Spanish film cultures: the making and unmaking of Spanish cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Palgrave on behalf of the British Film Institute
[2016]
|
| Ausgabe: | First published |
| Schriftenreihe: | Cultural histories of cinema
A BFI book |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverzeichnis Seite 132-145 |
| Beschreibung: | VIII, 157 Seiten Illustration 24 cm |
| ISBN: | 9781844578221 1844578224 9781844578214 1844578216 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043720768 | ||
| 003 | DE-604 | ||
| 005 | 20170920 | ||
| 007 | t | ||
| 008 | 160817s2016 a||| |||| 00||| eng d | ||
| 020 | |a 9781844578221 |c hardbound |9 978-1-84457-822-1 | ||
| 020 | |a 1844578224 |9 1844578224 | ||
| 020 | |a 9781844578214 |c paperback |9 978-1-84457-821-4 | ||
| 020 | |a 1844578216 |c paperback |9 1-84457-821-6 | ||
| 035 | |a (OCoLC)958176777 | ||
| 035 | |a (DE-599)BVBBV043720768 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-384 |a DE-355 |a DE-B170 |a DE-M472 | ||
| 084 | |a AP 59437 |0 (DE-625)7791:696 |2 rvk | ||
| 084 | |a IP 10225 |0 (DE-625)62458: |2 rvk | ||
| 084 | |a IP 1300 |0 (DE-625)61915: |2 rvk | ||
| 084 | |a IP 16900 |0 (DE-625)62525: |2 rvk | ||
| 084 | |a IP 2387 |0 (DE-625)61952: |2 rvk | ||
| 100 | 1 | |a Triana-Toribio, Núria |0 (DE-588)132790777 |4 aut | |
| 245 | 1 | 0 | |a Spanish film cultures |b the making and unmaking of Spanish cinema |c Nuria Triana-Toribio |
| 250 | |a First published | ||
| 264 | 1 | |a London |b Palgrave on behalf of the British Film Institute |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a VIII, 157 Seiten |b Illustration |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Cultural histories of cinema | |
| 490 | 0 | |a A BFI book | |
| 500 | |a Literaturverzeichnis Seite 132-145 | ||
| 505 | 8 | |a Introduction -- Why academies? -- Film cultures -- Academicism: an authority over film cultures -- What does academicism want? -- When the Academia? -- The house is built of the stones that were available -- And the winner is... -- Being different: Almodóvar and the Academia -- Rogue males, 'bad' films and 'bad' loyalties: Santiago Segura and Álex de la Iglesia -- There is no such thing as a weak enemy -- Transatlantic Academia -- Epilogue | |
| 610 | 1 | 4 | |a Academia de las Artes y las Ciencias Cinematográficas de España |
| 610 | 1 | 7 | |a Academia de las Artes y las Ciencias Cinematográficas de España |2 fast |
| 610 | 2 | 7 | |a Academia de las Artes y las Ciencias Cinematográficas de España |0 (DE-588)5197574-9 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Motion pictures / Spain / History | |
| 650 | 4 | |a Motion pictures / Social aspects / Spain | |
| 650 | 7 | |a Motion pictures / Social aspects |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Spain |2 fast | |
| 651 | 4 | |a Spanien | |
| 651 | 7 | |a Spanien |0 (DE-588)4055964-6 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Spanien |0 (DE-588)4055964-6 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Academia de las Artes y las Ciencias Cinematográficas de España |0 (DE-588)5197574-9 |D b |
| 689 | 0 | |5 DE-604 | |
| 710 | 2 | |a British Film Institute |0 (DE-588)1004046-8 |4 oth | |
| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029132840&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029132840 | |
Datensatz im Suchindex
| _version_ | 1808865415879720960 |
|---|---|
| adam_text |
Contents
Acknowledgments . . . vii
Introduction . 1
Why academies? . 2
Film cultures . 5
Academicism: an authority over film cultures . 6
What does academicism want? . 10
When the Academia? . 13
1 The House Is Built of the Stones That Were Available . 17
The values and their origins . 17
Academic foundations . . . 19
The regime’s long watch over cinema . . . 24
Policies and organisations for a European Spain . . . 29
By invitation only . 30
No free lunch . 32
2 And the Winner Is.36
The Academia’s less public awards . . . 37
Engoyados . . . 41
Voyage to somewhere . 45
The big film prizes tell a story . 47
Where the tastes of audiences and academicians meet. 51
Galas . . . 52
Shaping the televisual spectacle from 2005 to 2011 . . . 54
3 Being Different: Almodovar and the Academia . 56
The making of an outsider . . . 59
What kind of outsider is Almodovar? . 62
4 Rogue Males, ‘Bad’ Films and ‘Bad’ Loyalties: Santiago Segura and
Alex de la Iglesia . 72
The turn to genre . . . 73
When the winner does not take it all. 75
Case one - not fit for export and not fit for Goyas: Segura’s
Lethal Crisis (2011) . 76
Case two - Academia vs. de la Iglesia and the internet. 85
5 There Is No Such Thing as a Weak Enemy . 90
A severe case of cinephile anxiety . 91
The cinephile habitus . . . 95
Avant-garde vs. the national cinema . 97
Moments of disruption and anti-institutionalism: the case of
La soledad (2007) . . . 99
6 Transatlantic Academia . 105
What Hollywood wants . and what it gets . . . 105
Tainted love: good things come from bad prizes . 109
A prize, compromise and contradictions . . . 110
Ideal Latin America . . . 113
Challenges for the Academia: the crossover Latin American film
at the Goyas . . . 115
Hispanic transnational collaborative networks . . . 116
Epilogue . 120
Notes . . . 125
Bibliography . . . 132
Index . . . 147 |
| any_adam_object | 1 |
| author | Triana-Toribio, Núria |
| author_GND | (DE-588)132790777 |
| author_facet | Triana-Toribio, Núria |
| author_role | aut |
| author_sort | Triana-Toribio, Núria |
| author_variant | n t t ntt |
| building | Verbundindex |
| bvnumber | BV043720768 |
| classification_rvk | AP 59437 IP 10225 IP 1300 IP 16900 IP 2387 |
| contents | Introduction -- Why academies? -- Film cultures -- Academicism: an authority over film cultures -- What does academicism want? -- When the Academia? -- The house is built of the stones that were available -- And the winner is... -- Being different: Almodóvar and the Academia -- Rogue males, 'bad' films and 'bad' loyalties: Santiago Segura and Álex de la Iglesia -- There is no such thing as a weak enemy -- Transatlantic Academia -- Epilogue |
| ctrlnum | (OCoLC)958176777 (DE-599)BVBBV043720768 |
| discipline | Allgemeines Romanistik |
| edition | First published |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV043720768</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170920</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160817s2016 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781844578221</subfield><subfield code="c">hardbound</subfield><subfield code="9">978-1-84457-822-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1844578224</subfield><subfield code="9">1844578224</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781844578214</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-84457-821-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1844578216</subfield><subfield code="c">paperback</subfield><subfield code="9">1-84457-821-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)958176777</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043720768</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-M472</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59437</subfield><subfield code="0">(DE-625)7791:696</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IP 10225</subfield><subfield code="0">(DE-625)62458:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IP 1300</subfield><subfield code="0">(DE-625)61915:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IP 16900</subfield><subfield code="0">(DE-625)62525:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IP 2387</subfield><subfield code="0">(DE-625)61952:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Triana-Toribio, Núria</subfield><subfield code="0">(DE-588)132790777</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Spanish film cultures</subfield><subfield code="b">the making and unmaking of Spanish cinema</subfield><subfield code="c">Nuria Triana-Toribio</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First published</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Palgrave on behalf of the British Film Institute</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VIII, 157 Seiten</subfield><subfield code="b">Illustration</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cultural histories of cinema</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">A BFI book</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturverzeichnis Seite 132-145</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Why academies? -- Film cultures -- Academicism: an authority over film cultures -- What does academicism want? -- When the Academia? -- The house is built of the stones that were available -- And the winner is... -- Being different: Almodóvar and the Academia -- Rogue males, 'bad' films and 'bad' loyalties: Santiago Segura and Álex de la Iglesia -- There is no such thing as a weak enemy -- Transatlantic Academia -- Epilogue</subfield></datafield><datafield tag="610" ind1="1" ind2="4"><subfield code="a">Academia de las Artes y las Ciencias Cinematográficas de España</subfield></datafield><datafield tag="610" ind1="1" ind2="7"><subfield code="a">Academia de las Artes y las Ciencias Cinematográficas de España</subfield><subfield code="2">fast</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Academia de las Artes y las Ciencias Cinematográficas de España</subfield><subfield code="0">(DE-588)5197574-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Spain / History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Social aspects / Spain</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures / Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Spain</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Spanien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Academia de las Artes y las Ciencias Cinematográficas de España</subfield><subfield code="0">(DE-588)5197574-9</subfield><subfield code="D">b</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">British Film Institute</subfield><subfield code="0">(DE-588)1004046-8</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Augsburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029132840&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029132840</subfield></datafield></record></collection> |
| geographic | Spain fast Spanien Spanien (DE-588)4055964-6 gnd |
| geographic_facet | Spain Spanien |
| id | DE-604.BV043720768 |
| illustrated | Illustrated |
| indexdate | 2024-08-31T01:41:28Z |
| institution | BVB |
| institution_GND | (DE-588)1004046-8 |
| isbn | 9781844578221 1844578224 9781844578214 1844578216 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029132840 |
| oclc_num | 958176777 |
| open_access_boolean | |
| owner | DE-12 DE-384 DE-355 DE-BY-UBR DE-B170 DE-M472 |
| owner_facet | DE-12 DE-384 DE-355 DE-BY-UBR DE-B170 DE-M472 |
| physical | VIII, 157 Seiten Illustration 24 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Palgrave on behalf of the British Film Institute |
| record_format | marc |
| series2 | Cultural histories of cinema A BFI book |
| spelling | Triana-Toribio, Núria (DE-588)132790777 aut Spanish film cultures the making and unmaking of Spanish cinema Nuria Triana-Toribio First published London Palgrave on behalf of the British Film Institute [2016] © 2016 VIII, 157 Seiten Illustration 24 cm txt rdacontent n rdamedia nc rdacarrier Cultural histories of cinema A BFI book Literaturverzeichnis Seite 132-145 Introduction -- Why academies? -- Film cultures -- Academicism: an authority over film cultures -- What does academicism want? -- When the Academia? -- The house is built of the stones that were available -- And the winner is... -- Being different: Almodóvar and the Academia -- Rogue males, 'bad' films and 'bad' loyalties: Santiago Segura and Álex de la Iglesia -- There is no such thing as a weak enemy -- Transatlantic Academia -- Epilogue Academia de las Artes y las Ciencias Cinematográficas de España Academia de las Artes y las Ciencias Cinematográficas de España fast Academia de las Artes y las Ciencias Cinematográficas de España (DE-588)5197574-9 gnd rswk-swf Motion pictures / Spain / History Motion pictures / Social aspects / Spain Motion pictures / Social aspects fast Motion pictures fast Film Geschichte Gesellschaft Film (DE-588)4017102-4 gnd rswk-swf Spain fast Spanien Spanien (DE-588)4055964-6 gnd rswk-swf Spanien (DE-588)4055964-6 g Film (DE-588)4017102-4 s Academia de las Artes y las Ciencias Cinematográficas de España (DE-588)5197574-9 b DE-604 British Film Institute (DE-588)1004046-8 oth Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029132840&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Triana-Toribio, Núria Spanish film cultures the making and unmaking of Spanish cinema Introduction -- Why academies? -- Film cultures -- Academicism: an authority over film cultures -- What does academicism want? -- When the Academia? -- The house is built of the stones that were available -- And the winner is... -- Being different: Almodóvar and the Academia -- Rogue males, 'bad' films and 'bad' loyalties: Santiago Segura and Álex de la Iglesia -- There is no such thing as a weak enemy -- Transatlantic Academia -- Epilogue Academia de las Artes y las Ciencias Cinematográficas de España Academia de las Artes y las Ciencias Cinematográficas de España fast Academia de las Artes y las Ciencias Cinematográficas de España (DE-588)5197574-9 gnd Motion pictures / Spain / History Motion pictures / Social aspects / Spain Motion pictures / Social aspects fast Motion pictures fast Film Geschichte Gesellschaft Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)5197574-9 (DE-588)4017102-4 (DE-588)4055964-6 |
| title | Spanish film cultures the making and unmaking of Spanish cinema |
| title_auth | Spanish film cultures the making and unmaking of Spanish cinema |
| title_exact_search | Spanish film cultures the making and unmaking of Spanish cinema |
| title_full | Spanish film cultures the making and unmaking of Spanish cinema Nuria Triana-Toribio |
| title_fullStr | Spanish film cultures the making and unmaking of Spanish cinema Nuria Triana-Toribio |
| title_full_unstemmed | Spanish film cultures the making and unmaking of Spanish cinema Nuria Triana-Toribio |
| title_short | Spanish film cultures |
| title_sort | spanish film cultures the making and unmaking of spanish cinema |
| title_sub | the making and unmaking of Spanish cinema |
| topic | Academia de las Artes y las Ciencias Cinematográficas de España Academia de las Artes y las Ciencias Cinematográficas de España fast Academia de las Artes y las Ciencias Cinematográficas de España (DE-588)5197574-9 gnd Motion pictures / Spain / History Motion pictures / Social aspects / Spain Motion pictures / Social aspects fast Motion pictures fast Film Geschichte Gesellschaft Film (DE-588)4017102-4 gnd |
| topic_facet | Academia de las Artes y las Ciencias Cinematográficas de España Motion pictures / Spain / History Motion pictures / Social aspects / Spain Motion pictures / Social aspects Motion pictures Film Geschichte Gesellschaft Spain Spanien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029132840&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT trianatoribionuria spanishfilmculturesthemakingandunmakingofspanishcinema AT britishfilminstitute spanishfilmculturesthemakingandunmakingofspanishcinema |