Horror: a literary history
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
British Library
2016
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| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | beide ISBN in einem Buch aufgeführt |
| Beschreibung: | 232 Seiten Illustrationen 23 cm |
| ISBN: | 9780712356077 9780712356084 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | orror is unlike any other literary genre. It seeks to provoke uniquely
strong reactions, such as fear, shock, dread or disgust, and yet
remains very popular. It also crosses media, manifesting in narrative
forms such as graphic novels and video games. Its characters and
trends routinely escape the confines of given texts and become part of
the Zeitgeist. Of course, horror is most readily associated with the film
industry, but horrific short stories and novels have been wildly loved by
readers for well over two centuries. Despite its persistent popularity, there
is no up-to-date history of horror fiction for the general reader.
This ground-breaking book is the first comprehensive history of horror
fiction to take readers from the first Gothic novel in 1764 to the new
weird’, and beyond, in the early 21st century. It offers a chronological
overview of the genre in fiction and explores its development and
mutations over the past 250 years. It also challenges the common
misjudgement that horror fiction is necessarily frivolous or dispensable.
Leading experts on Gothic and horror literature introduce readers
to classics of the genre as well as exciting texts they may not have
encountered before.
The topics examined include: horror’s roots in the Gothic romance and
antebellum American fiction; the penny dreadful and sensation novels of
Victorian England; fin-de-siecle ghost stories; decadent fiction and the
weird; the familial horrors of the Cold War era; the publishing boom of
the 1980s; the establishment of contemporary horror auteurs; and the
post-millennial zombie trend.
Contents
Introduction: What, Why and When Is Horror Fiction? 7
Xavier Aldan a Reyes
Chapter 1. Gothic and the Cultural Sources of Horror,
1740-1820 19
Dale Townshend
Chapter 2. American Horror: Origins and Early Trends 53
Agnieszka Soltysik Monnet
Chapter 3. Horror in the AJineteenth Century: Dreadful Sensations,
1820-80 77
Royce Mahawatte
Chapter 4. Transitions: From Victorian Gothic to Modern Horror,
1880-1932 103
Roger Luckhurst
Chapter 5. Horror Fiction from the Decline of Universal Horror
to the Rise of the Psycho Killer 131
Bernice M. Murphy
Chapter 6. The Rise of Popular Horror, 1971—2000 159
Steffen Hantke
Chapter 7. Post-Millennial Horror, 2000-16 189
Xavier Aldan a Reyes
Further Critical Reading 215
Index 219
|
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| ctrlnum | (OCoLC)959556136 (DE-599)BSZ474944646 |
| dewey-full | 809.39164 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.39164 |
| dewey-search | 809.39164 |
| dewey-sort | 3809.39164 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| title | Horror a literary history |
| title_auth | Horror a literary history |
| title_exact_search | Horror a literary history |
| title_full | Horror a literary history edited by Xavier Aldana Reyes |
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