Imitation and creativity in the Japanese arts: from Kishida Ryûsei to Miyazaki Hayao
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Columbia University Press
2016
|
| Schriftenreihe: | Asia Perspectives: History, Society, and Culture
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FHR01 FKE01 FLA01 TUM01 UBG01 UBW01 UPA01 FCO01 Volltext |
| Zusammenfassung: | The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.Choosing a representative work from each of four modern genres—painting, film, photography, and animation—Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914–1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey—Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following |
| Beschreibung: | 1 Online-Ressource (248 Seiten) 40 b&w illustrations. - Illustrationen |
| ISBN: | 9780231540544 |
| DOI: | 10.7312/luck17292 |
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| author | Lucken, Michael 1969- |
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| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
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| indexdate | 2024-07-10T07:33:19Z |
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| isbn | 9780231540544 |
| language | English |
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| spelling | Lucken, Michael 1969- Verfasser (DE-588)188487387 aut Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao Michael Lucken New York Columbia University Press 2016 © 2016 1 Online-Ressource (248 Seiten) 40 b&w illustrations. - Illustrationen txt rdacontent c rdamedia cr rdacarrier Asia Perspectives: History, Society, and Culture The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts.Choosing a representative work from each of four modern genres—painting, film, photography, and animation—Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914–1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey—Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following Creation (Literary, artistic, etc.) Imitation in art http://doi.org/10.7312/luck17292 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lucken, Michael 1969- Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao Creation (Literary, artistic, etc.) Imitation in art |
| title | Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao |
| title_auth | Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao |
| title_exact_search | Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao |
| title_full | Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao Michael Lucken |
| title_fullStr | Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao Michael Lucken |
| title_full_unstemmed | Imitation and creativity in the Japanese arts from Kishida Ryûsei to Miyazaki Hayao Michael Lucken |
| title_short | Imitation and creativity in the Japanese arts |
| title_sort | imitation and creativity in the japanese arts from kishida ryusei to miyazaki hayao |
| title_sub | from Kishida Ryûsei to Miyazaki Hayao |
| topic | Creation (Literary, artistic, etc.) Imitation in art |
| topic_facet | Creation (Literary, artistic, etc.) Imitation in art |
| url | http://doi.org/10.7312/luck17292 |
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