Monsters in the machine: science fiction film and the militarization of America after World War II
"During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction...from alien invasions to biological mutation and space travel...the vast majority of these...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis |
| Zusammenfassung: | "During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction...from alien invasions to biological mutation and space travel...the vast majority of these films subscribed to the affects and aesthetic of the horror film, anticipating the dominant dystopian turn of many science fiction films to come. Departing from American technological awe and optimism throughout the 1950s, these films were interested in paranoia, unease, fear, shock, and disgust. Not only do they address technophobia and its psychological, social, and cultural corollaries; they also return persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the U.S. military is omnipresent in these films. Regardless of their genre, these films have always been understood as allegories of the Cold War, registering anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, and communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, this book follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war in comparison to America's involvement in postcolonial conflicts around the globe"... |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | vii, 234 pages illustratons |
| ISBN: | 9781496805652 |
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| 520 | |a "During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction...from alien invasions to biological mutation and space travel...the vast majority of these films subscribed to the affects and aesthetic of the horror film, anticipating the dominant dystopian turn of many science fiction films to come. Departing from American technological awe and optimism throughout the 1950s, these films were interested in paranoia, unease, fear, shock, and disgust. Not only do they address technophobia and its psychological, social, and cultural corollaries; they also return persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the U.S. military is omnipresent in these films. Regardless of their genre, these films have always been understood as allegories of the Cold War, registering anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, and communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, this book follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war in comparison to America's involvement in postcolonial conflicts around the globe"... | ||
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Datensatz im Suchindex
| _version_ | 1804176512713228288 |
|---|---|
| adam_text | Titel: Monsters in the machine
Autor: Hantke, Steffen
Jahr: 2016
Contents
vi i Acknowledgments
3 Introduction
A Bright New Future, With Monsters
47 Chapter One
Military Stock Footage
85 Chaptar Two
Veterans
Chaptar Thraa
The Southwest
153 Chaptar Four
Decolonization
185 Conclusión
The Long Shadow of the Fifties
203 Notes
22i Works Cited
229 Index
|
| any_adam_object | 1 |
| author | Hantke, Steffen 1962- |
| author_GND | (DE-588)134224728 |
| author_facet | Hantke, Steffen 1962- |
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| dewey-search | 791.43/615 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1050-1965 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1050-1965 |
| format | Book |
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| spelling | Hantke, Steffen 1962- (DE-588)134224728 aut Monsters in the machine science fiction film and the militarization of America after World War II Steffen Hantke Jackson University Press of Mississippi [2016] vii, 234 pages illustratons txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction...from alien invasions to biological mutation and space travel...the vast majority of these films subscribed to the affects and aesthetic of the horror film, anticipating the dominant dystopian turn of many science fiction films to come. Departing from American technological awe and optimism throughout the 1950s, these films were interested in paranoia, unease, fear, shock, and disgust. Not only do they address technophobia and its psychological, social, and cultural corollaries; they also return persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the U.S. military is omnipresent in these films. Regardless of their genre, these films have always been understood as allegories of the Cold War, registering anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, and communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, this book follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war in comparison to America's involvement in postcolonial conflicts around the globe"... Geschichte 1900-2000 Geschichte 1050-1965 gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Science fiction films United States History and criticism Motion pictures United States History 20th century Armed Forces in motion pictures PERFORMING ARTS / Film & Video / History & Criticism Horrorfilm (DE-588)4127415-5 gnd rswk-swf Science-Fiction-Film (DE-588)4054023-6 gnd rswk-swf Militarismus (DE-588)4039356-2 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Science-Fiction-Film (DE-588)4054023-6 s Horrorfilm (DE-588)4127415-5 s Politik (DE-588)4046514-7 s Gesellschaft (DE-588)4020588-5 s Militarismus (DE-588)4039356-2 s Geschichte 1050-1965 z DE-604 Erscheint auch als Online-Ausgabe Hantke, Steffen, 1962- author Monsters in the machine. Jackson : University Press of Mississippi, 2016 http://www.netread.com/jcusers/1343/3148015/image/lgcover.9781496805652.jpg Cover image HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029132808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hantke, Steffen 1962- Monsters in the machine science fiction film and the militarization of America after World War II PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Science fiction films United States History and criticism Motion pictures United States History 20th century Armed Forces in motion pictures PERFORMING ARTS / Film & Video / History & Criticism Horrorfilm (DE-588)4127415-5 gnd Science-Fiction-Film (DE-588)4054023-6 gnd Militarismus (DE-588)4039356-2 gnd Gesellschaft (DE-588)4020588-5 gnd Politik (DE-588)4046514-7 gnd |
| subject_GND | (DE-588)4127415-5 (DE-588)4054023-6 (DE-588)4039356-2 (DE-588)4020588-5 (DE-588)4046514-7 (DE-588)4078704-7 |
| title | Monsters in the machine science fiction film and the militarization of America after World War II |
| title_auth | Monsters in the machine science fiction film and the militarization of America after World War II |
| title_exact_search | Monsters in the machine science fiction film and the militarization of America after World War II |
| title_full | Monsters in the machine science fiction film and the militarization of America after World War II Steffen Hantke |
| title_fullStr | Monsters in the machine science fiction film and the militarization of America after World War II Steffen Hantke |
| title_full_unstemmed | Monsters in the machine science fiction film and the militarization of America after World War II Steffen Hantke |
| title_short | Monsters in the machine |
| title_sort | monsters in the machine science fiction film and the militarization of america after world war ii |
| title_sub | science fiction film and the militarization of America after World War II |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Film Geschichte Science fiction films United States History and criticism Motion pictures United States History 20th century Armed Forces in motion pictures PERFORMING ARTS / Film & Video / History & Criticism Horrorfilm (DE-588)4127415-5 gnd Science-Fiction-Film (DE-588)4054023-6 gnd Militarismus (DE-588)4039356-2 gnd Gesellschaft (DE-588)4020588-5 gnd Politik (DE-588)4046514-7 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Film Geschichte Science fiction films United States History and criticism Motion pictures United States History 20th century Armed Forces in motion pictures Horrorfilm Science-Fiction-Film Militarismus Gesellschaft Politik USA |
| url | http://www.netread.com/jcusers/1343/3148015/image/lgcover.9781496805652.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029132808&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hantkesteffen monstersinthemachinesciencefictionfilmandthemilitarizationofamericaafterworldwarii |