schriftenreihe: | Bibliothēkē musikologias
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | In griechischer Schrift |
| Beschreibung: | 426 Seiten Illustrationen, grafische Darstellungen, Notenbeispiele |
| ISBN: | 9789601222301 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV043726857 | ||
| 003 | DE-604 | ||
| 005 | 20160915 | ||
| 007 | t | ||
| 008 | 160822s2016 agl| |||| 00||| gre d | ||
| 020 | |a 9789601222301 |9 978-960-12-2230-1 | ||
| 035 | |a (OCoLC)957732742 | ||
| 035 | |a (DE-599)BVBBV043726857 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a gre | |
| 049 | |a DE-12 |a DE-19 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Alexandru, Maria |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)142759945 |4 aut | |
| 245 | 1 | 0 | |a Eisagōgē stē byzantinē musikē |b = Introduction to byzantine music |c Maria Alexandru |
| 246 | 1 | |a Eisagōgē stē byzantinē mousikē | |
| 246 | 1 | 1 | |a Introduction to byzantine music |
| 250 | |a Prōtē ekdosē | ||
| 264 | 1 | |a Thessalonikē |b University Studio Press |c 2016 | |
| 300 | |a 426 Seiten |b Illustrationen, grafische Darstellungen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Bibliothēkē musikologias |v 5 | |
| 500 | |a In griechischer Schrift | ||
| 505 | 8 | |a Enthält umfangreiche Bibliografie (S. 379-409) | |
| 505 | 8 | 0 | |g CD |t Eisagōgē stē byzantinē musikē |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Byzantinisches Reich |0 (DE-588)4009256-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Byzantinisches Reich |0 (DE-588)4009256-2 |D g |
| 689 | 0 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Bibliothēkē musikologias |v 5 |w (DE-604)BV035475773 |9 5 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029138801&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029138801 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |g 398 |
Datensatz im Suchindex
| _version_ | 1804176522809966592 |
|---|---|
| adam_text | nEPIEXOMENA
nPOAOnKO XHMEIQMA TOY AIEY0YNTH XEIPAX A. EI ANNOY ................................ xiii
npoAoros xyexpaoea ................................................... xv
BPAXYEPAOIEX, EIAIKA XYMBOAA TIA THN EKAOXH KEIMENON KAI EIKONIAIA
EIA EXÍ2TEPIKEX nAPAnOMnEX ...................................... xxiii
MEPOX A . nEPIAH PEIX
1. BYZANTINOX nOAITIXMOX .............................................. 3
1.1. nPOAEEOMENA .................................................... 3
1.2. IXTOPIKO nAAIXIO ............................................... 5
1.3. EEQEPAOIKO nAAIXIO ............................................. 8
1.3.1. H emxpáxeia ziqç BuÇavxivrjç Auxoxpaxopiaç ............................. 8
1.3.2. H axxivoßoXia tou BuÇavxioo ............................... 10
2. BYZANTINH MOYXIKOAOEIA ............................................ 11
2.1. BYZANTINH MOYXIKH KAI BYZANTINH MOYXIKOAOEIA: nPOXAIOPIXMOI 11
2.2. nHEEX EIA TH MEAETH THX BYZANTINHX MOYXIKHX ................................ 13
2.3. EENIKH EniXKOnHXH THX IXTOPIAX THX BYZANTINHX MOYXIKOAOEIAX:
nEPIOAOI EEEAIEHX, EPEYNHTEX, ME0OAOAOEIA, nPOBAHMATIXMOI ... 14
2.3.1. A7tapxéç:’PaXxixrj E7UCTTr¡^Y] xat, Te^vr) axo Yoxspo Bu^ávxio ......... 16
2.3.2. H BuÇavxivrj Mooaixr¡ avaxaXó-xxexoa wç nedio épeuvaç ozr¡ Avor¡
(17oç - ap^éç 19ou au) ...................................... 16
2.3.3. H «Néa MéSoSoç» xat, xo épyo axa 0epéXt.a xwv BuÇavxivcôv Mooaixcôv
XtcouSwv (19oç - apyéç 20oó au) .......................................... 17
2.3.4. H SieOvrjç sSpaiwar] xcov BuÇavxivwv Mouaixcov Xtouôcov (1930 - 1950) .. 21
2.3.5. H upcoxY] àvÔYjCTY) xcov BuÇavxivcôv Mouaix(6v XuouScov (1950 - 1970) .. 23
2.3.6. H «ápar¡ xrjç SiyXwaaiaç» (1970 - 2000) ................................ 23
2.3.7. Mía SsóxspYj áv0Y]ari xuv BuÇavxivcov Mouaixwv Enoudcôv (2000-ar)pepa) _ 26
2.4. XYXTHMATIKH 0EOPHXH: BYZANTINH MOYXIKOAOEIA KAI BOH0HTIKEX
nPOX AYTHN EniXTHMEX ........................................... 28
13. XTOIXEIA AEITOYPEIKHX ......................................................... 33
3.1. XYNTOMH ANAAPOMH XTHN IXTOPIA THX 0EIAX AATPEIAX ........................... 33
3.2. OIAEITOYPEIKOI TYnOI THX XPIXTIANIKHX AATPELAX ............................... 38
3.3. O BYZANTINOX AEITOYPEIKOXTYnOX ............................................. 38
3.3.1. i àasiç xy]ç laxopixrjç too z%é iE,r¡q ................................. 38
vil
Enerara STH Byzantinh Moyiikh
viii
3.3.2. H Siapôpcpcoor] too ßoi^xvxivoo XEixoopyixoó tottoo ...................... 40
3.3.3. nepi£)(ôp£VO too ßo^avTivou TÓ710U xptüTiavixrjç Xaxpsiaç ................ 41
3.4. H 0EIA AEITOYPriA TOY AriOY IQANNOY TOY XPYIOITOMOY .......................... 42
3.4.1. H Ayía Avacpopá too l£poô Icoàvvoo too Xpoaoaxôpoo: ri£piXY](|jY) ........ 42
3.4.2. H 0EÍa AEixoopyía too Ay. Icoávvoo too Xpoooaxópoo. I^sSiaypappa ......... 43
4. ITOIXEIA YMNOAOHAI ................................................. 47
4.1. TO WAATHPION, H BAIH TON AKOAOY0IÜN TOY NYX0HMEPOY ........................... 47
4.2. TPOnOI WAAMQAIAI ............................................... 47
4.3. nEPIOAOI EHEAIEHI TOY YMNOAOriOY, KYPIA EIAH THE YMNOrPAOIAI,
nEPKDHMOI MEAÜAOI KAI YMNOTPAOOI ................................ 49
4.3.1. Iaxopixrj upooéyyiar]: Oí cpàaEiç e^éXiÇyjç tï]ç ßo^avxivr^ opvoypacpiaç . 49
4.3.2. Eoaxr¡paTixr¡ 7rpoaéyyia7} tyjç ßo^avxivrjg opvoypacpiaç ................. 52
4.3.2.1. Kopfeç apyéç, xoivá yvcopía^axa ...................................... 52
4.3.2.2. EîSyj opvoypacpiaç ..................................... 54
4.3.2.3. AEixoopyixá ßißXia (xEÍpEva) ......................................... 61
4.3.2.4. Oí XEixoopyixoí xóxXoi xai xa xopióxEpa XEixoopyixá ßißXia ........... 63
5. MOYIIKH 0EQPIA ITO BYZANTIO, H OKTAHXIA KAI H BYZANTINH
nAPAIHMANTIKH ........................................................ 65
5.1. MOYIIKH TEXNH KAI WAATIKH TEXNH ITO BYZANTIO: ©EÜPHTIKA
IYTTPAMMATA ...................................................... 65
5.2. TŒPI THI OKTAHXIAI THI BYZANTINHI MOYIIKHI ................................... 69
5.2.1. Eiaaycoyixá ................................................. 69
5.2.2. Iaxopixá axoi^eía ........................................... 70
5.2.3. ÜEpí tï]ç évvoiaç too rjxoo OTT] ßo^avTiVTj [xooaixrj - aoaxrjpaxixr] Ttpooéyyiarj 71
5.3. H BYZANTINH nAPAIHMANTIKH. AIATPAMMA THI IITOPIKHI ESEAISHI 74
6. H BYZANTINH, METABYZANTINH KAI NEOTEPH EKKAHIIAITIKH
MEAOnOIIA (IYN0EIH) ................................................. 77
6.1. IITOPIKH nPOIErniH: MIA ITEPIOAOAOrHIH KAI KOPYOAIOI
MEAOYPrOI (IYN0ETEI) ............................................ 77
6.1.1. Mia yEvixrj ETuaxÓTrrjOY) .................................. 77
6.1.2. Kopotpaíoi pEXoopyoí, épya xai ¡xooaixéç aoXXoyéç ........................ 84
6.2. lYITHMATIKH nPOIEmiH ITH BYZANTINH MEAOYPriA ................... 97
6.2.1. Oí xopióxEpoi tóttoi poooixcóv x^ipoypácpcov ............... 97
6.2.2. révY] xai eíSy¡ ty]ç ßo^avxivrjc;, pExaßo^avxivriq xai VEÔTEprjç £xxXT)oiaaxixr¡q
pEXoTioiiaç .................................................. 98
7. nEPI KOIMIKHI MOYIIKHI ITO BYZANTIO KAI META TO BYZANTIO .......... 103
7.1. nPOinA0EIEinPOIAIOPIIMOY ...................................... 103
7.2. nEPIITAIEII EKTEAEIHI - IYMOPAZOMENA KOIMIKHI MOYIIKHI ......... 104
7.3. nHrEI ......................................................... 105
7.4. UTOPIA THI EPEYNAI KAI 0EMATIKOI KYKAOI ....................... 107
7.5. ITOIXEIA IITOPIAI THI KOIMIKHI MOYIIKHI KATA TA BYZANTINA KAI
METABYZANTINA XPONIA ........................................... 107
7.5.1. Koopixr¡ poooixrj oto Bo^ávxio ........................... 107
riEPIEXOMENA
IX
7.5.2. Koopix^ ocvoítoXixr¡ pouaixyj xaxá xr¡ peTaßu^avTivr) uepioSo xou
TOUÇ V£ÔT£pOUÇ XPÔVOÜÇ .............................................. Ill
7.6. ZTOIXEIA MOPOOAOriAI THE KOZMIKHZMOYZIKHZ KATA TH BYZA-
NTINH KAI METABYZANTINH Í1EPIOAO ....................................... 114
7.6.1. EíSr¡ xoapix^ç poumxrjç axo Bu^ócvxio ................................ 114
7.6.2. Tzvr¡ xai zí8r¡ avaxoXuoQÇ xoaptxrjç poucnxyjç xaxá ty] pexaßu^avxiVYj TtepíoSo 115
7.7. MOYZIKA OPrANA ZTO BYZANTIO KAI META TO BYZANTIO .......................... 118
MEPOI B EniAOrH nHTQN
rïpoXsyôpeva yta xy¡v epyama ps xiç nr yéq xrjç ßü^avTtvrj? poumxYjç ............. 134
I. H AHA ANAOOPA THE 0EIAZ AEITOYPriAZ TOY AHOY IOANNOY
TOY XPYEOETOMOY ............................................................. 135
1.1. EMMEAHZ AriArrEAIA .................................................... 135
1.2. nEPIOHMOI YMNOI THE 0EIAZ AEITOYPriAZ TOY AHOY IOANNOY
TOY XPYEOETOMOY ........................................................ 136
1.2.1. Afyov zotív, Tiofrjpoc ApxocyyéXou raßpn^X 8c Ay. Koapá tou Movocxoó, peXoç
Tgriyopioo nptoxo4 áXxoo, y¡x°? ß (8c Mepoç F 0 1,1) .................. 136
1.2.2. Le opvoopzv, naXaioxpioxiavixó noir pa, peXoç Mápxoo BaaeXeíou (apxéç 20oó
ai.), rjx°ç a , zx8ox*í¡ too Ktovaxavxívou npíyyou, *nx°Ç a (Se @ 1,2) . 138
H. ETOIXEIA YMNOAOriAE KAI MEAOYPHAE ......................................... 139
IL 1. TO WAATHPION, H BAEH TON AKOAOY0IQN TOY NYX0HMEPOY ....................... 139
11.1.1. MeyáXou BaaiXeÉou, ripoXoyoç tr¡q OgtXiaç A Eiç tôv A WaXpóv
(8c Mepoç A □ MeXexY] I) ................................................ 139
II. 1.2. MeyáXou BaatXeíou, ArcóaTiaapa anó xy]v EtuctxoXyj Toïç xaxá Nzoxaioápziav
xXrjptxoïç .......................................................... 142
IL 1.3. napaóeíypaxa Siácpopcov xpoucov (JxxXpwSiocç ........................ 144
11.1.3.1. AvTicpcovtxoç ............................................... 144
11.1.3.1.1. WaXpôç 116, pe ecpupvio Aytoç ó Qeóg: T Mixpó Avxícptovo tou Aapa-
tixoó Earcepivou, ^x0? Y (Sc 0 1,3) ........................ 144
11.1.3.1.2. Eva 7tapáÓ£[ypa naXaiáq avxupamxYjç t|;aXpa)§Y]aY]ç arcó tov
Ea7ieptvó Tcov XpiaTouyévvcov: o PaXpôç 86 xai to xpoTiápto Aadúv
ZTéxdrjÇ, r¡x°? ß ............................................. 144
IL 1.3.2. AvxupáXXziv (xaxá 7rpoexxaaY¡ avxicptovLxoç xp07toç exTeXeor^ç) . 146
ILl.3.2.1. PaXpoç 102, EúXóyei r¡ 0uy 7 poo tov Kópiov, r¡xoq tt:X. S , arcó xy]v
apxV) tïjç ©eiaç Aeixoupyiaç (octtó xa Xeyópeva Tumxá) ( 0 1,4) ... 146
11.1.3.2.2. Ext-xoXoyía xcov Aívwv (WaXpoí 148-150, pe apxr¡ xou Tläoa uvoy}),
r¡X°Z a - an6 to xeXoç xou Mov«x^o6 OpOpou (8e 0 1,5) ......... 154
11.2. nAPAAEirMATA YMNOrPAOIAZ KAI MEAOYPriAE Ano THN FIPOBYZA-
NTINH EIIOXH EDE EHMEPA .................................................... 157
11.2.1. npcoxo- xai naXaioxpioTiavixr¡ eTiox^i — ■ A nzpioôoç e^éXtÇï]ç xyjç upvoypacptaç 157
11.2.1.1. To MeyaXuvápto xr¡q YTiepayiaç ©eoxóxou pexá xov EuayyeXtapó
( ® 1,6) .......................................................... 157
11.2.1.2. O TrpwxoxptaxiavLxôç upvoç xou EaTiepivou coç íXapóv, péXoç apxocíov
oe T)xo ß y¡ 8 xpwpaxixó (8c 0 1,7) .............................. 159
X
EiiArnra ith Byzantinh Moyiikh
11.2.1.3. To 7raXaioxptcmavixó xpoTiápio rYnö rr¡v ar¡v eùanXayxviav, ^X°Ç
nk. a ano tov KaxavoxTixo Earcepivó tt)ç MeyâXrjç Teaaapa-
xoanfjç (Sc 0 1,8) ................................................... 162
11.2.1.4. To AttoXotîxio tcov XptaTOoyévvcov H révvrjatç aoo Xpcarè ô ©eoç, rj^oç S
(8c 0 1,16) .......................................................... 165
11.2.2. O Xpoaôç aicovaç too Aytoo Iouormavou xat r¡ £7tox 7 rcpcv ano tt¡v Eixovo-
iayia — B nepioôoq e^éXt^rjç rr ç opvoypacpiaç ......................... 166
11.2.2.1. To xovxáxto tcov XptaTOoyévvcov H Flapdévoç orjpepov, noir^ia
Ay. Pcopavoo tou MeXcoSoó ( 0 1,9) .................................. 166
11.2.2.2. lIposópTioc cm)p7pà tcov XpiaTooyévvcov Ai àyyeXixcà nponopeóeode
dovápeiq, Tcpoaópoca Tipoç aoTÓpeXo too Ay. Pcopavoó too MeXcoSoó,
y¡X°? ^X. ß ( 0 1,15 xai II, 4) .................................... 183
11.2.2.3. O Axádtaroq r Ypvoç (Se 0 1,10 xai □ MeXéxr) II) .................... 187
IL2.2.3.1. To noir¡Tixó xeípevo xai pía peTácppaar) too .................... 187
11.2.2.3.2. H popcpoXoyia too AxaOiaxoo .................................... 196
11.2.2.3.3. MeXo7tot.YÎaeiç tcov Ttpooipicov too AxaOiaxoo ................. 197
11.2.3. Ot enoyéç ttjç Eixovopaxiaç xai rr ç MaxeSôveuxç Avayévvr]ar]ç —» I mpioôoç
£^éXi^y)ç tï]ç opvoypacpiaç ............................................... 199
11.2.3.1. O «Xpoaooç Kavcov» too Tlaoya Avaaráoecoq f¡pépa Xapnpuvdcopev Xaot,
rcoírjpa Ay. Icoávvoo too Aapaaxrjvoo, r¡x°? a * npcoTT] coSr¡ ( 0 1,11) .. 199
11.2.3.2. O Kavôvaç tcov XpcaTooyévvcov Xpioroç, yevvàrat, do^áoare, Troirjpa
Ay. Koapá too MeXcoSoó, r¡x°? a ( 0 1,12) ....................... 203
11.2.3.3. To Ao^aaxixó too Eo7repivoú tcov XpiaTooyévvcov AoyoParoo povapxtfaoc-
I vtoç, 7ioÍY]pa xai péXoç tï]ç Oataç Kaaacavrjç, rjxoç ß (8c 0 1,13) . 219
II.2.4. Atcó tyj aóyxpovrj eXXr)vixr¡ opvoypacpía — A nepíodoq e^eXiiçrçç rr q opvo-
ypacpiaç. O napaxXrjTixoç Kavôvaç tcov Ayicov ApxayyéXcov xai
I % IlappeyiaTcov Taipapx^v MixarjX xai IaßpoQX, Aoàq ApxayyéXcov,
p 7iotr¡pa Iepaaípoo MixpayiavvavÍTOo, Ypvoypâcpoo tïjç MtXE,
I tqxoÇ uX. S , QSrj a (Se 0 1,14) .......................................... 221
HL TNQPIMIA ME TH BYZANTINH OKTAHXIA, ME BAXH KANONEX MEEAAÛN
EOPTQN XE MEAOnOIHXEIX TOY nETPOY BYZANTIOY ...................................... 225
III. 1. XpiaTOÔyevva: XpiôTÔç yevvärat, doÇàoars, r x°Ç a , Tioirpa Ay. Koapá
too MeXcoSoó (Sc 0 1,12 II, 1) ............................................. 226
111.2. ©eocpáveia: BuÔoo avexáXo(¡)e nodpéva, r¡x°? ß ? Ttoirpa Ay. Koapá too MeXcoSoó
(Se 0 11,1) .................................................................. 229
111.3. YTca7ravTr¡ (2. I eßp.): Xépoov aßoacioroxov, tjxoç Y * noír [ia Ay. Koapá
too MeXcoSoó ( 0 11,1) ...................................................... 232
111.4. ri£VTT]xoaTri: ©etù) xaXucpÔetç, tjxoç Xéyexoç (S etppoXoycxôç), Troirjpa Icoávvoo
ApxXá (Aapaaxr]voó;) ae ScoSexaaoXXaßooc; lapßcxooc; oríxooq (Se 0 11,1) ..... 235
111.5. AváXr]c[)r] (40 pépeç pexá tt)v AváaTaarj): Tco Zú)rr¡pt ©eco, Vjxoç ttX. a , noír¡[ia
Icoávvoo Movaxoó (Se 0 11,1) ................................................. 237
111.6. Meya XáßßaTO: Kúpart 6aXáaar¡g, r¡xoq n . ß , noír¡[ia Ay. Koapá too MeXcoSoó
( 0 11,1) ................................................................. 239
DI.7. rievTTjxoaTr): FLóvrco éxáXotpe, r¡x°? ßap6 ; sx too Ta, raxr]pa Ay. Koapá
too MeXcoSoó (Se 0 11,1) ..................................................... 242
riEPIEXOMENA
XI
III. 8. YcJ)coaY] tou Tipiou Xraupou (14. X£7tt.): Eraopôv x^cpà^aç Mcoarjç, rjxoç ttX. 8 ,
Tcoi-rçpa Ay. Koapá tou MeXcoSou ( © 11,1) ....................................... 245
IV. O AHOI IQANNHX O KOYKOYZEAHX KAI ENA FIEPKDHMO MEAOX TOY ............................ 249
IV. 1. Etaaycoyixóc. O Aytoç Icoocvvyjç na7iaô07CooXoç o KooxouÇeXy)ç: XpovoXóyr¡or¡y
spyoypacpia, a7rou8aiÔTr)Ta ....................................................... 249
ip? / /
IV.2. AvcoÔev oí TcpocpyjTat, paOrjpa Oeotoxîo as r¡x° ßapO, péXoç Ay. Icoavvou
tou KouxouÇeXy} (8c © II 2 xai MeXety) III) ....................................... 250
IV.2.1. ripoXEyôpEva xai to 7toiy)tixó xsípsvo ...................................... 250
IV.2.2. Avcodev oí izpo(pr T xi, r X°Ç ßapuc; ex tou Zco, péXoç Ayíou Icoavvoo Kouxou-
ÇeXy), ouvTfjUQOY] KcovaTavTLvou ripcoTOcJjàXTY], z^Y]yr¡or¡ OTY] Néa MéOoôo . 253
IV.2.3. AvcôOsv oí 7zpo(prjraL coç ôépa PuÇoamvrjç xat pETaßu^avTivYjt; Eixovoypacpiaç 256
IV. ENA TPArOYAI TOY nETPAKH ............................................................... 259
néTpoç nEXo7rovvr)aioç, Oavapiamxo Tpayouôi Erô raÇeidt rrjç Çoofjç poo,
r x°Ç n^ 8 [Jtaxâp vixpiÇ, ouaoóX aocpiav (8c © 111,10) .................. 259
KAEIAA TON AXKHXEQN TOY B MEPOYX ........................................................ 261
MEPOX F. KATAAOrOX MOYXIKON flAPAAEirMATON
npoX£yó[jiEva yia tov xaTáXoyo [xooctixcóv Tcapaôsiypâxcov ............................ 266
1. riEPIEXOMENA TON OAKEAQN ANAOEPOMENON XTA MOYXIKA
nAPAAEirMATA ............................................................ 267
•OAKEAOXI ........................................................... 267
ExxXyjaiaaTixrj ßu^avxivY) p.ouaixr¡ .................................. 267
•OAKEAOXII .............................................................. 269
ExxXï]aiacmxr) ßo^avxtvY] ¡iouatxr¡ ................................... 269
• OAKEAOX III .......................................................... 271
ExxXr oiaozixr ßu^avxivYj p.ouatxr¡ ................................. 271
Euyxpovr] pouaixT) EpTWEoapévY) a no tyj ßu^avxivYj pouatxrj ...................... 271
EXXr¡vtxr¡ xoopixr¡ p,ooat.xr¡ xcov psTaßu^avTivcov xpóvcov, 8y)potixy¡ xai Xóyta . 272
«Mouaixoç TTEpiTrXouç»: BuÇavTivY) poumxr) xat aXXsç TcapaSoasiç ExxXiqmacmxYjç
(jLOumxr)ç Efi7rv£uap,£V£ç ano tr v VaXxixY) TéxvY), as Siàcpopsç yXcoaasç tou xôapou .. 272
• OAKEAOX IV ........................................................... 274
H ©Eia AEixoupyia tou Ayíou Icoavvou tou Xpuaoaxopou .............................. 274
2. TA BAXIKOTEPA AKOYXMATA XE MIA MATIA ................................... 275
MEPOX A . MEAETEX nHTQN □
MEAETH nHrON I
TO WAATHPION, H BAXH TON AKOAOY0IQN TOY NYX0HMEPOY 8c
TO ErKQMIO TOY WAATHPIOY AEIO TO MErA BAXIAEIO .............................. 279
A. Etaaycoyrj .............................................................. 280
a. To WaXxr¡piov: laxopixa, TtEpiEXopsvo .................................. 280
ElXAfOFH ITH Byzantinh Moyiikh
xii
ß. H XP^arî TOl) WccÄTrjpLou ott] xptcraavtxrj Xaxpeioc ..................... 280
y. O Méyaç Baoikeioq: ßtoepyoypacptxa oxov/zioc ............................. 281
B. Méyaç BaaiXstoç, Opikia eiç tôv npcbrov WaXpóv: Kevxptxéç totcoOsttjgslç .. 285
MEAETH riHrQN II
O AKA0IZTOZ YMNOZ ............................................................. 293
A. To novqxixo xeípevo, pe évSsi^rj xapocxTYjpicmxcov Xoyoxexvtxcov axYípócTcov xat
avTÍGTou/zc, anzixovíoziq ................................................ 294
B. Ovopaaía ctovösgy] pe laxopLxá yeyovóxa .................................. 321
T. Aetxoopyixóc; tôttoç .................................................... 323
A. nocTpÓTTjTa xpovoXóyrjayj ............................................. 324
E. Aoprj too AxaOtaxoo Ypvoo ................................................. 325
ZT. neptexópevo Tirjyéç .................................................. 325
Z. rioir¡TLxr] aipa ........................................................ 326
H. Mexptxr) ............................................................... 326
0. Tpórcot pooaLxrjç sxTskeor¡c, peXoTrotrjastç too AxocOíotoo .............. 328
I. Míprjar] too AxocOlotoo ................................................... 330
IA. BtßXtoypoccpta (svSetxTixr)) ........................................... 330
MEAETH riHmN III
O AHOI IQANNHZ O KOYKOYZEAHZ, O «AIAAZKAAOZ TÜN AIAAZKAAQN» KAI
TO MA0HMA ANÜ EN OI FIPO HTAI ................................................ 333
A. Meptxá aopTiXY]pcopaTt.xá ßtoepyoypacptxa cnoixzía ...................... 333
B. O LôvOctoç Tpoxoç too Ay. Icoávvoo too KooxooÇéXrj ......................... 335
T To OeoToxío pá0r)poc Avcodev oi npocprjrat oe peaoßo^ocvTtvy] ypacprj ....... 339
A. H apyr¡ e^rjyyjar] too Avcodev oí npocpr zai xai r ßo^avTtvr] TsXcToopyia . 342
E. ZopTtspaapaxa ........................................................... 343
MEPOZ E : MNHMOTEXNIKEL KAPTEAEZ (ßX. zmoovanxóiizvo CD)
MEPOZ ZT : I. EITIZTHMONIKH ZYNEI1EIA KAI AEONTOAOTIA
IL AZKHZEIZ ETIIZTHMONIKHZ ZYITPAOHZ
I. EmaTrjpovtxr) aoveusia xat SsovToXoyia ..................................... 349
II. Aoxr oziq e7iioTr [xovixr ç aoyypacpr¡ ;. ZTpomqytxéç yia ty) aoyypa pr¡ svoç etcujty]-
povtxoó ôoxapioo ........................................................... 351
MEPOZ Z : ZYNOnTIKOZ niNAKAZ
EniAOrOZ ...................................................................... 369
TEKMHPIQZH TQN EIKONQN TOY ZYNOFITIKOY niNAKA (ßX. xat CD, Mzpoç H ) 371
rENIKH BIBAIOrPAOIA yta Ta pépyj A , B , A , ZT ................................. 379
ZHMEIQZEIZ TEAOYZ HA EniMEPOYZ niNAKEZ ........................................ 411
EYPETHPIO KENTPIKDN 0EMATÜN ................................................... 421
|
| any_adam_object | 1 |
| author | Alexandru, Maria ca. 20./21. Jh |
| author_GND | (DE-588)142759945 |
| author_facet | Alexandru, Maria ca. 20./21. Jh |
| author_role | aut |
| author_sort | Alexandru, Maria ca. 20./21. Jh |
| author_variant | m a ma |
| building | Verbundindex |
| bvnumber | BV043726857 |
| contents | Enthält umfangreiche Bibliografie (S. 379-409) Eisagōgē stē byzantinē musikē |
| ctrlnum | (OCoLC)957732742 (DE-599)BVBBV043726857 |
| edition | Prōtē ekdosē |
| format | Book |
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| geographic | Byzantinisches Reich (DE-588)4009256-2 gnd |
| geographic_facet | Byzantinisches Reich |
| id | DE-604.BV043726857 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:33:32Z |
| institution | BVB |
| isbn | 9789601222301 |
| language | Greek |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029138801 |
| oclc_num | 957732742 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-19 DE-BY-UBM |
| physical | 426 Seiten Illustrationen, grafische Darstellungen, Notenbeispiele |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University Studio Press |
| record_format | marc |
| series | Bibliothēkē musikologias |
| series2 | Bibliothēkē musikologias |
| spelling | Alexandru, Maria ca. 20./21. Jh. Verfasser (DE-588)142759945 aut Eisagōgē stē byzantinē musikē = Introduction to byzantine music Maria Alexandru Eisagōgē stē byzantinē mousikē Introduction to byzantine music Prōtē ekdosē Thessalonikē University Studio Press 2016 426 Seiten Illustrationen, grafische Darstellungen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Bibliothēkē musikologias 5 In griechischer Schrift Enthält umfangreiche Bibliografie (S. 379-409) CD Eisagōgē stē byzantinē musikē Musik (DE-588)4040802-4 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 g Musik (DE-588)4040802-4 s DE-604 Bibliothēkē musikologias 5 (DE-604)BV035475773 5 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029138801&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Alexandru, Maria ca. 20./21. Jh Eisagōgē stē byzantinē musikē = Introduction to byzantine music Bibliothēkē musikologias Enthält umfangreiche Bibliografie (S. 379-409) Eisagōgē stē byzantinē musikē Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4009256-2 |
| title | Eisagōgē stē byzantinē musikē = Introduction to byzantine music |
| title_alt | Eisagōgē stē byzantinē mousikē Introduction to byzantine music Eisagōgē stē byzantinē musikē |
| title_auth | Eisagōgē stē byzantinē musikē = Introduction to byzantine music |
| title_exact_search | Eisagōgē stē byzantinē musikē = Introduction to byzantine music |
| title_full | Eisagōgē stē byzantinē musikē = Introduction to byzantine music Maria Alexandru |
| title_fullStr | Eisagōgē stē byzantinē musikē = Introduction to byzantine music Maria Alexandru |
| title_full_unstemmed | Eisagōgē stē byzantinē musikē = Introduction to byzantine music Maria Alexandru |
| title_short | Eisagōgē stē byzantinē musikē |
| title_sort | eisagoge ste byzantine musike introduction to byzantine music |
| title_sub | = Introduction to byzantine music |
| topic | Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Byzantinisches Reich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029138801&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV035475773 |
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